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Artículos de revistas sobre el tema "Feminist pornography"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 8 de febrero de 2022

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1

Afaf, Mega. "A reading on feminism on feminism and pornography through Jury Lotman's culture and explosion: Reflections". Digital Age in Semiotics & Communication 2 (6 de noviembre de 2019): 121–37. http://dx.doi.org/10.33919/dasc.19.2.8.

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We endeavor through this research paper to read the feminist movements, in particular countries in order to understand its dynamics and at the same time to foresee its future directions. To achieve this, as an adequate tool, Juri Lotman’s Culture and Explosion (2009) provides us a model for reading the different dynamics within feminism, as a cultural text, as well as its interconnection to other sign systems within the same semiotic sphere. Thus we can understand the interconnection of feminism with politics and society, and with its plurality of discourses makes it in constant change and exposed to explosions which would change its course in the future. These explosions are displayed through the political acts which were passed in favour of the women as a result of the feminist dynamics. Besides, the feminist movement has the capacity to integrate into other movements and also can be transformed into other movements, and thus, new realities and discourses are created. Within this arena, among these realities is the anti-feminist pornography as opposed to pro-sex feminists. From our stand point, pornography, and especially that in the digital age, is the dark side of the feminist movement. Semiotically, in Lotman’s (2009) model, pornography is abnormal, sick or non-existent because it is different from the norm. In the light of this, we are able to expose different views about the harms of pornography both on women and even men.

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2

West, Robin. "The Feminist-Conservative Anti-Pornography Alliance and the 1986 Attorney General's Commission on Pornography Report". American Bar Foundation Research Journal 12, n.º 04 (1987): 681–711. http://dx.doi.org/10.1111/j.1747-4469.1987.tb00554.x.

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Pornography is notoriously hard to define, yet like the Supreme Court all of us think we know it when we see it. Even if we cannot define pornography, we can say if something is or is not pornographic. How do we do this? More precisely, what is it that we think we know, when we think that something is or is not pornographic? We make these experiential determinations by reference to what I call our “traditional conception” of pornography. This conception is not based on definitions of pornography, for we have none. Rather, the traditional conception consists of broadly stated and widely believed inductive generalizations, which are in turn based on a multitude of common and shared experiences with pornographic materials. Recently—in the last ten years or so—that traditional conception of pornography has begun to change. But it is changing slowly. It still dominates our sense of what is and is not pornographic and our arguments about the value of pornography.

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3

Castellanos Llanos, Gabriela. "Erotismo, violencia y género: deseo femenino, femineidad y masculinidad en la pornografía". La Manzana de la Discordia 1, n.º 2 (9 de marzo de 2016): 53. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v1i2.1423.

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Resumen: En este trabajo se exploran algunas distincionesentre erotismo y pornografía, y se reflexiona sobre larelación entre la pornografía y la degradación de lamujer, resumiendo las dos principales tendencias alrespecto en el pensamiento feminista. Una de ellas planteala meta de la erradicación de la pornografía, mientrasla otra protesta por los intentos de censura, y consideraque la pornografía es liberadora. Se analizan algunosaspectos de la relación de estos temas con la violenciasimbólica, así como con el deseo femenino, la feminidady la masculinidad.Palabras clave: Erotismo, pornografía, violencia,feminismo, deseo, feminidad, masculinidad.Abstract: In this essay some distinctions between eroticism andpornography are explored. After a reflection on therelations between pornography and the degradation ofwomen, two major trends in feminist thought regardingpornography are explored. One of them seeks toeradicate pornography, while the other is critical of suchattempts at censure, and considers pornography aliberating influence. Some aspects of the relation of thesesubjects to symbolic violence, and to female desire,femininity and masculinity, are analyzed.Key Words: Eroticism, pornography, violence,feminism, desire, femininity, masculinity.

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4

Prada Prada, Nancy. "¿Qué decimos las feministas sobre la pornografía? Los orígenes de un debate". La Manzana de la Discordia 5, n.º 1 (16 de marzo de 2016): 7. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v5i1.1526.

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Resumen: La teoría feminista ha cruzado su miradaa la pornografía como fenómeno cultural con laperspectiva de género, construyendo una crítica particularque está lejos de ser uniforme y toma mejor elcarácter de un debate. Dicho debate se enmarca en unomás amplio que ha sido descrito por algunas autorascomo la tensión placer – peligro que subyace a lasexualidad femenina. Sus orígenes más claros tienen lugaren Estados Unidos a finales de los setenta y comienzosde los ochenta del siglo XX, favorecido por el carácterde fenómeno de masas que cobra allí la pornografía, ylas primeras respuestas explícitamente abolicionistas alas que se ve enfrentada. Dentro del feminismo estadounidense,surge por aquel entonces una fracción importanteque se manifiesta en contra de la pornografía, a laque define como violencia contra las mujeres en sí misma.A la par, y como respuesta a la campaña abolicionistade dichas antipornógrafas, otro grueso sector feministaseñalará los riesgos de dicha postura, desvirtuando lapretendida conexión entre pornografía y violenciacontra las mujeres. Recrear los principales argumentosde ambas partes es el objetivo de este artículo.Palabras Clave: Feminismo, pornografía, sexualidad,pro-Sex, antipornógrafas.Abstract: Feminist theory approached pornographyas a cultural phenomenon from the gender perspective,building a specific critical discourse that, far from beinguniform, has more the nature of a debate. This debate ispart of a bigger one that some authors have described asthe pleasure - danger tension that underlies femininesexuality. Its most evident origins are in the United Statesof the seventies and eighties, when pornography becamea mass phenomenon and the first reactions it faced wereexplicitly abolitionist. At that time an important fractionof the American feminist movement rose againstpornography, which it defined as violence againstwomen. At the same time, as a response to the abolitionistcampaign of the «anti-pornographers», anothersubstantial feminist sector stressed the risks of suchposture, criticizing the supposed link between pornographyand violence. The scope of this article is to exposethe main arguments that each side employed in thisdebate.Key words: Feminism, pornography, sexuality, pro-Sex, anti-pornography

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5

Cowan, Gloria. "Feminist Attitudes Toward Pornography Control". Psychology of Women Quarterly 16, n.º 2 (junio de 1992): 165–77. http://dx.doi.org/10.1111/j.1471-6402.1992.tb00247.x.

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Feminist attitudes toward legislative control of pornography were investigated. A sample of 119 recipients of the National Organization of Women Newsletter in a Southern California community responded to a questionnaire assessing variables expected to be related to pornography control: demographic variables, and attitudes toward pornography, censorship, free speech, and the harm of pornography. Values were related to attitude toward pornography control, especially the prioritizing of responsibility versus freedom. Attitudes toward pornography were also significant predictors; however, beliefs about importance of protecting free speech and the harm of pornography were the strongest predictors, with the protection of free speech making the largest contribution. In understanding “mainstream” feminists' attitudes toward pornography control, the most important variables appear to be those that assess the consequences of pornography.

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6

Patrinou, Sonia. "Pornohealing: Pornography as a healing process for individuals with a history of sexual violence". Kohl: A Journal for Body and Gender Research 3, Winter (1 de diciembre de 2017): 216–31. http://dx.doi.org/10.36583/kohl3210.

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By taking as a starting point “The Clit List,” a pornographic database that includes porn material addressed to individuals who have experienced sexual harassment(s) and/or assault(s), this essay brings forward the following question: can pornography take the form of a healing process for individuals with a history of sexual violence? In order to provide an answer, alternative uses and aspects of pornography will be explored, with a particular focus on queer, feminist, and ethical porn. Following the contemporary history of pornography, I engage with both Queer Theory by discussing queer feminist approaches to porn, but also Affect Theory by sharing queer feminist approaches to trauma and the potential healing that an (erotic) film can induce in the spectator. More than simply seeking for alternative aspects of porn, this essay accounts for the (re)introduction of pornography as a productive media with a sexual healing possibility.

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7

Eisenman, Russell. "Change in the Feminist Movement: From Freedom to Puritanism". Psychological Reports 74, n.º 1 (febrero de 1994): 201–2. http://dx.doi.org/10.2466/pr0.1994.74.1.201.

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8

Cheang, Shu Lea y Alexandra Juhasz. "When Are You Going to Catch Up with Me?" Camera Obscura: Feminism, Culture, and Media Studies 35, n.º 3 (1 de diciembre de 2020): 116–31. http://dx.doi.org/10.1215/02705346-8631583.

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“Digital nomad” Shu Lea Cheang and friend and critic Alexandra Juhasz consider the reasons for and implications of the censorship of Cheang’s 2017 film FLUIDØ, particularly as it connects to their shared concerns in AIDS activism, feminism, pornography, and queer media. They consider changing norms, politics, and film practices in relation to technology and the body. They debate how we might know, and what we might need, from feminist-queer pornography given feminist-queer engagements with our bodies and ever more common cyborgian existences. Their informal chat opens a window onto the interconnections and adaptations that live between friends, sex, technology, illness, feminism, and representation.

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9

Snyder-Hall, R. Claire. "Third-Wave Feminism and the Defense of “Choice”". Perspectives on Politics 8, n.º 1 (marzo de 2010): 255–61. http://dx.doi.org/10.1017/s1537592709992842.

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How should feminist theorists respond when women who claim to be feminists make “choices” that seemingly prop up patriarchy, like posing for Playboy, eroticizing male dominance, or advocating wifely submission? This article argues that the conflict between the quest for gender equality and the desire for sexual pleasure has long been a challenge for feminism. In fact, the second-wave of the American feminist movement split over issues related to sexuality. Feminists found themselves on opposite sides of a series of contentious debates about issues such as pornography, sex work, and heterosexuality, with one side seeing evidence of gender oppression and the other opportunities for sexual pleasure and empowerment. Since the mid-1990s, however, a third wave of feminism has developed that seeks to reunite the ideals of gender equality and sexual freedom. Inclusive, pluralistic, and non-judgmental, third-wave feminism respects the right of women to decide for themselves how to negotiate the often contradictory desires for both gender equality and sexual pleasure. While this approach is sometimes caricatured as uncritically endorsing whatever a woman chooses to do as feminist, this essay argues that third-wave feminism actually exhibits not a thoughtless endorsement of “choice,” but rather a deep respect for pluralism and self-determination.

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10

Novak, Melita. "Postfeminist construction of women's sexuality in The village bike by Penelope Skinner". Acta Neophilologica 47, n.º 1-2 (16 de diciembre de 2014): 41–54. http://dx.doi.org/10.4312/an.47.1-2.41-54.

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Penelope Skinner's drama The Village Bike deals with issues ranging from pregnancy to sexuality, pornography and sexual exploration. In this article I focus on the way these issues are presented and explain why pornography and sexual exploration belong to the postfeminist ideology. Namely, the author uncritically deals with these issues, objectifies a woman's body and favours gender constructs. Contemporary British drama by women playwrights is not marked by its engagement with feminism even though it might declare itself as pro-feminist or feminist. Penelope Skinner is one of the contemporary playwrights. I try to present that even though her drama seems to appear provocative at first sight this is not really the case. The provocation does not offer a critical insight and distance. I argue that this drama is postfeminist because it mainstreams pornography and presents a peculiar view on the part of sexual liberation, which is very limited.

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11

Grimshaw, Jean. "Ethics, Fantasy and Self-transformation". Royal Institute of Philosophy Supplement 35 (septiembre de 1993): 145–58. http://dx.doi.org/10.1017/s1358246100006305.

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In this paper I want to discuss an issue (usually perceived as an ethical one) which has generated a great deal of feminist discussion and some profound disagreement. The issue arises as follows. One of the most important targets of feminist action and critique has been male sexual violence and control of women, as expressed in rape and other forms of violent or aggressive sexual acts, and as represented in much pornography. Pornography itself has been the subject of major and sometimes bitter disagreements among feminists, especially around the issue of censorship. But it is not that with which I am concerned here. The issue which I want to discuss involves the question of sexual desire and fantasy, and their apparent potential incompatibility with political and ethical principles. This is by no means, of course, an issue of exclusively feminist concern; but I shall focus on some recent feminist argument, since it is that with which I am most familiar.

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12

Cowan, Gloria, Cheryl J. Chase y Geraldine B. Stahly. "Feminist and Fundamentalist Attitudes Toward Pornography Control". Psychology of Women Quarterly 13, n.º 1 (marzo de 1989): 97–112. http://dx.doi.org/10.1111/j.1471-6402.1989.tb00988.x.

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The purpose of this study was to investigate differences among feminists and between feminists and fundamentalists on attitudes toward pornography control. Gilligan's (1982) model of moral reasoning was used as a basis for examining the division among feminists. An in-depth interview of 44 women was conducted. The feminists who wanted to control pornography, as well as the fundamentalists, focused primarily on responsibility to the welfare of others. Anticontrol feminists gave a higher priority to individual rights and freedom. Other differences, such as their hierarchy of values and experiences with victims of violence were found. All respondents felt extremely negative toward pornography and most believed that pornography is related to violence against women.

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13

Pitzulo, C. "Battling Pornography: The American Feminist Anti-pornography Movement, 1976-1986". Journal of American History 99, n.º 2 (20 de agosto de 2012): 667–68. http://dx.doi.org/10.1093/jahist/jas174.

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14

DeCesare, Michael. "Battling Pornography: The American Feminist Anti-Pornography Movement, 1976-1986". Social Movement Studies 14, n.º 5 (16 de diciembre de 2014): 632–33. http://dx.doi.org/10.1080/14742837.2014.971738.

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15

Strossen, Nadine. "A Feminist Critique of "the" Feminist Critique of Pornography". Virginia Law Review 79, n.º 5 (agosto de 1993): 1099. http://dx.doi.org/10.2307/1073402.

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16

Campbell, Jane. "Pornography: Is it a feminist issue?" Australian Feminist Studies 3, n.º 7-8 (diciembre de 1988): 155–69. http://dx.doi.org/10.1080/08164649.1988.9961611.

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17

Barker-Plummer, Bernadette. "Carolyn Bronstein.Battling Pornography: The American Feminist Anti-Pornography Movement, 1976–1986". Mass Communication and Society 16, n.º 4 (julio de 2013): 608–11. http://dx.doi.org/10.1080/15205436.2013.790060.

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18

Bortacka, Gabriela. "The depiction of men in contemporary pornographic movies". Dziennikarstwo i Media 15 (29 de junio de 2021): 101–13. http://dx.doi.org/10.19195/2082-8322.15.9.

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This article describes how men are presented in pornographic materials available on one of the most popular thematic websites — PornHub.com. The article contains a disambiguation of the term ‘pornography’, and discusses the reach of the pornographic market, as well as the audience and specifics of PornHub. The main part contains an empirical study of fifteen movie productions divided into three categories: heterosexual, homosexual, and for women. The article presents both the physical description of what is happening in the film and the analysis of the gender roles of the depicted characters. All selected films were made in 2018 or later. Pornography research is an extremely broad field, which is looked into by many professions: sexologists, film experts, sociologists, psychologists and even feminist activists. Some findings were recalled at work, but this is only an outline of the matter.

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19

Fraterrigo, Elizabeth. "Carolyn Bronstein. Battling Pornography: The American Feminist Anti-Pornography Movement, 1976–1986." American Historical Review 117, n.º 4 (21 de septiembre de 2012): 1262–63. http://dx.doi.org/10.1093/ahr/117.4.1262.

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20

Tarrant, Shira. "Battling Pornography: The American Feminist Anti-Pornography Movement, 1976–1986by Carolyn Bronstein". Journal of Women, Politics & Policy 34, n.º 2 (abril de 2013): 188–90. http://dx.doi.org/10.1080/1554477x.2013.776410.

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21

Gordon, Sharon E. y Jacquelyn W. White. "Making Violence Sexy: Feminist Views on Pornography". Psychology of Women Quarterly 18, n.º 2 (junio de 1994): 315–16. http://dx.doi.org/10.1177/036168439301800205.

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22

Young, Madison. "Authenticity and its role within feminist pornography". Porn Studies 1, n.º 1-2 (2 de enero de 2014): 186–88. http://dx.doi.org/10.1080/23268743.2014.888250.

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23

Collins, Barbara G. "Pornography and Social Policy: Three Feminist Approaches". Affilia 5, n.º 4 (diciembre de 1990): 8–26. http://dx.doi.org/10.1177/088610999000500402.

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24

CHANCER, L. S. "From Pornography to Sadomasochism: Reconciling Feminist Differences". ANNALS of the American Academy of Political and Social Science 571, n.º 1 (1 de septiembre de 2000): 77–88. http://dx.doi.org/10.1177/0002716200571001006.

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25

Chancer, Lynn S. "From Pornography to Sadomasochism: Reconciling Feminist Differences". ANNALS of the American Academy of Political and Social Science 571, n.º 1 (septiembre de 2000): 77–88. http://dx.doi.org/10.1177/000271620057100106.

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26

Dawam, Ainurrafiq. "Pornografi, Remaja, dan Pendidikan Seks Dalam Islam". Musãwa Jurnal Studi Gender dan Islam 4, n.º 1 (30 de abril de 2006): 43. http://dx.doi.org/10.14421/musawa.2006.41.43-60.

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Today the most popular infonnation for Indonesians is about pornography. In general, attitudes toward pornography can be classified into four major perspectives: conservative, feminist, postmodernist, and liberal. For adolescents pornography is a new world after they leave their childhood, and they should be protected from the hazard of pornography. They must be equipped with good knowledge and strong faith to Allah. One of the many ways of preventing teenagers from being negatively affected by pornography is education, especially providing sex education from an Islamic perspective. Historically there were subjects on sexuality in Islamic scholarship. This article aims at describing trends of adolescents' attitudes toward pornography, and proposes a concept of sex education in an Islam perspective in order to free them from negative impacts of pornography.

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27

Case, Sue-Ellen. "The Power of Sex: English Plays by Women, 1958–1988". New Theatre Quarterly 7, n.º 27 (agosto de 1991): 238–45. http://dx.doi.org/10.1017/s0266464x00005741.

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Reading backwards, through the feminist critique, Sue-Ellen Case explores the role of sexuality in women's lives as portrayed in the work of British women playwrights during the past three decades. She illustrates the way in which the oppressive uses of sexuality in the patriarchy, identified by the social movement as rape and pornography, have been dramatized through dramatic narrative and character construction. In contrast to this representation of oppression, she discusses how the liberating role of pleasure and of women reclaiming their own desires provide a revolutionary feminist stage practice, in both heterosexual and lesbian social contexts. Sue-Ellen Case is Professor of English at the University of California, Riverside, and her works includeFeminism and TheatreandPerforming Feminisms: Feminist Critical Theory and Theatre.

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28

Lorek-Jezińska, Edyta. "Pornography Debate, Gaze and Spectatorship in Sarah Daniels’s "Masterpieces"". Text Matters, n.º 3 (1 de noviembre de 2013): 154–70. http://dx.doi.org/10.2478/texmat-2013-0032.

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Masterpieces by Sarah Daniels has been described as a voice in the debate on pornography, expressing the anti-pornography position as opposed to the liberal feminist stance in this debate. Despite its ideological clarity reported by many reviewers and critics, the play has been commented upon as deficient or inadequate because of evoking conflicting interpretations and ambiguity. The paper argues that these deficiencies stem from the play’s concern with the distribution of agency and passivity along gender lines as well as the influence of generic and essentialist notions of genders on the perception of social and individual power relations particularly in the domain of eroticism and sexuality. One of the key issues of the play is the question to what extent and in what ways human perception is conditioned by the place of the subject in relation to the agency/passivity dichotomy and his or her viewing/reading position in relation to erotic and pornographic material.

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29

Potter, Claire. "Not Safe for Work: Why Feminist Pornography Matters". Dissent 63, n.º 2 (2016): 104–14. http://dx.doi.org/10.1353/dss.2016.0041.

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30

Whittier, Nancy. "How emotions shape feminist coalitions". European Journal of Women's Studies 28, n.º 3 (agosto de 2021): 369–86. http://dx.doi.org/10.1177/13505068211029682.

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This article develops a framework for conceptualizing the emotional dimensions of coalitions, with particular focus on how power operates through emotion in different varieties of feminist coalitions. The article proposes three interrelated areas in which emotion shapes feminist coalitions: (1) Feelings towards coalition partners: feelings of mistrust, anger, fear, or their reverse grow from histories of interaction and unequal power. These make up the emotional landscape of intersectional coalitions, which operate through a tension between negative emotions and attempts at empathy or mutual acceptance; (2) Shared feelings: feminist coalitions build on shared fear of threat or anger at a common enemy; and (3) emergent emotions in collective action. Coalition partners possess distinct emotion cultures. Joint collective action can cement bonds when all participants’ emotion cultures are reflected, or weaken coalitions when the reverse is true. In all three of these areas, organizers engage in emotional labour in order to create or maintain coalitions. These three dynamics are illustrated with examples from intersectional feminist coalitions, the Women’s Marches, and interactions between feminists and conservatives opposed to pornography.

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Morton, F. L. y Avril Allen. "Feminists and the Courts: Measuring Success in Interest Group Litigation in Canada". Canadian Journal of Political Science 34, n.º 1 (marzo de 2001): 55–84. http://dx.doi.org/10.1017/s0008423901777815.

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This study proposes a new model for assessing success in interest group litigation. The model is applied to 47 appeal court rulings concerning feminist issues in 21 cases involving the Canadian Charter of Rights and Freedoms and 26 non-Charter cases. The study operationalizes the concept of ''success'' by including not just outcome (''who wins''), but also the effect of the case on the ''policy status quo'' (PSQ) and the creation of favourable or unfavourable legal resources (precedents). Feminist claims prevailed in 72 per cent of the cases. The PSQ optic reveals that previous studies overstate the significance of feminist losses (13), since only three of these changed the PSQ in a direction opposed by feminists. There were 17 cases that changed the PSQ in a direction desired by feminists. Feminist litigation has been most successful in the policy areas of abortion, private-sector discrimination and pornography. Success has been lowest in the areas of sexual assault and income tax. These findings suggest that interest group litigation can achieve significant policy change and that the scope of policy studies should be expanded to include judge-made policy.

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32

Taylor, Kris y Sue Jackson. "‘I want that power back’: Discourses of masculinity within an online pornography abstinence forum". Sexualities 21, n.º 4 (30 de enero de 2018): 621–39. http://dx.doi.org/10.1177/1363460717740248.

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This article examines the ways that men actively construct masculinity within an online pornography-abstinence reddit forum, NoFap. Of central interest is how members of NoFap negotiate possible contradictions between abstinence and presenting themselves as masculine subjects. Utilizing discourse analysis, we illustrate the ways in which forum members employ idealized discourses of innate masculinity and the need for ‘real sex’ to justify their resistance to pornography use and masturbation. However, we also highlight the paradox of having to perform ostensibly innate characteristics, and the outright rejection of feminist critiques of pornography use as it pertains to masculine conduct. As such, this article offers an alternative approach to the popular ‘user effects’ paradigm that suggests that users reject pornography because of internal biological drives interfering in their lives. Instead, we suggest that some users reject pornography to reconcile pornography use with particular expectations of normative masculinity.

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33

Gulanowski, Jacek. "Simulative and esoteric aspects of pornography". Journal of Education Culture and Society 1, n.º 2 (17 de enero de 2020): 78–93. http://dx.doi.org/10.15503/jecs20102.78.93.

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N. Wolf, a third wave feminist, in her controversial essay The Porn Myth discusses the question of switching previously taken positions: pornography has become a model for sex and sex the reflection of pornography. She sees the coming of the Internet and the adjustment of pornography to this medium as the root of the aforementioned transition. Contemporary pornography is a point where the works of postmodernists (especially J. Baudrillard and his theory of simulation and simulacra) and the pessimistic historiosophy of traditionalists and conservatives (particularly J. Evola and J. R. R. Tolkien). Meet focusing on the achievements of the postmodern world and traditional spirituality researchers can be very useful in portraying this complex and controversial phenomenon.

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34

Ferguson, Ann. "A Feminist Aspect Theory of the Self". Canadian Journal of Philosophy Supplementary Volume 13 (1987): 339–56. http://dx.doi.org/10.1080/00455091.1987.10715941.

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The contemporary Women’s Movement has generated major new theories of the social construction of gender and male power. The feminist attack on the masculinist assumptions of cognitive psychology, psychoanalysis and most of the other academic disciplines has raised questions about some basic assumptions of those fields. For example, feminist economists have questioned the public/private split of much of mainstream economics, that ignores the social necessity of women’s unpaid housework and childcare. Feminist psychologists have challenged cognitive and psychoanalytic categories of human moral and gender development arguing that they are biased toward the development of male children rather than female children. Feminist anthropologists have argued that sex/gender systems, based on the male exchange of women in marriage, have socially produced gender differences in sexuality and parenting skills which have perpetuated different historical and cultural forms of male dominance. Feminist philosophers and theorists have suggested that we must reject the idea of a gender-free epistemological standpoint from which to understand the world. Finally radical feminists have argued that the liberal state permits a pornography industry that sexually objectifies women, thus legitimizing male violence against women.

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35

Artz, Lillian. "‘Porn Norms’: A South African feminist conversation about pornography". Agenda 26, n.º 3 (septiembre de 2012): 8–18. http://dx.doi.org/10.1080/10130950.2012.716649.

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Moore, Stephen y Virginia Burrus. "UNSAFE SEX: FEMINISM, PORNOGRAPHY, AND THE SONG OF SONGS". Biblical Interpretation 11, n.º 1 (2003): 24–52. http://dx.doi.org/10.1163/15685150360495561.

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How should the Song of Songs be read? As that rarest of biblical texts, one that gives voice to female desire in the context of a sexual relationship characterized by equality and mutuality rather than domination and submission? Or as yet another vehicle for male pornographic fantasy and sexual aggression? Attempting to shift the (dualistic) terms of this burgeoning debate on the Song, this article explicitly situates itself at the intersection of feminist and queer theories, focusing especially on s/m eroticism as a site where these theories forcefully collide and delicately collude, and arguing that feminist and queer politics can ill-afford to exclude each other.

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Cobo Bedia, Rosa. "El imaginario pornográfico como pedagogía de la prostitución (Pornographic Imagery as a Pedagogy of Prostitution)". Oñati Socio-legal Series 9, n.º 1S (1 de febrero de 2019): S6—S26. http://dx.doi.org/10.35295/osls.iisl/0000-0000-0000-1002.

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El marco interpretativo feminista será el enfoque teórico que utilizaré en este texto para analizar la pornografía. Desde este planteamiento argumentaré que el porno mainstream es una producción ideológica propia de los patriarcados más duros, pero su configuración material también es una producción económica del capitalismo neoliberal. La pornografía es un fenómeno social que muestra al mismo tiempo la peor cara de las sociedades patriarcales, pero también el rostro más brutal de las sociedades capitalistas. Desde este análisis, por tanto, el debate sobre la pornografía no es de naturaleza moral sino política. El objetivo último de este texto es explicar que la pornografía es un fenómeno funcionalmente vinculado a la prostitución hasta el extremo de convertirse en su auténtica pedagogía. This article uses the feminist interpretative framework as a theoretical approach to analyze pornography. From this approach, it is argued that mainstream porn is an ideological production typical of the hardest patriarchy, but its material configuration is also an economic production of neoliberal capitalism. Pornography is a social phenomenon that shows at the same time the worst face of patriarchal societies, but also the most brutal face of capitalist societies. Therefore, from this analysis, the debate about pornography is not a debate of a moral nature but of a political nature. The final objective of this article is to explain that pornography is a phenomenon functionally linked to prostitution to the point of becoming its authentic pedagogy.

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Strongman, SaraEllen. "‘Creating justice between us’: Audre Lorde’s theory of the erotic as coalitional politics in the Women’s Movement". Feminist Theory 19, n.º 1 (1 de diciembre de 2017): 41–59. http://dx.doi.org/10.1177/1464700117742870.

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This article asks how interracial sex and/or sexual attraction might be an integral part of cross-racial feminist work. Focusing on the work of black lesbian feminist poet Audre Lorde, I argue that for some black women sex and intimate relationships with white women during the Women’s Movement were an important part of their survival and their feminist and anti-racist praxis. Drawing on recent black feminist scholarship, I read Lorde’s work against the grain of the anti-pornography feminist movement contemporaneous with her career and suggest that sex with white women was often a productive, enriching and necessary experience for her as she worked to build cross-racial political alliances.

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Bedor, Emma Celeste. "The Politics of Revenge (Pornography)". Screen Bodies 1, n.º 1 (1 de marzo de 2016): 32–50. http://dx.doi.org/10.3167/screen.2016.010103.

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Revenge pornography emerged in a flurry moral panic in 2010 when Hunter Moore created the website Is Anyone Up? (isanyoneup.com), where anonymous Internet users submitted nude photos for thousands of unknown purveyors to view. Moore’s endeavor appeared ingenious: What better way could angry exes enact revenge and humiliation on former partners than by displaying their naked photos, against their will and without consent, on a notorious website? The site’s “spirit of retaliation,” apparent from an anthem whose lyrics consisted of “Cheated on me and broke my heart / Gonna show the world your private parts” lives on due to the emergence of other revenge pornography sites, despite the fact that isanyoneup.com was disbanded and Moore recently arrested. Using a critical theoretical framework, this article illustrates that victims of revenge pornography are emblematic of post-feminist and neoliberal hostilities. As such, this article contends that revenge pornography is about revenge and humiliation, not sex.

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Kamilla, Almyra Luna. "Preventing the Wrongful Criminalization of Online Gender-based Violence Victims: A Look into Law No. 44 of 2008 on Pornography". Jurnal Wanita dan Keluarga 2, n.º 1 (26 de julio de 2021): 32–40. http://dx.doi.org/10.22146/jwk.2241.

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Undang-Undang No. 44 Tahun 2008 tentang Pornografi secara eksplisit melarang keras pembuatan konten yang mengandung pornografi, namun disisi lain, Penjelasan Pasal 4 ayat (1) pada Undang-Undang tersebut secara implisit memberikan hak bagi masyarakat untuk membuat materi pornografi selama ditujukan untuk diri sendiri dan demi kepentingan sendiri. Hal ini membuat adanya perdebatan yang dipengaruhi juga oleh nilai-nilai dasar bangsa Indonesia sebagai negara yang beradab dan beragama. Dalam prakteknya, Pasal 4 ayat (1) UU No. 44 Tahun 2008 tidak jarang disalahgunakan untuk menjadikan korban Kekerasan Berbasis Gender Online (KBGO) sebagai tersangka dalam kasus pornografi. Melalui pendekatan feminis dan berorientasi korban, Penelitian ini akan membahas bagaimana UU No. 44 Tahun 2008 tentang Pornografi dimanfaatkan baik sengaja atau tidak sengaja, sebagai senjata dalam reviktimisasi perempuan korban KBGO. Penulis menggunakan pendekatan yuridis-normatif dimana Penelitian ini didasari atas analisa terhadap peraturan perundang-undangan yang berlaku di Indonesia serta studi literatur. Hasil penelitian ini menemukan bahwa pada UU No. 44 Tahun 2008 tentang Pornografi terdapat perbedaan norma yaitu antara Pasal 4 ayat (1) dengan Penjelasan Pasal 4 ayat (1). Selanjutnya, dapat disimpulkan bahwa perbedaan norma tersebut disertai dengan pendekatan penegak hukum di Indonesia yang cenderung konservatif, memicu fenomena dimana korban KBGO yang seharusnya dilindungi justru dikriminalisasi ===== Law No. 44 of 2008 on Pornography explicitly condemned the creation of pornographic content, on the other hand, the Elucidation of Art. 4 (1) of the Law implicitly grants the right for the people to create pornographic material so long as it is intended for oneself and one’s interest. This issue has caused a debate that is also influenced by the fundamental values of Indonesia as a nation that is civilized and religious. In practice, Art. 4 (1) of Law No. 44 of 2008 on Pornography is often misused to cause victims of Online Gender-based Violence into suspects of cases of pornography. Using the feminist approach and victim-oriented perspective, this Research will discuss how Law No. 44 of 2008 on Pornography is utilized, on purpose or otherwise, as a weapon in revictimizing women who are victims of Online Gender-based Violence. The Author used the juridical-normative method in which the Research is constructed based on the analysis of Indonesian laws and regulations as well as literature studies. The results of this Research found that there are contradicting norms within Law No. 44 of 2008 on Pornography specifically between Art. 4 (1) and its Elucidation. Furthermore, it can be concluded that such contradicting norms complemented with the approach of Indonesian law enforcers which tends to be conservative, precipitated a phenomenon in which victims of Online Gender-based Violence who are supposed to be protected ended up criminalized.

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Keith, Heather E. "Pornography Contextualized: A Test Case for a Feminist-Pragmatist Ethics". Journal of Speculative Philosophy 15, n.º 2 (2001): 122–36. http://dx.doi.org/10.1353/jsp.2001.0018.

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Cawston, Amanda. "The feminist case against pornography: a review and re-evaluation". Inquiry 62, n.º 6 (19 de julio de 2018): 624–58. http://dx.doi.org/10.1080/0020174x.2018.1487882.

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Ryberg, Ingrid. "Carnal fantasizing: embodied spectatorship of queer, feminist and lesbian pornography". Porn Studies 2, n.º 2-3 (3 de julio de 2015): 161–73. http://dx.doi.org/10.1080/23268743.2015.1059012.

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Brannigan, Augustine y Andros Kapardis. "The Controversy Over Pornography and Sex Crimes: The Criminological Evidence and Beyond". Australian & New Zealand Journal of Criminology 19, n.º 4 (diciembre de 1986): 259–84. http://dx.doi.org/10.1177/000486588601900406.

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Renewed governmental inquiries into the regulation of sexually explicit materials have revived interest in the relationship (if any) between pornography and sexual offences. In this article we review the criminological studies which have explored this relationship. Availability of sexually explicit materials appears to be unrelated to the frequency distributions of reported rape, though evidence points to a decline in child molestation. In the second part of the article we situate the putative link between pornography and sexual deviance within some of the contemporary theories of rape causation and some of the known social correlates of rape victims and offenders. Community, victim, offender and legislative characteristics would appear to be much more convincing explanations of variations in the rates of reported rape than the circulation of pornography and sexist repression attributed to it by certain feminist and Christian writers.

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Cole, Kristen L. "Pornography, censorship, and public sex: exploring feminist and queer perspectives of (public) pornography through the case of Pornotopia". Porn Studies 1, n.º 3 (3 de julio de 2014): 227–41. http://dx.doi.org/10.1080/23268743.2014.927708.

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Chancer, Lynn S. y Nadine Strossen. "Feminist Offensives: "Defending Pornography" and the Splitting of Sex from Sexism". Stanford Law Review 48, n.º 3 (febrero de 1996): 739. http://dx.doi.org/10.2307/1229282.

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Wiethaus, Ulrike. "Feminist Historiography as Pornography: St. Elisabeth of Thuringia in Nazi Germany". Medieval Feminist Newsletter 24 (septiembre de 1997): 46–54. http://dx.doi.org/10.17077/1054-1004.1366.

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Ryberg, Ingrid. "The ethics of shared embodiment in queer, feminist and lesbian pornography". Studies in European Cinema 12, n.º 3 (2 de septiembre de 2015): 261–74. http://dx.doi.org/10.1080/17411548.2015.1094946.

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Moorman, Jennifer. "“The Hardest of Hardcore”: Locating Feminist Possibilities in Women’s Extreme Pornography". Signs: Journal of Women in Culture and Society 42, n.º 3 (marzo de 2017): 693–716. http://dx.doi.org/10.1086/689636.

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Papadaki, Lina. "What is Objectification?" Journal of Moral Philosophy 7, n.º 1 (2010): 16–36. http://dx.doi.org/10.1163/174046809x12544019606067.

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AbstractObjectification is a notion central to contemporary feminist theory. It has famously been associated with the work of anti-pornography feminists Catharine MacKinnon and Andrea Dworkin, and more recently with the work of Martha Nussbaum. However, objectification is a notion that has not yet been adequately defined. It has been used rather vaguely to refer to a broad range of cases involving, in some way or another, the treatment of a person (usually a woman) as an object. My purpose in this paper is to offer a plausible understanding of objectification. I do that by focusing on the work of four prominent thinkers: Immanuel Kant, and contemporary feminists Catharine MacKinnon, Andrea Dworkin and Martha Nussbaum. Through drawing on these thinkers' conceptions of objectification, I am finally led to a more complete and coherent understanding of this notion.

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