Literatura académica sobre el tema "Figure auctoriale"
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Artículos de revistas sobre el tema "Figure auctoriale":
Vaillant, Alain. "Modernité, subjectivation littéraire et figure auctoriale". Romantisme 148, n.º 2 (2010): 11. http://dx.doi.org/10.3917/rom.148.0011.
Massol, Chantal. "Présentation. — Des paradoxes de la figure auctoriale". Recherches & travaux, n.º 64 (15 de mayo de 2004): 5–15. http://dx.doi.org/10.4000/recherchestravaux.1187.
Beaulieu, Jean-Philippe. "Marie de Gournay ou l'occultation d'une figure auctoriale". Renaissance and Reformation 36, n.º 2 (1 de enero de 2000): 23–34. http://dx.doi.org/10.33137/rr.v36i2.8605.
WATTHEE-DELMOTTE, Myriam. "L’affleurement d’un mythe personnel chez Henry Bauchau". Revue internationale Henry Bauchau. L’écriture à l’écoute, n.º 5 (10 de enero de 2013): 151–64. http://dx.doi.org/10.14428/rihb.v0i5.17233.
Lafond, Muriel. "Une figure autoriale dans le commentaire grammatical ?" Études littéraires 43, n.º 2 (13 de marzo de 2013): 13–27. http://dx.doi.org/10.7202/1014723ar.
Fortier, Frances. "La problématisation de l’autorité narrative dans la fiction québécoise". Dossier 36, n.º 1 (12 de enero de 2011): 97–112. http://dx.doi.org/10.7202/045237ar.
Eche, Antoine. "L’abbé Prévost (1697-1763) et Marc-Antoine Eidous (1724-1790): esquisse comparée de traducteurs de récits de voyages au XVIIIe siècle". Convergences francophones 2, n.º 2 (20 de octubre de 2015): 12–24. http://dx.doi.org/10.29173/cf303.
Luneau, Marie-Pier. "Pour le meilleur et pour le pire : évolution des figures auctoriale et éditoriale au Québec". Documentation et bibliothèques 51, n.º 2 (22 de abril de 2015): 69–77. http://dx.doi.org/10.7202/1030088ar.
Hébert, Pierre. "L’homme derrière une vitre". Dossier 30, n.º 1 (21 de enero de 2005): 81–92. http://dx.doi.org/10.7202/009890ar.
Farah, Alain. "Un piratage énonciatif signé La Rédaction ? Le cas Valérie par Valérie (2008)". Tangence, n.º 105 (14 de mayo de 2015): 109–19. http://dx.doi.org/10.7202/1030449ar.
Tesis sobre el tema "Figure auctoriale":
Miltgen, Geoffrey. "De Marguerite Donnadieu à la Duras et à M. D. : la construction d’une figure auctoriale à l’époque de la trilogie indochinoise". Thesis, Université de Lorraine, 2022. https://docnum.univ-lorraine.fr/public/DDOC_T_2022_0005_MILTGEN.pdf.
By focusing the reflection on the double question of literary posture and auctorial figure, the point will be to analyse how Marguerite Duras has succeeded, consciously or unconsciously, in betraying her readers, inventing her fate and setting herself up as an author, putting aside the question of autobiography and fiction, issues that have been treated so many times, and have often been overused. Questions on Duras converge towards the idea of the writer who builds her image, even beyond her death, from the thick fog she creates. It is also at the very heart of this “lie” one can find one of the author’s most secret manipulations, conscious or unconscious, that enables, with the help of her readers, the erection of her myth. When she became “La Duras”, at the end of a long process of creation, of memory, of game, of alienation, of dissociations, her everyday writing gave birth to her legend, knitting and unknitting it.Marguerite Duras is therefore a textbook case for whoever is interested in the way a writer builds her own public image, inspiring the reception of her work, and comforting its legitimation by critics and public. How did the little Marguerite Donnadieu become “La Duras”, and then finally “M. D.”? How did a writer, constantly evolving, manage to transform herself so as to enter History with her own story, even if she had to create it thoroughly? These questions are ever-present in Duras, who is also encouraging her reader to question the way a writer takes great care with her image, even selling “her soul”. Subsequently it would be interesting to analyse the way she played with the media, all the while mocking them. A legendary monster created by the media but freed by the “autobiographical” voice when “L’Amant” was published in 1984, she definitely forged herself a new identity by claiming to be the “High Priestess” of the novel thanks to a perpetual movement between real life and fantasized life
Kerninon, Julia. "Figures du romancier américain : l'entretien littéraire selon The Paris Review (1953-1973)". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3094.
This dissertation examines the various figures of the American novelist which takes form in the famous literary interviews published by The Paris Review during the first two decades of its existence (1953-1973). In order to analyze the specificities and the impact of the new model of literary interview created by the inspired, yet inexperienced editors and interviewers of the review, this dissertation first traces the history of "little magazines" as well as the context in which the Paris Review interviews were shaped and polished, and then analyzes the complex history of the literary interview as a genre. Through the study of the archives of the review, the author casts a light on the collaboration between the editorial board and the interviewed novelists during the demanding rewriting process of the literary interviews. The literary interview thus appears as a space where negotiations take place, opposing the preconceptions of the interviewer to the various strategies displayed by the novelist in order to assert his legitimacy. What was originally designed as a single portrait composed by two instances actually turns into the novelist's controlled self-portrait.Ultimately The Paris Review literary interview becomes a form of biographical fiction, in which the writer, initally questioned on "the art of fiction", leaves center stage to the author, who takes great care of his own public persona
Capítulos de libros sobre el tema "Figure auctoriale":
Veysseyre, Géraldine. "« Translater » Bonaventure : la figure auctoriale des traducteurs français des Meditationes vitae Christi". En Quand les auteurs étaient des nains, 185–221. Turnhout, Belgium: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.bitam-eb.5.116696.
Grauby, Françoise. "The “Ready-Made-Writer” in a Selection of Contemporary Francophone Literary Advice Manuals". En New Directions in Book History, 199–216. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_8.