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Libros sobre el tema "Fires in Theaters"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Buck, Elmar. Thalia in Flammen: Theaterbrände in Geschichte und Gegenwart. EFB, 2000.

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2

Neyland, Leedell W. Unquenchable black fires. Leney Educational and Pub., 1994.

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3

1870-1919, Sachs Edwin O., and Wilmore David, eds. Edwin O. Sachs: Architect, stagehand, engineer & fireman ; his life and his satellites ; in celebration of the centenary of 'Modern opera houses and theatres'. Theatresearch, 1998.

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4

Chiner, María Jesús Montoro. Privado y público en el renacer del Gran Teatro del Liceo. Cedecs Editorial, 1997.

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5

Tsotroudēs, Aristeidēs I. Hē megalē symphora tēs Lēmnou, 9.9.1939: Historikē mnēmē tōn tragikōn gegonotōn tēs Pyrkagias. [s.n.], 2008.

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6

Yanai, Eiji. Shōmeitō ni yoru butaimaku no chakka, nenshō seijō ni kansuru jikkenteki kenkyū hōkokusho. Jichishō Shōbōchō Shōbō Kenkyūjo, 1998.

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7

Yāqūt, Jamāl. Raḥīq al-nār: Ṣafḥāt min daftar maḥraqat Banī Suwayf 5 Sibtambir 2005. al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 2021.

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8

Hatch, Anthony P. Tinder box: The Iroquois Theatre disaster, 1903. Academy Chicago Publishers, 2003.

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9

Ann, Caws Mary, ed. Joseph Cornell's theater of the mind: Selected diaries, letters, and files. Thames and Hudson, 1993.

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10

John, Peel. The Gerry Anderson's Stingray files. Borgo Press, 1987.

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11

Dailly, Marie-Noëlle. Le Manège, Mons. La Lettre Volee, 2007.

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12

Mantengoli, Vera. La Fenice, 29 gennaio 1996: La notte di fuoco : storie, interviste e articoli. Editoriale Programma, 2021.

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13

Valentin, Jean-Marie, and Florence Petizon. Représentations et symboliques du feu dans les théâtres européens (XVIe-XXe siècles): Actes du colloque de Montalbano-Elicona, 18-22 septembre 2009. Honoré Champion éditeur, 2013.

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14

Fernández, Milagros de Torres. El ceremonial de Granada y Guadix y los espectáculos religiosos en Castilla a fines del Medievo. Fundación Universitaria Española, 2006.

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15

Haydée, Marocchi, Sabatini Néstor, and Club de Autores por el Teatro Nacional (Argentina), eds. Club de Autores por el Teatro Nacional: 10 años : asociación sin fines de lucro en pro de la divulgación de la dramaturgia argentina. Nuevos Tiempos, 2008.

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16

Haydée, Marocchi, Sabatini Néstor, and Club de Autores por el Teatro Nacional (Argentina), eds. Club de Autores por el Teatro Nacional: 10 años : asociación sin fines de lucro en pro de la divulgación de la dramaturgia argentina. Nuevos Tiempos, 2008.

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17

Dilcher, Ann Katherine. Learning that works: The provision of workplace education by community and junior colleges : a report of the project on corporate decision-making and basic skills training in small and medium-sized firms of the Southport Institute for Policy Analysis. The Institute, 1992.

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18

Architects, Pelli Clarke Pelli. Perform: Designing for the performing arts centers PCPA : Pelli Clarke Pelli Architects. The Images Publishing Group, 2017.

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19

Beveridge, Cathy. Tragic links. Ronsdale Press, 2009.

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20

Beveridge, Cathy. Tragic links. Ronsdale Press, 2009.

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21

Kaisha, Maruzen Kabushiki, ed. Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Denki : Kojin denki (Seiyōjin), ACM. Maruzen kabushiki Kaisha, 1991.

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22

Earl, John, et al, Sir Eric Sachs, Lawrance Hurst, and David Wilmore. Edwin O. Sachs: Architect, Stagehand, Engineer & Fireman: Collected Essays of His Life and His Satellites. Theatresearch, 1998.

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23

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Franklin Classics Trade Press, 2018.

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24

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Creative Media Partners, LLC, 2022.

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25

Marshall, Everett. Great Chicago Theater Disaster: The Complete Story Told by the Survivors ... Profusely Illustrated with Views of the Scene of Death Before, During and after the Fire. Creative Media Partners, LLC, 2022.

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26

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Franklin Classics, 2018.

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27

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Franklin Classics Trade Press, 2018.

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28

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Creative Media Partners, LLC, 2022.

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29

Marshall, Everett. Great Chicago Theater Disaster: The Complete Story Told by the Survivors ... Profusely Illustrated with Views of the Scene of Death Before, During and after the Fire. Creative Media Partners, LLC, 2022.

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30

Marshall, Everett. Great Chicago Theater Disaster: The Complete Story Told by the Survivors ... Profusely Illustrated with Views of the Scene of Death Before, During and after the Fire. Creative Media Partners, LLC, 2018.

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31

Marshall, Everett. Lest We Forget Chicago's Awful Theater Horror. Independently Published, 2019.

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32

Marshall, Everett. Great Chicago Theater Disaster: The Complete Story Told by the Survivors ... Profusely Illustrated with Views of the Scene of Death Before, During and after the Fire. Creative Media Partners, LLC, 2018.

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33

Marshall, Everett. Lest We Forget: Chicago's Awful Theater Horror. Creative Media Partners, LLC, 2018.

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34

Fire protection by troop organizations in theaters of operations. Portrayal Press, 2007.

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35

The burning of the St. Louis Theatre, Quebec: A record of the eminent services of the military. s.n., 1987.

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36

Sīnimāʹsūzī dar Īrān. Nashr-i Qaṭrah, 2018.

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37

Barylick, John. Killer Show. University Press of New England, 2012.

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38

Barylick, John. Killer Show: The Station Nightclub Fire, America's Deadliest Rock Concert. University Press of New England, 2015.

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39

Yunhwa Rao, Nancy. A Sucessful, Majestic Stage. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0010.

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Mandarin Theater’s opening in 1924 was remarkable for it was the first Chinese theater built after the 1906 earthquake and fire. This chapter provides a detailed look at the first three years of the Mandarin Theater’s music, performers, and productions as it evolved from a small, struggling theater into a significant cultural institution. In particular, from the elaborate architectural details, to fundraising activity, and to the city tax paid by the Mandarin Theater during the first ten months of the theater, it was clear that the theater was extremely ambitious.
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40

Dana, David D. Fireman: The Fire Departments of the United States, with a Full Account of All Large Fires, Statistics of Losses and Expenses, Theatres Destroyed by Fire. Creative Media Partners, LLC, 2018.

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41

Hatch, Anthony P. Tinder Box: The Iroquois Theatre Disaster 1903. Chicago Review Press, Incorporated, 2003.

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42

Hatch, Anthony P. Tinder Box: The Iroquois Theatre Disaster 1903. Chicago Review Press, Incorporated, 2003.

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43

Hatch, Anthony P. Tinder Box: The Iroquois Theatre Disaster 1903. Chicago Review Press, Incorporated, 2003.

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44

Hatch, Anthony P. Tinder Box: The Iroquois Theatre Disaster 1903. Chicago Review Press, Incorporated, 2003.

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45

Army Theater Fires Command: Integration and Control of Very Long-Range Army Fires. RAND Corporation, 2021. http://dx.doi.org/10.7249/rra809-1.

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46

Chicago death trap: The Iroquois Theatre fire of 1903. Southern Illinois University Press, 2003.

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47

Duis, Perry R., Cathlyn Schallhorn, and Nat Brandt. Chicago Death Trap: The Iroquois Theatre Fire Of 1903. Southern Illinois University Press, 2006.

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48

Brandt, Nat. Chicago Death Trap: The Iroquois Theatre Fire of 1903. Southern Illinois University, 2006.

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49

P, Hatch HATCH Anthony. Tinder Box: The Iroquois Theater Disaster 1903. Chicago Review Press, Incorporated, 2010.

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50

Bauman, Thomas. The New Pekin. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038365.003.0003.

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This chapter focuses on Robert T. Motts's conversion of the Pekin Theater to New Pekin after it was damaged by fire in January 1910. At the time of the fire the Pekin Temple of Music had already established itself as “a credit to the Negro race.” Motts saw rebuilding not only as necessary to “get under way again” but also as an opportunity to aim for something even higher. There were no more comparisons of the Pekin with beer gardens, cabarets, or cafés chantants, but rather with the best legitimate theaters that Chicago had to offer. At the New Pekin, Motts himself took over Will H. Smith's d
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