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Artículos de revistas sobre el tema "Fiction - historical people"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

De Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans." Paleo-aktueel, no. 33 (July 16, 2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.

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The one-handed hero: Inclusiveness in historical fiction for childrenHaving grown up with a sister in a wheelchair meant that I took this normalcy into the fictional world of the past. So when I crossed paths with Drem in Rosemary Sutcliff’s 1958 novel Warrior Scarlet, he was to me just a boy with one functional arm. It was not until much later that I realised he was one of the very few protagonists in historical fiction with a disability. A lack of inclusiveness is problematic, first, when it comes to readers identifying with the physical condition of the hero(ine) and, second, because, from

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2

Raghunath, Riyukta. "Possible worlds theory, accessibility relations, and counterfactual historical fiction." Journal of Literary Semantics 51, no. 1 (2022): 1–18. http://dx.doi.org/10.1515/jls-2022-2047.

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Abstract Possible Worlds Theory has commonly been invoked to describe fictional worlds and their relationship to the actual world. As an approach to genre, the relationship between fictional worlds and the actual world is also constitutive of specific text types. By drawing on the notion of accessibility relations, different genres can be classified based on the distance between their fictional worlds and the actual world. Maître, Doreen. 1983. Literature and possible worlds. Middlesex: Middlesex University Press for example, in what is considered the first attempt to adapt accessibility relat

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3

Anamika Shukla. "Rewriting History Through Creative Writing." Knowledgeable Research: A Multidisciplinary Journal 1, no. 4 (2022): 77–89. http://dx.doi.org/10.57067/96nt2k15.

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Rewriting history in creative writing involves reinterpreting, reimagining, or changing historical events, people, or periods in one's works of fiction. Authors may take a variety of approaches, from small alterations providing new insights to extensive changes deviating from history considerably. This critical rethinking of the past and its narrative representations can explore alternative histories, contest established views, and highlight the voices of people historically ignored. Several types of creative writing can be grouped under the definition of rewriting history, with each having it

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4

Morton, Fred. "Family Memory and Historical Fiction: Botlhale Tema'sThe People of Welgeval." South African Historical Journal 62, no. 2 (2010): 325–37. http://dx.doi.org/10.1080/02582473.2010.493006.

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5

G, Nirmaladevi. "Transit in Kalki Historical Novels." International Research Journal of Tamil 3, S-1 (2021): 279–84. http://dx.doi.org/10.34256/irjt21s145.

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The novel is one of the brand new arts acquired by Tamils due to European contact and learning English. In storytelling for Tamils since ancient times; there is involvement. However, the literary form of the novel became known to the people only after learning English novels. As a result, AD.Novels may have appeared in Tamil in the late nineteenth century. By the time the first novel appeared in Tamil, Tamils were well versed in education. So the number of scholars was increasing. Tamils learned to speak English along with Tamil. It is easy for people to move from one place to another

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6

KULAVKOVA, Katica. "“THE MOUNTAIN WREATH” IN MACEDONIAN, INTERPRETED FROM TIME AND VALUE DISTANCE − On the occasion of 200 years since the birth of Petar II Petrović Njegoš (1813-1851)." Lingua Montenegrina 13, no. 1 (2014): 181–91. https://doi.org/10.46584/lm.v13i1.393.

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Dramatized epic poem The Mountain Wreath is not a sheer projection of historical events simulating the historicity and authenticity with a view to achieve a social or cultural effect associated with uniting Montenegrin people under religious, cultural, social and ethnic grounds. The Mountain Wreath is primarily a fiction, not a faction. It is an epic work with dramaturgical elements for which there are certain historical templates. These historical templates do not give us the right to equate the poem’s ethical concept with the national strategy of the Montenegrin people. If we are dealing wit

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7

Vitezova, Eva. "Coherence of Historical Genre for Young People (between Fact and Fiction)." XLinguae 8, no. 3 (2015): 49–56. http://dx.doi.org/10.18355/xl.2015.08.03.49-56.

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8

Mohamed, Ahmed Mahmoud Ahmed. "THE IMAGE OF SAMARKAND IN ARABIC LITERATURE." Oriental Journal of Philology 05, no. 03 (2025): 366–73. https://doi.org/10.37547/supsci-ojp-05-03-39.

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This article examines how Arab writers viewed the city of Samarkand from different perspectives in their literary works, and how they presented it to readers in historical novels, fiction, and poetry. From historical novels, writers drew their knowledge from historical books, giving the characters of the city's inhabitants a realistic dimension that reflects their cultural and intellectual diversity. Fictional novels, on the other hand, relied on the writers' imaginations and the influences they had on hearing and reading, adding an artistic dimension to their portrayal of their characters. Sa

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9

Belling, Catherine. "Ghost Meat." English Language Notes 59, no. 2 (2021): 66–80. http://dx.doi.org/10.1215/00138282-9277271.

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Abstract The ambivalent attraction of feeling horror might explain some paradoxes regarding the consumption of representations of atrocities committed in the real world, in the past, on actual other people. How do horror fictions work in the transmission or exploitation of historical trauma? How might they function as prosthetic memories, at once disturbing and informative to readers who might otherwise not be exposed to those histories at all? What are the ethical implications of horror elicited by fictional representations of historical suffering? This article engages these questions through

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10

Kortenaar, Neil Ten. "“If It No Go So, It Go Near So”: Marlon James and Collective Memory." Novel: A Forum on Fiction 56, no. 2 (2023): 186–207. http://dx.doi.org/10.1215/00295132-10562799.

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Abstract Marlon James's A Brief History of Seven Killings fictionalizes a historical incident, the shooting of Bob Marley in Kingston in 1976, and the larger political, economic, and cultural forces that led to it and emerged from it. Real people can enter fiction and retain their names if they have already entered history or journalism—if, in other words, they are already part of a shared imagination. But there is a difference between the local Jamaican and global collective memories, a difference that determines which people keep their names and how people are remembered. People seek to ente

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11

Jabborova, Matluba. "ON THE GENESIS OF THE IMAGE OF JAMSHID." Golden scripts 1, no. 2 (2019): 71–85. http://dx.doi.org/10.52773/tsuull.gold.2019.2/orwh7162.

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There are many Turkic superheroes depicted in the ancient folklore, literary fiction, and historic prose. For centuries, people in many regions of ancient Uzbekistan and Iran glorified the extraordinary traits of brave Jamshid who is famous for his immortality, symbol of happiness, and creator of all handcrafts and professions.This article introduces the historical ethno genesis of Jamshid, how his characters developed with time into a symbol of bravery, immortality, glory, and prosperity. The very first image of Jamshid can be found in the Iranian manuscripts of ancient “Avesto” and Indian my

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12

Turdigul, О. Pirniyazova. "THE SECOND WORLD WAR IN REMINISCENCES AND MEMORIES OF THE KARAKALPAK PEOPLE." LOOK TO THE PAST 5, Special issue 3 (2020): 105–12. https://doi.org/10.5281/zenodo.6582947.

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In this article, the author examines the issues of memuaristik’s during the Second World War (1941-1945) in the Republic of Karakalpakstan. The author emphasizes that memoirs cannot be replaced by official records, historical works proper, or works of fiction. The author also gives many examples from the life of the people of Karakalpakstan during the Second World War.

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13

Thinagaran, B., and Dharani P. Dr. "Sectarian Violence and Fictional Reality: A Dual Theoretical Reading of Taslima Nasrin's Lajja." Criterion: An International Journal in English 16, no. 1 (2025): 747–55. https://doi.org/10.5281/zenodo.14979170.

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This research article focuses on the narrative integration of New Criticism's close reading methodology and New Historicism's contextual approach that resulted in a complex narrative paradigm. The merged approach is seen in the author’s view where she captures historical events and created that through fictional characters. Taslima Nasrin's novel, Lajja, exemplifies this approach in which she masterfully humanise and personalize the suffering of the people through the fictional Dutta family. By weaving together the historical facts into the fiction, Nasrin crafts a powerful narrative tha

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14

Nikolaev, S. V. "Vladimir Vysotsky’s image in Russian documentary and fiction cinema: peculiarities of genre formation and historical memory." Vestnik of Samara University. History, pedagogics, philology 31, no. 1 (2025): 58–67. https://doi.org/10.18287/2542-0445-2025-31-1-58-67.

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The article aims to determine the place and role of Russian cinema in the commemorative practice of historical memory of the poet, musician and actor Vladimir Semyonovich Vysotsky in the social and urban space of the country. Comparative-historical, problem-chronological, observational and descriptive methods, as well as theoretical methods (analysis and synthesis, content analysis, analogy) are used to analyze the commemoration of historical memory. The research is based on the historical-situational principle and interdisciplinary approach. For detailed analysis, documentary cinema as a phen

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15

Віннічук, Алла. "Український історичний роман: шляхи становлення та розвитку". Українська література: історичний досвід і перспективи, № 1 (27 березня 2024): 44–47. http://dx.doi.org/10.31652/3041-1084-2023-1-44-57.

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The experience accumulated by the art of words never goes away. At a certain stage of literary development, it can be exhausted to a certain extent, only to be revived in a new context in a modified form. The relevance of the study of historical prose, in particular its ways of formation and development, specificity, themes, is quite natural, since works about the national past allow the reader to consciously or sporadically immerse himself in the meaning of life realities, in particular to understand the moral and ethical ideals of the Ukrainian people, the physical and spiritual endurance of

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16

Farahmandfar, Masoud, and Musa Abdollahi. "Interrelation of History and Nationhood in Contemporary Persian Historical Fiction." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2022): 123–27. http://dx.doi.org/10.20339/phs.6s-22.123.

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The present article discusses how terrains of belonging are constructed and articulated textually through historical novels which bring the past into the present, and link the national identity of people to memories of their ancestors, to their nation’s glorious past. The rise of the historical novel in Iran was concomitant with Iran’s Constitutional Revolution of 1906, which was hailed by many a critic and historian as a major time of sociopolitical awakening which contributed to protecting the cultural legacies of the past and keeping aglow the propitious light of belonging and nationhood. H

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17

Zaika, Viktoriia, and Halyna Chulanova. "SPECIFIC FEATURES OF TRANSLATING NATIONAL AND CULTURAL VOCABUlARY IN HISTORICAL NOVELS." Fìlologìčnì traktati 16, no. 2 (2024): 223–30. https://doi.org/10.21272/ftrk.2024.16(2)-22.

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The article is devoted to the analysis of the peculiarities of translating national-cultural vocabulary in historical novels, which is an important aspect of the modern theory of literary translation. Ancient communities have always been the centre of identity for humans, where customs, language and culture formed the basis of their lives. Since ancient times, these aspects have been inextricably linked to the cultural heritage of each nation. Historical fiction has become an important means of transmitting valuable cultural aspects through the ages, reflecting the mentality and worldview of a

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18

Fraser, Sarah. "Disputing Historical Invisibility: Cherokee Removal and Barbara Kingsolver’s “Homeland”." Studies in the American Short Story 4, no. 1 (2023): 36–54. http://dx.doi.org/10.5325/studamershorstor.4.1.0036.

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ABSTRACT Barbara Kingsolver first story in her only volume of short fiction set the spectrum of values for her entire career. It deals with place and family, their sense of belonging, and the history of her Cherokee ancestors. Central to the plot is the issue of identity formation in the conflict between her people and the dominant culture. The commercialization of Native culture has created a artificial picture of the tragic reality of the removal of this society from their ancient lands.

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19

Shrutika, Shrutika. "Fluid Identities and Memories in Rivers Solomon's The Deep." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 267–71. http://dx.doi.org/10.22161/ijels.92.40.

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In recent years, there has been a noticeable shift in the realm of speculative fantasy fiction towards incorporating contemporary issues, particularly those concerning marginalized communities. Popular speculative fiction has become increasingly interested in exploring the experiences of marginalized people and how they make their way through a world that is frequently hostile to them. Rivers Solomon, in her 2019 novella, The Deep, skilfully explores the ongoing struggle of marginalized communities to reconcile their past with their present and future. Through this exploration, this study aims

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20

Power, Chandra L. "Challenging the Pluralism of Our Past: Presentism and the Selective Tradition in Historical Fiction Written for Young People." Research in the Teaching of English 37, no. 4 (2003): 425–66. http://dx.doi.org/10.58680/rte20031780.

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This study examines the concept of presentism as it relates to historical fiction written for young people. Presentism includes (1) writerly presentism, i.e., the imposition of a writer’s modern values, beliefs, or awarenesses onto a past era; and (2) readerly presentism, i.e., the imposition of a reader’s modern values, beliefs, or awarenesses onto a past era.

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21

Muzaffarova, Mohichehra A'zam qizi. "THE ROLE OF THE STYLISTIC DEVICE OF THE EPITHET IN THE STRUCTURE OF ENGLISH FICTION TEXT." Journal of Universal Science Research "ZAMONAVIY TILSHUNOSLIK VA TARJIMASHUNOSLIKNING DOLZARB MUAMMOLARI" mavzusidagi xalqaro ilmiy-amaliy anjuman 3, no. 4 (2025): 296–300. https://doi.org/10.5281/zenodo.15293849.

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The stylistic device of the epithet plays a crucial role in shaping the expressive and aesthetic qualities of English fiction texts. By attributing distinctive characteristics to objects, people, or events, epithets enrich the narrative, evoke emotions, and enhance imagery. This article explores the function of epithets in literary texts, examining their historical evolution, structural patterns, and semantic impact. Through the analysis of selected examples from English fiction, the study highlights how epithets contribute to the depth of characterization, the creation of mood, and the overal

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22

Dutta Hazarika, Aparajita, and Smita Devi. "Exploring the Historical Consciousness in Selected Fiction of Nadine Gordimer." Integrated Journal for Research in Arts and Humanities 3, no. 6 (2023): 68–75. http://dx.doi.org/10.55544/ijrah.3.6.8.

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The novels of Nadine Gordimer run parallel with the era of apartheid. They are a record of the realities of the period during the apartheid and also the interregnum period in South Africa in a chronological manner. In South Africa, Gordimer belonged to a minority within the minority. But contained within that small white world is another group of whites who are opposed to the system of racial discrimination known as apartheid and stand with the country's majority. Nadine Gordimer examines the nature of apartheid which according to her, changes depending on who was looking at the issue. Differe

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23

Deverell, William, and Tom Sitton. "Forget it, Jake." Boom 3, no. 3 (2013): 3–7. http://dx.doi.org/10.1525/boom.2013.3.3.3.

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This article places the 1974 film Chinatown alongside the historical events that the film portrays. Rather than a simple comparison between fact and fiction, Deverell and Sitton instead explore what we can learn about the people, places, and events in both Chinatown and the history of the Los Angeles aqueduct.

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24

Ranzato, Irene, and Patrick Zabalbeascoa. "The Portrayal of Real-Life People in Audiovisual Translation." Między Oryginałem a Przekładem 28, no. 1 (55) (2022): 11–29. http://dx.doi.org/10.12797/moap.28.2022.55.01.

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This is a study on real people, in particular their voices, as an important but so far undervalued factor in audiovisual translation, dubbing in particular. Along with the suspension of disbelief and credibility, expected goals for a dubbed version would seem to be authenticity of language, including not only words and discourse but also elements of delivery, such as accent and prosody (as a part of character portrayal); in short, a well-rounded, strategic proposal that can complement the picture at all times. The result of this study is that, compared to their AVT versions, much more care see

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25

Sinwell, Sarah E. S. "Bosom friends and kindred spirits: Reimagining girlhood, bisexuality and queerness in Anne with an E." Queer Studies in Media & Popular Culture 8, no. 3 (2023): 351–67. http://dx.doi.org/10.1386/qsmpc_00110_1.

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Questioning traditional ideas of hegemonic femininity, queerness and heteronormativity, this article examines Moira Walley-Beckett’s Anne with an E (2017–19, CBC and Netflix) as a means of revisiting queer and female histories in contemporary television. Reinvestigating classic Anne of Green Gables, this series pushes the boundaries of history by modernizing historical ideas about gender, sexuality, class and race in the early twentieth century. Using feminist theory, queer theory and critical cultural studies approaches, this article argues that these coming-of-age narratives of girlhood, bis

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26

PILCHIN, Ivan. "The book of whispers by Varujan Vosganian as a literary way of understanding armenian genocide." Dialogica 1 (April 15, 2019): 91–95. https://doi.org/10.5281/zenodo.3332714.

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The well-known novel “The Book of Whispers” (2009) by Varujan Vosganian is a relevant example of how different cultures, religions and traditions interact in different historical and geographical contexts. The presentation will refer to the way of combining in the novel the historical reality and literary fiction in order to highlight the tragic faith of the Armenian people in its interaction with the neighbor nations during the 20th century.

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27

Kitsnik, Lauri. "Record. Reenact. Recycle. Notes on Shindō Kaneto’s Documentary Styles." Arts 8, no. 1 (2019): 39. http://dx.doi.org/10.3390/arts8010039.

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In his work, the filmmaker Shindō Kaneto sought to employ various, often seemingly incongruous, cinematic styles that complicate the notions of fiction and documentary film. This paper first examines his ‘semi-documentary’ films that often deal with the everyday life of common people by means of an enhanced realist approach. Second, attention is paid to the fusion of documentary and drama when reenacting historical events, as well as the subsequent recycling of these images in a ‘quasi-documentary’ fashion. Finally, I uncover a trend towards ‘meta-documentary’ that takes issue with the act of

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28

Saidova, Mohira Rasulovna, and Dilbar Gulyamovna Sharipova. "THE CULIN THE CULINARY NAMES IN TEXT AMES IN TEXTS OF NATIONAL AND CUL AL AND CULTURAL ATTITUDE." Scientific Reports of Bukhara State University 5, no. 2 (2021): 30–40. http://dx.doi.org/10.52297/2181-1466/2021/5/2/3.

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Introduction. By its very nature, a way of existence and potential possibility - language occupies a special place in the system of values and priorities of a cultures. Language and culture are seen as co-development factors enrichment - and existence. Participating in a single historical process, each nation in a special way perceives and evaluates the world around him, which depends on many factors: the peculiarities of historical development, lifestyle, geographic and climatic conditions of living, customs and traditions. National literature is worthy general - of people. Fiction reflects t

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29

Miron, Mirela. "Povești de viață și fabulate din arealul satului Mărișel." Anuarul Muzeului Etnograif al Transilvaniei 37 (October 20, 2024): 101–30. http://dx.doi.org/10.47802/amet.2023.37.06.

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Life stories, fables and narrative songs or carols recorded in Mărișel village, Cluj county, are knitted through the yarns of fictional mechanisms. When it comes to narrations articulated into an informal system of folk mythology, in which the interviewed respondents conjure events with supernatural beings (Saint Friday, the forest lady, wolves’ stir, ogres or poltergeists) which happened to them or which were told by other people, I preferred instead of a morphological classification, or a genre theory (fairytale, legend, myths or short stories), a classification based on theories of fiction.

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30

Nelin, Timur. "Myths About the Charrua: Truth and Fiction in the History of the Indigenous People of Uruguay." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 1 (February 2020): 171–82. http://dx.doi.org/10.15688/jvolsu4.2020.1.14.

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Introduction. The article is devoted to the Charrua, a little-known indigenous people of Uruguay. This people was exterminated in the first half of the 19th century, giving rise to a number of myths about its history and culture. The author tries to find out, what information about the Charrua is based on facts, and what is a historical myth. The researcher considers such cases as the anthropological characteristics of the Charrua, the structure of the people, the history of its name, the case of the murder of Juan Diaz de Solis in 1516 and the history of the Natives taken to Paris in 1833. Me

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31

Hoang Thi, Nga, and Maria Zakharova. "FEATURE FILM AS A SECONDARY SOURCE IN HISTORICAL LEARNING." Journal of Science Social Science 63, no. 7 (2018): 82–88. http://dx.doi.org/10.18173/2354-1067.2018-0053.

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A true account of history depends on how reliable the source of the accounts is, and how correct facts about the event are. Primarily, historical accounts are built on what people narrate about particular incidents and events. However, people are motivated differently to give facts or fictitious accounts about a particular event. In the feature films, most story plots have been developed along the common narration in the mainstream media. Others have been altered to ensure that the films are entertaining and meet the expectations of the target audience. However, some of the incidents may or ma

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32

Krongold, Joanna. "History with Heart: Canadian Holocaust Literature for Young People." Canadian Jewish Studies / Études juives canadiennes 32 (October 25, 2021): 128–42. http://dx.doi.org/10.25071/1916-0925.40246.

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This article addresses the emergence of the Canadian Holocaust literature canon for young readers, closely examining the work of Carol Matas and Kathy Kacer to explore how the Holocaust can be narrated for children. Largely understudied despite their productivity and popularity, Matas and Kacer rely on the narrative strategy of blending invented or imagined characters with factually accurate situations and experiences. By using the tools that historical fiction offers, these two prolific Canadian authors demonstrate the possibilities of multifaceted, educational, and engaging texts about the H

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33

Payne, Christopher N. "In/Visible Peoples, In/Visible Lands: Overlapping Histories in Wang Chia-hsiang’s Historical Fantasy." International Journal of Taiwan Studies 2, no. 1 (2019): 3–31. http://dx.doi.org/10.1163/24688800-00201002.

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This essay considers two narrative texts by the nature essayist and fiction writer Wang Chia-hsiang (Wang Jiaxiang); namely, the short story ‘On Lamatasinsin and Dahu Ali’ (1995), and the short novel Mystery of the Little People (1996). Structured around ethnographic journeys into the Taiwanese mountainous hinterland, the texts concern the main protagonists, two earnest (Han) Taiwanese ethnographers, who narrate stories that traverse the island’s histories, lands, and written remnants. The paper argues that the two stories purposefully overlap multiple historical, colonial, and environmental e

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34

Gordina, E. D. "Readers’ Reviews in the Editorial Department of State Publishing House of Fiction Literature on “Tsushima” by A. Novikov-Priboy in the Context of Patriotic Education Campaign in the 1930-ies." Bibliotekovedenie [Russian Journal of Library Science], no. 2 (April 28, 2015): 51–58. http://dx.doi.org/10.25281/0869-608x-2015-0-2-51-58.

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The article discusses the reader demand and readers’ reviews on the novel “Tsushima” by A. Novikov-Priboy, submitted to the State Publishing House of Fiction Literature in the 1930-ies. These letters are a unique historical source, allowing to reconstruct the composition of the readership of the Soviet historical novel in the prewar decade, to analyze reader activity of the different groups of population. On the basis of feedback it becomes possible to assess the impact of historical novel, in particular “Tsushima”, on the consciousness of people, what is of great importance for revealing the

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35

Stulov, Yuri V. "Contemporary African American Historical Novel." Literature of the Americas, no. 14 (2023): 75–99. http://dx.doi.org/10.22455/2541-7894-2023-14-75-99.

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The paper discusses the works of African American writers of the end of the 1960s — the end of the 2010s that address the historical past of African Americans and explores the traumatic experience of slavery and its consequences. The tragedy of people subjected to slavery as well as their masters who challenged the moral and ethical norms has remained the topical issue of contemporary African American historical novel. Pivotal for the development of the genre of African American historical novel were Jubilee by the outstanding writer and poet Margaret Walker and the non-fiction novel Roots by

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36

Pikhtovnikova, Lydia. "Representation of socio-culture in language, speech and fiction." 96, no. 96 (December 28, 2022): 30–36. http://dx.doi.org/10.26565/2786-5312-2022-96-04.

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The article highlights the relation of socio-culture with language, speech and fiction, being considered as semiotic systems, which allows establishing relationships between their components. The multi-faceted subordination of these systems, investigated from the mental level to linguistic implementation, has been studied. It has been shown how socio-culture is expressed in cultural codes, and they, in turn, are represented on the mental level in the concepts of statements and texts. Six main codes of culture has been characterized: somatic, spatial, temporal, object, biomorphic and spiritual.

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37

Pividori, María Cristina. "“Prefer not, eh?”: Re-Scribing the Lives of the Great War Poets in Contemporary British Historical Fiction." Revista Alicantina de Estudios Ingleses, no. 31 (December 15, 2018): 125. http://dx.doi.org/10.14198/raei.2018.31.08.

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Although the First World War has become history by now, the memory of the war continues to be repeatedly fictionalised: retrospectively inspired narratives are often regarded as more genuine and far-reaching than historical or documentary accounts in their rendition of the past. Yet, memory is creatively selective, reflecting a highly-conflicted process of sifting and discerning what should be remembered, neglected or amplified from the stream of war experience. In his book about Pat Barker, Mark Rawlinson argues that “historical fiction has been transformed in the post-war period by the way w

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Gadpaille, Michelle. "Diskurz »dobre smrti« v pripovedni prozi 19. stoletja in zgodovinska študija primera." ELOPE: English Language Overseas Perspectives and Enquiries 21, no. 1 (2024): 211–27. http://dx.doi.org/10.4312/elope.21.1.211-227.

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What people said on their deathbeds preoccupied 19th-century Protestants. Fear of the void after death or of punishment in the afterlife made death terrifying. The process of dying, however, was ritualized to negate these terrors. Having a “good death” constituted reassurance for the dying, comfort for the family, and a lesson for the community. Such comfort was available even from fictional deathbed scenes, where sentiment and imagery softened the harsh reality. This interdisciplinary study explores the similarities between real and fictional deathbed narratives, using a sample of 19th-centur

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Knežević, Jelena, and Aleksandra Nikčević Batrićević. "OFFENDERS, ADULTERESSES, AND MURDERESSES IN AMERICAN LITERATURE: FROM THE COLONIAL TO THE POSTMODERN ERA." Armenian Folia Anglistika 19, no. 2 (28) (2023): 161–86. http://dx.doi.org/10.46991/afa/2023.19.2.161.

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This paper examines American female transgressors from the early colonial period to the late postmodern age and their representations in American literature. Its main aim is to identify the most relevant female offenders from each historical era and analyze how authors portray their characters in each literary work. Furthermore, it offers different insights into the social, cultural, political, and jurisprudential contexts of the murder cases of each female perpetrator under discussion. The paper also compares fiction to non-fiction literary texts and the similarities and differences contribut

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Gardiner, Kelly. "Love on the Rocks: Lighthouses in Literature as Gendered Geographies of Love." Feminist Encounters: A Journal of Critical Studies in Culture and Politics 7, no. 2 (2023): 31. http://dx.doi.org/10.20897/femenc/13559.

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The lighthouse has long been a familiar setting for stories of love, conflict, and epiphany. That isolated tower on the clifftop brims with symbolic possibility and sometimes cliché, positioning it as a site of gendered love, with popular fiction titles embedding the trope of the contained world revolving, like the lit lamp, around the male authority. But the lighthouse also has an explicit historical situatedness. The nineteenth century British lighthouses, in particular, were seen as outposts of empire. They are immovable inscriptions of the outlines of islands, the edges of continents – the

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Samal, Prabhudutta, and Swati Samantaray. "Zambian Futurism and Decolonial Entanglements: History, Ecology, and Technology in The Old Drift." eTropic: electronic journal of studies in the Tropics 24, no. 1 (2025): 98–118. https://doi.org/10.25120/etropic.24.1.2025.4121.

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This article explores the critical framework of tropical futurisms as presented in Namwali Serpell’s The Old Drift (2019), a novel that intertwines Zambia’s colonial past, postcolonial realities, and speculative futures. Serpell’s narrative challenges dominant, Eurocentric historical perspectives and reclaims Zambia’s agency through the themes of decoloniality, ecological resilience, and technological entanglements. By juxtaposing colonial infrastructure projects like the Kariba Dam with speculative innovations such as microdrones and bioengineering, Serpell critiques the exploitation of Afric

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42

Cho, Haejin. "A Study on a Female Protagonist’s Suicide Attempts in Ogwonjaehapgiyeon." Society Of Korean Literature 48 (November 30, 2023): 149–72. http://dx.doi.org/10.52723/jkl.48.149.

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This study investigates a female protagonist’s suicide attempts in Ogwonjaehapgiyeon, a work of fiction written in the late Joseon Dynasty. So far, one of the most interesting points in the work involves a female protagonist who tried to kill herself six times but survived. Nevertheless, her suicide attempts in fiction have not been structurally analyzed. I examined scenes and the corresponding meanings of the protagonist’s suicide attempts in Ogwonjaehapgiyeon. Hyeonyeong, the character who attempted suicide six times, was saved by other people such as a nanny, a character from Tang chu

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Stotesbury, John A. "Detecting a Literary Future in the Historical Past: The Gibraltar Case." Armenian Folia Anglistika 11, no. 2 (14) (2015): 123–34. http://dx.doi.org/10.46991/afa/2015.11.2.123.

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Until the present millennium, very little creative literary writing in either English or Spanish had been published in the British colonial enclave of Gibraltar. Given the small population size of the autonomous community of some 30,000 people, it was considered unlikely that a “national” literary culture could form. In the course of the past decade, a handful of dedicated writers have published a noticeable amount of fiction, all of which is concerned with establishing a recognized Gibraltarian literary identity. The present article, while not arguing for the permanence of a Gibraltarian nati

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Weber, Stephanie. "Gender, Race, Color, Glass: A Reading of Clothing and Decoration in Paul Scheerbart’s Glass Utopias." Utopian Studies 33, no. 3 (2022): 424–46. http://dx.doi.org/10.5325/utopianstudies.33.3.0424.

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ABSTRACT This article revisits the utopian fiction of German science-fiction writer and poet Paul Scheerbart, considering the place of race and gender in his fantastical glass architectural spaces. This is primarily done through a reading of clothing and decoration in these texts, elements that are often explicitly mentioned in relation to women and people of color. Historical context concerning modernist paradigms, metaphorical interpretations of architectural glass, the connection between clothing and architecture, and the place of women in the Werkbund provides a framework that serves to ex

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Yoqubov, Muzaffar Kamildjanovich PhD, and Muazzam Madaminovna Master student Urgench Matniyazova. "THE IMAGE OF AMIR TIMUR IN UZBEK DRAMATURGY." Innovative Development in Educational Activities 2, no. 1 (2023): 4–8. https://doi.org/10.5281/zenodo.7527326.

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The article illustrates the history of the origin of the image of Amir Timur in fiction, the illumination of the figure of the great ruler in the poetic drama "Timur the Great" by an Uzbek poet and statesman Abdulla Oripov, the description of his spiritual and human image, his love and care for ordinary people,  his children  and grandchildren. At the same time, the poet’s skills are analyzed in the example of scenes showing his harshness and justice.

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Yoqubov, Muzaffar Kamildjanovich, and Muazzam Madaminovna Matniyazova. "THE IMAGE OF AMIR TIMUR IN UZBEK DRAMATURGY." Innovative Development in Educational Activities 2, no. 1 (2023): 4–8. https://doi.org/10.5281/zenodo.7528147.

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The article illustrates the history of the origin of the image of Amir Timur in fiction, the illumination of the figure of the great ruler in the poetic drama "Timur the Great" by an Uzbek poet and statesman Abdulla Oripov, the description of his spiritual and human image, his love and care for ordinary people,  his children  and grandchildren. At the same time, the poet’s skills are analyzed in the example of scenes showing his harshness and justice.

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47

Jarimbetova, Tolganay Kurbanbaevna. "ARTISTRY IN CREATING THE IMAGE OF A HERO IN ARTISTIC DOCUMENTARY WORKS." International journal of word art 5, no. 4 (2022): 35–42. https://doi.org/10.5281/zenodo.6775640.

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The article analyzes the documentaryfeatures, prototype, image, actions, artistic imagination, period and heroism on the basis of folklore stories written by writers of Karakalpakstan such as “Thousand of forgivness” by G.Esemuratova and “My country my love” by A.Sultanov. The stories of Karakalpak writers mentioned in this article make their focus on the fate of heroes who achieved great goals for the benefit of the people. These aspects of non-fiction works differ from other genres of fiction. Therefore, this article reviews the genre and artistic differences of docum

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Shariff, Zahid. "Discourse of Development." LAHORE JOURNAL OF ECONOMICS 3, no. 2 (1998): 21–33. http://dx.doi.org/10.35536/lje.1998.v3.i2.a2.

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The assumption that people were to be given theatre was of course in keeping with the government fiction that people were to be given development particularly if they behaved themselves. (Wa Thiong’o, 1986:41) Despite our short history, the norms of scholarship in Pakistan have already become well entrenched: the grooves already seem so deep that digging ourselves out of them may present some difficulties. (One example of that in the social sciences generally, and political science and history in particular, is the retelling of the major historical events and noting major trends without offeri

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R, Sumathi, and Sutharshan V. "THE ADVANCEMENT OF ARTIFICIAL INTELLIGENCE A WAY TO MAN AND MACHINE IN COMBAT IN TIME MACHINE AND I ROBOT." Kongunadu Research Journal 6, no. 1 (2019): 14–16. http://dx.doi.org/10.26524/krj279.

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Science fiction has proved notoriously difficult to define. It can be explained as a combination of science and technology and development in robotics in short it can be otherwise called as ‘realistic speculation about future events and a genre based on an imagined alternative to the reader's environment. It has been called a form of fantasy fiction and an historical literature. The paper goes further with two main concepts one with clash between two people of future and the other with advancement of science particularly on robotics. First is about general outline to science fiction in short a

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Tedtoeva, Zinaida Kh. "The Attraction of Literary Local Lore Material and Information from the Native Literature of Students in the Study of A.M. Gorky." Vestnik of North-Ossetian State University, no. 4 (December 25, 2021): 137–41. http://dx.doi.org/10.29025/1994-7720-2021-4-137-141.

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The problem of perceiving fiction has aesthetic, sociological, historical and psychological aspects. In this regard, in the methodology of teaching Russian literature to the national audience, special attention is paid to the deep, faithful and subtle reproduction of the literary works of writers, the development of the reader’s talent. Fiction as a form of art is a special area of the aesthetic. In a truly fictional work, all its elements are subordinate to the expression of a certain content, expressive, figurative, therefore, the reader’s understanding of a literary work is not only aesthet

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