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Tesis sobre el tema "Frank Bridge"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 12 de febrero de 2022

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1

Edwards, Angela M. "Frank Bridge : the string quartets." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/14826/.

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This study traces the stylistic development of the string quartets. The opening chapter shows the way that his personal idiom emerged in the earliest works. It also explains the analytical approach that has been used. The concept of symmetrical orderings fusing separate elements has been evident in music from all stages of Bridge's output. Overall tonal relationships have linked with inner tonal relationships as well as thematic ideas and chord structures. In addition, symmetry has drawn together the two aspects of Bridge's language, the traditional and the radical, and shown how the way that
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2

Harrison, Robin Granville. "The late style of Frank Bridge." Thesis, Bangor University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409654.

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3

Huss, Fabian Gregor. "The chamber music of Frank Bridge." Thesis, University of Bristol, 2011. http://hdl.handle.net/1983/4bfd9bcb-632d-468d-817a-c68a27dd7ebf.

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4

Hopwood, Paul Andrew. "Frank Bridge and the English pastoral tradition." University of Western Australia. School of Music, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0017.

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This study's thesis is that instances of pastoralism in the works of Frank Bridge from 1914 to 1930 demonstrate a gradual darkening of his pastoral vision, and evince his increasingly complex relationship with the genre of pastoral music that flourished in English music in the early twentieth century (referred to in this study as 'the English pastoral tradition'). The study traces the change from the sensual and romantic idyll of Summer (1914-15), through progressively more ambiguous and darker manifestations of pastoral, and eventually to a bleak anti-pastoral vision in Oration (1930). This t
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5

Yoo, Kyungjin. "Oration, Concerto Elegiaco by Frank Bridge: A Practical Guide for Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538701/.

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English composer Frank Bridge (1879-1941) is well known as Benjamin Britten's teacher and to a lesser degree for his chamber music. Because his mature creative period occurred between the First and Second World War, his works were not well studied or performed until the 1970s, well after his death. This dissertation discusses Bridge's life and his music, how World War I affected in this work, and specifically the work Oration Concerto Elagiaco. Oration is considered historically in terms of its meaning and delayed premiere. Additionally, the work's fantasy arch form, Bridge's signature composi
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6

Amos, Mark. "'A Modernist in the Making'? : Frank Bridge and the Cultural Practice of Music In Britain, 1900-1941." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522834.

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7

Birnbaum, Sara Gardner. "Elegies for Cello and Piano by Bridge, Britten and Delius: A Study of Traditions and Influences." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/7.

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In the western classical tradition, the violoncello has developed a reputation for its soulful, vocal qualities. Because of this distinction, many composers have written elegiac works for the cello. This document comprises studies of three twentieth-century British elegies for cello and piano, each explored against a backdrop of poetic, societal and musical influences. The results reveal several common tropes of mourning, both musical and extra-musical, which can be applied to further studies of musical works.
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8

Pulcastro, Hannah C., Peter O. Awinda, Mei Methawasin, Henk Granzier, Wenji Dong та Bertrand C. W. Tanner. "Increased Titin Compliance Reduced Length-Dependent Contraction and Slowed Cross-Bridge Kinetics in Skinned Myocardial Strips from Rbm20ΔRRM Mice". FRONTIERS MEDIA SA, 2016. http://hdl.handle.net/10150/621415.

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Titin is a giant protein spanning from the Z-disk to the M-band of the cardiac sarcomere. In the I-band titin acts as a molecular spring, contributing to passive mechanical characteristics of the myocardium throughout a heartbeat. RNA Binding Motif Protein 20 (RBM20) is required for normal titin splicing, and its absence or altered function leads to greater expression of a very large, more compliant N2BA titin isoform in Rbm20 homozygous mice (Rbm20(Delta RRm)) compared to wild-type mice (WT) that almost exclusively express the stiffer N2B titin isoform. Prior studies using Rbm20(Delta RRm) an
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9

Kennett, Christian. "The harmonic species of Frank Bridge : an experimental assessment of the applicability of pitch-class generic theory to analysis of a corpus of works of a transitional composer." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262644.

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10

Hsu, Hui-pin. "Form in Frank Bridge's three phantasies." Thesis, City University of New York, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3561222.

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<p> From 1905 to the mid-1930s, British music (chamber music in particular) enjoyed the enlightened patronage of Walter Willson Cobbett (1847-1937), who supported and sponsored competitions for short, one-movement, chamber works titled "phantasy." There are opposing views as to what forms these phantasies exemplify. On the one hand, Charles Villiers Stanford and J.A. Fuller-Maitland claimed that these twentieth-century phantasies exemplify one specific form, although their descriptions of that form are not completely compatible with each other. On the other hand, Ernest Walker and David Maw ha
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11

Spenst, Peter [Verfasser], and Frank [Gutachter] Würthner. "Xylylene Bridged Perylene Bisimide Cyclophanes and Macrocycles / Peter Spenst ; Gutachter: Frank Würthner." Würzburg : Universität Würzburg, 2016. http://d-nb.info/1141054272/34.

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12

Koch, Katharina Baader Franz von Molitor Franz Joseph. "Franz Joseph Molitor und die jüdische Tradition : Studien zu den kabbalistischen Quellen der "Philosophie der Geschichte". mit einem Anhang unveröffentlichter Briefe von F. von Baader, E.J. Hirschfeld, F.J. Molitor und F.W.J. Schelling [unveröffentlichte Briefe von und an Molitor] /." Berlin ; New York : de Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2780938&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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13

Rausch, Rodger [Verfasser], Frank [Gutachter] Würthner, and Ingo [Gutachter] Fischer. "Chemistry of Chromophore Bridged Biradicals - Synthesis and Properties / Rodger Rausch ; Gutachter: Frank Würthner, Ingo Fischer." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1230324097/34.

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14

Lack, Elisabeth. "Kafkas bewegte Körper die Tagebücher und Briefe als Laboratorien von Bewegung." Paderborn München Fink, 2009. http://d-nb.info/994036124/04.

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15

Burnell, C. A. "The anxiety of memory : Frank Bridge's late works and inter-war British Modernism." Thesis, Queen's University Belfast, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.516866.

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16

Manz, Dennis-Helmut [Verfasser], Franc [Akademischer Betreuer] [Gutachter] Meyer, and Sven [Gutachter] Schneider. "Preorganized Bimetallic Nickel Complexes of Pyrazolate-Bridged Ligands for Cooperative Substrate Transformation / Dennis-Helmut Manz ; Gutachter: Franc Meyer, Sven Schneider ; Betreuer: Franc Meyer." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/114200130X/34.

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17

Chan, Hsin-Ting Jessica. "A critical study of Frank Bridge's "Phantasm - Rhapsody for pianoforte and orchestra" : its reception, manuscript sources and interpretation." Thesis, Royal College of Music, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576928.

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A reassessment of Frank Bridge's Phantasm – Rhapsody for pianoforte and orchestra H. 182, this thesis explores in depth its reception, structure, and manuscript sources in order to develop an informed performance interpretation of this ill-fated work. Although in the last two decades, an increasing number of doctorate projects and research have been conducted on Bridge, they have mainly examined his works from the analytical and historical perspectives. So far, no manuscript sketches have been studied or documented extensively, nor have the findings been used to aid the process of constructing
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18

Weber, David. "A long sell : the disproportionate appeal of Frank Bridge's musicto familiar listeners, and its impact upon his reception, 1912-36." Thesis, University of West London, 2016. https://repository.uwl.ac.uk/id/eprint/2948/.

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The thesis of this research project is that the music of Frank Bridge (1879-1941) is characterised by recurring effects that are disproportionately appealing to familiar listeners, and that these effects have had a significant impact on the shape of his critical reception. Two types of effect are described, which arise respectively out of genre and hierarchical structure, and are suggested by selected reviews of Bridge’s music. The composer’s treatment of genre is presented as subtle, complex, and misleading, creating what this thesis defines as generic misdirection, suggestions of genre withi
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19

Kruse, Hanno [Verfasser], and Frank [Akademischer Betreuer] Kalter. "Close Neighbors, Separate Lives. An Investigation of Residential Barriers and Bridges to the Social Integration of Young Immigrants in Germany / Hanno Kruse ; Betreuer: Frank Kalter." Mannheim : Universitätsbibliothek Mannheim, 2017. http://d-nb.info/1138195790/34.

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20

Böhnisch, Torben [Verfasser], Franc [Akademischer Betreuer] [Gutachter] Meyer, Guido [Gutachter] Clever, Thomas [Gutachter] Waitz, Ulf [Gutachter] Diederichsen, Dietmar [Gutachter] Stalke, and Konrad [Gutachter] Koszinowski. "C2-Symmetric Pyrazole-Bridged Ligands and Their Application in Asymmetric Transition-Metal Catalysis / Torben Böhnisch. Betreuer: Franc Meyer. Gutachter: Franc Meyer ; Guido Clever ; Thomas Waitz ; Ulf Diederichsen ; Dietmar Stalke ; Konrad Koszinowski." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1103233963/34.

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21

Bloos, Frank [Verfasser], Konrad [Gutachter] Reinhart, Matthias [Gutachter] Pletz, and Josef [Gutachter] Briegel. "Möglichkeiten der frühzeitigen Intervention in der Versorgung von Patienten mit schwerer Sepsis oder septischen Schock / Frank Bloos ; Gutachter: Konrad Reinhart, Matthias Pletz, Josef Briegel." Jena : Friedrich-Schiller-Universität Jena, 2015. http://d-nb.info/1178543420/34.

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22

Trautmann, Marjam [Verfasser]. "Eine digitale Edition - Ausgewählte Briefe von Jacoba van Heemskerck und Franz Marc an Herwarth Walden (1914–1915) / Marjam Trautmann." Mainz : Universitätsbibliothek Mainz, 2018. http://d-nb.info/1170093167/34.

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23

Franke, Kevin W. "A Performance-Based Model for the Computation of Kinematic Pile Response Due to Lateral Spreading and Its Application on Select Bridges Damaged During the M7.6 Earthquake in the Limon Province, Costa Rica." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2748.

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Lateral spread is a seismic hazard associated with soil liquefaction in which permanent deformations are developed within the soil profile due to cyclic mobility. Lateral spread has historically been one of the largest causes of earthquake-related damage to infrastructure. One of the infrastructure components most at risk from lateral spread is that of deep foundations. Because performance-based engineering is increasingly becoming adopted in earthquake engineering practice, it would be beneficial for engineers and researchers to have a performance-based methodology for computing pile performa
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24

Gosteli, Leo. "Blasensteinleiden um 1830: erlebt und erlitten : edition der Briefe des Astronomen Franz Xaver von Zach an den Berner Arzt Rudolf Abraham von Schiferli /." Bern, 1989. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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25

Jongy, Béatrice. "L'écriture de soi au tournant du siècle : une quête ontologique, chez Rilke (les carnets de Malte Laurids Brigge), Kafka (Le journal) et Pessoa (le livre de l'intranquillité)." Paris 3, 2004. http://www.theses.fr/2004PA030071.

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Les trois diaristes vivent au tournant du XXe siècle, dans un monde en pleine mutation. La crise des valeurs religieuses, du langage et de l'identité, l'anonymat de la grande ville engendrent un profond malaise. L'écriture, dans ces journaux, est celle d'une perte et d'une quête de soi visant à réparer la scission ontologique. Les diaristes cherchent, jour après jour, à se mettre au monde, dans une écriture hantée par la solitude existentielle et la pensée de la mort. Aussi le journal devient-il le théâtre de leur autogenèse. Mais la fictionnalisation de soi conduit le sujet à une multiplicati
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26

Bonnet, Dominique. "Brice Michel (1822-1889) et Henri Michel (1854-1930) : deux architectes-paysagistes franc-comtois." Besançon, 1995. http://www.theses.fr/1995BESA1014.

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Cette thèse est consacrée à la vie et l'œuvre de deux architectes-paysagistes franc-comtois - Brice Michel et son fils Henri Michel - qui, entre 1850 et 1930, ont créé, en Franche-Comté et dans certains départements limitrophes, de nombreux jardins tant publics que privés. En développant dans la région les principes du jardin paysager, Brice Michel a démocratisé le jardin, le mettant à la portée de toutes les classes aisées de la société et offrant des espaces verts aux citoyens des principales villes. Henri Michel a poursuivi l'œuvre de son père agençant, comme lui, des jardins adaptés à la f
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27

Wolff-Thomsen, Ulrike. "Willy Gretor (1868-1923) seine Rolle im internationalen Kunstbetrieb und Kunsthandel um 1900 ; ergänzt um bislang unveröffentlichte Briefe von Willy Gretor an Georg Brandes, Theodor Wolff, Frank Wedekind, Peter Nansen, Alfred Lichtwark, Wilhelm Bode, Agnes Slott-Møller, F. J. Willumsen, Karl Larsen und Max J. Friedländer." Kiel Ludwig, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2687234&prov=M&dok_var=1&dok_ext=htm.

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28

Wolff-Thomsen, Ulrike. "Willy Grétor : (1868 - 1923) ; seine Rolle im internationalen Kunstbetrieb und Kunsthandel um 1900 ; ergänzt um bislang unveröffentlichte Briefe von Willy Grétor an Georg Brandes, Theodor Wolff, Frank Wedekind, Peter Nansen, Alfred Lichtwark, Wilhelm Bode, Agnes Slott-Møller, F. J. Willumsen, Karl Larsen und Max J. Friedländer /." Kiel : Ludwig, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2687234&prov=M&dok_var=1&dok_ext=htm.

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29

Wolff-Thomsen, Ulrike Gretor Willy Brandes Georg. "Willy Gretor (1868 - 1923) : seine Rolle im internationalen Kunstbetrieb und Kunsthandel um 1900; ergänzt um bislang unveröffentlichte Briefe von Willy Gretor and Georg Brandes, Theodor Wolff, Frank Wedekind, Peter Nansen, Alfred Lichtwark, Wilhelm Bode, Agnes Slott-Møller, F. J. Willumsen, Karl Larsen und Max J. Friedländer /." Kiel : Ludwig, 2006. http://swbplus.bsz-bw.de/bsz121877965inh.htm.

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30

Barbour, Kelli D. "Hermine Cloeter, Feuilletons, and Vienna: A Flaneuse and Urban Cultural Archaeologist Wandering Through Opaque Spaces, Bridging Past and Present to Reclaim What Could Be Lost." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd513.pdf.

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31

Chen, Yi-An, and 陳逸安. "Study and Performance of Modern British Cello Repertoire - Frank Bridge “Sonata for Violoncello and Piano”and Arnold Bax“Folk-Tale”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/67582585160751964563.

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碩士<br>中國文化大學<br>音樂學系碩士班西洋音樂組<br>100<br>Since the Renaissance, the British music has taken an important role in the history of Western musical scene. Until after the Baroque period, this attention has shift to focus on the composers such as Mozart, Haydn, Beethoven and Brahms. The output of the British composition during this period, do not have such creativeness and vital spirit compare to those compositions by composers in the European continent. However, from the late 19th century, there was a revival in the British musical scene. Charles Hubert Hastings Parry, (1848-1918) and Charles Villie
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32

Vandertol, Janet Lynn. "Roles of Countess Hunyani in Franz Lehar’s "The Merry Widow" and Ludmilla in Bedrich Smetana’s "The Bartered Bride"." Thesis, 2003. http://hdl.handle.net/2429/14663.

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The thesis for the Master of Music degree in Opera consists of the performance of two roles in full opera productions. I performed the role of Countess Hunyani in Franz Lehar's "The Merry Widow" on December 12, 2002 and the role of Ludmilla in Bedrich Smetana's "The Bartered Bride" on March 9, 2003.
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33

Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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