Bibliografías temáticas / Fiction - historical people

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Literatura académica sobre el tema "Fiction - historical people"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Fiction - historical people"

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De Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans." Paleo-aktueel, no. 33 (July 16, 2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.

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The one-handed hero: Inclusiveness in historical fiction for childrenHaving grown up with a sister in a wheelchair meant that I took this normalcy into the fictional world of the past. So when I crossed paths with Drem in Rosemary Sutcliff’s 1958 novel Warrior Scarlet, he was to me just a boy with one functional arm. It was not until much later that I realised he was one of the very few protagonists in historical fiction with a disability. A lack of inclusiveness is problematic, first, when it comes to readers identifying with the physical condition of the hero(ine) and, second, because, from
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Raghunath, Riyukta. "Possible worlds theory, accessibility relations, and counterfactual historical fiction." Journal of Literary Semantics 51, no. 1 (2022): 1–18. http://dx.doi.org/10.1515/jls-2022-2047.

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Abstract Possible Worlds Theory has commonly been invoked to describe fictional worlds and their relationship to the actual world. As an approach to genre, the relationship between fictional worlds and the actual world is also constitutive of specific text types. By drawing on the notion of accessibility relations, different genres can be classified based on the distance between their fictional worlds and the actual world. Maître, Doreen. 1983. Literature and possible worlds. Middlesex: Middlesex University Press for example, in what is considered the first attempt to adapt accessibility relat
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Anamika Shukla. "Rewriting History Through Creative Writing." Knowledgeable Research: A Multidisciplinary Journal 1, no. 4 (2022): 77–89. http://dx.doi.org/10.57067/96nt2k15.

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Rewriting history in creative writing involves reinterpreting, reimagining, or changing historical events, people, or periods in one's works of fiction. Authors may take a variety of approaches, from small alterations providing new insights to extensive changes deviating from history considerably. This critical rethinking of the past and its narrative representations can explore alternative histories, contest established views, and highlight the voices of people historically ignored. Several types of creative writing can be grouped under the definition of rewriting history, with each having it
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Morton, Fred. "Family Memory and Historical Fiction: Botlhale Tema'sThe People of Welgeval." South African Historical Journal 62, no. 2 (2010): 325–37. http://dx.doi.org/10.1080/02582473.2010.493006.

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G, Nirmaladevi. "Transit in Kalki Historical Novels." International Research Journal of Tamil 3, S-1 (2021): 279–84. http://dx.doi.org/10.34256/irjt21s145.

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The novel is one of the brand new arts acquired by Tamils ​​due to European contact and learning English. In storytelling for Tamils ​​since ancient times; there is involvement. However, the literary form of the novel became known to the people only after learning English novels. As a result, AD.Novels may have appeared in Tamil in the late nineteenth century. By the time the first novel appeared in Tamil, Tamils ​​were well versed in education. So the number of scholars was increasing. Tamils ​​learned to speak English along with Tamil. It is easy for people to move from one place to another
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KULAVKOVA, Katica. "“THE MOUNTAIN WREATH” IN MACEDONIAN, INTERPRETED FROM TIME AND VALUE DISTANCE − On the occasion of 200 years since the birth of Petar II Petrović Njegoš (1813-1851)." Lingua Montenegrina 13, no. 1 (2014): 181–91. https://doi.org/10.46584/lm.v13i1.393.

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Dramatized epic poem The Mountain Wreath is not a sheer projection of historical events simulating the historicity and authenticity with a view to achieve a social or cultural effect associated with uniting Montenegrin people under religious, cultural, social and ethnic grounds. The Mountain Wreath is primarily a fiction, not a faction. It is an epic work with dramaturgical elements for which there are certain historical templates. These historical templates do not give us the right to equate the poem’s ethical concept with the national strategy of the Montenegrin people. If we are dealing wit
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Vitezova, Eva. "Coherence of Historical Genre for Young People (between Fact and Fiction)." XLinguae 8, no. 3 (2015): 49–56. http://dx.doi.org/10.18355/xl.2015.08.03.49-56.

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Mohamed, Ahmed Mahmoud Ahmed. "THE IMAGE OF SAMARKAND IN ARABIC LITERATURE." Oriental Journal of Philology 05, no. 03 (2025): 366–73. https://doi.org/10.37547/supsci-ojp-05-03-39.

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This article examines how Arab writers viewed the city of Samarkand from different perspectives in their literary works, and how they presented it to readers in historical novels, fiction, and poetry. From historical novels, writers drew their knowledge from historical books, giving the characters of the city's inhabitants a realistic dimension that reflects their cultural and intellectual diversity. Fictional novels, on the other hand, relied on the writers' imaginations and the influences they had on hearing and reading, adding an artistic dimension to their portrayal of their characters. Sa
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Belling, Catherine. "Ghost Meat." English Language Notes 59, no. 2 (2021): 66–80. http://dx.doi.org/10.1215/00138282-9277271.

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Abstract The ambivalent attraction of feeling horror might explain some paradoxes regarding the consumption of representations of atrocities committed in the real world, in the past, on actual other people. How do horror fictions work in the transmission or exploitation of historical trauma? How might they function as prosthetic memories, at once disturbing and informative to readers who might otherwise not be exposed to those histories at all? What are the ethical implications of horror elicited by fictional representations of historical suffering? This article engages these questions through
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Kortenaar, Neil Ten. "“If It No Go So, It Go Near So”: Marlon James and Collective Memory." Novel: A Forum on Fiction 56, no. 2 (2023): 186–207. http://dx.doi.org/10.1215/00295132-10562799.

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Abstract Marlon James's A Brief History of Seven Killings fictionalizes a historical incident, the shooting of Bob Marley in Kingston in 1976, and the larger political, economic, and cultural forces that led to it and emerged from it. Real people can enter fiction and retain their names if they have already entered history or journalism—if, in other words, they are already part of a shared imagination. But there is a difference between the local Jamaican and global collective memories, a difference that determines which people keep their names and how people are remembered. People seek to ente
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Tesis sobre el tema "Fiction - historical people"

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Clark, Ann Christine. "Historical fiction for children and young people : changing fashions, changing forms, changing representations in British writing, 1934-2014." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3215.

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In Language and Ideology in Children’s Fiction (1992) John Stephens forecast the demise of children’s historical fiction as a genre on the grounds that both history itself and the humanist values Stephens saw as underpinning historical fiction were irrelevant to young readers in postmodernity and intrinsically at odds with the attitudes and values of literary postmodernism. In fact, by the end of the millennium juvenile historical fiction was resurgent and continues to propagate humanist ideology. This study explores the changing nature and status of the genre as it has been published in Brita
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Smith, Philippa C. "Multiple pasts and possible selves : negotiating uncertainty in the actualist historical novel." Thesis, 2016. http://hdl.handle.net/1959.7/uws:37904.

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This thesis is composed of two parts: an exegesis, which examines how uncertainty, multiplicity and paradox have been negotiated in works of ‘actualist’ historical fiction, and a creative component, the novel Half-Wild, which explores the multiple identities and contradictory accounts at play in the various lives of the historical figure Eugenia Falleni (1875–1938). The exegesis opens with an examination of the influence that ‘uncertainty’, as described by the ‘new physics’, has had on the twentieth-century literary imagination. It focuses in particular on the relationship between Neils Bohr a
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(9802850), Lisa Hay. "Animating the archive though creative non-fiction: Locating and reimagining the lives of nineteenth-century rural working-class people in colonial documents." Thesis, 2022. https://figshare.com/articles/thesis/Animating_the_archive_though_creative_non-fiction_Locating_and_reimagining_the_lives_of_nineteenth-century_rural_working-class_people_in_colonial_documents/21747974.

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This thesis, Animating the archive though creative non-fiction: locating and reimagining the lives of nineteenth-century rural working-class people in colonial documents, is comprised of the creative work The stone cairn: a tale of nineteenth-century rural crime and punishment, and an exegesis. In the creative work, imaginative reconstructions inform historical facts to piece together a story involving events connected to the 1854 murder of shepherd Thomas Brookhouse by another shepherd, Patrick Geary in western Victoria. Recreating the narrative communicates the experience of Brookhouse and G
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Bristow, Glenys Julie. "What are the characteristics (types of knowledge) residential youth workers with high-risk young people bring to the field of residential work? “Identifying artistry in youth residential workers: fact or fiction?”." Thesis, 2018. https://vuir.vu.edu.au/38631/.

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This study investigates the characteristics of therapeutic residential care workers with high-risk young people. It takes as its focus the types of knowledge that those who are considered as exceptional residential workers bring with them to the field, and explores the notions of ‘artistry, knowing, intuition, essence and gut feelings’ in relation to the construction of the professional residential care role. Fourteen residential youth workers with 10-plus years’ experience were interviewed to investigate notions of exceptional practice in relation to: • their characteristics, ethics, values
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Libros sobre el tema "Fiction - historical people"

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Fisher, Janet. An index to historical fiction for children and young people. Scolar Press, 1994.

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Gear, Kathleen O'Neal. People of the earth. TOR, 1992.

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Gear, Kathleen O'Neal. People of the Lakes. TOR, 1995.

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Cather, Willa. My Ántonia: Historical Fiction. Independently Published, 2019.

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Wevers, Lydia. Historical Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0014.

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Since the latter part of the twentieth century, there has been a noticeable turn towards fiction that draws on historical materials, people, and events to reframe the politics of both the past and the present. This turn was signalled by Linda Hutcheon in 1988 as part of postmodernism. In recent years, and particularly in the postcolonial settler literatures of Australia, Canada, New Zealand the intersections of history and fiction have become significantly political. The chapter considers novels in Australia, Canada, New Zealand, and the Pacific that deploy a more traditional form of historici
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Wait, Lea. Wintering Well (Aladdin Historical Fiction). Tandem Library, 2004.

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Wait, Lea. Wintering Well (Aladdin Historical Fiction). Aladdin, 2006.

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Lukas, Margaret. River People. Boutique of Quality Books Publishing Company, Inc., 2019.

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Lukas, Margaret. River People. Boutique of Quality Books Publishing Company, Inc., 2019.

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Jakob, Ben. Not My People: A Historic Fiction. Pro Doodler, The, 2019.

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Capítulos de libros sobre el tema "Fiction - historical people"

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Hawkes, DeLisa D. "“To Avenging My People”: Speculating Revenge for US Slavery in Dwayne Alexander Smith’s Forty Acres." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_14.

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Posti, Piia K. "‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.

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AbstractIn 2020, a TV drama series adaptation was made of Julia Quinn’s historical romance series Bridgerton (2000–2012). Several choices in the adaptation were inspired by the recent hypothesis that Queen Charlotte was Black, and an unusual number of Black actors were cast in roles that both fictionally and historically have been predominantly reserved for white actors. This article explores the hypothesis’ impact on the adaptation in the intersection of romance, race and history. What notions (historical and contemporary) of romance, race and historical accuracy are challenged and endorsed i
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Saboro, Emmanuel, and Ruth Abeduwah Quansah. "The confluence of fiction, historical memory and oral history." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/chlel.37.12sab.

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Abstract The slave trade enterprise in Africa and its memory continue to remain one of the emotive subjects within the collective consciousness of people across time and space. This chapter revisits the belated trauma of the Atlantic slave trade in Manu Herbstein’s neo-slave narrative, Ama: A Story of the Atlantic Slave Trade. Drawing on the intersection between fiction, historical memory, and oral history, the chapter explores the crises of identity and the trauma of both individual and communal dislocation. The chapter argues that Manu Herbstein’s text complicates our understanding of not on
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Trenter, Cecilia. "Heritaging and the Use of History in Margit Sandemo’s The Legend of the Ice People." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_11.

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AbstractThis chapter explores the use of heritage and history in the popular romance series The Legend of the Ice People (1982–1989) by Norwegian-Swedish author Margit Sandemo. The epos is the 47-volume multigenerational saga of a family. The series is here defined as a story world in which Sandemo is the creator, but fans are actively involved in collective negotiations. The use of the past within the series offers interpretations to readers, who are putting the old-fashion modes into up-to-date, concurrent, and contemporary understandings of morality by emerging from the historical past with
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Zabala, Lino J., and Elis Meza. "A people made of mud." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/chlel.37.22zab.

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Abstract Enslavement memories provide a fruitful field for transcending disciplinary boundaries. In Brazil, colonial structures still permeate racial relationships; therefore, representations of the past can influence the present. We incorporate an artistic/academic approach in order to both rethink enslavement experiences and explore non-linear ways to narrate African diaspora history. This chapter is a literary tale created from our reading of archaeological, historical, and ethnographic sources. The story presents a non-fiction scenario based on a beef jerky plantation in Pelotas city, with
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Heynders, Odile. "Perspectives on the Common: The Input of Literature." In The New Common. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65355-2_14.

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AbstractIn the COVID-19 context, journalists and columnists frequently refer to literary texts in order to demonstrate that what is happening under the current circumstances has already been described by writers of fiction. The idea is that literature opens a window to the real world, that, in imagination, we can find a representation of factual events. Various historical and contemporary works of fiction describe societies infected with all sorts of contagious diseases from the bubonic plague in London to AIDS in Africa. Most of these novels can be read as allegories; they demonstrate how peo
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Oh, Rebecca. "Realist Apocalypse and Pessimistic Aesthetics in Animal’s People and The God of Small Things." In Science Fiction and the Historical Novel. Liverpool University Press, 2024. https://doi.org/10.2307/jj.30051445.8.

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"The People v. O. J. Simpson as Historical Fiction." In Think in Public. Columbia University Press, 2019. http://dx.doi.org/10.7312/marc19008-043.

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Kamińska-Maciąg, Sylwia, and Mateusz Świetlicki. "From a Distance? The New Siberian Myths in Historical Fiction for Young People." In Studien zur Multikulturalität. Harrassowitz Verlag, 2025. https://doi.org/10.13173/9783447123969.021.

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The myth of Siberia – understood as the “land of exile”– is present in the collective imaginations of many nations of the former Eastern Bloc. The experiences of forced deportations and the atrocities directed toward various peoples inhabiting the Soviet Union appear in books published in Poland, Lithuania, Canada, the USA, and, less frequently, Russia. This essay examines the symbol-myth of Siberia in the next-generation memories of Russians and non-Russians depicted in selected books for young people authored by Olga Gromova (Russia), Dorota Combrzyńska-Nogala (Poland), Marcin Szczygielski (
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Millard, Kenneth. "Sport." In Contemporary American Fiction. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198711780.003.0007.

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Abstract For a variety of social and historical reasons, sport occupies a different place in American culture than it does in Europe. In the United States sport is the distillation of that competitive spirit that is integral to a free-market culture and it dramatizes vividly the ethos of success that is central to American life. As the Washington Redskins’ George Allen put it, ‘Every time you win, you’re reborn; when you lose, you die a little’, or as Leo Durocher of the Brooklyn Dodgers said ‘Nice Guys finish last’. Sport is also part of the democratic spirit of American society, a revered ar
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Actas de conferencias sobre el tema "Fiction - historical people"

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also
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Рогацкина, Марина Леонидовна. "HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION." In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.

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Статья посвящена анализу поэмы Н. И. Рыленкова «Великая замятня», написанной в 1940 г. В ней повествуется о восстании «черных людей» Смоленска против представителей власти Великого князя Литовского в XV в. Автор статьи рассматривает данное произведение» с точки зрения соотношения правды и художественного вымысла. Законы исторического документа требуют, как известно, однозначного соответствия факту, документу. Художественное произведение строится по другим законам - писатель имеет право трансформировать исторические события в соответствии со своим видением, идеей, включать художественный вымысе
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Budakova, M. N. "A Board Game as a Means of Educating Young People's Interest in the Events of the Great Patriotic War." In Berkov Readings. Book Culture in the Context of International Contacts. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2025. https://doi.org/10.52929/9785605111085_35.

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The article analyses the military-historical board games and shows the practice of development, creation, implementation and popularization of own projects on the theme of the Great Patriotic War on the example of the Prokhorov district library. Such projects as historical dominoes «Victories of 1943», card games «30 facts about Prokhorovka battle», «Truth or fiction about the Great Patriotic War», which were created both on the basis of grants and by the library itself, are considered.
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Papkova, Elena. "VSEVOLOD IVANOV'S TRILOGY ABOUT THE BORODINO FIELD: HISTORICAL CONTEXTS." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3631.khmelita-19/29-44.

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This article deals with the stories of Vsevolod Ivanov “At Borodino”, “Near the old Smolensk road” and the story “On the Borodino Field”, written in 1943 and forming a kind of trilogy in the writer's work dedicated to the Patriotic War of 1812 and the Great Patriotic War of 1941-1945. The elements of the poetics of texts that unite them into a whole are revealed. For the first time, the historical context of the creation of Ivanov's works in 1943 is analyzed: the actualization of attention to Russian history, and in particular to the war with Napoleon, Soviet propaganda work in the early years
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Lorne, Frank, Jamel Vanderburg, Aanchal Sharma, et al. "Establishing a Student-Community Book Club for Civic Engagement." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002266.

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This paper articulates the reasons and the implementation steps for the forming of a student-community book club that aims to build small communities motivated by Raghuram Rajan’s 2019 book: The Third Pillar: How Markets and the States Leave the Community Behind. We believe humans and societies survive based on rational dialogues. A book club of this type can provide escape valves for individuals holding strong unbendable beliefs on how society should function, which has dichotomized America since 2016. Themes generated from books (fictions or non-fictions) contain scientific or humanistic vie
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Özveren, Eyüp. "When Literary Space Parts Ways with Physical Geography: Substitutions by Aksyonov and Morchiladze for Missing Islands of the Black Sea." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8441.

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Whereas numerous islands served as stepping stones in connecting the lands surrounding the Mediterranean, their conspicuous absence in the Black Sea became a formidable obstacle in an already notoriously inhospitable sea. The Black Sea has only very few islands, and fewer of them are inhabited by only a small number of people. Even so, this makes all the more relevant for us the important role the ‘missing’ islands can play albeit in a literary and not geographical space. This paper explores two path-breaking novels that deliberately contest the historical legacies of Black Sea geography by in
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Classen, Prof Albrecht. "Literature as a Testing Ground: Communication and Miscommunication in Medieval Literature, with an Emphasis on Marie de France and Heinrich Kaufringer." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-052.

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Even though many people consider literature simply as a medium for entertainment, we can easily recognize its much more powerful relevance for human existence. Within a fictional framework, all the critical issues in human life, such as vices and virtues, communication and miscommunication, love, the concept of death, of God, the issues of hatred and violence, have been explored throughout time. A good literary text thus proves its quality and value when the reader/listener is empowered to reflect on fundamental concerns affecting all of us. My focus here will rest on the ambivalent function o
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Teparić, Srdjan. "About Problematizing and Interpreting the Phenomenon of Style in Dragutin Gostuški’s Study Time of Ar." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.085t.

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Discussing Dragutin Gostuški’s study Time of Art presents quite a challenge, primarily due to its abundance of digressions that extend in countless directions. However, the central idea –understanding historical and fictive time in art – primarily revolves around the concept of style. Style is, in fact, both a historical and a psychological phenomenon because it is tied to both the epoch and the individual. The paper examines Gostuški’s standpoint in relation to prevailing trends in the humanities at the time when the study was created. It is emphasized that, thanks to structural linguistics,
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Süyük Makakli, Elif, and Ebru Yücesan. "Spatial Experience Of Physical And Virtual Space." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.jrvm8060.

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Abstract Fictional spaces produced with multidisciplinary research using improving technologiescreate settings that provoke new questions and have diff erent answers. This comes about bybroadening the horizons in virtual space studies, space concept, design, and experience. Evaluatingvirtual space as a layer of reality represents architectural space that belongs to the physical world.The principal factors that form the physicality of a space, its shape and content, are related tocultural, public, societal, perceptual, and intellectual codes. The space concept can be explained asa physical conc
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Carrasco Gallegos, Brisa Violeta, and Glenda Yanes Ordiales. "Morfogénesis de una ciudad turística: los lenguajes arquitectónicos desde el imaginario internacional de lo mexicano." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7605.

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Las ciudades turísticas intentan recrear los imaginarios internacionales sobre culturas determinadas, adaptándose a las expectativas que se tengan sobre el sitio a visitar. Los imaginarios son la realidad social construida desde los ciudadanos. A través de ellos las personas aprehendemos y explicamos las percepciones que nos formamos sobre los otros, los eventos y relaciones, así como sobre las obras y objetos.
 En las ciudades del turismo emergentes, la construcción de los equipamientos turísticos, tanto públicos, como privados, hace tabula rasa de la ciudad preexistente, dejando de lado
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Informes sobre el tema "Fiction - historical people"

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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audien
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Tabinska, Iryna, та Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters wh
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