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Tesis sobre el tema "Fictions"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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1

Fung, Kit-ting, and 馮潔婷. "Decolonizing fictions: the subversion of 19thcentury realist fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.

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2

Perkins, Aaron M. "Fictions, enabling fictions, and autofiction within painting; or, "This painting is a work of fiction", I said." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/419477.

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This practice-led research project investigates the potential for a philosophically defined and criterial notion of fiction to function within the medium of painting. It develops Kendall L. Walton’s make-believe theory of fiction via Gregory Currie and Richard Wollheim to include a criterion of fictive intent, whereby a painting is fictional if it is intended to prompt an act of imagining in its viewer. Although painting has not art-historically distinguished between fiction and non-fiction, the research demonstrates the intuitive usefulness of such a classification. The research then ar
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3

Gleiberman, Jack Rhein. "Believing Fictions: A Philosophical Analysis of Fictional Engagement." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2243.

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Works of fiction do things to us, and we do things because of works of fiction. When reading Hamlet, I mentally represent certain propositions about its characters and events, I want the story and its characters to go a certain way, and I emotionally respond to its goings-on. I might deem Hamlet a coward, I might wish that Hamlet stabbed Claudius when he had the chance, and I might feel sorrow at Ophelia’s senseless suicide. These fiction-directed mental states seem to resemble the propositional attitudes of belief, desire, and emotion, respectively — the everyday attitudes that represent and
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4

Fung, Kit-ting. "Decolonizing fictions : the subversion of 19th century realist fiction /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473010.

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5

Kimmich, Matt. "Offspring fictions /." Bern : [s.n.], 2005. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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6

Siety, Emmanuel. "Fictions d'images." Paris 3, 2003. http://www.theses.fr/2003PA030021.

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On estime en général que, pour un spectateur, l'univers diégétique d'un film de fiction et la réalité matérielle du film lui-même sont plus ou moins incompatibles. Soit il fixe son attention sur la fiction, soit il se montre attentif au film lui-même (le montage, le cadrage, la photographie). De ce point de vue, la fiction la plus réussie est celle qui parvient le mieux à capter l'attention du spectateur, à détourner celui-ci du film en tant qu'artifice. Cependant, certaines descriptions de films remettent en cause ce principe d'incompatibilité en reconstruisant imaginairement le film lui-même
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7

Morris, Davis Maggie Elizabeth. "The Fictions We Keep: Poverty in 1890s New York Tenement Fiction." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/387.

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In his 2008 book, American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945, Gavin Jones calls for academic studies of literature that examine poverty as its own actuality, worthy of discussion and definition despite its inherently polemical nature. As presented by Jones and tested here, American literature reveals how poverty is established, defined and understood; the anxieties of class; imperative connections with issues of gender and race; and the fictions of American democracy and the American Dream. This proves to be especially interesting when examining the 1890s. From
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8

Hunt, Celia. "Personal fictions : the use of fictional autobiography in personal development." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285106.

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This thesis contains the results of my research between 1994 and 1998 into the uses of fictional autobiography in personal development. The topic arose out of my observation, both of my own experience and the experience of students attending my creative writing courses, that writing fictional autobiography as part of a writing apprenticeship not only enabled the development of writing skills and the finding of a writing 'voice', but often had a therapeutic effect on the writer's relationship with himor herself, and with his or her significant others. I set out to explore this observation throu
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9

Leroyer, Anne-Marie. "Les fictions juridiques." Paris 2, 1995. http://www.theses.fr/1995PA020058.

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La doctrine française contemporaine considère les fictions avec défaveur. Le procédé est juge arbitraire. Son utilisation devrait donc être réservée au législateur qui ne pourrait y recourir qu'a titre exceptionnel et pour des raisons d'équité impérieuses. Les fictions légales devraient être d'interprétation stricte, sinon restrictive. En tout état de cause, le procédé ne serait qu'un palliatif devant être éliminé par la recherche d'un moyen permettant de parvenir aux mêmes fins. Ce sont ces présupposes qu'il est proposé de mettre à l'épreuve à la lumière du droit positif. Si le procédé est au
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10

Kolovou, Ioulia. "First Crusade fictions." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/8752/.

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The world of Byzantium is under-represented in historical fiction written in English, a fact that reflects a general negativity or even absence of Byzantium in the non-academic, cultural traditions of the Anglophone world. Sir Walter Scott’s penultimate novel <i>Count Robert of Paris </i> (1832), set in Constantinople at the time of the First Crusade (1096), is an interesting late work of Scott’s whose ambivalent stance towards Byzantium both asserts and refutes this fact and hints at its possible causes, at the same time offering interesting insights on how to read historical fiction meaningf
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11

Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.
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12

VIEIRA, MARTHA ALKIMIN DE ARAUJO. "(LITERARY) FICTIONS: CONTEMPORARY CHALLENGES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5886@1.

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UNIVERSIDADE ESTACIO DE SÁ<br>O estudo das ficções (literárias), no marco dos sistemas midiáticos e da mediação digital e suas conexões com o processo de produção e sistematização do conhecimento, em modelos de realidade aponta a presença da ficcionalidade como fenômeno constitutivo de todos os segmentos da vida social e não apenas com o objeto sob jurisdição exclusiva da literatura. O estatuto das ficções literárias em interseção com a proliferação de ficções não literárias e a virulênncia das transformações tecno-cientí­ficas, das práticas sociais, estatisticas e culturais tensionam
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13

COSTA, TIAGO LEITE. "NELSON RODRIGUES CONFESSIONS/FICTIONS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10593@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>Este trabalho consiste numa análise das Confissões de Nelson Rodrigues, crônicas de costumes escritas na passagem da década de 1960 para 1970 e reeditadas recentemente em três coletâneas: O óbvio ululante, A cabra vadia e O reacionário. O propósito da dissertação é, a partir da leitura das crônicas, fazer emergir o personagem/narrador Nelson Rodrigues que trabalha na fronteira da ficção e da confissão. Narrador que cria outros personagens a partir das figuras públicas do Brasil daquele momento. Caberá verificar, então, com
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14

Majzoub, Raafat S. M. (Raafat Mohamad Chamseddine) Massachusetts Institute of Technology. "A lover's discourse : fictions." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111268.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2017.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis. "June 2017."<br>Includes bibliographical references (pages 130-131).<br>This thesis sets a landscape to discuss intimacy as a political tool, using fiction as a methodology to create potency in the Arab world. Its concern with critique is on the actionable level. This docu
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15

Teguia, Tariq. "Robert Franck, fictions cartographiques." Paris 8, 2001. http://www.theses.fr/2001PA082219.

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Cette recherche prend pour hypothèse que Robert Frank aura, une vie durant, inlassablement élaboré des fictions cartographiques autant par la photographie, le cinéma, la vidéo et dans toutes les formulations intermédiaires que ces trois outils autorisent. Les diverses définitions qu'est susceptible de prendre la fiction cartographique sont abordées en cinq volets. . .
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16

Norman, Natasha. "Further fictions in print." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11652.

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Includes bibliographical references (p. 36-40).<br>Further Fictions mediates a particular visual system - that of the screen. I have tried to unravel and grant materiality to this contemporary virtual coding of images using a process of translation: by evoking the inherent nature of the cinematic image in the medium of print.We live in an analogue reality. There is always a shift between an idea and its translation into a model, between the photograph and the reality of the event it references, between the drawing on a matrix and the print of that drawing on paper. In this project I have set m
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17

Meals, Nathaniel Jeffrey. "Among the Lost: Fictions." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522933463551811.

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18

Higginbotham, Ethan James. "Truth in (Impossible) Fictions." Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/104101.

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I propose a new account of truth in fiction that better handles truth in impossible fictions than the standard Lewisean account. Lewis' solution makes use of possible worlds to capture truths unstated but implied by the fiction. In order to improve upon this account I categorize a number of impossible fictions by the difficulties they raise for any account of fictional truth and show that Lewis' account fails to handle several of them. By careful division of the fiction, one may construct a better account of truth in fiction which captures both the truths of possible fictions as well as the tr
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19

Moore, Richard W. "Defoe's fictions of memory." Diss., Online access via UMI:, 2008.

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20

Egerer, Claudia. "Fictions of (in)betweenness /." Göteborg (Sweden) : Acta universitatis Gothoburgensis, 1997. http://catalogue.bnf.fr/ark:/12148/cb37650173w.

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21

Watson, Lauren Pamela. "Contingencies and masterly fictions : deconstructive dialogues in/between Dickens, contemporary fiction and theory." Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444642.

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22

Brown, Alistair. "Demonic fictions : cybernetics and postmodernism." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2465/.

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Whilst demons are no longer viewed as literal beings, as a metaphor the demon continues to trail ideas about doubt and truth, simulation and reality, into post- Enlightenment culture. This metaphor has been revitalised in a contemporary period that has seen the dominance of the cybernetic paradigm. Cybernetics has produced technologies of simulation, whilst the posthuman (a hybrid construction of the self emerging from cultural theory and technology) perceives the world as part of a circuit of other informational systems. In this thesis, illustrative films and literary fictions posit a connect
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23

McGarry, Paul William. "Subcultural fictions of 1990s Britain." Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496531.

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24

Osbourne, Nicholas. "Juan José Arreola : nostalgic fictions." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609796.

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25

MATOS, ANTONELI DE FARIAS. "FICTIONS OF CHILDHOOD: CLARICE LISPECTOR." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27371@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta pesquisa investiga quatro narrativas de Clarice Lispector escritas para crianças: O mistério do coelho pensante , A mulher que matou os peixes , Quase de verdade e A vida íntima de Laura , no empenho teórico de formular concepções e cenas de infância implicadas nos dispositivos estético-literários dessas obras.<br>This research investigates four narratives written by Clarice Lispector for children: The mystery of the thinking bunny, The woman who killed the fish, A
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26

Benslama, Fethi. "Fictions des origines en Islam." Paris 13, 1999. http://www.theses.fr/1999PA131012.

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L'objet de cette these est l'etude de l'imaginaire des origines en islam. Il s'agit d'une lecture psychanalytique des textes fondateurs de cette religion, en jonction avec ceux des autres monotheismes. Elle se propose d'etendre a l'islam, le projet de freud d'approcher les refoulements constitutifs des institutions spirituelles et de traduire leur metaphysique en metapsychologie. Partant de la crise contemporaine de l'islam, l'introduction montre comment les mouvements islamistes ont fonde leur ideologie sur << un recours delirant a l'origine >>, qui s'avere symptomatique d'une rupture impense
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27

Paloc, Sophie. "Cortazar et nabokov : fictions labyrinthiques." Montpellier 3, 1998. http://www.theses.fr/1998MON30052.

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Les fictions de j. Cortazar et de v. Nabokov sont des fictions labyrinthiques. D'une part, car elles emploient des procedes de ruptures et de codages qui brisent l'unite diegetique tout en exhibant la litterarite et privilegient une << texture >>, autrement dit, une unite de nature analogique et poetique. Complexifiant ainsi l'espace narratif, elles font du parcours du lecteur un veritable dedale, reclamant de la part de ce dernier un travail d'actualisation* important, qu'il semble effectuer sous leur controle. La figure du labyrinthe est egalement presente dans les univers diegetiques, puisq
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28

Bourgeois, Denis. "Fictions éclatées : littérature et éthique." Paris 8, 1995. http://www.theses.fr/1995PA080962.

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Ce travail est une contribution vers l'elaboration d'une theorie esthetique contemporaine, a partir notamment du primat de l'hallucination (issue du champ psychanalytique). L'exemple de la revendication ethique en litterature du vingtieme siecle, telle qu'elle s'exprime notamment chez hermann broch et j-p sartre, est un exemple fecond des problemes insolubles qui se posent a la theorie esthetique classique issue de l'ideal philosophique. D'autant que la recherche litteraire a la meme epoque, par son extremisme, telle que la menent kafka, joyce, celine, pulverise ces limites esthetico-metaphysi
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29

Murphy, Christopher B. "Mahoras Stories and Other Fictions." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1596141224622685.

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30

Greenberg, Emily Ilyssa. "Alternative Facts and Other Fictions." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1592860943065632.

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31

Henry, Céline. "L’atelier photographique, poïétiques et fictions." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20121.

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La création photographique fonde et se fonde sur des conditions et des conduites d’émergence et de développement, que l’image ne saisit pas toujours, ou dont elle choisit de se dessaisir. Notre travail propose d’explorer les modalités et les enjeux du dévoilement des instances poïétiques dans l’image photographique. Par le biais d’une mise en tension des termes propres à l’atelier et au laboratoire photographique, nous situons ces deux espaces d’actions au coeur d’un territoire plastique ouvert aux interactions et aux circulations des éléments en jeu dans les divers processus et procédures sui
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32

Macauslan, John. "Schumann's music and Hoffmann's fictions." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/schumanns-music-and-hoffmanns-fictions(6204c093-4ed6-44c9-b992-08c19f3060e9).html.

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This thesis interprets four of Schumann’s works in the light of the Hoffmann fictions with which they seem to be associated. Unlike previous studies, it deals with each of the four works, treating them as aesthetic entities enhanced by literary relationships that are not primarily programmatic, nor primarily a matter of formal parallels. Each work emerges both in a new light and as it always was. Carnaval (1834-37) appears as a dizzying comedy of theatrical vignettes and character, in the spirit of the German literary understanding of Italian carnival (including in Hoffmann), and Fantasiestück
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33

Huertas, Millan Laura. "Eclats et absences. Fictions ethnographiques." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLET022/document.

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“Eclats et absences. Fictions ethnographiques” développe une enquête autour de la représentation ethnographique, donnant lieu à un ensemble de films où s’entrelacent l’anthropologie et la fiction : les “fictions ethnographiques”.Cette enquête sensible et pratique commence autour de la notion d’exotisme, en analysant la construction de “l’indigène” dans le “Nouveau Monde”. Ces premières recherches donnent lieu à des films mettant en scène de “jungles” in vivo et in vitro, en Europe et en Amérique, qui relient des jardins botaniques et serres tropicales aux archives de la colonisation. Ces films
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34

Filippou, Michalis. "Evaluating and super-valuating fictions : an investigation into the semantics of fictional names." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427936.

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35

Dreshfield, Anne C. ""All are finally fictions": Fan Fiction as Creative Empowerment Through the Re-Writing of "Reality"." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/237.

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This paper examines online fan fiction communities as spaces for identity formation, collaborative creativity, and fan empowerment. Drawing on case studies of a LiveJournal fan fiction community, fan-written essays, possible world theory, and postmodern theories of the hyperreal and simulacrum, this paper argues that writing fan fiction is a definitive, postmodern act that explores the mutable boundaries of reality and fiction. It concludes that fans are no longer passive consumers of popular media—rather, they are engaged, powerful participants in the creation of celebrity representation that
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36

Burgess, Elizabeth. "Understanding interactive fictions as a continuum : reciprocity in experimental writing, hypertext fiction, and video games." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/understanding-interactive-fictions-as-a-continuum-reciprocity-in-experimental-writing-hypertext-fiction-and-video-games(5202be2d-db6d-4791-aa53-004072ffa4a7).html.

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This thesis examines key examples of materially experimental writing (B.S. Johnson’s The Unfortunates, Marc Saporta’s Composition No. 1, and Julio Cortázar’s Hopscotch), hypertext fiction (Geoff Ryman’s 253, in both the online and print versions), and video games (Catherine, L.A. Noire, The Elder Scrolls IV: Oblivion, and Phantasmagoria), and asks what new critical understanding of these ‘interactive’ texts, and their broader significance, can be developed by considering the examples as part of a textual continuum. Chapter one focuses on materially experimental writing as part of the textual c
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37

Maslen, Robert W. "Elizabethan fictions : espionage, counter-espionage, and the duplicity of fiction in early Elizabethan prose narratives /." Oxford [GB] : Clarendon press, 1997. http://catalogue.bnf.fr/ark:/12148/cb36968775r.

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38

Xinari, Charis. "Bare essentials : gender fictions, embodiment matters." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/29430.

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If sex and gender, and ultimately our bodies are discursive constructions, then where is woman’s subjectivity grounded and what are the implications of such an approach to subjectivity for political efficacy? According to Meleau-Ponty ‘existence realises itself on the body’. If the body is the locus of subjectivity then it is to the matter of embodiment, as substance and as point of concern, which we need to turn in order to discuss the development of subjectivity, and gender subjectivity in particular. This thesis deals with the notion of gender as embodied practice and looks at the transgend
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39

Hao, Ji. ""Double" in traditional Chinese fantastic fictions." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1438396.

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40

Grandena, Florian. "Political fictions in contemporary French cinema." Thesis, Nottingham Trent University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429265.

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41

Bernhardt, Paul. "Entertaining fictions : Chaucer, literature, and play." Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338626.

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42

Brown, Seth Nathaniel. "Patterns of patriarchy in men's fictions." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/14017.

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43

Leavenworth, Van. "The Gothic in contemporary interactive fictions." Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-30353.

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This study examines how themes, conventions and concepts in Gothic discourses are remediated or developed in selected works of contemporary interactive fiction. These works, which are wholly text-based and proceed via command line input from a player, include Nevermore, by Nate Cull (2000), Anchorhead, by Michael S. Gentry (1998), Madam Spider’s Web, by Sara Dee (2006) and Slouching Towards Bedlam, by Star C. Foster and Daniel Ravipinto (2003). The interactive fictions are examined using a media-specific, in-depth analytical approach. Gothic fiction explores the threats which profoundly challe
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44

Levitsky, Maria. "Invisible Cities: Photographic Fictions of Architecture." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1457.

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The artist's process in which she examines the built environment through the medium of black and white photography. By tracing the trajectory of her awareness of architecture from her early career as a dancer, to the making of photographic images, the artist illuminates the process of deconstructing architectural and pictorial space into fragmented yet illusionistically convincing photographic montages. Influenced by the urban localities in which she dwells, she tells the story of being captivated by the post-industrial landscape of Williamsburg, Brookyn, NY, followed by landing in New Orleans
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45

Costa, Delphine. "Les fictions juridiques en droit administratif." Paris 1, 1998. http://www.theses.fr/1998PA010263.

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Les fictions juridiques ont fait l'objet d'abondantes recherches en droit privé, spécialement en droit civil. Il est alors intéressant d'examiner si le droit public et, plus précisément, le droit administratif recourt au procédé de la fiction juridique. Confronter la fiction juridique au droit administratif conduit à l'examen de la notion de fiction juridique à la lumière du droit administratif et à l'étude de ses fonctions en droit administratif. D'une part, examiner la notion permet d'isoler les éléments uniformes de définition de la fiction juridique, que celle-ci se définisse d'un point de
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46

Bale, Anthony Paul. "Fictions of Judaism in medieval England." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395238.

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47

Costa, Delphine Picard Étienne. "Les fictions juridiques en droit administratif /." Paris : LGDJ, 2000. http://catalogue.bnf.fr/ark:/12148/cb37185110z.

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48

Reuter, Anne-Marie. "Fictions of authority : enchanters, teachers and mentors in selected fiction of Iris Murdoch and A.S. Byatt." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3784/.

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This thesis aims at showing how pedagogical concerns are manifest in the writing of Iris Murdoch and A. S. Byatt. Through the portrayal of teacher and learner characters they explore the working of authority in relationships marked by power, seduction, admiration and love. As Murdoch‟s and Byatt's learners share a tendency to choose a person or a work of literature as a guiding master, who is invested with excessive power, the proximity of teachers' and authors' concerns becomes apparent. Both authors analyse writer and reader characters alongside the pedagogical figures, and their own writing
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49

Brochard, Cécile. "Fictions du pouvoir et pouvoir de la fiction : les romans du dictateur à la première personne." Nantes, 2012. http://www.theses.fr/2012NANT3023.

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Le monstrueux est-il indicible ? La question relève du paradoxe : si l'horreur et l'inhumanité trouvent peu d'expression à la hauteur de leur excès, le monstrueux doit malgré tout être montré, car monstrum est son étymon. Qui plus est, dès lors que le monstre ne relève pas d'une anomalie tératologique mais prend la figure très humaine du bourreau, se pose la question de sa représentation par la littérature. Comment celle-ci peut-elle donner forme à l'informe ? Faire le choix d'un roman à la première personne tourné vers la subjectivité du criminel impose une interrogation éthique, d'autant plu
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50

Deshpande, Tara. "Citizenship, National Transformation and United States Fictions." Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491655.

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This thesis is concerned with literary negotiations of nation and citizenship at key moments of U.S. national transformation.· It examines specifically. the ways that literature represents transformations in civic relationships, constructing and contesting the connection between citizen, or noncitizen, and state. In the wake of Revolutionary claims to guarantee a reciprocal relationship between citizen and state, Charles Brockden Brown's gothic novel Wieland (1798) represents the early republic's structures of authority as tyrannous. Tropes of 'spousal· murder, ventriloq'uism and seducti
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