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Artículos de revistas sobre el tema "French literature - history and criticism"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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1

Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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2

Maritchik-Sioli, Youlia A. "“Very Russian, the French Would Say... Very French, the Russians Would Say”: The Metamorphosis of E. Bakunina’s Novel ‘The Body’ in French and Russian Literary Criticism." Literary Fact, no. 1 (31) (2024): 217–41. http://dx.doi.org/10.22455/2541-8297-2024-31-217-241.

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The article is devoted to the reception of the novel “The Body” (1933) by emigré writer E.V. Bakunina in French and Russian literary criticism in the early 1930s. A number of researchers have already analyzed the responses of Russian critics to the publication of the novel but have not paid enough attention to a cross-sectional view of the perception of the writer’s work. This question is of interest insofar as it allows us to identify weaknesses and strengths of Bakunina’s work and rethink the literary and cultural norms established in the early 20th century. One of the article’s crucial ques
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3

Niang, Sada, and Belinda E. Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African Studies Review 41, no. 2 (1998): 176. http://dx.doi.org/10.2307/524847.

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4

Arnold, A. James, and Belinda Elizabeth Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African American Review 32, no. 2 (1998): 336. http://dx.doi.org/10.2307/3042131.

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5

Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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6

Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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7

Kravets, Yarema. "VASYL STEFANYK IN THE FRENCH LINGUAL READING." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 323–34. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-323-334.

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French-speaking literary criticism and translation, dedicated to Vasyl Stefanyk, have already more than centenary history. Already in 1912 and 1915 the French reader has known separate novellas of the Ukrainian writer. Since his creative activity has been constantly present in individual Ukrainian monographs which appeared in Swiss, Belgium and France. The most significant publications of the French-speaking Stefanykiana are the book “Croix de pierre” that contained more than 40 writer’s novellas, separate chapters about V. Stefanyk in 12-volume Belgian anthology «Patrimoine littéraire europée
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8

Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha
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9

Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li
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10

Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li
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11

Li, Ting. "Intertextuality between French Literature Creation and Literature Translation Based on Feature Extraction and Gram Matrix." Wireless Communications and Mobile Computing 2022 (June 22, 2022): 1–10. http://dx.doi.org/10.1155/2022/9375840.

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In the 1980s, there was a cultural turn in translation studies. Since then, translation studies are no longer confined to the study of specific texts, but examine the texts in the context of culture and history, and study the production process of texts and the relationship between texts and related factors such as culture and history. When literary works are transplanted from one language to another, it is like moving plants and animals from one place to another. They must “adapt” and grow like individuals or nations, and they can only survive if they adapt to the new environment and change.
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12

Kantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.

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The aim of this article is to present the roles of Miloš Marten (1883–1917) in the Czech–French cultural events of the first decade of the 20th century in the background of his contacts with Hanuš Jelínek (1878–1944). The first part of the article deals with Marten’s artistic and life experience during his stays in Paris (1907–1908). The consequences of those two stays to the artist’s life and work will be accentuated. The second part takes a close look at Miloš Marten’s critique of Hanuš Jelínek’s doctoral thesis Melancholics. Studies from the History of Sensibility in French Literature. To i
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13

Stepanov, Andrei D. "The transitional era in literature and the term realism (1840–1850s)." Vestnik of Saint Petersburg University. Language and Literature 19, no. 3 (2022): 497–514. http://dx.doi.org/10.21638/spbu09.2022.306.

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The article describes main milestones of the emergence and approval of the literary term realism. The term was filled with new content in French literature and criticism in the 1840s, and in 1849 first appeared in Russia in the article by Pavel Annenkov. The appearance of the term contributed to the transfer to Russian soil of the entire associative halo of the Realistic school, as it was understood in France at that time. The study of lagging autoreflection allows one to put forward the thesis about the atheoretical nature of realism. The means of realistic self-knowledge were not treatises,
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14

Brandes, Georg, and Lynn R. Wilkinson. "The 1872 Introduction to Hovedstr⊘mninger i det 19de Aarhundredes Litteratur (Main Currents of Nineteenth-Century Literature)." PMLA/Publications of the Modern Language Association of America 132, no. 3 (2017): 696–705. http://dx.doi.org/10.1632/pmla.2017.132.3.696.

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From Comparative Literature to Cultural Renewal: Georg Brandes's 1872 Introduction to Main Currents of Nineteenth-Century Literature“The only literature that is alive today is one that provokes debate.” These words ring out in the first published version of a lecture Georg Brandes gave at the University of Copenhagen on 3 November 1871. The lecture was the introduction to a series that changed the course not only of his life but also of Scandinavian and European cultural history. Born in Copenhagen in 1842 to assimilated Jewish parents, Brandes had recently completed a dissertation on French a
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15

de Saussure, Annie. "From Maoism to littérature-monde: Michel Le Bris and the Breton origins of world literature in French." French Cultural Studies 31, no. 2 (2020): 124–35. http://dx.doi.org/10.1177/0957155820910857.

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Since the publication of the 2007 manifesto ‘Pour une littérature-monde en français’, scholars have questioned whether or not the initially inflammatory concept of littérature-monde has produced a meaningful legacy. This article re-examines the controversies which the manifesto provoked by focusing on the intellectual career of one of its principal authors: Michel Le Bris. Scholarly criticism has largely overlooked the fact that Le Bris’s involvement in the littérature-monde project is an extension of his previous involvement with Maoism and his identity as a Breton author. The manifesto can b
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16

Langbehn, Volker. "Ferdinand Oyono's Flüchtige Spur Tundi Ondua and Germany's Cameroon." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 142–48. http://dx.doi.org/10.1632/pmla.2013.128.1.142.

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Almost anyone who reads ferdinand oyono's une vie de boy (1956) in any language will conclude that the novel focuses on French colonialism. But is it only about colonialism by the French? An analysis of the many German resonances throughout the text—as well as an engagement with the German translation of Une vie de boy—suggests that it is about much more. Oyono's Une vie de boy enables the reader to reflect on Europan colonialism more broadly beyond the role of France. The novel offers a lens onto Germany's colonial history because Cameroon was a former colonial “protectorate” of the German em
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17

Galtsova, E. D. "RUSSIAN CONTEXTS OF THE WORKS OF CHARLES MORICE." Lomonosov Journal of Philology, no. 5, 2023 (October 23, 2023): 103–14. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-05-8.

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The article is devoted to the influence of ‘Russian fashion’ on the work of the French symbolist Charles Morice (1860–1919), who in the 1880s participated in translations of F.M. Dostoevsky’s and N.A. Nekrasov’s writings into French. The methodological basis of the article is the combination of a historical and literary approach with the study of the essence of cultural clichés in the field of literary relationships (Russian literature — French literature). The article is built on the littlestudied facts of the life and work of Morice, undeservedly forgotten in modern literary criticism both i
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18

Agratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.

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The topic of the emergence of art criticism in France in the second half of the 17th and the first half of the 18th century, being rather widely covered in foreign academic literature, is still underdeveloped in Russian art history. Nevertheless, that issue is extremely important for understanding the processes that took place in the French and more widely in the European artistic milieu. The article aims to highlight the process of the criticism formation not only as a literary genre but primarily as a phenomenon of cultural life. Based on original written sources and foreign academic literat
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19

Lefebvre-Teillard, Anne. "Portrait d’un « romaniste » hors du commun : Jean Acher (1880–1915)." Tijdschrift voor Rechtsgeschiedenis 81, no. 3-4 (2013): 449–64. http://dx.doi.org/10.1163/15718190-08134p05.

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Portrait of a not so common ‘Romanist’: Jean Acher (1880–1915) – Jean Acher, known to only a few specialists in Medieval Roman law, was an unusual scholar of Roman law. He was born in Lodz (Poland) in 1880. He studied first at St Petersburg, then in Berlin, where he attended B. Kübler’s teaching, and continued his studies at Montpellier, where he was awarded a law degree. He obtained a licence in law in 1904. At the same time, Acher also studied Romanic languages and literature. Legal and Romanic studies were the subjects of the many articles and reviews he then started publishing in several d
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20

Liu, Jie. "The Narrative Style and Aesthetics Study of French Literature in the 21st Century." Learning & Education 10, no. 7 (2022): 55. http://dx.doi.org/10.18282/l-e.v10i7.2949.

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Since the 21st century, some French literary writers began to make corresponding adjustments to the road of French 
 literature, starting from the narrative style, a series of innovation and transformation, at the same time, writers also opened up a 
 road connecting French literature, philosophy and history and culture.With writing as the basis point, they poured their imagination 
 and creation into all aspects of literary works, thus opening the door to the new world and causing people to think and criticize 
 themselves and their own society.All these express people’s i
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21

Cao, Bo. "The Chinese Translation of Samuel Beckett: A Critical History." Irish University Review 51, no. 2 (2021): 282–95. http://dx.doi.org/10.3366/iur.2021.0519.

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In light of the relevant merits and defects of translation practice over sixty years, this article presents a critical history of the Chinese translation of the work of Samuel Beckett. The article argues that the history may be divided into two periods: the pre-1980 period and the post-1980 period, with China's reopening to the outside world in the late 1970s as the watershed. The first period is dominated by the politically propelled translation of Waiting for Godot and harsh criticism of Beckett as a ‘decadent’ author. The second period, characterized by a more complex aesthetic response, ma
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22

Selim, Samah. "Toward a New Literary History." International Journal of Middle East Studies 43, no. 4 (2011): 734–36. http://dx.doi.org/10.1017/s0020743811000973.

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The past twenty years witnessed a dramatic transformation in Arabic literature studies in the United States. In the early 1990s, the field was still almost exclusively a satellite of area studies and largely bound by Orientalist historical and epistemological paradigms. Graduate students—even those wishing to focus entirely on modern literature—were trained to competence in the entire span of the Arabic literary tradition starting with pre-Islamic times, and secondary research languages were still rooted in the philological tradition of classical scholarship. The standard requirement was Germa
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23

Sarhuş, Burcu Narda. "Cemal Süreya’da Apollinaire Etkisi." International Journal of Social Sciences 7, no. 31 (2023): 450–70. http://dx.doi.org/10.52096/usbd.7.31.24.

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Influence is a common situation in the literary field in every period. Authors were influenced by the authors and literary works of previous periods and rewrote similar ones or provided a rich source for their own original texts. Cemal Süreya, one of the most important poets of contemporary Turkish literature, was also influenced by the famous French poet Guillaume Apollinaire, who is considered the founder of Surrealism; He even avoided being influenced and became a creative poet who could write "new" and "other". This study is an impact study. In the study, the influence of the French poet A
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24

Sarycheva, Kristina V. "Leconte de Lisle in Russian literary criticism of the 1880s – early 1910s." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 81 (2023): 256–68. http://dx.doi.org/10.17223/19986645/81/14.

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The article examines the evolution of the perception of the works of Charles Leconte de Lisle in Russian literary criticism in the late 1880s – early 1910s. The chronological framework of the study is due to the fact that in 1889 the first detailed analysis of works by Leconte de Lisle appeared and, in the 1890s, Russian symbolists paid attention to the French poet; the other chronological boundary was caused by the crisis and end of Russian symbolism in in the late 1900s and early 1910s. Using the historical comparative method, the author analyzes articles by Maria Frishmut, Dmitry Merezhkovs
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25

MOI, T. "Review. Women, Language and Literature. An Annotated Bibliography. Gelfand, Elissa D., and Hules, Virginia Thorndike, French Feminist Criticism." French Studies 41, no. 1 (1987): 114. http://dx.doi.org/10.1093/fs/41.1.114.

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26

Perry, Curtis. "The Politics of Access and Representations of the Sodomite King in Early Modern England." Renaissance Quarterly 53, no. 4 (2000): 1054–83. http://dx.doi.org/10.2307/2901456.

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This essay treats the image of the sodomite king—in Marlowe's Edward II and in the gossip surrounding James I and his favorites — as a figurative response to resentments stemming from the regulation of access to the monarch. Animosities in Marlowe's play anticipate criticism of the Jacobean Bedchamber in part because Marlowe was responding to libels provoked by innovations in the chamber politics of the French king Henri III that also anticipate Jacobean practice. The figure of the sodomite king offers a useful vehicle to explore tensions between personal and bureaucratic monarchy that are exa
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27

Leporati, Matthew. "New Formalism in the Classroom: Re-Forming Epic Poetry in Wordsworth and Blake." Humanities 8, no. 2 (2019): 100. http://dx.doi.org/10.3390/h8020100.

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Recent years have seen a resurgence of interest in “New Formalism,” a close attention to textual language and structure that departs from the outdated and regressive stances of old formalisms (especially “New Criticism”) by interrogating the connections between form, history, and culture. This article surveys the contributions of New Formalism to Romanticism studies and applies its techniques to two canonical texts, suggesting that New Formalism is useful both for literary criticism and teaching literature. Opening with a survey of New Formalist theory and practices, and an overview of the the
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28

Vardoshvili, Eka. "Romanticism as an Expression of Rebel Ideas in Literature." Balkanistic Forum 33, no. 1 (2024): 266–74. http://dx.doi.org/10.37708/bf.swu.v33i1.20.

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The best manifestation of rebel romanticist poetry is in the works of Byron in England, H. Heine – in Germany, J. Leopard – in Italy, N. Baratashvili – in Georgia, A. Mickie-wicz – in Poland. However, the socio-political situation of the country somewhat de-fined the nature of romanticism. The rebellious Romanticists put the following issues on the agenda: criticism of the bourgeois order, aspiration from singularity to gen-eral, thus they confronted rationalism, the attitude to ideal and reality, development of new literary genres, collecting, processing and publication of literary and folklo
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29

Dickson, Polly. "Tracing Squiggles: Laurence Sterne, E. T. A. Hoffmann, and Honoré de Balzac." Comparative Literature 72, no. 1 (2020): 53–67. http://dx.doi.org/10.1215/00104124-7909972.

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Abstract This article examines the figure of an undulating line, or “squiggle,” printed initially in Laurence Sterne’s Tristram Shandy and copied by two nineteenth-century writers: first, by the German E. T. A. Hoffmann, in a little-known fragment, and, second, more famously, by the French Honoré de Balzac as the epigraph to his novel La peau de chagrin. These three squiggles form a triangulated relationship of imitation across two centuries, three countries, and three languages. Through attention to William Hogarth’s line of beauty and Johann Caspar Lavater’s physiognomic contour lines, the a
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30

Sebregondi, Giulia Ceriani. "“Ars sine scientia” or rather “Ars sine geometria”? The debate of 1400 on the elevation of Milan cathedral." Resourceedings 2, no. 3 (2019): 65. http://dx.doi.org/10.21625/resourceedings.v2i3.627.

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The construction of Milan Cathedral from 1386 was one of the most important episodes in the history of Italian and European architecture because of the uniqueness of the building itself — the largest Gothic church ever constructed in Italy — and because of the presence of some of the most authoritative architects of the late Fourteenth and Fifteenth centuries in Europe (Lombard, French, German).The documentation about the discussions on how to build the Duomo in the late Trecento and early Quattrocento, especially on the structural choices to be made and the different Lombard and Northern buil
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31

WRIGHT, B. "Review. The Origins of French Art Criticism: From the Ancien Regime to the Restoration. Wrigley, Richard." French Studies 49, no. 2 (1995): 209. http://dx.doi.org/10.1093/fs/49.2.209.

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32

PARRIS, D. L. "Review. French-Canadian Authors: A Bibliography of their Works and of English-Language Criticism. Kandiuk, Mary." French Studies 47, no. 1 (1993): 113. http://dx.doi.org/10.1093/fs/47.1.113-a.

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33

Tomamichel, Serge. "Le latin dans l’enseignement secondaire français. Formes et légitimités sociales d’une discipline scolaire entre monopole et déclin (XVIe-XXe siècles)." Espacio, Tiempo y Educación 4, no. 2 (2017): 209. http://dx.doi.org/10.14516/ete.141.

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Up until the 1960s, before scientific courses attracted the best performing students, the Queen’s highway of secondary education was paved with Latin declensions. For centuries, from the very birth of «secondary» education until the disappearance of Latin in the sixth grade in 1968, Latin literature imposed its dominance. At the same time, however, it attracted criticism and opposition, the vast majority of students were facing great difficulties in the learning process, and Latin was the focal point for recurrent debate regarding the modernisation of education. Throughout this article, the «L
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34

Никонова, Н. Е. "РЕЦЕНЗИЯ НА НАУЧНУЮ МОНОГРАФИЮ О.Б. КАФАНОВОЙ «ПЕРЕВОДЫ Н.М. КАРАМЗИНА КАК КУЛЬТУРНЫЙ УНИВЕРСУМ». СПБ.: АЛЕТЕЙЯ, 2020. 356 с., ил." Tekst. Kniga. Knigoizdanie, № 27 (2021): 164–70. http://dx.doi.org/10.17223/23062061/27/10.

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The review notes Olga Kafanova’s great contribution to the study of the history of Russian literature, and especially works by Nikolai Karamzin, and productivity of her research as evidenced by the presented monograph. The book excels in its fundamental nature, novelty and reliability of the source base (more than 500 items of the bibliography of translations by Karamzin (1783–1800) and originals discovered while studying foreign works and periodicals). The review indicates the novelty and prospects of a number of Kafanova’s observations. In 2016, the public celebrated the 250th anniversary of
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35

MOI, T. "Review. Cross-References. Modern French Theory and the Practice of Criticism. Kelley, David and Llasera, Isabelle (eds)." French Studies 41, no. 3 (1987): 371. http://dx.doi.org/10.1093/fs/41.3.371.

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36

McMullan, Anna. "Barthes, Beckett and the Theatre: Three Dialogues." Paragraph 45, no. 2 (2022): 172–86. http://dx.doi.org/10.3366/para.2022.0395.

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Although Roland Barthes never wrote a play, ‘theatre’ or related terms such as ‘scenario’ or ‘theatricality’ recur throughout his oeuvre from the 1950s to the late 1970s. He wrote many reviews of theatre, but theatre and performance also became integral to much of the theoretical concerns of his later work. During this same period, Samuel Beckett’s dramaturgy was evolving from his first full-length play, Eleutheria, to the later ‘dramaticules’ such as Not I, which premiered in 1973. Barthes did comment on Beckett a few times in his theatre criticism, mainly in relation to En attendant Godot or
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37

Neklyudova, Maria. "«Мертвые Цари всегда должны по смерти своей быть судимы»: Посмертная судьба одного древнеегипетского обычая в русской и европейской словесности XVI – XIX вв. [“Dead Kings Must Always be Judged after Their Demise”: The Afterlife of an Ancient Egyptian Custom in the Russian and European Literature of the 16th to 19th Centuries]". Slavica Revalensia 8 (2021): 9–47. http://dx.doi.org/10.22601/sr.2021.08.01.

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In his Bibliotheca historica, Diodorus Siculus described a peculiar Egyptian custom of judging all the dead (including the pharaohs) before their burial. The Greek historian saw it as a guarantee of Egypt’s prosperity, since the fear of being deprived of the right to burial served as a moral imperative. This story of an Egyptian custom fascinated the early modern authors, from lawyers to novelists, who often retold it in their own manner. Their interpretations varied depending on the political context: from the traditional “lesson to sovereigns” to a reassessment of the role of the subject and
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38

Maryam, Sitti. "Historisitas Aliran Neo-Klasik Dalam Kesusastraan Arab." Al-Irfan : Journal of Arabic Literature and Islamic Studies 2, no. 1 (2019): 121–41. http://dx.doi.org/10.36835/al-irfan.v2i1.3388.

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Arabic literature has undergone such a long journey from the time of the beginning of the time of Jahili, the period of Islam, the period of Muawiyah service, Abasiah, the Ottoman dynasty, and the modern period until now. In each period of this development, Arabic literature experienced innovations that differentiated it from other periods. In the modern phase in particular, it turns out that Arabic literature has a variety of literary schools that have appeared alternately, both because of the motivation of criticism of the literary models that emerged before and because of refining other str
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39

Jaumann, Herbert. "Wozu hütete Abel seine Schafe, wenn es keine Diebe gab? ‒ Altes und Neues zu Isaac La Peyrère und seiner Präadamiten-These (1655)." Scientia Poetica 23, no. 1 (2019): 22–43. http://dx.doi.org/10.1515/scipo-2019-002.

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Abstract The two treatises of 1655, entitled Prae-Adamitae and Systema theologicum ex Praeadamitarum hypothesi, are among the principal works of the French Huguenot author Isaac La Peyrere (1596-1676). Peyrere ‘s theses have occupied a key position within the heretical branch of 17th-century Biblical Criticism: God must have created a human race before Adam, the Bible does not tell the history of mankind but of the elect people of Israel only, and the books of the Pentateuch were certainly not written, if at all, by Moses alone. The present contribution offers an outline of the recent La Peyre
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40

Carringer, Robert L. "Collaboration and Concepts of Authorship." PMLA/Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/pmla.2001.116.2.370.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t
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41

Carringer, Robert L. "Collaboration and Concepts of Authorship." Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/s0030812900105255.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t
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42

Desrosiers, Diane, and Jean-Philippe Beaulieu. "L’écriture féminine à la Renaissance française sous le regard des chercheurs canadiens." Renaissance and Reformation 37, no. 4 (2015): 3–18. http://dx.doi.org/10.33137/rr.v37i4.22637.

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Au cours des dernières décennies, un travail considérable a été accompli par les chercheurs canadiens dans l’exhumation et la réhabilitation des textes des femmes de lettres de la Renaissance française. En raison de leur positionnement géographique à l’intersection des États-Unis et de l’Europe, ces chercheurs participent à la fois des avancées de la recherche française en matière d’érudition et des percées théoriques de la réflexion nord-américaine, enrichie par les gender studies et les études culturelles. Cela explique en partie le caractère original de leur contributio
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43

Goldberg, Daria V. "Groundlessness of L. Shestov as the Way of Going Beyond the Mind." RUDN Journal of Philosophy 24, no. 4 (2020): 631–36. http://dx.doi.org/10.22363/2313-2302-2020-24-4-631-636.

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The article is devoted to identifying the specifics of Russian philosophy through the analysis of F. M. Dostoevsky and L.N. Shestov’s texts. The stylistic features of the two philosophers have been considered, their ways of philosophizing and denying of the cult of reason have been examined. The analysis is carried out using additional literature of French existentialism (were used such philosophers who wrote in similar styles as philosophical essays). To date, there are many researches in which study features of Russian philosophy. It is noted, that one of them are imagery, inseparable connec
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44

Aissa, Litim. "Franz and the Algerian revolution(1954-1962)." Humanities Journal of University of Zakho 8, no. 4 (2020): 577–92. http://dx.doi.org/10.26436/hjuoz.2020.8.4.648.

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Despite the recurrent momentum of historical and intellectual studies and literature on the Algerian liberation revolution 1954-1962 as a founding event for the contemporary history of Algeria, especially the French writings, which drew a certain pattern of ideology that serves the purposes of the French colonial historical school in the first place, and perhaps the study in our hands is worthy to be a field It is a field for analysis, criticism, and comparison to go beyond the epic and ceremonial images that we find in the official readings of the topics in which politics intersect with histo
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45

Lucey, Michael. "Aesthetic Apprehension and the Novel." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 404–9. http://dx.doi.org/10.1632/pmla.2010.125.2.404.

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Even Though the Range of Aesthetic Objects that Have Captured Leo Bersani's Attention Over the Years is Wide, The Novel remains one of the more privileged objects among them and could arguably be taken as the point of departure for many of his reflections. His attention has been on the modern French novel in particular, from Honoré de Balzac to Marcel Proust and Samuel Beckett—Proust and Beckett being two of the writers to whom Bersani has returned with the most frequency and inventiveness over the years. In the 1960s Bersani began elaborating a critical agenda for the reading of novels in boo
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46

Silva, Karoline Dos Santos. "Infância, gênero, raça e classe nos romances caribenhos Vasto mar de sargaços e La mulâtresse Solitude / Childhood, Gender, Race and Class in the Caribbean Novels Vasto mar de sargaços and La mulâtresse Solitude." Caligrama: Revista de Estudos Românicos 25, no. 3 (2020): 101. http://dx.doi.org/10.17851/2238-3824.25.3.101-120.

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Resumo: O presente artigo tem como objetivo propor uma análise comparativa entre as personagens principais dos romances La mulâtresse Solitude, de André Schwarz-Bart, e Vasto mar de sargaços, de Jean Rhys. O recorte privilegiado neste artigo será o período da infância das duas personagens principais, levando em consideração as temáticas de gênero, raça e classe com a finalidade de comparar o cotidiano e dificuldades de uma criança negra e escravizada com o de uma criança livre e branca. Nossa análise será desenvolvida utilizando referenciais críticos e teóricos dos campos de estudos culturais,
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47

Demker, Marie. "Converted by un confit de canard: Political Thinking in the Novel Soumission by Michel Houellebecq." European Review 27, no. 4 (2019): 591–99. http://dx.doi.org/10.1017/s1062798719000188.

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From a certain perspective, literature is always political. Literature in a broad sense has been a source of uprisings and protest at least since Martin Luther nailed his theses on the door of the church in Wittenberg in 1517 – and probably much further back in history than that. Narratives are the most potent way to articulate both political praise and criticism within a given society. In his political satires, British author George Orwell reviled all kinds of totalitarianism and the idea of a socialist utopia. Swedish writer and journalist Stieg Larsson wrote explicitly dystopian crime stori
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48

Lönnroth, Harry. "“Sie sagen skål und Herre gud und arrivederci”: On the Multilingual Correspondence between Ellen Thesleff and Gordon Craig." Journal of Finnish Studies 19, no. 1 (2016): 104–20. http://dx.doi.org/10.5406/28315081.19.1.07.

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Abstract The Finnish painter Ellen Thesleff (1869 − 1954) is one of the most famous female painters in Scandinavian art history. During her stay in Florence, Italy, at the beginning of the twentieth century, she became acquainted with the British theater personality and artist (Edward) Gordon Craig (1872 − 1966). Their correspondence from the first half of the century is a part of European cultural history and art criticism; they write, among other things, about painting and graphics, literature and theater. Of linguistic importance is that the original letters preserved for posterity contain
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49

Lapidge, Michael. "The archetype ofBeowulf." Anglo-Saxon England 29 (January 2000): 5–41. http://dx.doi.org/10.1017/s0263675100002398.

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It is a cardinal tenet of classical textual criticism that medieval scribes were most prone to error when copying from an unfamiliar system of script. Accordingly a good deal of attention has been given by classical scholars to what happens to a text when it is copied from one system of script to another, and to the characteristic sorts of error which such copying involves. The great French textual critic, Alphonse Dain, even coined a Greek term,metacharakterismos(μεταχαρακτηρισμός), to describe the scribal process of copying, character by character, from one script to anodier. (The Latin equi
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50

Humphries, Emma. "Croient or Croivent: French Language Commentary on Twitter." Nottingham French Studies 62, no. 3 (2023): 314–33. http://dx.doi.org/10.3366/nfs.2023.0391.

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This article explores online language commentary in the French language on Twitter. The internet has provided a much wider opportunity for all French-speakers, from ‘experts’ to laypeople, to discuss and criticize the language use of others. Furthermore, whilst lay language commentary has presumably long taken place in spoken language, the internet gives us previously unprecedented access to the attitudes of a broader spectrum of society. This article analyses a corpus of French-language tweets which contain one of two non-standard conjugations: croivent ( ils/elles croient) and voyent ( ils/e
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