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Tesis sobre el tema "Fiction - native americans"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Kent, Alicia Adele. "Migrant modernities : historical and generic movement in fiction by African Americans and Native Americans in the early twentieth century (Charles Waddell Chesnutt, Zora Neale Hurston, Mourning Dove, D'Arcy McNickle)." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Kra_Diss_02.

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2

Stoecklein, Mary, and Mary Stoecklein. "Native American Mystery, Crime, and Detective Fiction." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624574.

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Native American Mystery, Crime, and Detective Fiction examines a range of texts, most of them Native-authored, that utilize elements of a popular and accessible literary genre: the mystery, crime, and detective story. The examined texts convey how writers fuse tribally-specific cultural elements with characteristics of mystery, crime, and detective fiction as a way to, as I argue, inform all readers about Native American histories, cultures, and contemporary issues. Exploring how Native American writers approach the genre of mystery, crime, and detective fiction is critical, since it is a sub-

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3

Sanchez, Maria Ruth Noriega. "Magic realism in contemporary American women's fiction." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3502/.

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The aim of the study is to illustrate the importance of magic realism in American women's fiction in the late twentieth century. The term magic realism, which has traditionally been associated with Latin American men's writing, has been known by different, and often contradictory, definitions. It may be argued that, properly defined, it can be a valid term to describe a number of characteristics common to a corpus of work, and can be considered as an aesthetic category different from others such as Surrealism or Fantastic literature, with which it has often been compared. Furthermore, magic re

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4

Idini, Antonio Giovanni 1958. "Detecting colonialism: Detective fiction in Native American and Sardinian literatures." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282702.

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This dissertation compares Native American and Sardinian literatures, focussing on literary renditions of detective stories, a recent development which has occurred in both literatures. The study is based on Procedura (1988), and Il terzo suono (1995), by Sardinian author Salvatore Mannuzzu; The Sharpest Sight (1992), Bone Game (1994), and Nightland (1996) by Choctaw-Cherokee-Irish writer Louis Owens. In both literatures the use of detective fiction embodies the authors' commentary regarding the discourse on colonization. Recurrent thematic features are the concern with history, notably the hi

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5

Stirrup, David Francis. "Deritualization and community : representations of death in contemporary Native American fiction." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399626.

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6

Isenhower, Zachary Charles. "Fading roles of fictive kinship: mixed-blood racial isolation and United States Indian Policy in the Lower Missouri River Basin, 1790-1830." Thesis, Kansas State University, 2012. http://hdl.handle.net/2097/13596.

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Master of Arts<br>Department of History<br>Charles W. Sanders<br>On June 3, 1825, William Clark, Superintendent of Indian Affairs, and eleven representatives of the “Kanzas” nation signed a treaty ceding their lands to the United States. The first to sign was “Nom-pa-wa-rah,” the overall Kansa leader, better known as White Plume. His participation illustrated the racial chasm that had opened between Native- and Anglo- American worlds. The treaty was designed to ease pressures of proximity in Missouri and relocate multiple nations West of the Mississippi, where they believed they would fin

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7

McDonnell, Alex James. "Remembering to forget : Native American presences and the U.S. national consciousness in nineteenth-century Euro-American fiction." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11849/.

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This thesis interrogates the part played by the figure of ‘the Indian’ in the formation of the U.S. national consciousness as reflected in the nineteenth-century fictional works of James Fenimore Cooper, Robert Montgomery Bird, Lydia Maria Child, Helen Hunt Jackson and Herman Melville. I propose that new understandings can be reached concerning Indian representations and national identity in the selected texts via an approach that combines postcolonial and psychoanalytic theories, in particular as detailed by Ranjana Khanna in Dark Continents (2003). I explore how the national ideals articulat

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8

Sanchez-Taylor, Joy Ann. "Science Fiction/Fantasy and the Representation of Ethnic Futurity." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5302.

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Science Fiction/Fantasy and the Representation of Ethnic Futurity examines the influence of science fiction/fantasy (SFF) as applied to twentieth century and contemporary African American, Native American and Latina/o texts. Bringing together theories of racial identity, hybridity, and postcolonialism, this project demonstrates how twentieth century and contemporary ethnic American SFF authors are currently utilizing tropes of SFF to blur racial distinctions and challenge white/other or colonizer/colonized binaries. Ethnic American SFF authors are able to employ SFF landscapes that address nar

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9

Kavanagh, Matthew. "Second nature: American fiction in the age of capitalist realism." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18440.

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Second Nature: American fiction in the age of capitalist realism During the 1990s the global triumph of capitalism has made it, paradoxically, all the more difficult to see. Not only is capitalism increasingly derealized (e.g. cyber-capital), its very ubiquity renders it unremarkable, to the point that it appears a neutral part of objective reality. This dissertation examines how American writers have responded to the 'spectrality' that results from the mediation of everyday experience through the market. I discuss formal strategies in the work of Bret Ellis, Chuck Palahniuk, Don DeLillo, Wil

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10

Honea, Benjamin D. "Comanche Boys." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/44.

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Comanche Boys is a novel that was written and revised during Benjamin Honea’s time at the University of Kentucky. The novel focuses on Brandon, who lives in rural southwest Oklahoma, and how the arrival of two people in his life, one old and one new, changes his future irrevocably. Taking place at the intersections of modern American and Native American life, the narrative explores history, culture, mythology, faith, despair, racism, poverty, vengeance, and justice. The struggles of the past and present, the lost and reclaimed, propel and pervade the lives of the characters.

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11

Manning, S. L. "The nature of provicialism : Some nineteenth-century Scottish and American fiction." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372632.

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12

Hermanson, Scott. "The simulation of nature contemporary American fiction in an environmental context /." Cincinnati, Ohio : University of Cincinnati, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin991838727.

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13

Moss, Maria. "We've been here before women in creation myths and contemporary literature of the Native American southwest /." Münster : Lit, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30100337.html.

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14

Hermanson, Scott Douglas. "The Simulation of Nature: Contemporary Fiction in an Environmental Context." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991838727.

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15

Wootton, Lesley Wallace. "Sentimental classism : nature and status in popular nineteenth-century American women's novels /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883699791&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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16

Deitering, Cynthia. "Waste sites rethinking nature, body, and home in American fiction since 1980 /." Diss., Online access via UMI:, 2008.

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17

Potts, Henry M. "Native American values and traditions and the novel : ambivalence shall speak the story." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26754.

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The commitment to community shared by Native American authors such as N. Scott Momaday, James Welch, and Louise Erdrich is partially evinced by each author's readiness to inscribe in novel form the values and traditions of the tribal community or communities with which he/she is closely associated. Many students of the novel will attest to its pliant, sometimes transmutable nature; nevertheless, as this study attempts to make clear, there are some reasons why Native American authors should reconsider using the novel as a means to express their tribal communities' values and traditions. Unambiv

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18

Andrews, Gabriel M. "William Apess and Sherman Alexie: Imagining Indianness in (Non)Fiction." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/97.

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This paper proposes the notion that early Native American autobiographical writings from such authors as William Apess provide rich sources for understanding syncretic authors and their engagement with dominant Anglo-Christian culture. Authors like William Apess construct an understanding of what constitutes Indianness in similar and different ways to the master narratives produced for Native peoples. By studying this nonfiction, critics can gain a broader understanding of contemporary Indian fiction like that of Sherman Alexie. The similarities and differences between the strategies of the

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19

Werrlein, Debra T. "Infant nation childhood innocence and the politics of race in contemporary American fiction /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1546.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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20

Krieg, Charles. "Nature Industries: U.S. Environmental Fictions after Fordism, 1971-2011." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20697.

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This dissertation recontextualizes literary, critical, and popular models of nature in contemporary American fiction, and argues that the transformations in the post-Fordist economy reframe environmental concepts and their uses in a new light. Scholars in the environmental humanities have long recognized that understanding changes in the political economy are a key way to understanding our ideas and representations of the natural world. These ideas serve as metaphysical models that relate individuals to society and to the broader world described by the sciences. However, much environmental cri

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21

Champagne, Raymond Leonard. "Evil's masquerade, a study of nature and American democracy in Herman Melville's fiction, 1846-1857." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ33351.pdf.

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22

Arami, Sara. "Cartographies : rewriting the body and the nation in Contemporary Middle Eastern American women’s diasporic fiction." Thesis, Strasbourg, 2020. http://www.theses.fr/2020STRAC004.

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Cette thèse analyse les œuvres de fiction des femmes moyen orientales américaines contemporaines du point de vu de la cartographie littéraire. Les œuvres étudiées sont The Girl in the Tangerine Scarf de Mohja Kahf, Once in a Promised Land et West of Jordan de Laila Halaby, The Inheritance of Exile de Susan Muaddi Darraj, The Night Counter d’Alia Yunis et Crescent de Diana Abu Jaber. Les œuvres de fiction sélectionnées et étudiées dans cette thèse contribuent toutes à la remise en question des discours dominants qui dépeignent la diaspora arabo-américaine et suscitent le scepticisme des lecteur

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23

Denetsosie, Stacie S. "Redefining Ceremony and the Sacred: Short Stories From the Dinétah." DigitalCommons@USU, 2019. https://digitalcommons.usu.edu/etd/7622.

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This is a creative thesis comprised of three short stories centered on the experiences of three Navajo protagonists living on the Navajo reservation. The short stories fit within the field of Native American Literature and highlight issues of mortality, sexuality, and ceremony. The stories illustrate the experiences of modern-day Navajo youth grappling to understand how to connect traditional knowledge with modernity. The three stories featured within this thesis are offered as a way to understand these challenges. Each protagonist is faced with an issue of morality, sexuality, or ceremony, an

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24

Gemein, Mascha Nicola. "Multispecies Thinking from Alexander von Humboldt to Leslie Marmon Silko: Intercultural Communication Toward Cosmopolitics." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293607.

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The concept of cosmopolitics identifies a multispecies political practice within the framework of multinaturalism. The dissertation, "Multispecies Thinking from Alexander von Humboldt to Leslie Marmon Silko: Intercultural Communication Toward Cosmopolitics," is concerned with understandings of multispecies relationships, with the human intercultural communication that could prepare for a cosmopolitical practice, and with the ways Native American fiction supports this endeavor. This research draws from Native American literary studies and ecocritical scholarship to illustrate the potential of t

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25

Grant, Brianne Alia May. "Where hope lives : an examination of the relationship between protagonists and education systems in contemporary native North American young adult fiction." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7322.

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Indigenous children’s and young adults’ literature remains in the margins of the academic community – either misidentified as multicultural fiction or left aside in favour of critiquing controversial literature produced by non-Aboriginal writers. Through children’s and young adults’ literature, Aboriginal writers are expressing their own perspectives on the way Western education has affected and continues to affect their lives, and these representations present a significant contribution to the way North American children learn about the history of Aboriginal relations with the dominant socie

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26

Istomina, Julia. "Property, Mobility, and Epistemology in U.S. Women of Color Detective Fiction." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429191876.

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27

Dougherty, Matthew. "A Way In: Stories and a Novel-in-Progress." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1399904159.

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28

Andrews, Jennifer Courtney Elizabeth. "Fields of wry, serious laughter, humour, and nation in nineteenth- and twentieth-century English-Canadian and American fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0024/NQ50033.pdf.

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29

McElwee, Johanna. "The Nation Conceived : Learning, Education, and Nationhood in American Historical Novels of the 1820s." Doctoral thesis, Uppsala University, Department of English, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6226.

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<p>This study explores the role of learning and education in American historical fiction written in the 1820s. The United States has been, and still is, commonly considered to be hostile to scholarly learning. In novels and short stories of the 1820s, however, learning and education are recurrent themes, and this dissertation shows that the attitudes to these issues are more ambivalent than hitherto acknowledged. The 1820s was a period characterized by a political struggle, expressed as a battle between intellectuals, represented by the sitting president, John Quincy Adams, a Harvard professor

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30

Schulz, Frank. "'How can you go to a Church that killed so many Indians?' : Representations of Christianity in 20th century Native American novels." Master's thesis, [Potsdam : Univ.-Bibliothek], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=97197845X.

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31

Sipley, Tristan Hardy 1980. "Second nature: Literature, capital and the built environment, 1848--1938." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10911.

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x, 255 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This dissertation examines transatlantic, and especially American, literary responses to urban and industrial change from the 1840s through the 1930s. It combines cultural materialist theory with environmental history in order to investigate the interrelationship of literature, economy, and biophysical systems. In lieu of a traditional ecocritical focus on wilderness preservation and the accompanying literary mode of nature writing, I bring attention to

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32

Tam, Pou U. "Machines in Faulkner's Mississippi garden." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554101.

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33

Harris, Clea D. "The Germ Theory of Dystopias: Fears of Human Nature in 1984 and Brave New World." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/699.

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This project is an exploration of 20th century dystopian literature through the lens of germ theory. This scientific principle, which emerged in the late 19th century, asserts that microorganisms pervade the world; these invisible and omnipresent germs cause specific diseases which are often life threatening. Additionally, germ theory states that vaccines and antiseptics can prevent some of these afflictions and that antibiotics can treat others. This concept of a pervasive, invisible, infection-causing other is not just a biological principle, though; in this paper, I argue that one can inter

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34

Hernandes, Luciana Carneiro [UNESP]. "Tecidos e tessituras: representação do feminino em María Rosa Lojo." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150073.

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Submitted by LUCIANA CARNEIRO HERNANDES null (lucahernandes@hotmail.com) on 2017-03-31T20:54:59Z No. of bitstreams: 1 TESE LUCIANA CARNEIRO HERNANDES.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5)<br>Approved for entry into archive by Juliano Benedito Ferreira (julianoferreira@reitoria.unesp.br) on 2017-04-06T17:20:18Z (GMT) No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d882a25b5cacf3d2ac61140b4bfa5147 (MD5)<br>Made available in DSpace on 2017-04-06T17:20:18Z (GMT). No. of bitstreams: 1 hernandes_lc_dr_arafcl.pdf: 1457768 bytes, checksum: d

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35

Kent, Alicia A. "Migrant modernities : historical and generic movement in fiction by African Americans and Native Americans in the early twentieth century /." 2000. http://www.library.wisc.edu/databases/connect/dissertations.html.

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36

Correia, Rúben Tiago Medronho Constantino. "A Emergência de uma Literatura Policial Nativa-Americana: Tony Hillerman, Carole Lafavor e Louis Owens." Master's thesis, 2008. http://hdl.handle.net/10362/19416.

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A presente dissertação, discute o porquê de autores pertencentes a minorias étnicas, mais especificamente autores nativos-americanos, escolherem a literatura policial para fazerem eco de pontos de vista normalmente esquecidos, ou quando muito antagonizados, pelo corpus literário canónico, dado ser este um género recorrentemente apontado pelos críticos como formulaico e conservador, que, aparentemente, não comporta inovações às suas regras convencionais. Neste trabalho, discute-se igualmente a forma como os três autores estudados – Tony Hillerman, Carole Lafavor e Louis Owens – se apropriam e i

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37

Brown, Harry J. "Injun Joe's ghost : a genealogy of the Native American mixed blood in American popular fiction /." Diss., 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3073951.

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38

Hundt, Stefanie. "The warrior in the memoirs and fiction of Native American Vietnam War literature /." Diss., 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3237494.

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39

Miles, John Douglas. "Not corn pollen or eagle feathers Native American stereotypes and identity in Sherman Alexie's fiction /." 2004. http://www.lib.ncsu.edu/theses/available/etd-03162004-173100/unrestricted/etd.pdf.

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40

Grammer, Daniel. "Sweat Stones." 2016. https://scholarworks.umass.edu/englmfa_theses/50.

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Sweat Stones is a story collection and a novel excerpt. All of its parts are set in the American South, and are concerned with the intersection between class and geography. The majority of the characters are a part of underrepresented portions of their local population—they are trapped within cycles of poverty, in turns longing for escape and wearing their mixed brands of anguish like badges. The longer stories have firm roots in Realism, while the shorter ones, which serve as breaks between the collection’s major sections, are tinged with degrees of Absurdism or Magical Realism. Through these

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41

Lew, Seung. "Going Paranoid from the Cold War to the Post-Cold War: Conspiracy Fiction of DeLillo, Didion, and Silko." 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-438.

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This dissertation proposes to examine the conspiracy narratives of Don DeLillo, Joan Didion, and Leslie Marmon Silko that retell American experience with the Cold War and its culture of paranoia for the last half of the twentieth century. Witnessing the resurgence of Cold War paranoia and its dramatic twilight during the period from late 70s to mid-80s and the sudden advent of the post-Cold War era that has provoked a volatile mixture of euphoria and melancholia, the work of DeLillo, Didion, and Silko explores the changing mode of Cold War paranoid epistemology and contemplates its conditions

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