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Artículos de revistas sobre el tema "Exotic art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 12 de febrero de 2022

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1

Kaushik, Sangeeta. "MADHUBANI- THE EXOTIC ART OF MITHILA." Researchers' Guild 2, no. 1 (2020): 52–55. http://dx.doi.org/10.15503/rg2019.5.

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The aim of this paper is to preserve the originality of the art form. The recent trends of consumerism, market and selling attitude have made this art a maidservant of the moneyed people. The selling of art and modifying it is not bad but it should not affect the creativity of the people. Due to the contemporary styles the real essence of this folk art is disappearing which in turn is also depleting the values associated with it. A serious thought is urgently required before the traditional creativity and values are drained out to nothing. NGO professionals, researchers, folk artists, and peop

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2

Saunders, Richard. "Exotic pets: the state of the art." Journal of Small Animal Practice 52, no. 2 (2011): 67–68. http://dx.doi.org/10.1111/j.1748-5827.2010.01038.x.

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3

Verevis, Constantine. "‘Moldy Art’: The exotic world of Jack Smith." Studies in Documentary Film 4, no. 2 (2010): 173–86. http://dx.doi.org/10.1386/sdf.4.2.173_1.

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4

Bennett, R. Avery. "Introduction: State-of-the-Art Surgery in Exotic Pets." Journal of Exotic Pet Medicine 20, no. 3 (2011): 171–72. http://dx.doi.org/10.1053/j.jepm.2011.04.002.

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5

Ford, Phil. "Taboo: Time and Belief in Exotica." Representations 103, no. 1 (2008): 107–35. http://dx.doi.org/10.1525/rep.2008.103.1.107.

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In the 1950s, exotica was a genre of pop music that specialized in depicting imaginary exotic paradises and conventionalized natives. By the late 1960s, exotica pop had disappeared, but its tropes of temporal and spatial disjuncture persisted, structuring the music, visual art, and social theory of the utopian counterculture. While 1950s and 1960s kinds of exotica differ in their preferred imaginary destinations, both raise the question of what intermediate shades between belief and disbelief are demanded by aestheticized representations of human life. This essay theorizes exotica as a mode of

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6

Sema, Daniel. "GERAKAN IMPRESIONISME, DEBUSSY DAN “CLAIR DE LUNE”: SEBUAH REFLEKSI TERHADAP PERUBAHAN." Jurnal Abdiel: Khazanah Pemikiran Teologi, Pendidikan Agama Kristen, dan Musik Gereja 2, no. 1 (2018): 61–73. http://dx.doi.org/10.37368/ja.v2i1.61.

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Impressionism derives its source of inspiration from external, even exotic sources; its literature, art and music are easily projected outside; the recipient of its colorful images has the means of comparing photoreality with the artist’s experience of it. This impressionism movement starts from painting, then penetrated into other arts fields. Impressionism has changed the way people view art. It has been considered the setting stone of Modern Art. In general, impressionism has changed the perspective of art, itself.

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7

Mitchell, Dolores. "Images of Exotic Women in Turn-of-the-Century Tobacco Art." Feminist Studies 18, no. 2 (1992): 327. http://dx.doi.org/10.2307/3178232.

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8

Sabo, George, Jerry E. Hilliard, and Leslie C. Walker. "Cosmological Landscapes and Exotic Gods: American Indian Rock Art in Arkansas." Cambridge Archaeological Journal 25, no. 01 (2015): 261–73. http://dx.doi.org/10.1017/s0959774314001085.

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9

van Haute, Bernadette. "African tourist art as tradition and product of the postcolonial exotic." International Journal of African Renaissance Studies - Multi-, Inter- and Transdisciplinarity 3, no. 2 (2008): 21–38. http://dx.doi.org/10.1080/18186870902840325.

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10

Cosdon, Mark. ""Introducing Occidentals to an Exotic Art": Mei Lanfang in New York." Asian Theatre Journal 12, no. 1 (1995): 175. http://dx.doi.org/10.2307/1124474.

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11

Mewburn, Charity. "Oil, Art, And Politics. The Feminization of Mexico." Anales del Instituto de Investigaciones Estéticas 20, no. 72 (1998): 73. http://dx.doi.org/10.22201/iie.18703062e.1998.72.1804.

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World War II and the new pan-American discourse of the United States, the New Deal and the political-cultural interests of the Rockefellers are sorne of the factors that explain how and why the 1940 Muscum Of Modern Art exhibition, Twenty Centuries of Mexican Art, offered an exotic and "ernasculated" image of Mexican art and, by extesion, of the Mexico of President Lázaro Cárdenas. The design of the catalogue, which is one of the central focuses of this article, permits a reconstruction of this political and cultural history.

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12

ANCHORDOQUI, LUIS, THOMAS PAUL, STEPHEN REUCROFT, and JOHN SWAIN. "ULTRAHIGH ENERGY COSMIC RAYS: THE STATE OF THE ART BEFORE THE AUGER OBSERVATORY." International Journal of Modern Physics A 18, no. 13 (2003): 2229–366. http://dx.doi.org/10.1142/s0217751x03013879.

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In this review we discuss the important progress made in recent years towards understanding the experimental data on cosmic rays with energies ≳ 1019eV. We begin with a brief survey of the available data, including a description of the energy spectrum, mass composition, and arrival directions. At this point we also give a short overview of experimental techniques. After that, we introduce the fundamentals of acceleration and propagation in order to discuss the conjectured nearby cosmic ray sources. We then turn to theoretical notions of physics beyond the Standard Model where we consider both

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13

Tayyab, Areeba. "Grotesque Literary Caricatures of Exotic Orientals in Tariq Ali's Play Iranian Nights." International Journal of Linguistics, Literature and Translation 3, no. 10 (2020): 140–47. http://dx.doi.org/10.32996/ijllt.2020.3.10.16.

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The paper analyzes grotesque literary caricature of the exotic Orientals in Tariq Ali and Howard Brenton's play Iranian Nights. The focus is to elucidate how the writer market margins by creating caricatural and exotic characters that generate laughter and comical wit for the international readership. The research has two folds i.e. on one level it will discuss the caricatural features in characters to understand the underline meaning for the use of such distorted and exaggerated art form in a modern play. On the other hand, the paper will have an investigative stance into the dramatic techniq

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14

Rebaza‐Soraluz, Luis. "Shocking or exotic art from Latin America in the gallery of London." Journal of Latin American Cultural Studies 4, no. 1 (1995): 99–103. http://dx.doi.org/10.1080/13569329509361851.

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15

Eaton, Natasha. "Nostalgia for the Exotic: Creating an Imperial Art in London, 1750-1793." Eighteenth-Century Studies 39, no. 2 (2006): 227–50. http://dx.doi.org/10.1353/ecs.2005.0060.

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16

Paschalis, Stefanos. "Studies of exotic nuclei: state-of-the-art experimental tools and techniques." Journal of Physics: Conference Series 599 (April 23, 2015): 012032. http://dx.doi.org/10.1088/1742-6596/599/1/012032.

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17

Bazin, Victoria. "“Just Looking” at the Everyday: Marianne Moore's Exotic Modernism." Modernist Cultures 2, no. 1 (2006): 58–69. http://dx.doi.org/10.3366/e2041102209000185.

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Victoria Bazin (Northumbria University) argues that Marianne Moore was a connoisseur of modern clutter, drawing on the historical residues of “antiques, rare art objects and ancient artefacts”, but also the disorder of the information age: the disaggregated fragments thrown up by contemporary journalism. Moore takes the discursive production of China in the “Illustrated News” and creates a constellation, after Benjamin, that goes further than the confirmation of the West as “a superior site of knowledge” to gesture to something beyond a technocratic modernity.

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18

Hanna, Judith Lynne. "Practicing Anthropology Under a Legal Umbrella." Practicing Anthropology 39, no. 4 (2017): 39–40. http://dx.doi.org/10.17730/0888-4552.39.4.39.

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Surprised to be asked to apply to exotic dance the sociolinguistic/semiotic theory and ethnographic methods I used to study the relationship between dance and society in African villages and cities, American theaters, and elementary school playgrounds and classrooms, I have been an expert court witness since 1995. I worked with 63 different attorneys on 132 cases in 29 states, the District of Columbia, and 39 cities and counties related to the First, Fifth, and Fourteen Amendments, labor law, taxes, and even murder. I explain how exotic dance is a form of dance, art, and communication.

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19

FROLOVA-WALKER, MARINA. "Stalin and the Art of Boredom." Twentieth-Century Music 1, no. 1 (2004): 101–24. http://dx.doi.org/10.1017/s1478572204000088.

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Socialist Realist ceremonial art has generally been viewed in the West as a form of high art, because of its air of monumentality and references to classics. Judged by high-art standards, such works are invariably failures, and Western commentators have accordingly treated Socialist Realism as something exotic or inexplicable. This approach is inadequate: firstly, because it does not examine Stalin-era art on its own terms, and secondly, because it refuses to acknowledge any similarities in Western culture.Socialist Realism was a discipline placed upon artists to provide a suitably dignified b

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20

Barchiesi, Emilio, Mario Spagnuolo, and Luca Placidi. "Mechanical metamaterials: a state of the art." Mathematics and Mechanics of Solids 24, no. 1 (2018): 212–34. http://dx.doi.org/10.1177/1081286517735695.

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In this paper, we give a review of the state of the art in the study of mechanical metamaterials. The very attractive property of having a microstructure capable of determining exotic and specifically tailored macroscopic behaviour makes the study of metamaterials a field that is actually in expansion, from both a theoretical and a technological point of view. This work is divided into two sections, describing the phenomenological and theoretical aspects of metamaterials. We first give an overview of some existing metamaterials, such as pentamode materials, auxetic materials, materials with ne

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21

Wijayanti, Tri Yuliana. "SENI TARI DALAM PANDANGAN ISLAM." Alfuad: Jurnal Sosial Keagamaan 2, no. 2 (2019): 239. http://dx.doi.org/10.31958/jsk.v2i2.1440.

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Humans in their daily lives cannot be separated from art. Art is a form of aesthetic expression towards human existence as a servant. Expressions of beauty that are expressed through beautiful movements, will give birth to exotic dance. Speaking of dance, in general, the negative prejudices of both dancers and dances are generally generated. This is interesting to study when drawn with the flexibility of Islamic teachings and the core of Islamic teachings themselves, namely tauhid.

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22

MEZUR, KATHERINE. "Stranger Communities: Art Labour and BerlinerButoh." Theatre Research International 39, no. 3 (2014): 217–32. http://dx.doi.org/10.1017/s0307883314000480.

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I examine the art labour of three Japanese womenbutohartists living and working internationally. They are foreign at home and abroad: when these artists return to Japan, they are erased from the current arts scene or they are cast as outsiders in a separate category from ‘Japanese artists’; they are also compelled to keep theirbutohdesignation in foreign places because it lends an exotic, economically viable Japanese-ness to their art labour. The artists complicate any simple outsider/resident status or national/cultural representation. They also take on an in-transit-ness, in which they are a

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23

Bedford, Clare, David Wayne Robinson, and Devlin Gandy. "Emigdiano Blues: The California Indigenous Pigment Palette and an In Situ Analysis of an Exotic Colour." Open Archaeology 4, no. 1 (2018): 152–72. http://dx.doi.org/10.1515/opar-2018-0010.

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Abstract The Native inhabitants of South Central California produced rock art containing red, orange, black, white, green and blue colours using a range of mineral and organic materials. Many of these same colours were used on material culture and body painting. This paper focuses on a sub-group of the Chumash, called the Emigdiano, who produced an enigmatic blue colour used in the creation of rock art. Here, we focus on the blue pigment at the rock shelter site of Three Springs in the Wind Wolves Preserve in South Central California. The composition of blue pigments has previously been the fo

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24

Wagner, Malene. "Eastern Wind, Northern Sky." Journal of Japonisme 1, no. 1 (2016): 41–65. http://dx.doi.org/10.1163/24054992-00011p04.

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Among countries like Germany, France and England, Denmark took part in the ‘japanomania’ that swept the West in the second half of the nineteenth and early twentieth centuries. Key figures in promoting Japanese art were art historian Karl Madsen and artist and museum director Pietro Krohn. Both played a significant role in trying to establish Denmark in the field of Japanese art on a par with serious international art collectors and connoisseurs. Their connections to Justus Brinckmann in Hamburg and Siegfried Bing in Paris enabled them to put on exhibitions that would introduce to a Danish aud

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25

Gralińska-Toborek, Agnieszka. "Dual Place of Street Art – the City vs the Internet." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, no. 30 (December 30, 2017): 99–109. http://dx.doi.org/10.18778/0208-6107.30.07.

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Street art (or more broadly urban art), as the name suggests, has its own specific place, which is the street. However one would be mistaken to think that this type of art can only be seen there. Most street art lovers know the works of their favourite artists primarily through the Internet, not only because this kind of art is ephemeral or not easily accessible (for example, due to its dangerous or exotic locations), but because it is perhaps the best documented art that has been created in the world. For artists and lovers of street art, the Internet has become a common space to share photos

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26

Ayres, Isabel. "Viewpoint: Art information in Latin America." Art Libraries Journal 40, no. 3 (2015): 3–4. http://dx.doi.org/10.1017/s0307472200000286.

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Several museums and libraries in North America and Europe house in their collections expressive works of art from Latin America. An understanding of the source of such collections requires study of their history and of the background from which they come, even if, as a matter of fact, collecting works of art and bibliographical assets on such a theme is not new. The interest in studying artworks which do not belong to the so-called western canon enables a wider knowledge of the art in Latin America. Notwithstanding the reasons behind such interest, it is worth noting that some facts related to

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27

Bösemann, Werner. "INDUSTRIAL PHOTOGRAMMETRY - ACCEPTED METROLOGY TOOL OR EXOTIC NICHE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 15, 2016): 15–24. http://dx.doi.org/10.5194/isprs-archives-xli-b5-15-2016.

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New production technologies like 3D printing and other adaptive manufacturing technologies have changed the industrial manufacturing process, often referred to as next industrial revolution or short industry 4.0. Such Cyber Physical Production Systems combine virtual and real world through digitization, model building process simulation and optimization. It is commonly understood that measurement technologies are the key to combine the real and virtual worlds (eg. [Schmitt 2014]). <br><br> This change from measurement as a quality control tool to a fully integrated step in the prod

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28

Margolis. "Resident Artist: Pious Widow, Exotic Dancer, Murderous Whore: The Photo Art of Anya Roz." Nashim: A Journal of Jewish Women's Studies & Gender Issues, no. 26 (2014): 158. http://dx.doi.org/10.2979/nashim.26.158.

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29

DI SALVO, RACHELE. "BEAM ASYMMETRY IN MESON PHOTOPRODUCTION ON DEUTERON TARGETS AT GRAAL." International Journal of Modern Physics A 20, no. 08n09 (2005): 1918–22. http://dx.doi.org/10.1142/s0217751x05023633.

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Preliminary results on the beam asymmetry Σ for η and π0 photoproduction on the proton and the neutron in the deuteron in a quasi free kinematics regime have been obtained. Very preliminary results will be presented on the status of art of the GRAAL search for the two members of the exotic penta-quarks anti-decuplet, the P11 and the Θ+.

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30

Bösemann, Werner. "INDUSTRIAL PHOTOGRAMMETRY - ACCEPTED METROLOGY TOOL OR EXOTIC NICHE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 15, 2016): 15–24. http://dx.doi.org/10.5194/isprsarchives-xli-b5-15-2016.

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New production technologies like 3D printing and other adaptive manufacturing technologies have changed the industrial manufacturing process, often referred to as next industrial revolution or short industry 4.0. Such Cyber Physical Production Systems combine virtual and real world through digitization, model building process simulation and optimization. It is commonly understood that measurement technologies are the key to combine the real and virtual worlds (eg. [Schmitt 2014]). &lt;br&gt;&lt;br&gt; This change from measurement as a quality control tool to a fully integrated

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31

Opran, Elena Rodica, Dan Valeriu Voinea, and Mirela Teodorescu. "Art and Being in Neutrosophic Communication." International Letters of Social and Humanistic Sciences 47 (February 2015): 16–27. http://dx.doi.org/10.18052/www.scipress.com/ilshs.47.16.

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What seems to suggest various avant-garde and artistic experimentalism movements from futurism to cubism, from expressionism to surrealism, from Picasso to the great masters of informal art is a Beauty of challenge. The avant-garde art does not arise the issue of Beauty. It is understood without saying that the new images are "beautiful" in terms of art and that should produce the same pleasure that feel the contemporaries of Rafael and Giotto in front of their works” asserts Umberto Eco (Eco, 2005). The phenomenon is due to the fact that the challenge of avant-garde tear down all aesthetic ca

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32

Zhang, Lin, and Taj Frazier. "‘Playing the Chinese card’: Globalization and the aesthetic strategies of Chinese contemporary artists." International Journal of Cultural Studies 20, no. 6 (2015): 567–84. http://dx.doi.org/10.1177/1367877915600554.

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This article examines the art and travels of two contemporary Chinese artists – Ai Weiwei and Cai Guo-Qiang – to explore how each of them successfully navigates the rapidly shifting terrains and interests of the Chinese state and the global high art industry while simultaneously articulating a distinct politics and practice of creative ambivalence. We argue that these two artists’ creative productions and strategies: (1) refute various western critics’ critique of Chinese artists as inauthentic imitators of western art who produce exotic representations of China and Chinese identity for wester

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33

Gizzi, Ferdinando. "Photographing a miraculous apparition in fin-de-siècle France." Magic, Vol. 5, no. 1 (2020): 28–35. http://dx.doi.org/10.47659/m8.028.art.

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This paper is dedicated to the photographic coverage of the alleged miraculous apparitions, which occurred in the small French village of Tilly-sur-Seulles between 1896 and 1897. These photos, circulated as postcards and appearing in popular magazines of the time such as L’Illustration and Le Monde illustré, were presented – by virtue of the authority of the photographic as an indexical trace – as “authentic” testimonials of the supernatural events, though in fact neither recognized nor approved by the Catholic Church. These photographs used the already-known double exposure process of spirit

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34

McKay, Belinda. "‘Beethoven by Bus’: Nancy Weir and Queensland Music." Queensland Review 2, no. 2 (1995): 27–38. http://dx.doi.org/10.1017/s1321816600000829.

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In the last issue of Queensland Review, it was argued that the idea of Queensland literature has a history, and that the various competing formulations of that idea have implications for Queensland identity and politics. Queensland art, likewise, has some currency as an idea, particularly as an ‘art off centre’ to borrow the title of a recent conference. It is, therefore, somewhat surprising that the idea of ‘Queensland music’ has not emerged as a useful way of constructing a cultural or political identity. ‘Music in Queensland’, suggesting an exotic and not fully acclimatized cultural form, i

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35

Armstrong, Gordon S. "Art, Folly, and the Bright Eyes of Children: The Origins of Regency Toy Theatre Reevaluated." Theatre Survey 26, no. 2 (1985): 121–42. http://dx.doi.org/10.1017/s0040557400008607.

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Regency toy Theatre flourished in England in the years between 1811 and 1830. At the height of its popularity thousands of middle and working class youths, together with their upper class “betters,” escaped the grim realities of industrial London for the joys of staging — and playing all the parts of — The Fairy of the Oak, or Harlequin's Regatta (1811), Ferdinand of Spain, or Ancient Chivalry (1813), Bluebeard (1824), or even more exotic pieces such as “The Grand New Spectacle called Korastikan, Prince of Assassins” (1824).

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Pietrini, Sandra. "The Parody of Musical Instruments in Medieval Iconography." Revista de Poética Medieval 31 (December 14, 2018): 87–107. http://dx.doi.org/10.37536/rpm.2017.31.0.58895.

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The vast field of musical iconography during the Middle Ages must necessarily deal with the rich and surprising imagery of western manuscripts, showing a fanciful proliferation of playing creatures and bizarre deformations, sometimes inspired by exotic suggestions. In marginal miniatures of 14th century we can discover an interesting and puzzling topic: the parody of entertainers, with hybrid men playing a vielle with tongs, mermaids or apes playing jawbones and so on. The spreading of this topic in medieval iconography is linked to a satirical purpose aimed at professional entertainers, harsh

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37

Gschwend, Annemarie Jordan. "Angelica GROOM. Exotic Animals in the Art and Culture of the Medici Court in Florence." Archives of Natural History 46, no. 2 (2019): 378–79. http://dx.doi.org/10.3366/anh.2019.0612.

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Yatchenko, Volodymyr F. "The phenomenon of shamanism: the need for a new reading." Ukrainian Religious Studies, no. 38 (February 14, 2006): 4–13. http://dx.doi.org/10.32420/2006.38.1718.

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The explosive spread of mystical ideas and practices in the spiritual culture of modern societies, irrationalism in art and philosophy has long surprised no one. These phenomena have escaped beyond the limits of the local, semi-exotic phenomenon that lies at the periphery of the scientific, artistic and daily practical life of modern man. Figuratively speaking, they are no longer just a separate spot on the mosaic panel of historical ways of human self-comprehension;

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39

waxman, lori. "The Banquet Years: FOOD, A SoHo Restaurant." Gastronomica 8, no. 4 (2008): 24–33. http://dx.doi.org/10.1525/gfc.2008.8.4.24.

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For a few years beginning in 1971, the restaurant FOOD served as a center of life for a diverse group of artists who called Manhattan's SoHo home. Founded by local artists Carol Goodden, Gordon Matta-Clark and Tina Girouard, FOOD's flexible working hours and creative, exotic, homemade dishes added to the growing cultural and communal energy of a transitional neighborhood of raw lofts and alternative art spaces. The restaurant served not just as a place to work and eat: Matta-Clark designed the space's unorthodox layout, conceptual dinners were served on Sunday nights, and the whole functioned

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40

Du Plessis, Hester. "Oriental Africa." Tydskrif vir Letterkunde 45, no. 1 (2018): 87–100. http://dx.doi.org/10.17159/2309-9070/tvl.v.45i1.4465.

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Arab culture and the religion of Islam permeated the traditions and customs of the African sub-Sahara for centuries. When the early colonizers from Europe arrived in Africa they encountered these influences and spontaneously perceived the African cultures to be ideologically hybridized and more compatible with Islam than with the ideologies of the west. This difference progressively endorsed a perception of Africa and the east being “exotic” and was as such depicted in early paintings and writings. This depiction contributed to a cultural misunderstanding of Africa and facilitated colonialism.

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41

Schifani, Enrico, and Antonio Alicata. "Exploring the myrmecofauna of Sicily: thirty-two new ant species recorded, including six new to Italy and many new aliens (Hymenoptera, Formicidae)." Polish Journal of Entomology 87, no. 4 (2018): 323–48. http://dx.doi.org/10.2478/pjen-2018-0023.

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Abstract As a result of recent collecting efforts and older unpublished data of one of us (AA), 32 ant species (including 2 morphospecies) new to the island of Sicily (Italy) were discovered. Seven of these taxa represent unequivocally exotic entities, whose discovery marks a decisive increase of this component in the local fauna. Among these, two forms of Nylanderia EMERY, 1906 are treated as morphospecies because of the problematic taxonomy of the genus. Six taxa among the discovered species are entirely new to the myrmecofauna of Italy. Finally, Tetramorium indocile SANTSCHI, 1927 is report

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42

Bauduin, Tessel M., and Julia W. Krikke. "Images of Medieval Art in the French Surrealist Periodicals Documents (1929–31) and Minotaure (1933–39)." Journal of European Periodical Studies 4, no. 1 (2019): 144–61. http://dx.doi.org/10.21825/jeps.v4i1.8843.

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The avant-garde movement Surrealism claimed historical figures as supposed ancesters, as is well known, but also interacted with the past, and especially art of the past, in other ways. This article explores the reception of the European Middle Ages in French Surrealism, in particular medieval art, by means of a case study: illustrations of medieval and early-modern Western art in the surrealist periodicals Documents (1929-1931) and Minotaure (1933-1939). The cerebral and contrary Documents challenged the canon of art by actively looking at the margins of European art, reproducing medieval art

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43

Posudiyevska, Olga. "Indian Topic in R. Kipling’s early Creative Art («Plain Tales from the Hills», 1888): An Alternative View." International Letters of Social and Humanistic Sciences 79 (October 2017): 29–32. http://dx.doi.org/10.18052/www.scipress.com/ilshs.79.29.

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This article presents the study of Rudyard Kipling’s early pieces of writing (the collection of stories Plain Tales from the Hills, 1888). The author proposes an alternative view to the consideration of the writer’s literary heritage from the position of jingoism and propagation of the civilizing mission of the British Empire, which can still be encountered in academic research. The analysis of Plain Tales from the Hills suggests that the praise of British imperialism was not the main idea of Kipling’s early works. The researcher comes to the conclusion that Kipling did not regard India as a c

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Patil, Dinkarrao Amrutrao. "Scientific History of Some Alien Plants In India: Origin, Implications And Culture." Plantae Scientia 1, no. 05 (2019): 66–75. http://dx.doi.org/10.32439/ps.v1i05.66-75.

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Indian subcontinent has a rich heritage of biodiversity because of its variable geo-climatic conditions. Several exotic plant species survived since ancient period and became an integral part of Indian flora. Nay, they now seem to be iconic plants and are being venerated. They are valued by the Indians for their esteem, culture and welfare. Select 20 exotic notable species are studied from the standpoint of their origin, distribution, culture and ancient Sanskrit literature. Diverse information about them is adduced from architecture, art, archaeological sites, etymology (philology), anthropol

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Maniatis, N., and Theo J. Mertzimekis. "Geant4 Simulations of the gSPEC Experimental Apparatus." HNPS Proceedings 27 (April 17, 2020): 33. http://dx.doi.org/10.12681/hnps.2479.

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A new setup (gSPEC) for the measurements of magnetic moments in exotic species is proposed for development at FAIR, the international nuclear facility currently under construction in Darmstadt, Germany. The experimental setup will use a few of the state–of–the–art segmented DEGAS detectors available at GSI, acquire a new large dipole magnet to induce external magnetic fields required for the application of the Time–Differential Perturbed Angular Distribution (TDPAD) technique and integrate ancillary detection systems as part of a research plan to study the properties of exotic species that wil

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Bello, M., G. Platero, J. I. Cirac, and A. González-Tudela. "Unconventional quantum optics in topological waveguide QED." Science Advances 5, no. 7 (2019): eaaw0297. http://dx.doi.org/10.1126/sciadv.aaw0297.

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The discovery of topological materials has motivated recent developments to export topological concepts into photonics to make light behave in exotic ways. Here, we predict several unconventional quantum optical phenomena that occur when quantum emitters interact with a topological waveguide quantum electrodynamics bath, namely, the photonic analog of the Su-Schrieffer-Heeger model. When the emitters’ frequency lies within the topological bandgap, a chiral bound state emerges, which is located on just one side (right or left) of the emitter. In the presence of several emitters, this bound stat

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Varpula, Aapo, Kestutis Grigoras, Kirsi Tappura, et al. "Silicon Based Nano-Thermoelectric Bolometers for Infrared Detection." Proceedings 2, no. 13 (2018): 894. http://dx.doi.org/10.3390/proceedings2130894.

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The state-of-the-art infrared (IR) detection uses quantum photodetectors and bolometers. Quantum IR photodetectors are expensive and require cooling, and exotic and toxic materials. Whereas, bolometers are cost-efficient and uncooled, but they are much slower and less sensitive. Recently we have demonstrated that ultra-thin, highly-doped silicon membranes can be used to build fast and highly-sensitive thermoelectric bolometers. We present the fabrication of these devices, electro-thermal characterization results, and estimate the full potential of this technology.

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van Oppen de Ruiter, Branko. "Monsters of Military Might: Elephants in Hellenistic History and Art." Arts 8, no. 4 (2019): 160. http://dx.doi.org/10.3390/arts8040160.

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Elephants were first deployed in warfare by Indian and Persian armies. The Greco-Macedonian troops first encountered these fearsome creatures in battle during the campaign of Alexander the Great. Subsequently, the Successors and later Hellenistic rulers similarly used elephants in battle. From this time, the animal began to appear in Greco-Roman art. Tracing the appearance of the elephant in Hellenistic history and art, I suggest that the elephant not only continued to be associated with its Asian and African origins and came to symbolize military triumph over exotic foes, it retained religiou

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Li, Jiafang, and Zhiguang Liu. "Focused-ion-beam-based nano-kirigami: from art to photonics." Nanophotonics 7, no. 10 (2018): 1637–50. http://dx.doi.org/10.1515/nanoph-2018-0117.

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AbstractKirigami, i.e. the cutting and folding of flat objects to create versatile shapes, is one of the most traditional Chinese arts that has been widely used in window decorations, gift cards, festivals, and various ceremonies, and has recently found intriguing applications in modern sciences and technologies. In this article, we review the newly developed focused-ion-beam-based nanoscale kirigami, named nano-kirigami, as a powerful three-dimensional (3D) nanofabrication technique. By utilizing the topography-guided stress equilibrium induced by ion-beam irradiation on a free-standing gold

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Hanß, Stefan. "Exotic Animals in the Art and Culture of the Medici Court in Florence, by Angelica Groom." Nuncius 34, no. 3 (2019): 713–16. http://dx.doi.org/10.1163/18253911-03403010.

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