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Artículos de revistas sobre el tema "Festival"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Levickaitė, Rasa. "CITY FESTIVAL - A TRADITIONAL CULTURAL EXPRESSION OF THE CREATIVE INDUSTRIES (THE CASE OF INTERNATIONAL CONTEMPORARY DANCE FESTIVAL “NEW BALTIC DANCE”) / MIESTO FESTIVALIAI – TRADICINĖ KULTŪRINĖ KŪRYBINIŲ INDUSTRIJŲ RAIŠKA (TARPTAUTINIO ŠIUOLAIKINIO ŠOKIO FESTIVALIO ”NAUJASIS BALTIJOS ŠOKIS“ ATVEJIS)." CREATIVITY STUDIES 4, no. 1 (2011): 36–53. http://dx.doi.org/10.3846/20290187.2011.577178.

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The article is based on theoretical overview on the subject of festival with its focus on special occasion having some unique aspect which is important to both the organizers and visitors of the festival. Second part of the article represents a case of International Contemporary Dance Festival. City festival is a traditional cultural expression of the creative industries. Creative city more rapidly develops through festival activities – creative cities use their creative potential in various ways: cultural activities, expressions, experiences, involvement of city inhabitants and visitors, pres

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Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções

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Ukpokolo, Francesca C., Obiageli C. Okoye, and Oluatunde B. Lawuyi. "Cultural Reconstruction of Iwa Ji Festival in Igbo-Ukwu, and Fractured Igbo Identity." Synthesis philosophica 33, no. 1 (2018): 149–64. http://dx.doi.org/10.21464/sp33109.

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U mnogim su afričkim društvima domorodački festivali pred istrebljenjem, što je rezultat modernizacija i utjecaja kršćanske religije na život ljudi. U jugoistočnoj Nigeriji, festival Iwa Ji, godišnji festival jama koji se slavi da bi se zahvalilo Vrhovnom biću i bogovima za osiguranje održanja, posljednjih desetljeća susreće se s napuštanjem. No istraživači su ustanovili kulturno značenje vezano za festival i njegov potencijal u očuvanju identiteta ljudi, kao i za promociju turizma, na temelju čega su predložili rekonstrukciju festivala da bi bio opće prihvaćen. Rekonstrukcija se provela. Rad

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Szymkiewicz, Aleksy. "Identity, place and values. On construction and internalization of festival normalities on the examples of music festivals in Poland." Journal of Urban Ethnology 19 (December 20, 2021): 153–70. http://dx.doi.org/10.23858/jue19.2021.010.

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The aim of this paper is to compare of how two different festivals stimulate specific norms and perceptions, and therefore to present the way in which the visions of the festival cities are reproduced by the festival audience based on the axio-normative orders contained in the missions of the events. Based on the shared symbols and life strategies promoted by festivals, participants (re)build their identity which they manifest in chosen cultural practices. The article attempt to answer the following question: what is shared by festival-goers? Are the main motivations for participating in the v

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Theresa, Addai, and Ofosu Ameyaw Henry. "HISTORICAL BACKGROUND AND SOCIOECONOMIC SIGNIFICANCE OF MODERN GHANAIAN FESTIVALS: THE CASE OF KWAHU EASTER." International Journal for Research Trends and Innovation 9, no. 1 (2024): 40–48. https://doi.org/10.5281/zenodo.10464289.

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Festivals represent significant sociocultural and economic events in many societies. In Ghana, traditional festivals have evolved to take on more modern dimensions. The Kwahu Easter festival in Ghana's Eastern Region exemplifies these dynamics. Once a religious event, it has become a major tourist attraction driven by secular entertainment activities. This study explored the festival's history, identified its socioeconomic Significance, and examined associated tensions using mixed methods. Qualitative interviews and archival research traced the festival's origins to missionary and colonial-era

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DEMİRCİ, Barış, O. Can YILMAZDOĞAN, and Ebru DÜŞMEZKALENDER. "FESTİVAL ALGISI, FESTİVAL MEMNUNİYETİ, FESTİVAL DEĞERİ VE AİDİYET İLİŞKİSİ: ESKİŞEHİR SOKAK LEZZETLERİ FESTİVALİ ÖRNEĞİ." Business & Management Studies: An International Journal 8, no. 1 (2020): 1096–112. http://dx.doi.org/10.15295/bmij.v8i1.1425.

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Araştırma ile Eskişehir Sokak Lezzetleri Festivali’ni ziyaret eden katılımcıların festival algıları, memnuniyetleri, festivalin algıladıkları değeri ve destinasyona aidiyetleri arasındaki ilişkileri bütünleşik bir bakış açısıyla araştırmak amaçlanmıştır. Bu amaç doğrultusunda, ilgili alanyazın incelenerek araştırma modeli oluşturulmuştur. Değişkenler arası ilişkileri test edebilmek için Ekim 2018 tarihinde gerçekleştirilen 3. Eskişehir Sokak Lezzetleri Festivali’ni ziyaret eden yerli turistlere kolayda örnekleme yöntemi ile ulaşılmış ve 226 kişi ile yüz yüze anket uygulaması gerçekleştirilmişt

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Kim, Dong-Han, Jun-Jae Lee, and Hyo-Yeun Park. "Assessing Economic Value of Local Festivals for Sustainable Development: A Case of Yeongju Korean Seonbi Culture Festival." Sustainability 13, no. 23 (2021): 13297. http://dx.doi.org/10.3390/su132313297.

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Diversity of financial resources is important to increase the sustainability of festivals. This is because even if one of the festival’s resources is stopped by external variables, the festival can be continued with other resources. Local festivals often suffer from low levels of economic independence as a primary concern for their economic sustainability. To solve the aforementioned real-world problem, this study investigated the determinants of festival goers’ willingness to pay for the development fund for the local festival. By using the CVM method, this study initially hypothesized four f

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S, Selvakumaran. "In Diaspora Countries - Tamil Culture and Arts." Indian Journal of Multilingual Research and Development 1, no. 1 (2020): 7–15. http://dx.doi.org/10.34256/ijmrd2012.

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Unable to cope with the brutal Sinhala aggression against Tamils in Eelam, the Eelam Tamils emigrated to foreign lands in an attempt to uplift their language, art, literature and culture in the countries where they had settled for survival. As a result, they established Tamil schools in the countries where they lived and celebrated the festivals of the Tamils such as Pongal festival and Deepavali festival, the spiritual festival of Murugan Kavadi dance festivel. During these festivals, the Tamil arts such as drama, silambam, oyil and kummi are performed with great diligence. In that sens

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Ibe, Ibe Ogbobuike, and Rukayat Hassan Abiola. "Socio-cultural significance of contemporary urban Nigerian festivals: a study of Port Harcourt <i>Bole</i> Festival." International Journal of Current Research in the Humanities 28, no. 1 (2025): 258–68. https://doi.org/10.4314/ijcrh.v28i1.18.

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Festivals are performative dimensions of cultural practice that strengthen bonds of cohesion in societies. The Port Harcourt Bole Festival is an urban event in Rivers State, Nigeria, which celebrates the local delicacy Bole (roasted plantain) and its cultural significance. Street festivals like the “Bole Festival,” are a powerful tool for building and strengthening urban community bonds, promoting social inclusion and celebrating the vibrancy and diversity of urban life. This study examines the festival's socio-cultural importance within the context of contemporary urban Nigerian festival agai

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Yamagishi, Kafferine, and Lanndon Ocampo. "Evaluating the greening agenda of festivals: The case of Sinulog." Turyzm/Tourism 32, no. 1 (2022): 115–40. http://dx.doi.org/10.18778/0867-5856.32.1.06.

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This work advances previous work on greening festival management by using the Sinulog festiwal as a case in point, as it has conditions resonating with most festivals in the Philippines and some other emerging economies. An analysis based on strengths, weaknesses, opportunities and threats (SWOT) was constructed based on an earlier work that provided some insights on assessing the green management initiatives of the festival organization. The weaknesses in the SWOT analysis are considered inputs to a root cause analysis to identify the fundamental green management issues. The two analyses sugg

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Pisk, Marjeta, and Rebeka Kunej. "Jurjevanje Festival from Ritual to Festival." Český lid 111, no. 4 (2024): 421–40. https://doi.org/10.21104/cl.2024.4.02.

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The article seeks to provide insight into the process of establishing Slovenia’s oldest folklore festival named Jurjevanje in the town of Črnomelj through a discursive approach. Focused on the Zeleni Jurij (Green George) ritual as the basis of the festival, the article captures the local discourse and explores the festival’s historical development and its connection to broader folklore festivalisation in Slovenia. Key events in the 1930s related to various folklore events and festivals at that time within the region and outside it played pivotal roles. After the Second World War, Črnomelj atte

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Teeuwen, Mark. "Kyoto’s Gion Festival in Late Classical and Medieval Times: Actors, Legends, and Meanings." Religions 13, no. 6 (2022): 545. http://dx.doi.org/10.3390/rel13060545.

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Kyoto’s Gion festival has arguably the best-documented history of all festivals (sairei) in Japan, and studies of its development have heavily influenced our understanding of festivals in general. Yet we must expect that our knowledge of this history is partial at most. Extant archives on its late classical and medieval history derive from a narrow group of festival actors, and are therefore intrinsically biased. This article looks at current reconstructions of the festival’s origin and development, addressing primarily the following questions: Which groups of actors are the historical record

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Krstić, Marija. "All Roads Lead to Guča: Modes of Representing Serbia and Serbs during the Guča Trumpet Festival." Issues in Ethnology and Anthropology 7, no. 2 (2016): 447–70. http://dx.doi.org/10.21301/eap.v7i2.7.

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In this paper I research famous Serbian music event, the Dragačevo Trumpet Festival, better known as the Guča festival, by analysing on line photographs about the festival. The Dragačevo Trumpet Festival is one of the most famous music festivals in Serbia and one of the most famous brass band festivals in the world. Since 1961, it is annually held in the village of Guča in western Serbia. From 1962, the participants from other parts of Serbia came to Guča, while in 1963 for the first time the Roma players participated. From that time on, Roma remained among the best trumpeters at the competiti

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Hawkins, Rowena. "Contemporary Shakespeares on Festival Stages: Empathy and Futurity in Poland and Hungary." Shakespeare Bulletin 41, no. 1 (2023): 105–23. http://dx.doi.org/10.1353/shb.2023.a907993.

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Abstract: This article explores “contemporariness” at European international Shakespeare Festivals. It begins by outlining the “disjunctions” and “anachronisms” of festival contexts, which combine highly contemporary productions with deeply commemorative practices. Through their unique temporality (“Festival Time”), festivals allow us to grasp our present moment from a crucial critical distance. To test the limits of this theory, this article considers two productions hosted on festival stages in recent years: Romeo i Julia , a Polish 3D water musical hosted by the Festiwal Szekspirowski in Gd

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Breen, John. "Sannō Matsuri." Journal of Religion in Japan 9, no. 1-3 (2020): 78–117. http://dx.doi.org/10.1163/22118349-00901005.

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Abstract This study of the Sannō Festival at Hiyoshi Taisha in Shiga Prefecture starts from the premise that all festivals reproduce and reinvent themselves over time, obfuscating their origins, typically claiming specious roots in the ancient or mythical past. Firstly, I analyze the Sannō Festival as performed today, drawing on my own festival fieldwork. I then adopt a historical approach, deploying historical sources to recreate the festival in its premodern guise. Finally, I use an array of primary sources to analyze the contested process of making the modern festival. Throughout, I keep wi

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Nhan, Do Thi Thanh, and Nguyen Dinh Thao. "Music in the Festival of Vietnamese People (Thanh Hoa) - Issues." Journal of Humanities and Education Development 4, no. 3 (2022): 106–12. http://dx.doi.org/10.22161/jhed.4.3.12.

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The article focuses on studying music in festivals of Vietnamese people in Thanh Hoa. Through the collected material, the authors have synthesized, explored the cultural aspects of the composition and analyzed the music. The result of the research is to find out the meaning of music in contributing to the festival's appearance and to find out the operating rules and basic characteristics of music. From there, several discussions are given to preserve and promote music in the festival to achieve higher efficiency in life. The research results are the judgments about the culture and music consti

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Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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Reynaud, Bérénice. "‘Festival of festivals’." Afterimage 14, no. 5 (1986): 3–4. http://dx.doi.org/10.1525/aft.1986.14.5.3.

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Zhang, Susu, and Vuthipong Roadkasamsri. "The soft power of kites: Leveraging the Yangjiabu Kite Festival as a model for international cultural diplomacy." Journal of Infrastructure, Policy and Development 9, no. 1 (2025): 6099. https://doi.org/10.24294/jipd6099.

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The Yangjiabu Kite Festival, originating over 2000 years ago in Shandong Province, China, stands as a testament to the enduring cultural heritage and artistic traditions of kite flying. This research explores the historical origins, cultural symbolism, festival format, community engagement, and international exposure of the Yangjiabu Kite Festival, shedding light on its evolution and impact over time. Findings reveal the festival’s deep roots in ancient Chinese traditions, its role as a platform for showcasing cultural diversity and craftsmanship, and its significance in promoting tourism, cul

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Sarale, Agnès, Hironori Yagi, Menelaos Gkartzios, and Keishi Ogawa. "ART FESTIVALS AND RURAL REVITALIZATION: ORGANIZING THE OKU-NOTO TRIENNALE IN JAPAN." Journal of Asian Rural Studies 4, no. 1 (2020): 23. http://dx.doi.org/10.20956/jars.v4i1.1662.

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Organizing rural art festivals is considered an effective intervention in support of rural revitalization in the face of aging and population decline in Japan. Several studies have identified the impacts of art festivals on economic and social rural development internationally. Little research, however, has focused on the management process of such festivals. The objective of this paper is to identify and examine the management processes crucial to an arts festival’s success, especially in terms of preparation, organization and community outreach. We focus on the first edition of the Oku-Noto

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Zhang, Jing, and Guangquan Dai. "Political Trust and Festival Attachment: Influencing Residents’ Engagement in Traditional Festivals." Behavioral Sciences 13, no. 9 (2023): 741. http://dx.doi.org/10.3390/bs13090741.

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Traditional festivals hold immense cultural and tourism value, but striking a balance between preservation and adaptation in the face of globalization is challenging. This study focuses on the Hmong New Year, the largest traditional festival in a prominent Hmong settlement in China. Through mixed research methods, it examines the impact of festival attachment and political trust on residents’ attitudes toward festival tourism development. The results reveal the significant influence of festival attachment on residents’ perception and judgment of festival tourism, with political trust playing a

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Alexandrov, Evgeny, and Elena Danilko. "A HISTORY OF THE MOSCOW INTERNATIONAL FESTIVAL OF VISUAL ANTHROPOLOGY “MEDIATING CAMERA”." LIFE OF THE EARTH 43, no. 4 (2021): 482–94. http://dx.doi.org/10.29003/m2512.0514-7468.2020_43_4/482-494.

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The Ninth International FestivalBiennale “Mediating Camera” was held in Moscow in May 2021. This is the first Russian festival organized on the principles of visual anthropology and still adhering to that vision. The present article reports on the festival, the history of its establishment and development, and the changes it endured in the first twenty years since the turn of the millennium. The introduction briefly discusses visual anthropology and its situation in the USSR on the eve of Perestroika. The next section describes the first Russian documentary film festivals with similar angles.

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Palmer-Verevis, Mia. "Beyond Borders 9th Kastellorizo International Documentary Festival, Kastellorizo, Greece, 25 August–1 September 2024." Film International 22, no. 2 (2024): 49–53. https://doi.org/10.1386/fint_00260_7.

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Beyond Borders Kastellorizo International Documentary Festival takes place on a remote Greek island, which lies on the cusp of Turkey in the easternmost point of the Aegean Sea. Unique in its isolated location, the festival is delivered with a principle of quality over quantity, creating a micro-community for film industry connections and programmes. The festival provides a platform for documentary filmmakers across all career stages to screen their work and partake in cross-cultural dialogues. The Ninth Edition of the festival (August–September 2024) draws on themes of displacement and resili

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Karmacsi, Zoltán, and Enikő Sass. "The linguistic landscape of festival tourism in Transcarpathia." Acta Academiae Beregsasiensis, Philologica II, no. 1 (2023): 139–60. http://dx.doi.org/10.58423/2786-6726/2023-1-139-160.

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In addition to natural, historical and cultural attractions, there are an increasing number of places in Transcarpathia where tourists can enjoy organised programmes. In the big cities and smaller towns, festivals and festival-like events take place from the second half of January until mid-December. The area inhabited by Hungarians also organises a significant number of festivals and festival-like events every year. Many of these are known throughout Ukraine and even more widely. Among the festivals in the region, folk art and folklore festivals are the most popular, while gastronomic festiva

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Ramsey, J. Ross, and Todd Boyette. "“Science Festival” may not mean what we think it means: an analysis of how researchers and practitioners use this term." Journal of Science Communication 20, no. 07 (2021): A01. http://dx.doi.org/10.22323/2.20070201.

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The modern science festival movement has grown significantly since the Edinburgh International Science Festival launched in 1989. Hundreds of science festivals now occur annually and vary widely. This article examines how the term “science festival” is used within research and practice. We find that most research articles fail to describe the science festivals they study. A subsequent analysis of festival websites and other publicly available information confirms the wide variability of science festival formats, which suggests the need for descriptive information about science festivals in sch

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Al-Azzam, Mu'ath Hesham, Ahmad Edwin Mohamed, and Khong Chiu Lim. "THE RELATIONSHIP BETWEEN FESTIVAL ATTACHMENT AND ARAB TOURISTS' REVISIT INTENTION: A CONCEPTUAL MODEL." Journal of Tourism, Hospitality and Environment Management 7, no. 27 (2022): 19–38. http://dx.doi.org/10.35631/jthem.727002.

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While there is a large body of literature on revisit intention to festivals, there is surprisingly little knowledge about it in the context of the Arab world. This research aims to develop a conceptual framework that focuses on the relationship between festival attachment and revisit intentions to festivals. The concept of festival attachment in the current research is borrowed from the concept of place attachment, referring to the same bonds that form between tourists and a tourist place that can also be developed or forged between tourists and a festival. Tourists have an opportunity to deve

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Quintal, Vanessa, Michael Lwin, Ian Phau, and Abhinav Sood. "Festival Personality and How It Influences Visitor Attitude and Intention." Event Management 24, no. 6 (2020): 665–84. http://dx.doi.org/10.3727/152599519x15506259856543.

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This study explores festival personality for its impacts on visitor attitude and intention toward festivals. Two distinct and popular festivals held at a botanic park in Western Australia were selected for the research. A total of 481 local and international visitors participated in the self-administered, pen-and-paper and online surveys. The Excitement personality attribute was unique to the Chili Festival, whereas the Cheerfulness personality attribute was unique to the Tulip Festival. Both festivals embodied the Imagination personality attribute, suggesting the place in which a festival is

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Tsaur, Sheng-Hshiung, Yao-Chin Wang, Chyong-Ru Liu, and Wen-Shiung Huang. "Festival attachment: antecedents and effects on place attachment and place loyalty." International Journal of Event and Festival Management 10, no. 1 (2019): 17–33. http://dx.doi.org/10.1108/ijefm-02-2018-0014.

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PurposeThe purpose of this paper is to propose the mechanism of festival attachment and examine how it serves as a significant predictor of place attachment and place loyalty.Design/methodology/approachThrough on-site survey with convenience sampling, 465 visitors were surveyed at the Pingxi Sky Lantern Festival, which is one of the most famous Taiwanese festivals. Structural equation modeling is used to examine the proposed research model.FindingsEmpirical results of this study reveal that “hedonism” is the most important antecedent for improving festival attachment, followed by novelty seeki

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Christiani, Jessica. "Perspektif Bisnis Dalam Prambanan Jazz Festival Yogyakarta." PROMUSIKA 10, no. 2 (2022): 113–22. http://dx.doi.org/10.24821/promusika.v10i2.7354.

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Prambanan Jazz sebagai salah satu festival musik skala internasional. Prambanan Jazz tergolong dalam kategori festival musik profit. Secara eksplisit festival Prambanan Jazz dapat dilihat melalui deretan musisi popular yang dihadirkan, pemberian harga tiket yang cukup mahal, serta terlibatnya pihak sponsorship dalm acara. Prambanan Jazz merupakan fenomena sosial adalah salah satu festival musik yang berhasil memperoleh loyalitas dan animo masyarakat. Fakta di lapangan seputar euphoria masyarakat menyambut hadirnya Prambanan Jazz dengan bukti dari penjualan tiket yang habis terjual dan meningka

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Cayer Giraldo, Nelson Alexis, and Hernando José Cobo Plata. "Re-significación y desplazamiento de los sentidos de las músicas de origen popular." Revista Grafía- Cuaderno de trabajo de los profesores de la Facultad de Ciencias Humanas. Universidad Autónoma de Colombia 9 (January 15, 2012): 141. http://dx.doi.org/10.26564/16926250.341.

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Resumen:Este artículo se desprende de investigaciones acerca del Festival de Música Andina Colombiana Mono Núñez (FMN), financiadas y realizadas por los autores (Cayer, N., 2010), (Cobo H., 2010), con la colaboración del Centro de Documentación Musical de Ginebra y la Fundación Canto por la Vida. Aquí se amplían la interpretación y discusión sobre el tema de las expresiones autóctonas dentro del festival, a partir del trabajo etnográfico y de entrevistas, llevado a cabo con las agrupaciones participantes en el décimo sexto Encuentro ‘Octavio Marulanda Morales’ de Expresiones Autóctonas (EOMEA)

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Ossowska, Luiza, Dorota Janiszewska, Gregory Kwiatkowski, and Dariusz Kloskowski. "The Impact of Local Food Festivals on Rural Areas’ Development." Sustainability 15, no. 2 (2023): 1447. http://dx.doi.org/10.3390/su15021447.

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The importance of food festivals in the functioning of local rural areas is manifested in the construction of a sense of community and place. However, each stakeholder group perceives the impact of such festivals differently. The literature lacks a comprehensive approach to this issue. The main aim of this research is, thus, to identify how particular groups of stakeholders perceive the impact of a local food festival on the development of a rural area. The research was conducted at a small local food festival in Poland in July 2020. Individual groups of stakeholders (organizers, vendors and v

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van Zyl, Cine. "Positioning maps: a conjoint analysis tool for festival or event application." International Journal of Tourism Cities 3, no. 4 (2017): 424–41. http://dx.doi.org/10.1108/ijtc-06-2017-0034.

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Purpose The purpose of this paper is threefold: first, to describe a novel tool (conjoint analysis (CA)) for application by explaining the theory behind it; second, how the tool was developed; and third, how it can be used to ensure an optimal festival/event offering. In this way, the research needed on the individual behavioural and psychological factors of the events-tourism sector are addressed. Design/methodology/approach Planned events in this case the three largest arts festivals in South Africa (SA) (in Potchefstroom – Festival A, Grahamstown – Festival B and Oudtshoorn – Festival C) we

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Lee, Seonmi. "A Case Study on the Digital Transformation Festivals due to the Covid-19 Pandemic." Korean Society of Culture and Convergence 44, no. 7 (2022): 121–35. http://dx.doi.org/10.33645/cnc.2022.7.44.7.121.

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This study is intended to comparatively study domestic and foreign festival cases that successfully continued festivals through digital transformation during the COVID-19 pandemic, and to draw implications. Selected examples are the 2nd of May Festival in Madrid, Spain, the DESECE Children’s Festival in Greece, and the online Gangneung Danoje Festival. As a result of the analysis, the Digital Transformation Festival is first, the most prioritized point in the digital transformation of the festival is the theme of the festival, so it is not the use of digital technology itself. Second, the digi

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Pai, Chen-Kuo, Tingting Lee, and Sangguk Kang. "Examining the Role of Service Quality, Perceived Values, and Trust in Macau Food Festival." International Journal of Environmental Research and Public Health 18, no. 17 (2021): 9214. http://dx.doi.org/10.3390/ijerph18179214.

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An emerging paradigm for festival and event management reveals that hosting theme-based festivals can foster economic growth at the local and national levels. As a case of this research, the annual Macau Food Festival was selected to explore relationships among visitors’ perceptions of festival quality, festival value, trust in the festival, visitors’ satisfaction, and behavior intention. Out of 453 questionnaires distributed, 433 questionnaires were valid for data analysis using partial least squares-structural equation modeling. The results showed that festival quality consisting of the sub-

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Rodin, Ian, and Richard Braithwaite. "Festival psychiatry." BJPsych Advances 24, no. 2 (2018): 123–31. http://dx.doi.org/10.1192/bja.2017.17.

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SUMMARYThis article is based on our experience of volunteering for the charity Festival Medical Services, to provide mental healthcare at the Glastonbury Festival of Contemporary Performing Arts and the Reading Festival. It describes the history of these annual events and the development of medical and psychiatric services offered. Principles of assessment and management of mental disorder in festival settings are outlined and common psychiatric presentations are described. Legal aspects of care are discussed. The article is intended primarily to inform others of this interesting and unusual f

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Del Rosario, Peter Jerome B. "Hermeneutic analysis of the San Isidro Pahiyas Festival as a development communication medium in Lucban, Quezon, Philippines." Journal of Hospitality and Tourism Insights 2, no. 2 (2019): 203–20. http://dx.doi.org/10.1108/jhti-01-2019-0002.

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Purpose Only few festival studies in the Philippines attempted to examine the capability of festivals as folk media to communicate development. The purpose of this paper is to analyze the development-oriented activities and messages in the San Isidro Pahiyas Festival in Lucban, Quezon. Design/methodology/approach The researcher conducted participant observation, ethnographic photography, key informant interview and record review. A historical analysis of the festival’s background, thematic analysis of its list of programs, visual analysis of the photographs guided by Barthes’ (1964) semiology

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McGee, Kristin. "Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival." European Journal of Cultural Studies 20, no. 2 (2016): 141–66. http://dx.doi.org/10.1177/1367549416638525.

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This article examines the North Sea Jazz Festival in order to highlight the growing influence of both ‘convergence culture’ (Jenkins) and prevailing jazz mythologies upon the reception and organization of contemporary European jazz festivals. In particular, the European jazz festival is examined within the context of increasing commercialization and digital mediation of the live music field. To stake my claim, I first sketch the context within which European jazz festivals arose, especially as initially driven by curators/aficionados, whose longing for ‘authentic’ jazz within natural (resort)

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Xie, Heshen. "Western-Centrism and the Global Queer Film Festival Circuit." Journal of Festive Studies 4, no. 1 (2023): 83–100. http://dx.doi.org/10.33823/jfs.2022.4.1.105.

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Since they emerged in the late 1970s, queer film festivals have turned into a global cultural activity. A complex worldwide network of queer film festivals has also formed. This article establishes the framework of the global queer film festival circuit to examine the hegemonic relationships it produces. The global queer film festival circuit comprises top-tier film festivals and second-tier queer film festivals. As the first queer-themed film festival in Asia, the Hong Kong Lesbian and Gay Film Festival (HKLGFF) is situated in a subordinate and passive position. Aiming to emphasize the unbala

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Wiehe, Ben. "When science makes us who we are: known and speculative impacts of science festivals." Journal of Science Communication 13, no. 04 (2014): C02. http://dx.doi.org/10.22323/2.13040302.

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Science festivals (or just “festivals”) are currently ascendant in the United States with more than 40 new initiatives emerging in just the past 5 years, but their story is not so easily told. The schedule of any one individual festival may contain a staggering array of events, and each festival is different both from year to year, and from other festivals. One multi-festival evaluation points to potential strengths of the format, as well as the importance of the participation of STEM practitioners. Collaboration and social identity formation are considered as powerful festival impacts, and po

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Gaur, Sanjaya S., and Mandar Chapnerkar. "Indian festivals: the contribution they make to cultural and economic wellbeing." Worldwide Hospitality and Tourism Themes 7, no. 4 (2015): 367–76. http://dx.doi.org/10.1108/whatt-03-2015-0017.

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Purpose – This paper aims to highlight an Indian festival’s contribution to cultural and economic well-being. Design/methodology/approach – This study utilizes a qualitative approach to analyze the impacts of Ganesh Chaturthi festival, which is annually celebrated over a period of two weeks across the nation. Findings – The study shows that the Ganesh Chaturthi festival fosters national cohesiveness, promotes communal harmony, preserves family values, helps maintain national identity, revitalizes the economy and fosters cultural tourism. Research limitations/implications – This paper provides

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McCrone, David. "Treading Angels: Edinburgh and its Festivals." Scottish Affairs 28, no. 3 (2019): 290–317. http://dx.doi.org/10.3366/scot.2019.0285.

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How did Edinburgh become ‘festival city’? Despite appearances, it was not always so, and it acquired the accolade by happenstance; in the view of one observer, a ‘strange amalgam of cultural banditry, civic enterprise and idealism’. The official Festival's survival was down to the City Council, and it was funded almost entirely by public bodies. This was the central structure around which The Fringe developed, and The Traverse prospered, along with smaller festivals and events to become Festival City. The story sheds considerable light on how Edinburgh ‘works’, its strengths and weaknesses com

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May, Kate, Anna Herbert, and Scott Bellingham. "From campus to community: Amplifying alumni pride and engagement through the University of Sydney’s Alumni Festival." Journal of Education Advancement & Marketing 9, no. 4 (2025): 298. https://doi.org/10.69554/risj2367.

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The University of Sydney’s Alumni Festival represents a transformative approach to their alumni engagement, driven by a strategic vision to reignite alumni pride and foster deeper connections. Spearheaded by a dedicated team of advancement professionals, the festival was conceived in response to challenges such as a significant number of ‘lost alumni’ and disengagement among the 30–49 age group. The festival aimed to create a vibrant, inclusive event that resonated with diverse alumni demographics. Key strategies included leveraging Sydney’s cultural affinity for festivals, securing broad inst

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Ohiienko, Iryna. "Ethnic Festivals of the Mid to Late 20th – Early 21st Century as a Component of the Folklore Culture of Bulgaria." Materìali do ukraïnsʹkoï etnologìï, no. 20 (23) (December 20, 2021): 139–50. http://dx.doi.org/10.15407/mue2021.20.139.

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The article is dedicated to the study of folklore festival culture in Bulgaria in the mid to late 20th – early 21st century. The characteristic features of the folklore festival culture of Bulgaria are considered, the main functions of the folklore festivals are determined, a number of well-known international, national and local ethnic folklore festivals taking place in different cities and villages of Bulgaria are classified. The first ethnofestivals in Bulgaria are described, such as the Festival of Folk Art and Animal Husbandry in Rozhen, the Festival of Folk Art in Koprivshtitsa, the Inte

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de Carvalho, João Malho Ferreira Ribeiro, Nuno Gustavo, and Victor Afonso. "A case study for a transformational festival creation in Lourinhã, Portugal." European Journal of Tourism, Hospitality and Recreation 12, no. 1 (2022): 46–60. http://dx.doi.org/10.2478/ejthr-2022-0003.

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Abstract This research aims to evaluate, select, and validate strategic alternatives for implementing a transformational festival proposal in the municipality of Lourinhã, Portugal. The methodological model investigates the historical context, the classical festival themes, and the transformational festival’s characterisation through literature review and an exploratory interview with a major British stakeholder; the market potential through randomised inquiries representative of the Portuguese population; the contextual strategic assessment through a focus group with local stakeholders; and v

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Qureshi, Bilal. "Elsewhere: The Last Circus." Film Quarterly 74, no. 1 (2020): 84–87. http://dx.doi.org/10.1525/fq.2020.74.1.84.

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FQ columnist Bilal Qureshi reports from his first visit to the documentary film festival True/False in Columbia, Missouri. Overcoming his initial trepidation—both at the prospect of traveling just as the coronavirus was gathering steam and at the festival's regional location—Qureshi finds himself falling in love with film festivals all over again. Yet the contact high of the collective experience provided by the festival, with its freedom to collide with films and audiences through impromptu gatherings and celebrations, takes on a heightened poignancy in this moment of COVID-19. While noting t

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Black, Niki. "Festival connections." International Journal of Event and Festival Management 7, no. 3 (2016): 172–87. http://dx.doi.org/10.1108/ijefm-04-2016-0026.

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Purpose The purpose of this paper is to examine the contribution of small-scale, rural festivals to the social sustainability of their host communities. Small-scale, community originated festivals proliferate the rural landscape throughout the UK and yet despite this, festival research has focussed predominantly on large, urban events and on their economic impact (Wood, 2009; Gibson and Connell, 2011). This paper seeks to address the perceived research gap by examining these events through a lens of social sustainability. Design/methodology/approach The research uses a case study approach focu

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Cheyroux, Emilie. "Small Film Festivals Surviving the COVID-19 Pandemic." Journal of Festive Studies 4, no. 1 (2023): 47–65. http://dx.doi.org/10.33823/jfs.2022.4.1.132.

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The COVID-19 pandemic was a major challenge for film festival organizers, who had to resort to online platforms to showcase films they had selected. While virtual film festivals did not offer the same experience, being deprived of the opportunity to gather people in a festive atmosphere, they provided a fairly accessible solution that enabled audiences to watch films they would have missed otherwise. Even major and economically stable festivals, such as South by Southwest (SXSW), decided to cancel; and not all film festivals embraced the opportunities provided by online platforms. Responses to

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Jarman, David. "Festival community networks and transformative place-making." Journal of Place Management and Development 11, no. 3 (2018): 335–49. http://dx.doi.org/10.1108/jpmd-06-2017-0062.

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Purpose Festivals are often explicitly connected to the destinations in which they take place, explored here as contributing to broader processes of place-making and engagement with local communities. Place is defined at a local scale, primarily as experienced by volunteer contributors to an arts and cultural festival in urban Scotland. Networked relationships between festival volunteers inform the research methods and analysis, reflecting both observer and insider perspectives. This paper aims to comment on varying attitudes among the contributors, relating these findings to their positions i

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Hannah, Bianca Paracuelles1* Aira Shayne S. Codeniera2 Dennise Camille C. Gabutan3 Ken Ken A. Rivera4 Melanie S. Tampos5 Jorjie U. Nepangue LPT. MAEd6. "Celebrating Artistry and Enhancing Livelihood: The Documentation of Banig Festival of Badian, Cebu." ISRG Journal of Humanities and Cultural Studies (ISRGJHCS) II, no. I (2025): 18–24. https://doi.org/10.5281/zenodo.14600371.

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<strong>Abstract</strong> <em>For more than ten years, the municipality of Badian has celebrated the Banig Festival. Despite this, there is still a lack of thorough documentation and written literature on the festival's cultural significance and effects. This research addressed this knowledge gap by delving deeply into the festival's background and significance in maintaining the Badianganons' traditional craftsmanship. The researcher utilized a descriptive-qualitative research design. This study collected important information about the fundamental components of the festival and its significa

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Li, Jing, and Gouxiong Yu. "Constructing the festival tourist attraction from the perspective of Peircean semiotics: The case of Guangzhou, China." PLOS ONE 18, no. 2 (2023): e0282102. http://dx.doi.org/10.1371/journal.pone.0282102.

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Based on the Peircean semiotic theory, this study aims to explore the semiotic construction of a festival tourist attraction using the Guangfu Temple Fair in China as a case. A qualitative research method of grounded theory was used to analyze the organizers’ planning scheme, conference materials, 7 interviews, and 45 tourists’ interviews. We found that festival organizers produce festivalscape based on social values and tourists’ expectations, including safety assurance, cultural activity, personnel service, facilities, creative interaction, food, a trade show, and the festival atmosphere. To

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