Bibliografías temáticas / Fear of the dark – juvenile fiction

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Literatura académica sobre el tema "Fear of the dark – juvenile fiction"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Fear of the dark – juvenile fiction"

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Thon, Jan-Noel. "Playing with Fear: The Aesthetics of Horror in Recent Indie Games." Eludamos: Journal for Computer Game Culture 10, no. 1 (2020): 197–231. http://dx.doi.org/10.7557/23.6179.

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This article explores the aesthetics of horror that recent indie games offer to their players. Following a general discussion of how the audiovisual, ludic, and narrative aesthetics of indie games relate to the fiction emotions, gameplay emotions, and artifact emotions that these games in general and horror indie games in particular invite their players to experience, the article offers in-depth analyses of Amnesia: The Dark Descent, Neverending Nightmares, Darkwood, and The Forest. These four case studies allow for an extensive reconstruction of the various ways in which indie horror games ar
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2

Sinha, Parthiva. "Liquidation, Malady, Post-existence in Steve Toltz’s Here Goes Nothing." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 104–9. http://dx.doi.org/10.22161/ijels.74.16.

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Here Goes Nothing is a combination of love, fear, and after-life. In this story, the author has tried to combine fiction and humour elements. The entire story has been told by a dead man called Angus Mooney. The book is the continuation of parts of his other two books, A Fraction of the Whole (2008) and Quicksand (2015). All of his books are written with a purpose, such as the fear of death and the fear of life in his previous books, and the fear of criticism from others in Here Goes Nothing. Thus, this is also known to be a dark comedy that represents the scenario of the afterlife. The book h
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3

Laurent, Maria Olivia. "Still: A Screenplay Exploring Death Anxiety - The Fear of Losing a Loved On." K@ta Kita 10, no. 1 (2022): 10–17. http://dx.doi.org/10.9744/katakita.10.1.10-17.

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The fear of death has long plagued people for its unknown implications and the burden of grief that comes with it; however, it is not something that people often acknowledge. This work intends to highlight that fear-related issues should not be understated as trivial negative emotions and need more awareness. Using the death anxiety and protection motivation theories, I discovered that there are hidden conflicts behind death anxiety that people need to address to minimize their symptoms and eventually undergo a successful coping process. The story follows the struggle of Sasha, who initially r
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4

Nikam, Dr Sudhir V., and Mr Rajkiran J. Biraje. "A Critical Study of Stephen King and Horror Fiction." SMART MOVES JOURNAL IJELLH 7, no. 5 (2019): 23. http://dx.doi.org/10.24113/ijellh.v7i5.10176.

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This present research undertakes the extensive study of horror fiction genre with reference to the select novels of one of the finest and celebrated horror fiction writers of all time, Stephen King. This paper is a substantial assessment of the select horror fiction of King. The research problem revolves extensively around the word fear. Stephen King has conjured up the images of most horrific creatures, monsters, places, and stories, and some of the most enduring villains in fiction. These unimaginable evil beings test the limits of the protagonist. Some of these villains have gone to the ext
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5

Sasala, An. "Panic! Humanity's Cis-Heteronormative Fear of the Transgender Android." Somatechnics 8, no. 1 (2018): 64–78. http://dx.doi.org/10.3366/soma.2018.0237.

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Androids occupy a position of fascination within US pop culture and science fiction television, yet they rarely acknowledge their own experiences of gender. Reading Wendy the entertainment android from Syfy Channel's Dark Matter (2015–2017) as trans*, this article analyzes the material, cultural, and imagined bodies of the android through an intersectional lens of gender, sex, and race. At times, the article slips between different versions of the transgender android, wading through their cinematic representation, theoretical conceptualization, socio-cultural construction, and material reality
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6

KALECİK, Samet. "Revisiting Freud's Uncanny in The Oblong Box of Poe." TranSynergy Journal of Translation, Literature and Linguistics 4, no. 1 (2025): 32–40. https://doi.org/10.5281/zenodo.15543554.

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The short stories of Edgar A. Poe<strong> </strong>elevate fear and tension to the highest level while exploring the dark side of humanity. <em>The Oblong Box</em> (1844) is one of Poe&rsquo;s gothic stories. The story is about an unfortunate man who attempts to send his wife&rsquo;s corpse in a pine box to her mother. The text evokes in the reader a sense of ambiguity between life and death as well as a feeling of fear. This fear is a state of uncanny that occurs when things that seem familiar, harmless, and normal become foreign and dangerous in the human consciousness, thus arousing fear. T
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Malathi, V. P. "Sufferings and Starvation in Kamala Markandaya’s Nectar in a Sieve." Shanlax International Journal of English 9, no. 3 (2021): 70–73. http://dx.doi.org/10.34293/english.v9i3.3992.

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Kamala Markandaya is one of the best known contemporary Indian novelists. Her novels are remarkable for their range of experience. Her first novel Nectar in a Sieve is set in a village and it examines the hard agricultural life of the south Indian village where industry and modern technology played havoc. Kamala Markandaya occupies a very important position among the women novelist who have made substantial contribution to Indian fiction after the Second World War. Markandaya had not always lived abroad. She was born as Kamala Purnaiya in 1924 in Mysore and she was also a journalist. At some p
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8

Alaghband, Yasaman, Samantha N. Cheeks, Barrett D. Allen, et al. "Neuroprotection of Radiosensitive Juvenile Mice by Ultra-High Dose Rate FLASH Irradiation." Cancers 12, no. 6 (2020): 1671. http://dx.doi.org/10.3390/cancers12061671.

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Major advances in high precision treatment delivery and imaging have greatly improved the tolerance of radiotherapy (RT); however, the selective sparing of normal tissue and the reduction of neurocognitive side effects from radiation-induced toxicities remain significant problems for pediatric patients with brain tumors. While the overall survival of pediatric patients afflicted with medulloblastoma (MB), the most common type primary brain cancer in children, remains high (≥80%), lifelong neurotoxic side-effects are commonplace and adversely impact patients’ quality of life. To circumvent thes
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9

Karim Lazim, Abdul. "Down Deep in the Dark: A Semiotic Approach to Edgar Allan Poe’s the Black Cat." Advances in Language and Literary Studies 9, no. 1 (2018): 53. http://dx.doi.org/10.7575/aiac.alls.v.9n.1p.53.

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Semiotics is the investigation of the nature, type and function of signs in all walks of life. It is the science of interpreting signs and showing how meaning is generated by and through a shared cultural code. Being a verbal corpus of imaginatively works of art, literature with all its genres, i.e. poetry, drama, fiction, the short story, etc. lends itself to semiotics scrutiny. Verbal works of artifact as such can be analyzed in terms of semiotic theory. This paper purports to explore Edgar Allan Poe’ The Black Cat as a structure of interconnected signs which are organically rooted into the
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10

Jassim, Isra Hasan. "Anticipating the Unknown." Al-Adab Journal 1, no. 141 (2022): 13–26. http://dx.doi.org/10.31973/aj.v1i141.3691.

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Human beings have been expect and anticipate the unknown, including wishes, ambition, and the future. At times, the future is imagined as bright and hopeful. At other times, the future is expected to be gloomy and ominous. Therefore, human beings deal with the future with fear and skepticism. These fears are justified given the circumstances in the present, including human conduct in general, the conditions of wars, and environmental changes.&#x0D; Since literature recalls the past and tackles the issues of the present, it also expects what will happen in the future by visioning what the futur
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Tesis sobre el tema "Fear of the dark – juvenile fiction"

1

Merts, Hilda Wilhelmina. "Die terapeutiese rol van fiksie in die hantering van sekere lewenskrisisse en ontwikkelingsprobleme van kinders." Diss., 2004. http://hdl.handle.net/10500/1315.

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Children experience life crisis and normal developmental problems. This study is aimed at highlighting the role fiction can play in assisting children in coping with certain normal life crisis and developmental problems. A discussion on the nature of the bibliotherapeutic process indicated that fiction plays a major role in the success thereof. A model was designed for the selection process of fiction for the bibliotherapeutic process. Selection criteria were established for both the reader and the reading matter. Tables were designed consisting of selection criteria for both the reader and
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Libros sobre el tema "Fear of the dark – juvenile fiction"

1

Powell, Martin. Fear of the dark. Stone Arch Books, 2009.

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2

Kaye, Marilyn. Baby Fozzie is afraid of the dark. Muppet Press, 1987.

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3

Ann, Morris. Eleanora Mousie in the dark. Macmillan, 1987.

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Ann, Morris. Eleanora Mousie in the dark. Macmillan, 1987.

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5

ill, Boyle Kenneth, ed. Night light: A story for children afraid of the dark. G. Stevens, 1993.

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6

ill, Boyle Kenneth, ed. Night light: A story for children afraid of the dark. Magination Press, 1991.

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7

Butler, M. Christina. The dark, dark night. Good Books, 2008.

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8

Butler, M. Christina. The dark, dark night. Good Books, 2008.

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9

Nickel, Carolyne. God can you see me in the dark? Kindred Books, 2012.

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10

Colman, Penny. Dark closets and noises in the night. Paulist Press, 1991.

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Actas de conferencias sobre el tema "Fear of the dark – juvenile fiction"

1

F., Adolfo, and Licoa C. "Digital Cultures of Horror in Mónica Ojeda’s Fiction." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9051.

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The Internet is a world where all kinds of people with different interests, motivations, and worldviews browse and interact with each other. These interactions have given rise to diverse digital cultures, some of which can be called Digital Cultures of Horror. As an inhabitant of the contempo­rary world, Mónica Ojeda is aware of these cultures’ dark themes and envi­ronments and how they shape the lives of their members, so she has used them to create her fiction and depicts the dreadful side of human beings. Mónica Ojeda describes the horrors of the Internet and digital cultures in her novels
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