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1

Gesa, Kirsch, ed. Feminist rhetorical practice: New horizons for rhetoric, composition, and literacy studies. Carbondale: Southern Illinois University Press, 2011.

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2

1968-, Ryan Kathleen J., ed. Walking and talking feminist rhetorics: Landmark essays and controversies. West Lafayette, Ind: Parlor Press, 2010.

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3

Buchanan, Lindal. Walking and talking feminist rhetorics: Landmark essays and controversies. West Lafayette, Ind: Parlor Press, 2010.

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4

Rhetoric and ethic: The politics of biblical studies. Minneapolis: Fortress Press, 1999.

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5

Pedwell, Carolyn. Feminism, culture and embodied practice: The rhetorics of comparison. Abingdon, Oxon: Routledge, 2010.

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6

Feminism, culture and embodied practice: The rhetorics of comparison. Abingdon, Oxon: Routledge, 2010.

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7

Standing in the intersection: Feminist voices, feminist practices in communication studies. Albany: State University of New York Press, 2012.

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8

Lyon, J. Vanessa. Figuring Faith and Female Power in the Art of Rubens. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985513.

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens’s lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.
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9

What our speech disrupts: Feminism and creative writing studies. Urbana, Ill: National Council of Teachers of English, 2000.

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10

Feminist Rhetorical Science Studies: Human Bodies, Posthumanist Worlds. Southern Illinois University Press, 2018.

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11

Rethinking Ethos: A Feminist Ecological Approach to Rhetoric. Southern Illinois University Press, 2016.

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12

Fiorenza, Elisabeth Sch ussler. Rhetoric and Ethic: The Politics of Biblical Studies. Augsburg Fortress Publishers, 1999.

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13

Feminism Beyond Modernism (Studies in Rhetorics and Feminisms). Southern Illinois University, 2002.

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14

Flynn, Elizabeth A. Feminism Beyond Modernism (Studies in Rhetorics and Feminisms). Southern Illinois University, 2002.

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15

Cloud, Dana L., ed. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
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16

A Feminist Legacy: The Rhetoric and Pedagogy of Gertrude Buck (Studies in Rhetorics and Feminisms). Southern Illinois University Press, 2007.

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17

Ratcliffe, Krista. Rhetorical Listening: Identification, Gender, Whiteness (Studies in Rhetorics and Feminisms). Southern Illinois University, 2006.

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18

MacDonald, Michael J., ed. The Oxford Handbook of Rhetorical Studies. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199731596.001.0001.

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One of the most remarkable trends in the humanities and social sciences in recent decades has been the resurgence of interest in the history, theory, and practice of rhetoric: in an age of global media networks and viral communication, rhetoric is once again “contagious” and “communicable” (Friedrich Nietzsche). Featuring 60 commissioned chapters by eminent rhetoric scholars from 12 countries, The Oxford Handbook of Rhetorical Studies offers students and teachers an engaging but sophisticated one-volume introduction to the multidisciplinary field of rhetorical studies. The Handbook traces the history of Western rhetoric from ancient Greece and Rome to the present and surveys the role of rhetoric in more than 30 academic disciplines and fields of social practice. This combination of historical and topical approaches allows readers to chart the metamorphoses of rhetoric over the centuries while mapping the connections between rhetoric and law, politics, science, education, literature, feminism, poetry, composition, critical race theory, philosophy, drama, criticism, deconstruction, digital media, art, semiotics, architecture, and other fields. In addition to offering an accessible and comprehensive introduction to rhetoric in the European and North American context, the Handbook includes an introduction with summaries of all 60 chapters, a timeline of major works of rhetorical theory, translations of all passages in Greek and Latin, and a glossary of more than 300 rhetorical terms. Taken together, the chapters in this volume demonstrate that rhetoric is not merely an art of stylish communication but a pragmatic, inventive, and critical art that operates in myriad social contexts and academic disciplines.
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19

Pedwell, Carolyn. Feminism, Culture and Embodied Practice: The Rhetorics of Comparison. Taylor & Francis Group, 2012.

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20

Global Women Leaders: Studies in Feminist Political Rhetoric. Lexington Books/Fortress Academic, 2014.

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21

Stenberg, Shari J. Composition Studies Through a Feminist Lens. Parlor Press, 2013.

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22

Stenberg, Shari J. Composition Studies Through a Feminist Lens. Parlor Press, 2013.

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23

Landmark Essays on Rhetoric and Feminism. Taylor & Francis Group, 2014.

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24

Landmark Essays on Rhetoric and Feminism. Taylor & Francis Group, 2014.

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25

1958-, Ratcliffe Krista y Rickly Rebecca, eds. Performing feminism and administration in rhetoric and composition studies. Cresskill, NJ: Hampton Press, 2009.

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26

Funderburgh, Jarratt Susan Carole y Worsham Lynn 1953-, eds. Feminism and composition studies: In other words. New York: Modern Language Association of America, 1998.

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27

Educating the New Southern Woman Studies in Rhetorics and Feminisms. Southern Illinois University Press, 2013.

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28

Claiming the Bicycle: Women, Rhetoric, and Technology in Nineteenth-Century America. Southern Illinois University Press, 2015.

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29

Mountford, Roxanne. The Gendered Pulpit: Preaching in American Protestant Spaces (Studies in Rhetorics and Feminisms). Southern Illinois University, 2005.

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30

The Gendered Pulpit: Preaching in American Protestant Spaces (Studies in Rhetorics and Feminisms). Southern Illinois University, 2003.

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31

(Editor), Susan C. Jarratt y Lynn Worsham (Editor), eds. Feminism and Composition Studies: In Other Words (Research and Scholarship in Composition). Modern Language Association of America, 1998.

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32

(Editor), Mary-Louise Kearney y Mary-Louise Keaney (Editor), eds. Women, Power, and the Academy: From Rhetoric to Reality. Berghahn Books, 2001.

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33

Koester, Craig R., ed. The Oxford Handbook of the Book of Revelation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190655433.001.0001.

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The Oxford Handbook of the Book of Revelation is the premier reference work for the study of Revelation. Part 1 gives attention to the literary features of the book, including its narrative and rhetorical aspects, imagery, hymns, use of the Old Testament and distinctive Greek style. Part 2 considers the social context in which Revelation was composed and first read, including its relation to Roman rule, Jewish communities, Greco-Roman religions, and various groups of Jesus followers. Part 3 explores major topics in theology and ethics, including God, Jesus, and the Spirit; perspectives on creation, evil, and violence; and the portrayal of Babylon, new Jerusalem, and the people of God. Part 4 deals with the book’s history of reception and influence, including the transmission of the Greek text and inclusion in the New Testament canon, patterns of interpretation in antiquity, middle ages, and modern period, and Revelation’s impact on liturgy and music. Part 5 turns to emerging trends in interpretation, including the use of feminist, African American, and post-colonial perspectives. With contributions from leading international scholars, the volume offers authoritative essays on the current state of research that will help to shape the direction of future studies in the field.
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34

Vote and Voice: Women's Organizations and Political Literacy, 1915-1930 (Studies in Rhetorics and Feminisms). Southern Illinois University, 2004.

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35

Sharer, Wendy B. Vote and Voice: Women's Organizations and Political Literacy, 1915-1930 (Studies in Rhetorics and Feminisms). Southern Illinois University, 2007.

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36

(Editor), Susan C. Jarratt y Lynn Worsham (Editor), eds. Feminism and Composition Studies: In Other Words (Research and Scholarship in Composition, 6). Modern Language Association of America, 1998.

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37

(Editor), Kristine Blair y Pamela Takayoshi (Editor), eds. Feminist Cyberscapes: Mapping Gendered Academic Spaces (New Directions in Computers and Composition Studies.). Ablex Publishing, 1999.

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38

Metamorphosizing the Novel: Kay Boyle's Narrative Innovations (Writing About Women : Feminist Literary Studies, Vol 7). Peter Lang Publishing, 1994.

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39

Liberating Voices: Writing at the Bryn Mawr Summer School for Women Workers (Studies in Rhetorics and Feminisms). Southern Illinois University, 2004.

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40

O'Brien, Julia M. Metaphorization and Other Tropes in the Prophets. Editado por Carolyn J. Sharp. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859559.013.14.

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Although analysis of prophetic style often draws upon general studies of Hebrew poetry, the poetics of the prophets is distinctive—traversing prose, poetry, and rhetoric. This chapter first offers a historical overview of the study of prophetic poetry, positing the distinction between rhetoric (which seeks to advance comprehension) and poetry (which is often playful and obfuscating). It then explores key features of prophetic style, including parallelism, repetition/wordplay, irony, hyperbole, and metaphor. The chapter concludes with a discussion of feminist, queer, postcolonialist, and theological assessments of prophetic tropes, arguing that the fractures of poetic wordplay and repetition caution against identifying any single authoritative “meaning” of prophetic speech.
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41

N, Benzel Kathryn y De La Vars, Lauren Pringle., eds. Images of the self as female: The achievement of women artists in re-envisioning feminine identity. Lewiston: Edwin Mellen Press, 1992.

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42

Fixmer-Oraiz, Natalie. Homeland Maternity. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042355.001.0001.

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Motherhood in the context of homeland security culture is a site of intense contestation—both a powerful form of currency and a target of unprecedented assault. In this book, I designate the term homeland maternity in order to theorize the relationship between motherhood and nation in US homeland security culture. While scholars of rhetoric, feminist, and cultural studies have explored homeland security culture and the politics of contemporary motherhood from critical perspectives, no study to date has considered how recent discourses of motherhood and nation are deeply enmeshed and, as this book argues, mutually constitutive. As reproductive bodies are represented as a threat to national security, either through supposed excess or deficiency, a culture of homeland maternity intensifies the requirements of motherhood as it works to discipline those who refuse to adhere. Homeland Maternity offers a way to understand how the policing of maternal bodies in contemporary US culture serves an overt but unexamined political function—namely, securing the nation in times of perceived vulnerability, and with profound implications for reproductive justice.
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43

Doerte, Bischoff y Wagner-Egelhaaf Martina, eds. Weibliche Rede, Rhetorik der Weiblichkeit: Studien zum Verhältnis von Rhetorik und Geschlechterdifferenz. Freiburg: Rombach, 2003.

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44

Women Physicians and Professional Ethos in Nineteenth-Century America. Southern Illinois University Press, 2014.

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45

Lowe, Margaret A., Sandra J. Sarkela y Susan Mallon Ross. From Megaphones to Microphones: Speeches of American Women, 1920-1960. Praeger Publishers, 2003.

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46

1949-, Sarkela Sandra J., Ross Susan Mallon 1947- y Lowe Margaret A. 1961-, eds. From megaphones to microphones: Speeches of American women, 1920-1960. Westport, Conn: Praeger, 2003.

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