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1

Wingard, Jennifer Leanne. "Figuring others : toward a transnational feminist rhetorical analytic". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2008. http://wwwlib.umi.com/cr/syr/main.

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2

Queen, Mary Teresa. "Technologies of representation fields of rhetorical action in transnational feminist encounters /". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2005. http://wwwlib.umi.com/cr/syr/main.

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3

Pristash, Heather Elizabeth. "A Sharper Point: A Feminist, Multimodal Heuristic for Analyzing Knitted Rhetoric". Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1416439777.

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4

Crump, Adrienne. "Feminisms, Rhetorics, and the Polemics of State-Sanctioned Marriage". Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293590.

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This dissertation contributes to the discipline by demonstrating successful and productive incorporation of feminist research methods and methodologies in rhetorical studies and the application of the rhetorical arts to feminist projects. Specifically this dissertation examines the history of state-sanctioned marriage in the US and its contribution to normative discourses of family that problematically inform public policies and mainstream arguments directed at some working and parenting women struggling to care for their families and provide for them economically. Through feminist rhetorical analyses of congressional testimony on welfare; feminist rhetorics on women, work, family, and economics; and narratives of women's lived experiences derived from an interview-based study, this project renders visible and disrupts mechanizations of privilege and oppression deployed through hegemonic discourses on marriage and family. It concludes that feminist rhetorical scholars are uniquely trained and therefore called upon to address inequities promulgated through national attachment to state-sanctioned marriage and normative models of family.
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5

Powers, Jordan S. "Femininity, Pinterest, and the Appropriation of Jane Austen". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2373.

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This analysis is an examination of the use of Jane Austen quotes on the social networking site Pinterest in order to explore the messages disseminated by the dismantling of Austen’s works. Austen’s novels contain subtle feminist ideals that empower women to find their own unique paths. Pinterest has a large female following and the messages created and shared by women hold importance because they highlight salient values and ideas. The quotes collected were analyzed using a feminist rhetorical method. Questions of whether women were empowered outside the private sphere and encouraged to engage in independent thought guided the analysis. Findings indicated that Austen’s words are removed from context in order to reinforce hegemonic ideas of beauty, love, and intelligence. Women can engage in independent thought and exist outside the home as long as they follow socially prescribed rules that create unattainable standards and contradictory dichotomies.
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6

Katona, Leah Andrea. "The Use of Violence as Feminist Rhetoric: Third-Wave Feminism in Tarantino's Kill Bill Films". CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/2759.

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For the purpose of this thesis, the main focus of the feminist rhetorical criticism method was specifically linked to gender-related power inequities. This method was especially appropriate for the analysis of how film violence is used as a feminist rhetorical strategy in the Kill Bill films. This thesis is more closely aligned with challenging rhetorical standards as it sought to identify feminist counter positions of rhetoric in film violence.
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7

Kennedy, Tammie Marie. "Reclaiming Memoria for Writing Pedagogies: Toward a Theory of Rhetorical Memory". Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/193644.

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While memoria is the fourth canon of rhetoric, its generative power remains essentially absent from rhetoric and composition studies. In my dissertation I use Mnemosyne's story as a way to reconceptualize memoria beyond the confines of mnemonic techniques and memorization. I provide an overview of memoria using the terministic screens of storehouse, invention, and subjectivity in order to explain its absence and the consequences of this gap. I posit that the generative, critical, and embodied qualities of memory shape our ways of knowing and being and our hermeneutical, inventive, and revisionary practices.I argue that memory is rhetorical: it's not just what is remembered/forgotten that matters, but how it is remembered, by whom, for what purpose, and with what effect. Rhetorical memory is a process and product(s) of remembering. Rather than remaining fixed, rhetorical memory is dynamic, relational, infused with emotion, steeped in imagination, and context dependent. It is also relational, not autonomous and continuous. When memory is written, it expresses, analyzes, connects, rebuilds, and transforms the links between private and public, past and present, self and other, reason and emotions, fact and fiction, and mind and body. Rhetorical memory is (re)visionary. In chapter two, I explicate the constructed/reconstructed nature of rhetorical memory as demonstrated by Maxine Hong Kingston in No Name Woman. I also examine how rhetorical memory enriches feminist pedagogy(s), especially how agency might emerge and be sustained. In chapter three, I focus on the critical aspects of rhetorical memory by investigating how the memory of Mary Magdalene was constructed to maintain cultural hegemony. I argue that rhetorical memory provides a critical tool for underrepresented groups to critique, disrupt, and revise truth claims often represented in traditional bodies of knowledge. In chapter four, I assert that rhetorical memory empowers writers to uncover white privilege and take action against such injustices. I also include a section on how I incorporate rhetorical memory into my pedagogical practices. I call on scholar teachers to address how our professional discourses and scholarly conventions impede how we communicate about the kinds of insights we gain from rhetorical memory.
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8

Langenfeld, Elizabeth Irene. "Hitchcock's "Rebecca": A rhetorical study of female stereotyping". CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1718.

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9

Wolfe, Marion A. "Constructing Modern Missionary Feminism: American Protestant Women’s Foreign Missionary Societies and the Rhetorical Positioning of Christian Women, 1901-1938". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525440511790395.

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10

Karman, Barbara A. "Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215.

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11

Chia, Chieh Ting Evelyn. "Women “Auto” Write Differently: A Case Study of Feminist Rhetorical Practices in Professional Email Communication in the Automotive Industry". University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1557347967478935.

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12

Briggs, Janelle Leann. "ON WOMEN AND RUNNING: A FEMINIST RHETORICAL INVESTIGATION INTO THE POLITICAL AND ONTOLOGICAL IMPLICATIONS OF CONSCIOUSNESS-RAISING VIA THE SHARING OF WOMEN'S RUNNING STORIES". OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/940.

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The goal of my dissertation is to further our understanding of the political ramifications of women's running stories by focusing on the intersections of feminist rhetoric, women in sports studies, political theory, and ontology. To this end, I examined six books written by women, about women, who participate in the sport of running. Since I am most interested in how gendered concepts teach us how to be "appropriate," and due to the fact that what is considered appropriate gendered behavior changes over time, I start from a place of understanding that "appropriateness" is necessarily both hegemonic and unstable. As a feminist rhetorical critic, I am foremost concerned with gendered relations of power, and am interested in working to move those relations towards the democratic end of liberty and equality. This dissertation examined the following five research questions: First, how do women articulate their running identities in the stories they tell? For example, do women depict running as central or influential to their self-concepts, roles, identities, ambitions and/or goals? If so, how? Specifically, what identities, concepts, or themes are common across stories? Second, do individual women explicitly discuss, or implicitly allude to, multiple identities or roles? If they embrace multiple identities or roles, how do they rhetorically navigate among them in the stories they tell? Third, how, if at all, do women articulate their experience of gender norms? Fourth, what are the points of possible contention, clash or disagreement in the discussion of women runners' experiences? How might the various perspectives that women (and others around them) express be in legitimate (agonistic, pluralistic) conversation with each other? And finally, in what ways might these stories hint at ontological change as a real possibility, and/or provide a canvas for an agonistic and plural relationship with the self and others? In other words, what commitments, goals, beliefs, and/or values do different perspectives have in common, that might bring them together to work for mutually-agreed upon change in the world, or in the political order? Upon completion of this dissertation, my feminist rhetorical analysis provided ample evidence that the texts I examined are clearly consciousness-raising documents, as their sole purpose is sharing stories of how women journey through life via running. This project illustrated that a particular kind of consciousness is raised when women's bodies are running, sometimes alone, but often together. This consciousness provides a freedom for these women to be more whole, strong, and authentic versions of themselves; running gives way to a mental and physical strength that these women may not have found otherwise. While for some rhetors and audiences, the essential question of women and girls' participation in sports looms large, for many other people, the issues have broadened and deepened from the original `to play or not to play,' and now encompass subtler concerns, from the wearing of the hijab in athletic competition to whether or not women should train during pregnancy. The female body is constantly on display and up for debate, and the female body in the realm of sports is no exception. Together, feminist rhetorical criticism and agonistic pluralism provided me with the foundation to creatively analyze women's running stories for their political and feminist ramifications, places where women are celebrated and heralded as strong athletes, as well as point out places where liberty and equality are still lacking.
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13

Baney, Jennifer. "Poison Ivy's green screen debut: A rhetorical criticism on erasing identity on screen". Scholarly Commons, 2019. https://scholarlycommons.pacific.edu/uop_etds/3630.

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This project investigates the loss of power on screen for female comic book characters. Specifically, I investigate how scenes create narratives using heteronormativity and over-sexualization of female characters. The artifact of analysis included in this project is Batman and Robin (1997). This text focuses on Poison Ivy, including the background of the character before dissecting her role in the film. Turning to Sonja J. Foss (2009) and her feminist critique as a guide to understanding the implications of this research. Using feminist criticism, I argue that Poison Ivy was put in a lesser position, removed of her power, and was made dependent on men more than she is in comics. Poison Ivy was created from the feminist movement, and Batman and Robin (1997) create tension between the comic book representation and the expectation of gender. Superheroes have skyrocketed in popularity over the past fifteen years, and their narratives are extending to individuals that are not necessarily comic readers. This cultural significance of superheroes suggests that comic books and therefore their characters appeal to a wide audience who has the potential to be influenced, even implicitly, by these messages.
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14

Cairns, Jennifer M. "A Lively Discussion Followed: The Rhetoric of Community and Collaboration in a Women's Study Club". University of Findlay / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1494420850600116.

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15

Hawkins, Damaris. ""They say she is veiled": A rhetorical analysis of Judy Grahn's poetry". CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/2941.

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16

Clark, Opal. "Opal Clark on Directing Stop Kiss An Exploration of the Directorial Process". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3286.

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The intent of this thesis and thesis project was to execute a successful run of the play, Stop Kiss by Diana Son while achieving the playwright’s intended message. Opal Clark directed this production of Stop Kiss at East Tennessee State University under special arrangement with Dramatists Play Service, Inc. It was performed to sold out audiences in ETSU Theatre and Dance Studio 205 October 2-7, 2017. The play explores experiences and hostility toward same sex couples, their relationships with one another and how one individual discovers sexuality. The discovery and actualization of the characters’ struggles were communicated in the play using student performers and crew members. The project was documented through a series of journal entries written by the director, who was guided by mentor Professor Robert Funk. The director details the exploration and process in daily journal entries. Additionally, a feminist criticism of the script further explores the portrayal of the plotline. The consequences and implications of dramatic choices within the context of the play are analyzed within this section.
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17

Brown, Joy. "Unvirtuous Findlay: Recovering Voices and Reinterpreting Prostitution Rhetoric from Findlay, Ohio's Victorian Newspapers". University of Findlay / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1558542712396321.

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18

Faust, Max. "Menstruation Regulation: A Feminist Critique of Menstrual Product Brands on Instagram". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/576.

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Much research about advertisements for menstrual products reveals the ways in which such advertising perpetuates shame and reinforces unrealistic ideals of femininity and womanhood. This study aims to examine the content of Instagram posts by four different menstrual product brands in hopes of understanding how these functions may or may not be carried out by social media posts by these brands as well. Building on the body of research about menstrual shame and advertising, I specifically ask: How do the Instagram pages for four menstrual product brands dissuade individuality; how do they prescribe femininity; and how do these functions differ across brands? From a liberal feminist perspective, the examined media exhibits some signs of progress—such as better racial representation—but overall maintains the status quo as to who should be using which products, what womanhood means, and what menstruation entails. These findings indicate that within menstrual product advertising, harmful gender, ability, race, class, and wealth stereotypes continue. Further research of a broader scope is needed to investigate changes on a larger scale, such as within advertising on other platforms and by more brands.
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19

Poland, Bailey M. ""Nowhere is Straight Work More Effective:" Women's Participation in Self-Culture". Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1614269665585998.

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20

McNenny, Geraldine Roberta. "Situated knowledge and the teaching of writing: A rhetorical analysis of the professional writing of women's studies scholars". Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186888.

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Feminist scholars have in many instances led the way in challenging the tendency of academics to make transcendent claims from a disembodied and unmarked position, often in the name of objectivity. One means of reinstating the writer in the act of writing and thus circumventing discourse that, in effect, erases the writer as well as the complexities of the subject is to teach from the perspective of situated knowledges: that is, from the understanding that knowledge is mediated by one's cultural, ideological, and historical position. Moreover, the concept of situated knowledges challenges the positivist assumptions that place the writer outside of the cultural and situational context of the research subject. Situated knowledge thus holds out some intriguing possibilities for the future shape of the teaching of academic discourse. Foremost among those experimenting with the practice of positioning oneself in academic discourse are those scholars working in the cross-disciplinary field of Women's Studies. This dissertation analyzes the rhetorical strategies that three feminist scholars working at the University of Arizona employ in situating themselves in their professional writing. Each scholar occupies a different position along the continuum that represents the efforts to locate oneself. The most conservative strategy common to conventional ideological positioning is one in which the writer avoids any reference to personal location while situating herself within a community of scholars by means of reference and citation. Further along the continuum, the writer may invoke a form of strategic essentialism, critiquing those semiotic systems that enforce various forms of oppression while defining the social context to the advantage of the oppressed group. At the furthest extreme, the researcher acts as participant observer, placing herself in the research situation using a self-reflexive research methodology. In closing, I survey the potential that feminist research methodologies hold for writing pedagogy, especially in assisting our students in locating themselves in their own scholarly pursuits.
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21

Schultz, Yvonne R. "Remediating Rhetorical Room at the 1893 Chicago World's Fair: Lucy Stone, Mary Cassatt, and Ida B. Wells". Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292124744.

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22

Casteryd, Magdalena. "Strategisk retoriker eller bara bitter och arg? : - en retorisk analys av krönikören Linda Skugge". Thesis, Uppsala University, Department of Information Science, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6036.

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Abstract

Aim: The aim of the study is to analyze ten different columns written by Linda Skugge, in order to see what kind of rhetorical means she uses to get her message across. It is also to examine if, and to what extent, these means are of female nature, and to see what kind of persona Skugge uses in order to be trustworthy.

Method: Rhetorical analysis of ten columns written by Linda Skugge

Main results: The study has shown that Skugge´s rhetorical strategies differ from the ones recommended in theories about female speech. Skugge writes with a lot of character and emotionally based arguments, which, according to the theories, is more of a male way of speaking. Skugge gives an impression of being strong, competitive and offensive in her character, but also reveals that her role is consciously chosen in order to receive respect and to gain power.

Number of pages: 42

Course: Media- and Communication studies D

University: Department of Information science, University of Uppsala

Period: Spring 2005

Tutor: Amelie Hössjer

Keywords: rhetoric, rhetorical analysis, feminist studies, persona, Linda Skugge

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23

Ziegler, Lena M. "A Revisionist History of Loving Men: An Autoethnography and Community Research of Naming Sexual Abuse in Relationships". Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616688614469166.

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24

Stephens, Yvonne R. "Embodied Literacies: The Rhetorical/Material Construction of the Senior Body". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1384893521.

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25

Wang, Tiffany R. "Devout Pedagogies: A Textual Analysis of Late Nineteenth Century Christian Women". Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1498327741573647.

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26

Buerkle, C. Wesley. "Just Along for the Ride?: A Father-to-Be Searching for His Role". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/460.

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Book Summary: Essential Breakthroughs: Conversations About Men, Mothers, and Mothering thinks from the nexus of gender, essentialism, and care. The authors creatively blend the philosophical and the personal to collectively argue that while gender is essential to our social and theoretical definitions of care, it is dangerously co-opted into naturalized discourses, which limit particular identities and negate certain forms of care. The perspectives curated in Essential Breakthroughs illuminate how care, as a respected and productive cultural ethic, is neither inherent nor instinctual for any human, but is learned and fostered. The chapters are informed by feminist, queer, and trans politics, wielding post-structuralist methodologies of unlearning and deconstruction, while maintaining the maternal lens as a credible feminist analytical tool and not as a gender-essentialist practice.
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27

Buerkle, C. Wesley. "Book Review of Love and Money: Queers, Class, and Cultural Production by Lisa Henderson". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/511.

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28

Gärdemalm, Elin. "Rabiata rabiesfeminister, orakade gaphalsar och andra aggressiva avarter : En studie av innehåll och argumentation i fyra feministiska bloggar". Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-85398.

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The purpose of this essay is to study how feminists portray themselves and their opinions about gender issues and other political matters in popular feminist blogs. The blogs that are studied are Lady Dahmer, Fanny Åström, Hanapee and Genusfolket. The overall essay questions are: How does the feminist bloggers present themselves? Which subjects are discussed in the feminist blogs? Which rhetorical devices does the feminist bloggers use? The theories that are used to answer the essay questions are the four spheres where there are inequality between the sexes, theories about third wave feminism, the rhetorical concepts ethos, logos and pathos and the SPADER-model for writing good argumentation. A descriptive method is used to study how the bloggers present themselves, a quantitative content analysis is used to count which subjects the bloggers write about and a qualitative rhetorical text analysis is used to study the rhetorical devices the bloggers use. The result shows that the two bloggers Lady Dahmer and Fanny Åström describe themselves with provocative words while the other blogs have more neutral descriptions. The provocative language was interpreted as a sign of the harsh debate climate that surrounds feminists. The results also shows that the bloggers write about different feminist and political subjects; Lady Dahmer writes mostly about family and relationships, Fanny Åström writes mostly about politics, Hanapee writes mostly about politics and objectifications of women and Genusfolket writes mostly about violence and sexual abuse of women. All bloggers write about racism and this can be related to the third wave feminist notion of intersectionality and antiracist activism. They also debate feminism as an ideology and meet the harsh criticism they get.  This can be related to earlier studies that show that feminists get a lot of harsh criticism in the media and on the Internet and that feminists meet this critique. The rhetorical analysis shows that the bloggers all use some rhetorical devices from the SPADER-model but none of them use statistics or expert quotes in their argumentation. Instead they use personal experience and examples to make their points. The bloggers use mostly pathos-arguments in their texts. They show ethos to different extent and it is most abundant in the analyzed text from Genusfolket.
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29

Graves, Robert Christopher. "The Art of Heterotopian Rhetoric: A Theory of Science Fiction as Rhetorical Discourse". Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245638686.

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30

Godwin, Vikki. "Feminist identities and popular mediations of Wiccan rhetoric". [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162235.

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Thesis (Ph.D.)--Indiana University, 2004.
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0167. Chair: Robert Ivie. Title from dissertation home page (viewed Oct. 12, 2006).
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31

LaGrotteria, Angela. "Feminist Pedagogies in the Creative Writing Classroom: Possibilities and Reflections". Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1498598135412239.

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32

Hauman, Kerri Elise. "Community-Sponsored Literate Activity and Technofeminism: Ethnographic Inquiry of Feministing". Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1370279476.

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33

Browning, Ella. "Rupturing the World of Elite Athletics: A Feminist Critical Discourse Analysis of the Suspension of the 2011 IAAF Regulations on Hyperandrogenism". Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6189.

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In 2011 the International Association of Athletic Federations (IAAF) published the Regulations on Hyperandrogenism, a health policy banning female athletes from track and field competition if their natural levels of testosterone were found to be higher than those of most female athletes. In 2014, Dutee Chand, a sprinter from India, was banned from competition based on these regulations. She appealed her ban in the Court of Arbitration for Sport (CAS) and as a result the 2011 IAAF Hyperandrogenism Regulations were suspended for two years. The issues at stake in the suspension of these regulations are, at their core, rhetorical issues related to health and medical technical communication: how information about health and medicine is communicated to stakeholders, the ethics of such communication, and the implications of such communication. They are also issues related to the medical regulation of sex and gender: Chand’s case is the latest in a history of sex verification testing of elite female athletes that began well before 2011. In this study I use feminist critical discourse analysis methods within the computer assisted qualitative analysis software program NVivo to analyze the 2011 IAAF Hyperandrogenism Regulations and the transcript of the CAS Award that suspended them. I argue that the 2011 IAAF Regulations and the CAS Award are an example of what I describe as a closed, Foucauldian system, which is not open to outside voices, stakeholders, expertise, or evidence. I also argue for the use of a heuristic alongside a feminist technical communication perspective on health and medical rhetorics that technical communicators might use to insert themselves into closed Foucauldian systems such as this one in order to enact positive change.
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34

Fleitz, Elizabeth Jean. "The Multimodal Kitchen: Cookbooks as Women’s Rhetorical Practice". Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1240934967.

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35

Bowdon, Melody Anne. "An ethic of action: Specific feminism, service learning, and technical communication". Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/289001.

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This dissertation contains three major arguments. First, teaching ethics in technical communications courses is worthwhile. Chapter One, a review of literature on ethics in technical communication maps books and articles into three categories: theoretical, case study, and pedagogical approaches. It summarizes ways in which major textbooks address ethics and calls for a pedagogy that combines the benefits of all three approaches. Chapter Two provides the theoretical and philosophical groundwork for a "pedagogy of action," based on an ethical stance called "specific feminism" located in a conversation among feminine, feminist, and discourse ethics perspectives. The chapter addresses work by theorists such as Carol Gilligan, Nel Noddings, Judith Butler, Iris Marion Young, Jurgen Habermas, and Alisdair MacIntyre. Specific feminism emerges as an ethic of deliberation and action. The second major argument is that in order to effectively "teach" ethics in technical communication and fulfill their social responsibilities, instructors must be involved in their communities as local intellectuals. Chapter Three begins with an argument about the nature of the public intellectual, drawing on ideas from Michel Foucault, Antonio Gramsci, and Paulo Freire. The chapter ends with a case study of the author's own work as a technical writer for a local AIDS prevention program. The final major argument is that the best way for teachers to bring ethics into the technical writing classroom is through service learning. Chapter Four includes an overview of service learning in composition and describes "the seduction of empathy," a dangerous pattern of substituting emotional response for action in service experiences. This chapter includes case studies of students who used a specific feminist perspective to help them move beyond personal reactions to their service learning experiences, converting their empathy into social action. Chapter Five includes an analysis a popular approach to teaching ethics in technical writing, the hypothetical scenario/case study method, and argues that this model is not as effective as one based on service learning. It describes a semester-long method for bringing ethics into the technical writing classroom and argues that service learning gives students opportunities to apply ethical frameworks they articulate through discussions of theories and case studies.
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36

Spencer, Leland G. IV. "Hagiographic Feminist Rhetoric: An Analysis of the Sermons of Bishop Marjorie Matthews". University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242914318.

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37

Smith, Erica J. "Humble Servants, Prideful Patriarchs: Submission and Servanthood in Rhetoric of the Promise Keepers". W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626344.

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38

Corey, Jessica Rose. "Literate Artifacts and Psychosocial Compositions: Feminist Activism's Composing, Archiving, and Revising of Social Narratives". Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448646252.

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39

Koziatek, Zuzanna Ewelina. " Formal Affective Strategies in Contemporary African Diasporic Feminist Texts ". Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1621007445234777.

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40

Oweidat, Lana A. "Disrupting the Western Gaze: An Arab-Islamic Intervention in Rhetoric and Composition Studies". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1396291760.

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41

Doyle, Brianna F. "A Woman's Place in Politics: An Examination of Hillary Rodham Clinton's 2008 and 2016 Presidential Campaign Debates". University of Findlay / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1486113708197615.

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42

Diaz, Veronica. "Disrupting” the Broadcast: Female Showrunners as 21st Century “Fangirl” Feminist Rhetors". Thesis, NSUWorks, 2019. https://nsuworks.nova.edu/writing_etd/38.

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Despite being considered a female-driven discipline, previous scholarship and personal testimonies indicate that composition remains solidly a “boys’ club.” Popular media is male-dominated as well, resulting in on-screen representations of women that, written from the male perspective, tend toward one-dimensionality. Recently, more women are permeating Hollywood writers’ rooms and producing multi-layered stories that offset the aforementioned portrayals. This thesis examines how showrunners Marti Noxon, Jenji Kohan, and Shonda Rhimes have redefined female representation on-screen—and subsequently, perceptions of women in real life—by crafting nuanced, female-driven narratives. Elements analyzed include: themes present in Noxon’s Sharp Objects (2018) and Dietland (2018), Kohan’s Weeds (2004-2012) and Orange Is the New Black (2013-2019), and Rhimes’s Grey’s Anatomy (2005- ) and Scandal (2012-2018); critical reviews of said shows; interviews given by each showrunner; applicable social media posts; and variations in circulation and creative leniency of each televisual work. Existing literature on composition studies, public-facing work, rhetorical feminism, and gender in popular media is also explored. An apparent correlation exists between feminist archivists’ “uncovering” of women’s historical and rhetorical contributions, feminist rhetoricians’ “disruption” of academic and professional spheres, and female showrunners’ insistence on the legitimization of women’s lived experiences. Thus, Noxon’s, Kohan’s, and Rhimes’s contributions further “publicize” counterpublic, female concerns by disseminating these stories to large audiences via the accessible medium of television.
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43

Bohannon, Jeanne Law. ""Here in the To-Day, Forgotten in the To-Morrow:" Re-covering and Re-membering the Feminist Rhetorics of 19-Century Actress and Author Adah Menken". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/96.

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This dissertation project, which recovers the feminist invention of 19th-century actress and author Adah Menken, proves the efficacy of conducting historigraphic recoveries of heretofore forgotten and elided female rhetors. I situate Adah’s visual and written performances within the materiality of Victorian social codes, positioning her as a feminist commentator worthy of inclusion in our remembrances of feminist discourses. I use archival sources including carte de visites (CDVs) and Adah’s letters and poetry as heuristics for gendered critique, to analyze how she resisted the master narrative of Victorian society and its accompanying codes governing public and private feminine behavior. My objectives are three-fold: to use archival recovery as a method to unearth and evaluate what feminist inquiry can accomplish; to argue for the feminist intentions of a previously unknown female writer; and to offer an opportunity to discover cross-disciplinary connections for rhetorical recoveries. Feminist inquiry is itself an exemplar of rhetorical invention, the idea of making a path. In my dissertation project, I illustrate how Adah Menken blazed a path in her personal and public rhetorics. For my principal goal of asserting Adah’s importance as a feminist rhetor, I use primary sources to demonstrate that her invention and resistance provide fertile ground for vital feminist inquiry. As a secondary means of asserting the significance of archival feminist research, I also offer my Adah Menken recovery as a case study for examining ideas of resistance and subversion to dominant master narratives. For this application, I use Judith Butler’s theory of performativity and Michel Foucault’s ideas surrounding the topic of resistance. Ultimately, the convergence of theoretical and practical applications for rhetorical recoveries, both of which I describe in-depth in my dissertation, serve to re-connect fields of inquiry and make them relevant to scholars across the Academe.
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44

Maraj, Louis Maurice. "Black or Right: Anti/Racist Rhetorical Ecologies at an Historically White Institution". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524145658002913.

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45

Dingo, Rebecca Ann. "Anxious rhetorics (trans)national policy-making in late twentieth-century US culture /". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1120579965.

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46

Chrisman, Wendy L. "The Rhetorics of Recovery: An (E)merging Theory for Disability Studies, feminisms, and Mental Health Narratives". The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1222177511.

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47

Concannon, Mannise Kelly A. "Who cares? : rendering care readable in the 21st century feminist writing classroom". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available, full text:, 2008. http://wwwlib.umi.com/cr/syr/main.

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48

Brimmer, Allison. "Investigating affective dimensions of whiteness in the cultural studies writing classroom toward a critical, feminist, anti-racist pedagogy /". [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001226.

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49

Kehler, Devon R. y Devon R. Kehler. "Of Crossings and Crowds: Re/Sounding Subject Formations". Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625373.

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This project provides rhetorical and sonic exploration of listening practices, musical song, crowded subject formations and multimodal composition pedagogy. Conceptually drawing from rhetorical studies, sound studies, queer and women of color (Q/WOC) feminisms, cultural studies, affect studies, and composition pedagogies, the project maintains commitments to multiply situated knowledge production. The project's sonic inquiries and cross-disciplinary interests offer scholarly interventions primarily aimed at improving rhetoric and composition studies analytical and affective responsiveness to sonority. Secondarily, the project is aimed at increasing sound studies rhetorical responsivity and attention to personified performance techniques. The project’s first chapter argues that disciplinary distancing between rhetorical, compositional and sonic arts can be lessened through the temporal principle of kairos. This chapter also overviews key methodological concepts, offers working definitions of key terms, and glosses the project's chapter progression. The second chapter is a multi-faceted literature review that surveys the ways listening is rhetorically emplaced and affectively confined within classical and contemporary discussions of Aristotelian epideixis. This chapter notes the limits of commonly accepted and received feminist rhetorical "recovery" projects that frequently place listening in service to logos; highlights the ways listening can act as a generative method of performative "respond-ability" through certain positions; and resonantly attunes listening to two audio-visual materials: timbral tonality and rhythmic temporality. Chapters three and four analytically train listening practices on two specific genres of musical sound: protest song and EDM-pop musical productions. The third chapter analyzes singer-songwriter-activist Nina Simone’s early 1960's protest song "Mississippi Goddam" while the fourth chapter focuses on contemporary singer-songwriter Sia's EDM-pop productions for "Chandelier." Treated as case studies, these songs and artists exemplify body-subject impressionability, political disaffection from historically dominant forms of whitened, hetero-patriarchal, liberalized ideology, and the performative possibilities of crossing and crowding subject-hood through persona crafting. Following these case studies, the project concludes by offering conceptual im/possibilities and pedagogical materials for rhetorically teaching composition as a sonic art. The fifth and final chapter conceptually intervenes in rhetoric and composition's pedagogical tendencies toward elevating and espousing notions of the minimally affected, individual, authorial, agentive rhetor/writer by developing a series of activities designed to give instructional supports for scaffolding student learning and composing specific to vocalic sound and the sorts of affects engendered in listening.
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50

Leigh, Erica Vivian. "Feminist Food Studies in Composition: An Intersectional Approach to Body-Acceptanceand Forming Sustainable Relationships with Food". Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1583404387689571.

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