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Artículos de revistas sobre el tema "Eugene O`Neills"

Autor: Grafiati

Publicado: 18 de mayo de 2024

Última modificación: 31 de julio de 2025

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1

Vandenbroecke, Jan. "Eugene O-Neills "Mourning Becomes Electra" en Aischulos' "Oresteia"." Documenta 9, no. 1 (2019): 3–13. http://dx.doi.org/10.21825/doc.v9i1.11082.

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Mirza, Dr Anum. "Alienation and the Dilemma of Man in Eugene O’Neill’s The Hairy Ape." SMART MOVES JOURNAL IJELLH 8, no. 12 (2020): 186–92. http://dx.doi.org/10.24113/ijellh.v8i12.10871.

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Eugene O' Neill, an American playwright was born into a troubled and an upset family on October 16, 1888. Eugene O’ Neill had a quite precarious, wobbly and uneven adolescence as his elder brother was an affirmed alcoholic whereas his mom was a drug addict. This research paper analyzes the alienation, dilemma and the futile struggle of man in the quest of his identity. O'Neill followed the course of a superior and advanced writer looking for a profound focus in the entirety of his significant works. His perspective on humankind in his dramatizations is basically sad and heartbreaking. The auth

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3

Ismael, Hasan Obaid Alsanafi. "Displaying the Human's Struggle Against Oppression: An Examination of Eugene O'Neill's The Hairy Ape." Indian Journal of Social Science and Literature (IJSSL) 1, no. 4 (2022): 14–21. https://doi.org/10.54105/ijssl.D1016.061422.

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<strong>Abstract: </strong>To assert the predominant fact, which insist the core function of drama as being the tool of informing stories and writing process as the creation of those stories. Eugene O’Neill firmly determined to devote his writing to be a mirror to reflect his experiences and the society he belonged to. Within socio-economic circumstances, Eugene O’Neill has depicted the culture of the injustice community of the 1920s in America. His characters were routinely qualified of creating human’s experiences and statuses onstage. Moreover, O’Neill’s plotli

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4

Ismael, Hasan Obaid Alsanafi. "Depic ting of the Woman in Eugene O'Neill's - A Moon for the Misbegotten." Indian Journal of Management and Language (IJML) 2, no. 1 (2022): 20–24. https://doi.org/10.54105/ijml.C2045.041322.

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<strong>Abstract: </strong>The current study aims to discover how the woman was depicted and the way gender roles were defined and described in Eugene O'Neill’s “A Moon for the Misbegotten”. The importance of this paper is obtained from the broad subject of gender in general. Depicting women is highly suitable topic to many domains and fields to discover the impact of sex type in one domain donates to the comprehension of sex in another domain. The purpose of this study is to expose the playwright’s potentiality to go beyond a narrow image of the woman in the wester

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5

Li, Xin, and Chengjun Wu. "Chinese Taoism in Eugene O’ Neill’s Marco Millions." OALib 08, no. 03 (2021): 1–7. http://dx.doi.org/10.4236/oalib.1107262.

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6

Hossain, Mohammad Kamal. "Eugene O'Neill's Wavering Estimation of Dreams and Illusions in The Hairy Ape, The Iceman Cometh and Long Day's Journey into Night." DIU Journal of Business and Economics 3, no. 2 (2024): 1–9. https://doi.org/10.5281/zenodo.14174606.

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Eugene O’Neill seems to have fostered a wavering estimation about the self- annihilating dreams and illusions of his characters. This particular characteristic of O’Neill has changed significantly during the progress of his career as a dramatist. The present study intends to show how far this attitude of O’Neill has changed. The study will examine three of O’Neill’s masterpieces and will try to trace the degree of change observable in his view of dreams and illusions of his characters. In The Hairy Ape O’Neill has handled the issue of dreams and illusions wi

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7

Dr., Anuradha Deepak. "Before Breakfast" by Eugene O'Neill: The Saga of an Unhappy Wife." International Journal of Innovative Research and Creative Technology 2, no. 5 (2016): 190–92. https://doi.org/10.5281/zenodo.8372011.

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O’Neill is a well known American dramatist who won four Pulitzer Prizes and also one Noble Prize for literature. He took the drama very seriously and wrote on a variety of subjects and themes depicting the problems of the family relationships, the marginalized sections of society, the addictions, repression, the revenge and so on. The present research paper focuses on the play “Before Breakfast” by O’Neill which is a story of a tortured relationship of a married couple where the wife suffers mainly because of the indifferent and irresponsible behaviour of the husband wh

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8

Ms., Trushali Shantibhai Dodiya. "The Sense of Failure in Long Day's Journey into Night Eugene O'Neill." Literary Enigma 1, no. 1 (2025): 37–42. https://doi.org/10.5281/zenodo.15108931.

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AbstractEugene O’Neill’s Long Day’s Journey into Night is a profound study offailure, addiction, and familial dysfunction. This research paper examinesthe theme of failure in the play, analyzing how personal flaws, pasttraumas, and cyclical patterns of self-destruction contribute to thedownfall of the Tyrone family. By exploring James Tyrone’s miserliness,Mary’s morphine addiction, Jamie’s self-destructive tendencies, andEdmund’s existential despair, this study highlights how failure manifestsboth individually and collectively. The paper employs psycho

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9

Pacheco Acuña, Gilda. "De Clitemnestra a Christine Mannon: ¿mujeres villanas o vengadoras?" Káñina 43, no. 1 (2019): 59–70. http://dx.doi.org/10.15517/rk.v43i1.37501.

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El artículo presenta la comparación literaria de dos personajes femeninos: Clitemnestra en la trilogía de Esquilo, conocida como La Orestía, y Christine Mannon en la trilogía de Eugene O´Neill titulada Mourning Becomes Electra (A Electra le sienta bien el luto). Siguiendo preceptos teóricos de literatura comparada y de enfoques de género, se analizarán las similitudes, diferencias, logros y limitaciones de estas dos fuertes y polémicas heroínas. Sus pensamientos y acciones son usualmente criticados, pues serán descritos y condicionados por las percepciones de dos escritores masculinos pertenec

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10

Gusnida Rezky Sinaga, Basar Jenius Sinaga, and Syamsul Bahri. "HEDONISM IN EUGENE O NEIL’S: A LONG DAYS JOURNEY INTO NIGHT." International Journal of Education and Literature 1, no. 2 (2022): 1–15. http://dx.doi.org/10.55606/ijel.v1i2.19.

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The objective of this study is to investigate Hedonism in the Eugene O’ Neil’s drama A Long Days Journey Into Night. This study uses descriptive qualitative to explore the kind of hedonism on the dialogue utterance of characters in that drama. The results of the data were found that the most frequent types was folk hedonism 24%, value hedonism 10%, motivational hedonism 22%, normative hedonism 16%, egoist hedonism 14% and Utilitarian hedonism 14%. Folk hedonism occurs in the character named James Tyrone because he seeks his own pleasure without thinking about what will happen in the future. Va

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11

Khalaf, Elias. "Eugen O Neills Desire Under the Elms: The Quest for Self-assertion." Al-Balqa Journal for Research and Studies 4, no. 2 (1996): 113–35. http://dx.doi.org/10.35875/n9pb3926.

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في هذا البحث ، نحاول فحص الصفات الشخصية للتأكد من تواجد الذات الشخصي. هذه المحاولات تأخذ شكل التوكيد على الخيال المهيمن على صفة الاستجابة نحو الأمان الذي يقيَم في حالات العنف المتوارد. وفي هذا المجال تحاول الشخصية إثبات وجودها مع صفة السمو بالمأساة البطولية.

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12

Dr.Narugopal, Mukherjee. "Re-reading Greek Myths in O'Neill's Desire under the Elms and Mourning Becomes Electra: A Psychoanalytical Study." Re-reading Greek Myths in O'Neill's Desire under the Elms and Mourning Becomes Electra: A Psychoanalytical Study 9, no. 2 (2024): 375–88. https://doi.org/10.36993/ RJOE.2024.9.2.388.

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Eugene O’Neill’s plays are a continuous record of his psychological and spiritual quest. He explores the myths of Oedipus, Medea, Phaedra-Hippolytus-Theseus, and Orestes that have served as hypo texts to two of his famous plays, Desire under the Elms and Mourning Becomes Electra. The paper will also examine how Freudian psychoanalysis has given shape to the action of the plays concerned.The play Desire under the Elms is an exploration of Oedipus complex projected by Sigmund Freud.Oedipal instincts are found in Eben as he wants to possess all his father

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13

Abul, Bashar. "Identity in Crisis: Navigating Symbols of Internal and External Conflicts in Motherhood 2000 and The Hairy Ape." Literary Enigma 1, no. 4 (2025): 46–54. https://doi.org/10.5281/zenodo.15454711.

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Abstract   Theatre has long served as a medium to explore the complexities of human identity, oppression, and psychological conflict, offering dramatized representations of individuals caught in the struggles between personal agency and external societal forces. Adrienne Kennedy’s Motherhood 2000 and Eugene O’Neill’s The Hairy Ape are two seminal works that, despite differing historical and thematic contexts, share a common concern with fractured identity, alienation, and the power structures that shape human existence. While Kennedy’s play employs surrealism and f

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14

Pacheco, Gilda. "The female image in Eugene O´Neill´s Desire under the elms and A moon for the misbegotten." Revista de Filología y Lingüística de la Universidad de Costa Rica 21, no. 1 (2015): 55. http://dx.doi.org/10.15517/rfl.v21i1.20263.

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El siguiente artículo analiza el papel de la mujer en dos obras escritas por el dramaturgo estadounidense conocido Eugene O'Neill. Estas obras son Deseo bajo los olmos y una luna para el bastardo. Luego, los personajes de Abbie Putnam y Josie Hogan respectivamente se estudian bajo un ámbito feminista que exhibe la falta de identidad femenina, un rasgo recurrente de las obras de O'Neill.The following article analyzes the female role in two plays written by the well-known American playwright Eugene O'Neill. These works are Desire Under the Elms and A Moon for the Misbegotten. Then, the character

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15

Ibrahim, Haider, and Abdullah Mohd Nawi. "The Use of Metaphor as a Tool in Depicting Tragedy in the Literary Works of Eugene O‟Neill." International Journal of Psychosocial Rehabilitation 24, no. 1 (2020): 793–96. http://dx.doi.org/10.37200/ijpr/v24i1/pr200184.

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16

Abdul, Awal. "Desire under the Elms:A Critical Analysis." Desire under the Elms:A Critical Analysis 2, no. 1 (2024): 1–4. https://doi.org/10.5281/zenodo.13273233.

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The paper depicts overlapping of love, possession and greed in American play,' Desire under the Elms' with vivid reference. Psychological interpretation of love and of revenge is explained here grandly. The purpose of the research is to find out the Freudian psychological theory in this play. The presentation of love, sex and family relation are exposed intensely. 'Desire under the Elms' (1924) is one of the most well-known Plays of famous American dramatist of the twentieth century, Eugene O’Neill (1888-1953). In this dram

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17

Khalil, Haider ibrahim. "The psychological factors and tragedy aspects in the selected plays of American dramatist Eugene Oâ€™Neill." Science Proceedings Series 1, no. 2 (2019): 147–49. http://dx.doi.org/10.31580/sps.v1i2.819.

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The abstract of this paper is present the tragedy and psychological aspects of Eugene Oâ€™Neillâ€˜s selected plays. The main objective is to review the dramatic life of the father of American drama and find out some tragic and psychological aspect in the plays such as Desire under the Elm, The strange interlude, the long dayâ€™s journey into night and other. The analysis is the narrative analysis as well as the data collection are to scan some psychological and tragedy concepts in original content plays. The main issues of the study is to make a link to the tragedy and psychological aspects in

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18

Burdenko, E.V., Natalia Ilyushchenko, and Irina Artsis. "International Theatrical Educational Programs: Moscow Art Theatre School Experience." Multidisciplinary Journal of Educational Research 8, no. 2 (2018): 145–70. https://doi.org/10.17583/remie.2018.3155.

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This paper presents research results regarding the creation, development and implementation of the international theatrical educational programs organized by the Moscow Art Theatre School together with leading American universities: the first program carried out together with the Eugene O'Neill Theatre Centre; the first international Master's theatre program carried out together with Carnegie Mellon University; the international Master's theatre program, which is currently being carried out together with the American Repertory Theatre at Harvard University, and the short-term inter

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19

Abdulmunem Azeez, Rasha. "Paula Vogel And The Modern American Female Playwrights." Journal of the College of languages, no. 44 (June 1, 2021): 46–71. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0046.

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Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there we

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20

Khalil, Haider ibrahim. "THE DEPICTION OF THE METAPHORICAL EXPRESSION IS THE TOOL TO TRAGEDY IN EUGENE Oâ€™NEILLâ€˜S PLAYS AS MODREN AMERICAN DRAMA." Science Proceedings Series 1, no. 2 (2019): 131–33. http://dx.doi.org/10.31580/sps.v1i2.793.

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The main purpose of this paper is to identify the metaphorical expressions in the father of American drama, Eugene ONeill. It is mainly depicting some of the tragic images in ONeill plays. Furthermore, the tragic images has consisted of the following: murder, revenge, killing and the gloomy picture that is brought the dark side of life in the selected text. The researcher will use the qualitative approach and narrative analysis of the text. These plays reflect the tragic images in Modren American drama.

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21

Artesi, Catalina Julia, and (tradução) Luis Marcio Arnaut. "Tennessee Williams on the stages of Buenos Aires." Dramaturgia em foco 8, no. 2 (2024): 408–25. https://doi.org/10.5281/zenodo.14037683.

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The impact of Tennessee Williams, and others such as Eugene O’Neill and Arthur Miller, is notable, particularly in the theaters of Buenos Aires, Argentina. In truth, not only his works have been performed with great reception from the local public, they also had an impact on notable Argentine authors. We propose, in this tribute, to make a review of the main versions of his most famous works that have been produced in the Federal Capital, from the middle of the 20th century to 2023, highlighting some aspects regarding their creators and other elements that allow us to understand the prod

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22

Artesi, Catalina Julia. "Tennessee Williams en los escenarios de Buenos Aires." Dramaturgia em foco 7, no. 2 (2025): 268–87. https://doi.org/10.5281/zenodo.14871368.

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El impacto de Tennessee Williams, y otros como Eugene O´Neill y Arthur Miller, es notable, particularmente en los teatros de Buenos Aires, Argentina. En verdad, no sólo se lo ha representado con gran recepción del público local, también ha incidido en autores argentinos notables. Nos proponemos, en este homenaje, realizar una reseña de las principales versiones de sus obras más famosas que se han realizado en la Capital Federal, desde mediados del siglo XX hasta 2023, destacando algunos aspectos respecto de sus realizadores y otros elementos que

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Artesi, Catalina Julia, and (tradução) Elizabeth Cartaxo. "Tennessee Williams nos palcos de Buenos Aires." Dramaturgia em foco 8, no. 2 (2024): 388–407. https://doi.org/10.5281/zenodo.14031615.

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O impacto de Tennessee Williams, assim como de outros dramaturgos americanos, como Eugene O’Neill e Arthur Miller, é notável, especialmente nos teatros de Buenos Aires, Argentina. Na verdade, suas obras não apenas foram representadas com grande aceitação pelo público local, mas também influenciaram destacados autores argentinos. Neste tributo, pretendemos fazer uma revisão das principais produções de suas obras mais famosas realizadas na Capital Federal, desde meados do século XX até 2023, destacando algu

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24

Khalil, Haider Ibrahim, Abdullah Mohd Nawi, and Ansam Ali Flefil. "The Iceman Cometh (1939) is the Representation of the Social Problems by Eugene O’ Neill: Modern American Drama." Asia Proceedings of Social Sciences 7, no. 2 (2021): 96–100. http://dx.doi.org/10.31580/apss.v7i2.1781.

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The main aim of this paper is to trace the social problems in The Iceman Cometh by Eugene O’Neill. The social issues are the pipe dream and hopelessness of man in American family and society. These social problems leads to tragic issues. The researcher is going to use the socialism theory by Karl Marx to tackle social issues (the hopelessness of man and the pipe dream) to present the tragic problems. The analysis of data will be qualitative approach and the technique is interpretive as storytelling type. The data is collected by the textual method. In the analysis and discussions part, the res

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25

Hadi Abu-Krooz, Hasan, and Majid Mohammed Saadoon. "Social Features of Language of the Characters in Eugene O'Neill's Play<i> "Long Day's Journey into Night"</i>." English Language, Literature & Culture 6, no. 4 (2021): 126. http://dx.doi.org/10.11648/j.ellc.20210604.15.

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26

Boivin, Aurélien. "Achard, Eugène. Contes, légendes et récits d’Eugène Achard. Anthologie préparée et présentée par Victor-Lévy Beaulieu. Notre-Dame-Des- Neiges, Éditions Trois-Pistoles, « Contes, légendes et récits du Québec et d’ailleurs », 2012, 416-[2] p. ISBN 978-2-89583-257-7." Rabaska: Revue d'ethnologie de l'Amérique française 10 (2012): 229. http://dx.doi.org/10.7202/1013555ar.

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27

Cooper, Declan L. M., Simon L. Lewis, Martin J. P. Sullivan, et al. "Consistent patterns of common species across tropical tree communities." Nature CLXVI, no. CLXVI (2024): 1–25. https://doi.org/10.1038/s41586-023-06820-z.

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Cooper, Declan L. M., Lewis, Simon L., Sullivan, Martin J. P., Prado, Paulo I., ter Steege, Hans, Barbier, Nicolas, Slik, Ferry, Sonké, Bonaventure, Ewango, Corneille E. N., Adu-Bredu, Stephen, Affum-Baffoe, Kofi, de Aguiar, Daniel P. P., Ahuite Reategui, Manuel Augusto, Aiba, Shin-Ichiro, Albuquerque, Bianca Weiss, de Almeida Matos, Francisca Dionízia, Alonso, Alfonso, Amani, Christian A., do Amaral, Dário Dantas, do Amaral, Iêda Leão, Andrade, Ana, de Andrade Miranda, Ires Paula, Angoboy, Ilondea B., Araujo-Murakami, Alejandro, Arboleda, Nicolás Castaño, Arroyo, Luzmila, Ashton, Peter, Aymar

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Ahmad. "The Nostalgia And Sufferings Of Mary Tyrone: A Psychoanalytical Analysis Of O'neill's Long Days Journey Into Night." International "Journal of Academic Research for Humanities" 4, no. 3 (2024). https://doi.org/10.5281/zenodo.12675329.

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<strong>Abstract:</strong>   This study investigates the hidden personality traits and sufferings of Mary Tyrone in Eugene O’Neill’s Long Day’s Journey into Night through the lens of Sigmund Freud’s theory of psychoanalysis. This research explores Mary Tyrone's life journey, tracing her transformation from a respectable lady to a drug addict. The research aims to illustrate how her behaviour is influenced by her ID and the subsequent consequences she faces due to her stubbornness. As a researcher, I employ the qualitative method, utilizing Catherine Belsey’s

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Pradnya, S. Yenkar. "PIONEERS OF REPERTORY THEATRES." August 10, 2019. https://doi.org/10.5281/zenodo.3404981.

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The staging of Shakespeare?s plays was revolutionized by Granville-Barker?s productions at the Savoy Theatre, which were admired for their simplicity, fluidity, and speed. Equally significant for the British theatre was the founding of the first provincial repertory theatre in 1908 by Horniman at the Gaiety, Manchester. It not only provided opportunities for promising British playwrights but also presented works by important Continental dramatists. Mainstream British theatre paid very little attention to the antirealistic movements that characterized experimental theatre in the rest of Europe.

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"Acknowledgment of Abstract Reviewers." Circulation 128, suppl_22 (2013). https://doi.org/10.1161/circ.128.suppl_22.a401.

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Abbara, Suhny Abbott, J Dawn Abe, Jun-ichi Abraham, William T. Achenbach, Stephan Ackerman, Michael J. Adabag, Selcuk Adams, Ted Adatya, Sirtaz Ades, Philip A. Ahmed, Bina Aikawa, Elena Ailawadi, Gorav Aizawa, Yoshifusa Aizer, Anthony Akagi, Teiji Akar, Fadi Akhter, Shahab Al Khatib, Sana Al-Ahmad, Amin Al-Mallah, Mouaz Alberts, Mark J. Alexander, John H.. Alexander, Mark Ali, Mo Allen, Larry A. Allen, Norrina B. Allison, Matthew A. Ambrosio, Giuseppe Amsterdam, Ezra Anand, Inder S. Andelfinger, Gregor Anderson, Mark E. Andresen, Brad Antoniucci, David Anversa, Piero Anyanwu, Ani Aon, Miguel A

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Nairn, Angelique, and Deepti Bhargava. "Demon in a Dress?" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2846.

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Introduction The term monster might have its roots in the Latin word monere (to warn), but it has since evolved to have various symbolic meanings, from a terrifying mythical creature to a person of extreme cruelty. No matter the flexibility in use, the term is mostly meant to be derogatory (Asma). As Gilmore puts it, monsters “embody all that is dangerous and horrible in the human imagination” (1). However, it may be argued that monsters sometimes perform the much-needed work of defining and policing our norms (Mittman and Hensel). Since their archetype is predisposed to transgressing boundari

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