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Libros sobre el tema "Feminine Representations"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 15 de junio de 2024

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1

Elderfield, John. Pleasuring painting: Matisse's feminine representations. New York, N.Y: Thames and Hudson, 1996.

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2

Elderfield, John. Pleasuring painting: Matisse's feminine representations. London: Thames & Hudson, 1995.

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3

Bonnie, Wheeler, ed. Representations of the feminine in the middle ages. Dallas, Texas: Academia, 1993.

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4

Schaffer, Kay. Women and the bush: Australian national identity and representations of the feminine. London: Sir Robert Menzies Centre for Australian Studies, Institute of Commonwealth Studies, University of London, 1989.

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5

Feminine figurae: Representations of gender in religious texts by medieval German women writers 1100-1375. New York: Routledge, 2003.

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6

Terry, Threadgold y Cranny-Francis Anne, eds. Feminine, masculine and representation. Sydney: Allen & Unwin, 1990.

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7

Terry, Threadgold, Cranny-Francis Anne y Sydney Association for Studies in Society and Culture., eds. Feminine/masculine and representation. Sydney: Allen & Unwin, 1990.

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8

Image of the body: Aspects of the nude. New York: Doubleday, 1989.

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9

Joni, Lovenduski y Baudino Claudie, eds. State feminism and political representation. Cambridge, UK: Cambridge University Press, 2005.

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10

James, Joy. Shadowboxing: Representations of black feminist politics. New York: St. Martin's Press, 1999.

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11

Autobiographics: A feminist theory of women's self-representation. Ithaca: Cornell University Press, 1994.

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12

J, Nast Heidi, Roberts Susan M y Jones John Paul, eds. Thresholds in feminist geography: Difference, methodology, representation. Lanham, Md: Rowman & Littlefield, 1997.

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13

Giovanna, Covi, ed. ReSisters in conversation: Representation, responsibility, complexity, pedagogy. York, England: Raw Nerve Books, 2006.

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14

C, Neuman S. y Byron Glennis 1955-, eds. ReImagining women: Representations of women in culture. Toronto: University of Toronto Press, 1993.

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15

Fictions of the feminine: Puritan doctrine and the representation of women. Ithaca: Cornell University Press, 1988.

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16

The pornography of representation. Minneapolis: University of Minnesota Press, 1986.

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17

1955-, Jones John Paul, Nast Heidi J y Roberts Susan M, eds. Thresholds in feminist geography: Difference, methodology, and representation. Lanham, Md: Rowman & Littlefield Publishers, 1997.

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18

R, Vande Berg Leah y Stein Sarah R, eds. Bad girls: Cultural politics and media representations of transgressive women. New York: Lang, 2007.

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19

Feminism in the news: Representations of the women's movement since the 1960s. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2011.

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20

M, Cuklanz Lisa y Moorti Sujata 1963-, eds. Local violence, global media: Feminist analyses of gendered representations. New York: Peter Lang, 2008.

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21

Kappeler, Susanne. The pornography of representation. Cambridge, UK: Polity Press, 1986.

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22

Kappeler, Susanne. The pornography of representation. Minneapolis: University of Minnesota Press, 1986.

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23

The pornography of representation. Cambridge: Polity, 1986.

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24

Kriemild, Saunders, ed. Feminist post-development thought: Rethinking modernity, post-colonialism & representation. London: Zed Books, 2002.

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25

Group representation, feminist theory, and the promise of justice. Farnham, Surrey [UK]: Asgate, 2012.

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26

Kesler, Unger Rhoda, ed. Representations: Social constructions of gender. Amityville, N.Y: Baywood Pub. Co., 1989.

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27

Curti, Lidia. Female stories, female bodies: Narrative, identity, and representation. Houndmill, Basingstoke: Macmillan Press, 1998.

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28

Female stories, female bodies: Narrative, identity, and representation. Washington Square, N.Y: New York University Press, 1998.

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29

Representations of the feminine in the Middle Ages. Dallas, Tex. (PO Box 12855, Dallas 75225): Academia, 1993.

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30

Wheeler, Bonnie. Representations of the Feminine in the Middle Ages (Feminea Medievalia). Academia, 1995.

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31

Knellwolf, Christa. A Contradiction Still: Representations of the Feminine in the Poetry of Alexander Pope. Manchester University Press, 1999.

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32

Garber, Rebecca L. R. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475. Taylor & Francis Group, 2013.

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33

Garber, Rebecca L. R. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475. Taylor & Francis Group, 2013.

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34

Garber, Rebecca L. R. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475. Taylor & Francis Group, 2013.

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35

Garber, Rebecca L. R. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475. Taylor & Francis Group, 2013.

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36

Garber, Rebecca L. R. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475. Taylor & Francis Group, 2013.

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37

Nathanson, Elizabeth. Sweet Sisterhood. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039577.003.0014.

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This chapter accounts for the “cupcake craze” by analyzing the distinctly feminized pleasures the confections signify in the postfeminist cultural context. Feminist media scholars have critiqued postfeminist popular culture for producing hegemonic representations that depoliticize feminist ideals. While cupcakes may indeed reify postfeminist ideologies, the chapter argues that they also point toward resistant pleasures; cupcakes invite cultural consumers to take pleasure in depictions of sisterhood that challenge neoliberal individuality by celebrating bonds between women and the liberating potential of difference. By tracing popular representations of cupcakes as items of consumption and production, this chapter finds moments in which viewers are invited to take pleasure in sweet indulgences and feminine friendships that reproduce but also expose the cracks in contemporary gender politics.
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38

Celis, Karen y Sarah Childs. Feminist Democratic Representation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190087722.001.0001.

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When are women well represented, politically speaking? The popular consensus has been, for some time, when descriptive representatives put women’s issues and feminist interests on the political agenda. Today, such certainty has been well and truly shaken; differences among women—especially how they conceive of their “interests”—is said to fatally undermine the principle and practice of women’s group representation. There has been a serious loss of faith, too, in legislatures as the sites where political representation takes place. Feminist Democratic Representation responds by making a second-generation feminist design intervention; firmly grounded in feminist empirical political science, the authors’ design shows how women’s misrepresentation is best met procedurally, taking women’s differences as their starting point, adopting an indivisible conception of representation, and reclaiming the role of legislatures. This book introduces a new group of actors—the affected representatives of women—and two new parliamentary practices: group advocacy and account giving. Working with a series of vignettes—abortion, prostitution, Muslim women’s dress, and Marine Le Pen—the authors explore how these representational problematics might fare were a feminist democratic process of representation in place. The ideal representative effects are broad rather than simply descriptive or substantive: they include effects relating to affinity, trust, legitimacy, symbolism, and affect. They manifest in stronger representative relationships among women in society, and between women and their representatives, elected and affective; and greater support for the procedures, institutions, and substantive outputs of representative politics, and at a higher level, the idea of representative democracy. Against the more fashionable tide of post-representative politics, Feminist Democratic Representation argues for more and better representation.
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39

McIlvanney, Siobhán. Figurations of the Feminine in the Early French Women's Press, 1758-1848. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786941886.001.0001.

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This book examines the origins of the early French women’s press and traces the evolving representations of womanhood that appear over the first ninety years of women’s journals in France. It argues that this critically neglected medium offers a key source of information on French women’s personal and political aspirations by giving us a privileged insight into their everyday lives. The early women’s press represented an important means of allowing women to access and contribute to the key cultural, intellectual and political debates which dominated French society at the time and which directly influenced their position within it. This book highlights the political, feminist potential of this medium written by women for women. Through textual analyses of different ‘generic’ subsections, whether the literary journal, the fashion journal, the domestic press or more explicitly politicised outputs, this book challenges the critical commonplaces that have been applied to the women’s press, both in France and elsewhere. As the first comprehensive study in English of these origins, this book demonstrates the political richness of this medium and the key perspectives it gives us on female self-expression and on the everyday lives of women from across the class spectrum during this key historical period.
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40

Garber, Rebecca. Feminine Figurae: Representations of Gender in Religious Texts by Medieval German Women Writers, 1100-1475 (Studies in Medieval History and Culture, 10). Routledge, 2002.

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41

Booth, Marilyn. Disruptions of the Local, Eruptions of the Feminine: Local Reportage and National Anxieties in Egypt’s 1890s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430616.003.0003.

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This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.
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42

Cranny-Francis, Anne y Terry Threadgold. Feminine/Masculine and Representation. Taylor & Francis Group, 2020.

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43

Cranny-Francis, Anne y Terry Threadgold. Feminine/Masculine and Representation. Taylor & Francis Group, 2020.

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44

Threadgold, Terry y Anne Cranny-Francis, eds. • Feminine • Masculine and Representation. Routledge, 2020. http://dx.doi.org/10.4324/9781003115618.

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45

Cranny-Francis, Anne y Terry Threadgold. Feminine/Masculine and Representation. Taylor & Francis Group, 2020.

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46

Cranny-Francis, Anne y Terry Threadgold. Feminine/Masculine and Representation. Taylor & Francis Group, 2020.

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47

Cranny-Francis, Anne y Terry Threadgold. Feminine/masculine and Representation. Taylor & Francis Group, 2021.

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48

Threadgold, Terry. Feminine/Masculine and Representation. Harry Ransom Humanities Research Center, 1990.

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49

Disch, Lisa. Representation. Editado por Lisa Disch y Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.51.

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The concept of representation may be second only to gender in its centrality to mid-twentieth-century feminist theory and practice. This chapter provides an overview of feminist explorations of the relationship between political representation and aesthetic/semiotic/cultural representation. It analyzes three approaches, comparing feminist discussions of “Vamps” (cultural representation), with “Visibility” (historical representation) and “Voice” (political representation) to emphasize the interdisciplinarity of feminist explorations of representation. Running through all three sections are concerns about the interplay between how representations picture women and who speaks for them, and how acts of representation work to constitute that for which they purport merely to stand.
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50

Pardes, Ilana. Toni Morrison’s Shulamites. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0008.

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This chapter focuses on Toni Morrison’s renditions of new Shulamites in Song of Solomon (1977) and Beloved (1987). The female characters of both novels highlight the power and bold eroticism of the Shulamite’s voice, calling for a different perception of gender relations and feminine sexuality. While offering new representations of femininity, Morrison is no less eager to fashion a new grand Song as a base for a redefinition of the African-American community. In Song of Solomon, the ancient biblical love poem merges with African folk songs and legends and in Beloved, the ghostly Beloved is both a tormented and tormenting Shulamite as well as the spirit of the many slaves whose sufferings she embodies. Special attention is given to Morrison’s response to African-American commentaries on the verse ‘I am black, but comely’ and to points of affinity between her exegesis and feminist biblical criticism in the 1970s and 1980s.
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