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Artículos de revistas sobre el tema "Europeana"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 26 de julio de 2025

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1

Vovk, N. "Peculiarities of Europeana Metadata as a Set of Information for Describing Digital Cultural Heritage." Visnyk of Kharkiv State Academy of Culture, no. 64 (December 26, 2023): 7–15. http://dx.doi.org/10.31516/2410-5333.064.01.

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The relevance of the research. European integration is the main and unchanging foreign policy priority of Ukraine. Further development and deepening of relations between Ukraine and the EU are the main direction of its development. A new stage in the development of EU-Ukraine treaty relations, which began with Ukraine’s accession to the EU candidate status in June 2022, requires further raising awareness of Ukraine’s European integration among all members of society. Libraries can contribute to the formation of objective motivations among the population by understanding the practical benefits

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2

Negoi, Ana Maria Roman. "The Europeana Collections – Transylvanian Prints from the Collections of the National Museum of the Union from Alba Iulia." International Journal of Advanced Statistics and IT&C for Economics and Life Sciences 9, no. 1 (2019): 31–40. http://dx.doi.org/10.2478/ijasitels-2019-0004.

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AbstractThe Europeana Collections, inaugurated in 2008, represents the completion of an ambitious project intended to be a journey and an instrument for the access to the culture, the history and the identity of the Europeans. Nowadays, Europeana contains in its collections more than 58 million digital units, organized on domains and themes, from art works, artefacts and books to movies and music. The patrimony of the Europeana enriches yearly and constantly by the contribution of the European Member States, as response to the common aspiration to open the access to knowledge beyond the nation

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3

Damova, Mariana. "Bulgariana: A Bulgarian Aggregator to Europeana." Digital Presentation and Preservation of Cultural and Scientific Heritage 2 (September 30, 2012): 85–92. http://dx.doi.org/10.55630/dipp.2012.2.30.

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Europeana is the European virtual museum which was established in 2008. Its ambition is to create a common space allowing to access the cultural heritage of Europe from a single portal, by creating a network in all European countries. To make the initiative technically possible, Europeana has built a technological infrastructure to aggregate metadata from the different Europeana countries and memory institutions, while keeping the original digitized content on their sites. This paper presents Bulgariana, the Bulgarian chapter of Europeana. It is part of the technical infrastructure of European

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4

Bontchev, Boyan. "Evolving Europeana ’s Metadata : from ESE to EDM." Digital Presentation and Preservation of Cultural and Scientific Heritage 2 (September 30, 2012): 27–37. http://dx.doi.org/10.55630/dipp.2012.2.12.

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The evolution of metadata standards used for building the Semantic Web makes possible single, integrated access to regional digital libraries. The ambition of Europeana project is focused at realisation of such an integrated, secured multilingual access to digital collections of European cultural heritage artifacts distributed at various European countries. The present paper represents in brief both the goals and evolution of Europeana and its technical implementation steps. It discusses possible ways of contributing to this effort by submitting descriptive metadata according two specific nota

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5

Adiba, Syifa, and Febriyanto Febriyanto. "Europeana: Aggregating Cultural Diversity In Unity." TEKSTUAL 19, no. 2 (2022): 97. http://dx.doi.org/10.33387/tekstual.v19i2.4246.

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This study examines Europeana, a European cultural heritage data aggregator. The purpose of this study is to explore the Europeana platform and its relationship in a broader field. The purpose of this research is to provide an overview of Europeana development and demonstrate the significant alteration in the platform. A qualitative approach used in this study is descriptive methods and direct observation to Europeana website, alongside with literature review was conducted for the data retrieval technique. The research found that Europeana experienced a significance in the development and has

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6

Valtysson, Bjarki. "EUROPEANA." Information, Communication & Society 15, no. 2 (2012): 151–70. http://dx.doi.org/10.1080/1369118x.2011.586433.

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7

Scott, Rachel E. "Europeana." Music Reference Services Quarterly 16, no. 2 (2013): 118–20. http://dx.doi.org/10.1080/10588167.2013.782221.

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8

Cosma, Ghizela, and Anca Ioana Docolin. "Valorificarea patrimoniului imagistic local clujean în Europeana. Biblioteca digitală europeană." Revista Muzeelor 1 (2023): 102–26. http://dx.doi.org/10.61789/rm.2023.07.

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"This study identified and analyzed visual resources, more precisely photographs and postcards, with images from Cluj-Napoca, that were digitized and posted on Europeana. European Digital Library by libraries, museums, archives, a cultural center and a community-based photo archive from Romania, Hungary, Austria, Sweden and Italy. Moreover, it provides a research model on the topic, focusing on the scientific potential of the existing digital resources in Europeana. It highlights the importance of the digitization of the cultural heritage, building a digital repository that offers both a gener

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9

Natale, Maria Teresa, and Marzia Piccininno. "Europeana Education." DigItalia 15, no. 1 (2020): 108–13. http://dx.doi.org/10.36181/digitalia-00008.

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La formazione scolastica è stata uno dei primi campi in cui Europeana ha sperimentato il riuso dei propri contenuti, avviando una collaborazione ormai di lungo corso con ministeri dell’istruzione, associazioni e reti professionali, insegnanti. Nel febbraio 2020 Europeana ha lanciato Europeana Education, un gruppo informale di professionisti ed esperti provenienti sia dal settore del patrimonio culturale sia da quello dell’istruzione, la cui principale attività è lo scambio esperienze e condividere idee per un uso innovativo delle risorse culturali digitali di Europeana. Nell’articolo presentia

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10

Fondren, Elisabeth. "Europeana Newspapers." American Journalism 36, no. 3 (2019): 412–14. http://dx.doi.org/10.1080/08821127.2019.1644099.

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11

Mościcka, Albina, and Agnieszka Zwirowicz-Rutkowska. "Description of Cartographic Heritage in Europeana Data Model." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-260-2019.

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<p><strong>Abstract.</strong> Europeana is a portal that provides access to millions of objects from all kinds of cultural heritage communities. It enables users to find digital cultural works made available by cultural institutions throughout the European Union. Currently, Europeana provides access to a collection of more than 50 million books, periodicals, video clips, maps, photographs and digital documents from libraries, archives, museums and audio-visual archives in Europe. To facilitate Europeana’s participation in the Semantic Web Europeana Data Model (EDM) has been d

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12

Borin, Elena, and Fabio Donato. "Financial Sustainability of Digitizing Cultural Heritage: The International Platform Europeana." Journal of Risk and Financial Management 16, no. 10 (2023): 421. http://dx.doi.org/10.3390/jrfm16100421.

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In recent years, the increasing demand for digital cultural content has intensified the digitization challenges for cultural organizations. Among these difficulties, cultural organizations have been struggling to find the financial resources for digitizing their cultural heritage, as well as for storing data, developing digital skills, and implementing enhancement and management processes for their digitized materials. The financial sustainability of digitization projects has therefore been problematic, especially for small and medium organizations. In this framework, among its attempts to sol

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13

Domazet, Tatjana, Nataša Petrović, and Tamara Butigan Vučaj. "Europeana Data Model: The Key to Cooperation with Europeana." Infotheca 22, no. 1 (2022): 71–85. http://dx.doi.org/10.18485/infotheca.2022.22.1.4.

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14

Pollé, Ad. "Stories from where it all began / The Europeana 1914-1918 roadshow at the National & University Library of B&H = Priče iz mjesta gdje je sve počelo." Bosniaca 21, no. 21 (2016): 47–49. http://dx.doi.org/10.37083/bosn.2016.21.47.

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Project Europeana 1914-1918 was created in an effort to gather in one place untold and unpublished stories of individuals and their families. Items that are citizens of Bosnia and Herzegovina brought to the show have been digitized and published together with stories (with the permission from the owner) in the pan-European digital library “Europeana 1914-1918“with the location http://www.europeana1914-1918.eu/bs.This paper deals with the Days of collecting memories in Sarajevo in the National and University Library of Bos-nia and Herzegovina, which was the co-organizer of this event. = Projeka

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15

Martínez Carrillo, A. L., Francisco Gómez, and Alberto Sánchez Vizcaíno. "Integración de contenidos 3D de la cultura ibérica en Europeana." Virtual Archaeology Review 3, no. 7 (2012): 27. http://dx.doi.org/10.4995/var.2012.4378.

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<p>Over the last few years, Internet has become the main information provider in every field. The initiative for the digital library of European culture, Europeana, sets in this framework of such information technologies. This paper reports on the method used to integrate 3D archeological data in a website currently under construction at the Andalusian Centre for Iberian Archaeology of the University of Jaén. The initiative is funded by project CARARE (Connecting ARchaeology and ARchitecture in Europeana) aiming at increasing the quantity and quality of 2D and 3D digital contents of Euro

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16

Зимина, Е. И. "The European Library и Europeana: история, проекты, будущее". Библиотековедение, № 1 (2011): 97–102.

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17

Franzen, Ricarda. "Europeana Sounds: an interface into European sound archives." Sound Studies 2, no. 1 (2016): 103–6. http://dx.doi.org/10.1080/20551940.2016.1154303.

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18

Capurro, Carlotta, and Gertjan Plets. "Europeana, EDM, and the Europeanisation of Cultural Heritage Institutions." Digital Culture & Society 6, no. 2 (2020): 163–90. http://dx.doi.org/10.14361/dcs-2020-0209.

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Abstract Over the past two decades, the European Commission has mobilised cultural heritage to bolster a European identity. One of the main flagship initiatives promoted to this end has been Europeana, the most extensive digital cultural project financed by the EU. At the core of the project stands europeana.eu, a digital cultural portal aggregating metadata provided by national and local heritage institutions. Central in our analysis is the Europeana Data Model (EDM). Using standardised thesauri and vocabularies, EDM offers the possibility to create a semantic contextualisation for objects, a

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19

Suls, Dieter. "Europeana Fashion: Past, present and future." Art Libraries Journal 42, no. 3 (2017): 123–29. http://dx.doi.org/10.1017/alj.2017.18.

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The subject of this article is Europeana Fashion, an EU-funded initiative that deals with the aggregation and online dissemination of the digital fashion heritage from the most important European collections. The project started with a consortium consisting of 22 partners from 12 European countries and included the Victoria and Albert Museum (London), Les Arts Décoratifs (Paris), MoMu (Antwerp) and many other museums. Also archives of brands, such as Missoni and Pucci were represented. The main goal of Europeana Fashion was to harvest the digital collections of fashion institutions and to re-p

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20

Pletinckx, D. "EUROPEANA AND 3D." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XXXVIII-5/W16 (September 10, 2012): 483–90. http://dx.doi.org/10.5194/isprsarchives-xxxviii-5-w16-483-2011.

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21

Kail, Candice. "Europeana: Think Culture." Journal of Web Librarianship 5, no. 3 (2011): 256–61. http://dx.doi.org/10.1080/19322909.2011.592483.

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22

Denoël, Charlotte, Claudia Fabian, and Marie-Hélène Tesnière. "Éditorial. Europeana Regia." Bulletin du bibliophile N° 357, no. 1 (2013): 3–9. http://dx.doi.org/10.3917/bubib.357.0015.

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23

Зимина, Е. И. "The European Library и Europeana: новые проекты и планы". Вестник Библиотечной Ассамблеи Евразии, № 3 (2011): 50.

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24

Zimina, Elena I. "The European Library and Europeana: History, Projects and Future." Bibliotekovedenie [Russian Journal of Library Science], no. 1 (February 24, 2011): 97–102. http://dx.doi.org/10.25281/0869-608x-2011-0-1-97-102.

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The article gives the picture of initiation and development of two European digital libraries, their projects and successes and reports on the steps and results of the RSL’s participation and partnership in the European Library activities.

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25

Браккер, Н. В. "Europeana: европейская цифровая библиотека". Медиатека и мир, № 1 (2014): 7–10.

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26

Purday, Jonathan. "Intellectual Property Issues and Europeana, Europe's Digital Library, Museum and Archive." Legal Information Management 10, no. 3 (2010): 174–80. http://dx.doi.org/10.1017/s1472669610000678.

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AbstractEuropeana is the focus of a number of IPR issues. The portal provides access to three sets of assets: the Open Source code base, the authority-controlled metadata and the digitised content. Europeana has integrated metadata standards across the heritage domains and will now licence the metadata as a resource for the development of linked data and semantic web applications. The main rights issues concern the digitisation of public domain content and orphan works. Digitisation of out-of-copyright analogue material does not create new rights and the Europeana Public Domain Charter provide

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27

Willems, Marieke, and Rossitza Atanassova. "Europeana Newspapers: searching digitized historical newspapers from 23 European countries." Insights the UKSG journal 28, no. 1 (2015): 51–56. http://dx.doi.org/10.1629/uksg.218.

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28

Marsenić, Miloš, and Saša Stanojević. "Digital resources in history teaching with reference to the European project Europeana." Зборник радова Филозофског факултета у Приштини 50, no. 4 (2020): 185–96. http://dx.doi.org/10.5937/zrffp50-28944.

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The development of new technologies and the information society has accelerated changes in everyday life and modern teaching. Information and communication technologies (ICT) better motivate students to learn. In order to better preserve historical sources, they are digitized and thus protected, hence researchers can access the source faster and at a less cost. The possibilities of using the Internet in teaching are vast. It is necessary for schools to have computers, as well as for teachers and students to be motivated to use new electronic sources. Many websites have original historical mate

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29

Stiller, Juliane, and Vivien Petras. "Learning from Digital Library Evaluations: The Europeana Case." ABI Technik 38, no. 1 (2018): 37–45. http://dx.doi.org/10.1515/abitech-2018-0006.

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AbstractIn this paper we analyse evaluation studies of the Europeana digital library from its launch in 2009 until today. Using Saracevic’s digital library evaluation framework, the studies are categorised by their constructs, contexts, criteria, and methodologies. Concentrating on studies that evaluate Europeana services or single components, we show gaps in the evaluation of certain Europeana aspects. Finally, we derive strategies for building an evaluation archive that serves as memory and supports comparisons.

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Coneglian, Caio Saraiva, and José Eduardo Santarem Segundo. "Europeana no Linked Open Data: conceitos de Web Semântica na dimensão aplicada das Humanidades Digitais." Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação 22, no. 48 (2016): 88. http://dx.doi.org/10.5007/1518-2924.2017v22n48p88.

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http://dx.doi.org/10.5007/1518-2924.2017v22n48p88O surgimento de novas tecnologias, tem introduzido meios para a divulgação e a disponibilização das informações mais eficientemente. Uma iniciativa, chamada de Europeana, vem promovendo esta adaptação dos objetos informacionais dentro da Web, e mais especificamente no Linked Data. Desta forma, o presente estudo tem como objetivo apresentar uma discussão acerca da relação entre as Humanidades Digitais e o Linked Open Data, na figura da Europeana. Para tal, utilizamos uma metodologia exploratória e que busca explorar as questões relacionadas ao mo

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Winer, Dov. "Judaica Europeana: An Infrastructure for Aggregating Jewish Content." Judaica Librarianship 18, no. 1 (2014): 88–115. http://dx.doi.org/10.14263/2330-2976.1027.

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Judaica Europeana envisions a world in which all digitized Jewish content in a variety of databases worldwide is aggregated and made accessible to users and applications anywhere, at any time. It seeks to set the ground so such content is cross-linked to conceptual structures (vocabularies, encyclopedias) that enrich them and provide contextual significance. Judaica Europeana is part of a cluster of projects building Europeana, a Linked Data infrastructure initiative of the European Commission. Judaica Europeana involves now some thirty-five partners from Europe, America and Israel, among them

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32

Gaona García, Paulo Alonso, Ana Fermoso García, and Salvador Sánchez Alonso. "Exploring the Relevance of Europeana Digital Resources: Preliminary Ideas on Europeana Metadata Quality." Revista Interamericana de Bibliotecología 40, no. 1 (2017): 59–69. http://dx.doi.org/10.17533/udea.rib.v40n1a06.

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33

Ovčina, Ismet, and Muamera Smajić. "Dani prikupljanja uspomena iz Prvog svjetskog rata u Bosni i Hercegovini = Europeana 194-1918 / Days of Collecting Memories From the First World War in Bosnia and Herzegovina." Bosniaca 21, no. 21 (2016): 50–53. http://dx.doi.org/10.37083/bosn.2016.21.50.

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Nacionalna i univerzitetska biblioteka BiH pridružila se projektu Europeana 1914–1918 s ciljem obilježavanja stogodišnjice Prvog svjetskog rata. Projekat je podrazumijevao organizovanje Dana prikupljanja na koje su gra-đani BiH imali priliku donijeti priče, predmete, slike vezane za ove događaje i svojim uspomenama doprinijeti bogaćenju velikog panevropskog arhiva u svrhu očuvanja kulturno-historijskog naslijeđa. = National and University Library of Bosnia and Herzegovina joined the project Europeana 1914–1918 with the aim of celebration of the centenary from beginning of the World War I. The

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34

Ikonomov, Nikola, Boyan Simeonov, Jana Parvanova, and Vladimir Alexiev. "Europeana Creative. EDM Endpoint. Custom Views." Digital Presentation and Preservation of Cultural and Scientific Heritage 3 (September 30, 2013): 35–43. http://dx.doi.org/10.55630/dipp.2013.3.3.

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The paper discusses the Europeana Creative project which aims to facilitate re-use of cultural heritage metadata and content by the creative industries. The paper focuses on the contribution of Ontotext to the project activities. The Europeana Data Model (EDM) is further discussed as a new proposal for structuring the data that Europeana will ingest, manage and publish. The advantages of using EDM instead of the current ESE metadata set are highlighted. Finally, Ontotext’s EDM Endpoint is presented, based on OWLIM semantic r epository and SPARQL query language. A user-friendly RDF view is pres

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Šaulauskas, Marius Povilas, and Alfredas Bumblauskas. "TRYS ACADEMIA EUROPEANA LEMTYS IR UNIVERSITAS VILNENSIS." Problemos 76 (January 1, 2009): 9–27. http://dx.doi.org/10.15388/problemos.2009.0.1946.

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Straipsnyje teigiama, kad universitas, arba Academia Europeana, – tai visų pirma vertybinė, o ne ekonominė, profesinė ar politinė kategorija. Aksiologinė universitetinę erdvę vienijanti struktūra trilypė, ją sudaro trijų skirtingų epochų vertybiniai kodai. Pirma, viduramžių polilogas, pagrįstas multicentrizmo principu ir netarpišku kompetencijos perteikimu. Antra, modernusis statizmas ir scientizmas, besiremiantis nacionaliniu monocentrizmu ir tarpišku, rašytiniu, ir netarpišku, žodiniu, kompetencijos perteikimu. Trečia, šiuolaikinis ekonomizmas ir globalizmas, palaikomas transnacionalinio mon

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Garcia-Moreno, Maria Antonia, and Tony Hernández-Pérez. "Patrimonio cultural europeo digitalizado: Europeana." PragMATIZES, no. 16 (June 3, 2019): 140. http://dx.doi.org/10.22409/pragmatizes.v0i16.27530.

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37

Isaac, Antoine, and Bernhard Haslhofer. "Europeana Linked Open Data – data.europeana.eu." Semantic Web 4, no. 3 (2013): 291–97. http://dx.doi.org/10.3233/sw-120092.

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Gaona-Garcia, Paulo Alonso, Salvador Sanchez-Alonso, and Ana Fermoso García. "Visual analytics of Europeana digital library for reuse in learning environments." Online Information Review 41, no. 6 (2017): 840–59. http://dx.doi.org/10.1108/oir-04-2016-0114.

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Purpose The purpose of this paper is to assess whether Europeana can be really seen as the new “Library of Alexandria” for digital resources from the perspective of teachers, academics and researchers that might want to retrieve and reuse those resources for learning purposes. Design/methodology/approach The authors define a systematic method for studying Europeana digital resources and their potential for reuse in e-learning environments. To achieve this, the authors explore the coverage of digital resources when searching information about a specific area. The paper studies the relevance of

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Meghini, Carlo, Valentina Bartalesi, Daniele Metilli, and Filippo Benedetti. "Introducing narratives in Europeana: A case study." International Journal of Applied Mathematics and Computer Science 29, no. 1 (2019): 7–16. http://dx.doi.org/10.2478/amcs-2019-0001.

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Abstract We present a preliminary study to introduce narratives as a first-class functionality in digital libraries. The general idea is to enrich those libraries with semantic networks of events providing a meaningful contextualisation of the digital libraries’ objects. More specific motivations are presented through a set of use cases by different actors who would benefit from using narratives for different purposes. Then, we consider a specific digital library, Europeana, the largest European digital library in the cultural heritage domain. We discuss how the Europeana Data Model could be e

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Mendonça, Ana Carolina Novaes de, and Felipe Augusto Arakaki. "Metadados para a construção de coleções especiais: a coleção Art by Female Artists." Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação 29 (July 18, 2024): 1–26. http://dx.doi.org/10.5007/1518-2924.2024.e95611.

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Objetivo: A Biblioteca Digital Europeana foi desenvolvida pelos países da União Europeia com o intuito de oferecer acesso online gratuito a patrimônios culturais provenientes de instituições como museus, bibliotecas e arquivos. Para tanto, a Europeana desenvolveu o Europeana Data Model (EDM) — um modelo interoperável para coletar, conectar e enriquecer metadados do patrimônio cultural — e adotou práticas de Linked Data em seu catálogo, garantindo a interoperabilidade. Discutir a importância dos metadados para auxiliar a construção e a curadoria de coleções temáticas Método: Esta é uma revisão

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Berendsohn, Walter, and Anton Güntsch. "OpenUp! Creating a cross-domain pipeline for natural history data." ZooKeys 209 (July 20, 2012): 47–54. https://doi.org/10.3897/zookeys.209.3179.

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Multimedia data held by Natural History Museums and Universities are presently not readily accessible, even within the natural history community itself. The EU project OpenUp! is an effort to mobilise scientific biological multimedia resources and open them to a wider audience using the EUROPEANA data standards and portal. The connection between natural history and EUROPEANA is accomplished using well established BioCASe and GBIF technologies. This is complemented with a system for data quality control, data transformation and semantic enrichment. With this approach, OpenUp! will provide at le

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42

Kim, Saemee. "Digital Museum Diplomacy : The Case of Europeana and European Integration for Peace." Zeitschrift der Koreanisch-Deutschen Gesellschaft für Sozialwissenschaften 34, no. 4 (2024): 399–426. https://doi.org/10.19032/zkdgs.2024.12.34.4.399.

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Red’kina, Natalia. "EUROPEANA: DIGITAL CULTURAL HERITAGE OF EUROPE." Proceedings of Altai State Academy of Culture and Arts, no. 2 (2020): 89–96. http://dx.doi.org/10.32340/2414-9101-2020-2-89-96.

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Isaac, Antoine, Robina Clayphan, and Bernhard Haslhofer. "Europeana: Moving to Linked Open Data." Information Standards Quarterly 24, no. 2/3 (2012): 34. http://dx.doi.org/10.3789/isqv24n2-3.2012.06.

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Ervin, Andrew. "Introduction to Focus: Europeana, &c." American Book Review 27, no. 1 (2005): 3. http://dx.doi.org/10.1353/abr.2005.0019.

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Kouretsis, Alexandros, Iraklis Varlamis, Laida Limniati, Minas Pergantis, and Andreas Giannakoulopoulos. "Mapping Art to a Knowledge Graph: Using Data for Exploring the Relations among Visual Objects in Renaissance Art." Future Internet 14, no. 7 (2022): 206. http://dx.doi.org/10.3390/fi14070206.

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Graph-like structures, which are increasingly popular in data representation, stand out since they enable the integration of information from multiple sources. At the same time, clustering algorithms applied on graphs allow for group entities based on similar characteristics, and discover statistically important information. This paper aims to explore the associations between the visual objects of the Renaissance in the Europeana database, based on the results of topic modeling and analysis. For this purpose, we employ Europeana’s Search and Report API to investigate the relations between the

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47

Mościcka, Albina. "Europeana Data Model in GIS for movable heritage." Geografie 120, no. 4 (2015): 527–41. http://dx.doi.org/10.37040/geografie2015120040527.

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The paper proposes to use European resources in GIS as a set of multi-spatial objects with semantic relations to the space. It improves the analysis and visualization of geographic or contextual associations between various items. This paper aims to integrate the Europeana Data Model with GIS for movable heritage based on semantic relations of movable objects with the space. All classes and properties of the EDM were analyzed. Classes and properties containing spatial information were examined and their semantic relations to the space were proposed. All aspects of the relations of movable heri

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48

Caldelli, Maria Letizia, and Silvia Orlandi. "EAGLE: storia di un'idea dalle origini all'ingresso di EDF." DigItalia 15, no. 2 (2020): 126–37. http://dx.doi.org/10.36181/digitalia-00020.

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Il contributo fornisce una breve storia di EAGLE: nasce nel 2003 come Electronic Archive of Greek and Latin Epigraphy, una federazione di banche dati che si riconoscono nello stesso modo di concepire l’epigrafia digitale; si evolve tra il 2013 e il 2016 come aggregatore e content provider di Europeana (Europeana network of Ancient Greek and Latin Epigraphy); dal 2020 accoglie EDF (Epigraphic Database Falsae), la prima banca dati dedicata al fenomeno della falsificazione epigrafica.

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49

Bellini, Pierfrancesco, Ivan Bruno, Paolo Nesi, and Michela Paolucci. "IPR Centered Institutional Service and Tools for Content and Metadata Management." International Journal of Software Engineering and Knowledge Engineering 25, no. 08 (2015): 1237–70. http://dx.doi.org/10.1142/s0218194015500242.

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Multimedia services of cultural institutions need to be supported by content, metadata and workflow management systems to efficiently manage huge amount of content items and metadata production. Online digital libraries and cultural heritage institutions, as well as portals of publishers need an integrated multimedia back office in order to aggregate content collection and provide them to national and international aggregators, with respect to Intellectual Property Rights, IPR. The aim of this paper is to formalize and discuss requirements, modeling, design and validation of an institutional a

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50

Purday, Jonathan. "Europeana: Digital Access to Europe's Cultural Heritage." Alexandria: The Journal of National and International Library and Information Issues 23, no. 2 (2012): 1–13. http://dx.doi.org/10.7227/alx.23.2.2.

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