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Artículos de revistas sobre el tema "Fyodor Dostoyevsky"

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Publicado: 4 de junio de 2021
Última modificación: 25 de abril de 2022

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1

COROIU, Petruța-Maria. "Fyodor Dostoyevsky and music." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), no. 2 (2022): 41–48. http://dx.doi.org/10.31926/but.pa.2021.14.63.2.4.

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2

Peace, R. A., and W. J. Leatherbarrow. "Fyodor Dostoyevsky: 'The Brothers Karamazov'." Modern Language Review 89, no. 3 (1994): 811. http://dx.doi.org/10.2307/3735227.

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Davison, R. M., and Geir Kjetsaa. "Fyodor Dostoyevsky: A Writer's Life." Modern Language Review 84, no. 2 (1989): 534. http://dx.doi.org/10.2307/3731665.

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4

DeToledo, John C. "The Epilepsy of Fyodor Dostoyevsky." Archives of Neurology 58, no. 8 (2001): 1305. http://dx.doi.org/10.1001/archneur.58.8.1305.

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5

Sönmez, Semih. "Fyodor Mikhailovich Dostoyevsky: Hayatı Farklı Şekilde Algılamak." ÜNİVERSİTEPARK Bülten 2, no. 2 (2013): 35–37. http://dx.doi.org/10.12973/unibulletin.22.8.

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Bhattacharyya, KalyanB. "Fyodor Mikhailovich Dostoyevsky and his epilepsy." Neurology India 63, no. 4 (2015): 476. http://dx.doi.org/10.4103/0028-3886.161979.

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7

Earnest, Steve. "The Brothers Karamazov by Fyodor Dostoyevsky." Theatre Journal 68, no. 3 (2016): 468–69. http://dx.doi.org/10.1353/tj.2016.0087.

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8

Wójciak, Monika. "Unde malum? Czesław Miłosz on Fyodor Dostoyevsky and Vladimir Solovyov." Tekstualia 4, no. 67 (2021): 69–76. http://dx.doi.org/10.5604/01.3001.0015.5279.

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This article discusses Czesław Miłosz’s essays on Grand Inquisitor by Fyodor Dostoyevsky and A Tale of the Anti-Christ by Vladimir Solovyov. These essays focus on the essence, genesis, and forms of evil, and seek an answer to the unde malum question. Miłosz believes that in world literature there are no other works that show the nature of evil in a similar way. Dostoyevsky’s work, when read from various philosophical perspectives, reveals very complex meanings, as Solovyov demonstrates. Through his engagement with the two great Russian writers, Miłosz’s own work resonates more strongly in the
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9

George, Sanju. "Excerpts from The Letters of Dostoyevsky to His Wife, by Fyodor Dostoyevsky." Advances in Psychiatric Treatment 17, no. 2 (2011): 103. http://dx.doi.org/10.1192/apt.17.2.103.

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Pedro, Matheus Kahakura Franco, Thiago Ferreira Simões De Souza, and Francisco Manoel Branco Germiniani. "The Devil Is in the Details: Neurological Diseases Presenting as Religious Hallucinations in Two Literary Works." European Neurology 83, no. 2 (2020): 228–31. http://dx.doi.org/10.1159/000507697.

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Few authors in the Western literature have acquired such a monumental reputation as Thomas Mann and Fyodor Dostoyevsky; although with different backgrounds and aesthetic peculiarities, their writings converge thematically in their frequent relationship with disease. From Dostoyevsky’s struggle with epilepsy to Mann’s descriptions of tuberculosis and cholera, many are the examples found in their body of work describing medical afflictions. One noteworthy similarity in their works is the presence of hallucinations with Mephistopheles-like devilish entities, possibly caused by neurological diseas
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11

Krasucka, Katarzyna. "Demons by Fyodor Dostoyevsky as a Philosophy Exposition." Idea. Studia nad strukturą i rozwojem pojęć filozoficznych, no. 23 (2011): 85–99. http://dx.doi.org/10.15290/idea.2011.23.06.

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12

Whitlock, Sara Elizabeth. "Bowing for Forgiveness in The Brothers Karamazov." Journal of Student Research 5, no. 1 (2016): 1–3. http://dx.doi.org/10.47611/jsr.v5i1.275.

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The Eastern Orthodox tradition of bowing heavily influences the work of Fyodor Dostoyevsky, and his final novel, The Brothers Karamazov, contains many instances of bowing at developmental moments for protagonists. By setting the novel’s action during the Lenten season, Dostoyevsky allows the characters to participate vicariously in the Sunday of Forgiveness, an Orthodox service of bowing and forgiveness. When viewed in light of the book’s narrative timeline and the Sunday of Forgiveness traditions, the major bows in The Brothers Karamazov can be interpreted as requests for forgiveness.
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13

Гаврилова, Л. А. "Studying Fyodor Dostoyevskyʼs “A Writerʼs Diary” at School". Вестник Рязанского государственного университета имени С.А. Есенина, № 2(67) (23 липня 2020): 85–90. http://dx.doi.org/10.37724/rsu.2020.67.2.009.

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Актуальность статьи состоит в предложенном подходе к рассмотрению в 10 классе средней школы малой прозы «Дневника писателя» Ф. М. Достоевского, что позволяет учащимся подойти к осмыслению ключевых идей и эстетических принципов писателя, оценить художественные достоинства его рассказов и фельетонов и подготовиться к изучению романа «Преступление и наказание». Цель статьи — изучение философских воззрений Ф. М. Достоевского и построения диалога в текстах «Дневника писателя». Предметом исследования являются ценностные позиции и интенции автора и героев и организация диалога в текстах «Дневника пис
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14

Avtukhovich, Tatiana. "Alexey Slapovsky vs Fyodor Dostoyevsky, or Life Without Being." Literatūra 63, no. 2 (2021): 129–42. http://dx.doi.org/10.15388/litera.2021.63.2.8.

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The article examines the dialogue in A. Slapovsky’s works of the late 1990s–2000s with F. Dostoevsky. The article highlights forms and functions of this dialogue: the mention of the writer's name, the reinterpretation of his works perform the function of an ironic, often parodic, reflection on the changed status of the author, the nature of the readership, the perception of literature during a crisis of literary centrism; the value deformations occurring in society are emphasized with the help of a literary prism. “Dostoevsky's context” reflects the writer's reflection on his own work and allo
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15

Lima, Antenilson Franklyn Rodrigues, and Dante Marcello Claramonte Gallian. "Dostoyevsky and epilepsy: between science and mystique." Arquivos de Neuro-Psiquiatria 68, no. 1 (2010): 140–42. http://dx.doi.org/10.1590/s0004-282x2010000100031.

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This article, the result of a research project presented as a Master's degree dissertation in the graduate program of "Teaching of Health Education" at UNIFESP, seeks to highlight the pertinence of analyzing epilepsy and especially, the paradoxical experience of the epileptic individual through literary narrative. Using as its object the novel, The Idiot, by Fyodor Dostoyevsky, it seeks to discuss the relationship between epilepsy and the mystic experience, bearing in mind the context of the scientific and humanistic perspectives of the 19th century and today.
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16

Ozen, Iihan Can, and Sean M. Zeigler. "Translating Khan on Singer: Global Solvent Versus Local Interpretation." Pakistan Development Review 45, no. 2 (2006): 303–14. http://dx.doi.org/10.30541/v45i2pp.303-314.

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This work focuses on Peter Singer’s book, One World: The Ethics of Globalisation, and a reading of it recently presented by M. Ali Khan. Khan’s response to Singer is acutely critical, but ultimately fails to situate Singer’s offering in its proper historical context. In this sense, Khan’s response is not sufficient. We demonstrate that Singer’s offering is permeated by a universalising discourse marked by asymmetric power relations clearly described by Edward Said in Orientalism and, more surprisingly, by Fyodor Dostoyevsky in The Possessed. We illustrate how Singer’s narrative and the counter
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17

Santos, Roberto Pereira, Roberta Monteiro de Souza, and Marleide da Mota Gomes. "Fyodor Mikhailovich Dostoyevsky between Moritz Heinrich Romberg and Armand Trousseau." STUDIES IN SOCIAL SCIENCES REVIEW 2, no. 3 (2021): 147–50. http://dx.doi.org/10.54018/shsv2n3-011.

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Fyodor M. Dostoyevsky (1821-1881) was a famous Russian writer born 200 years ago, important for the psychological depth and dramatic structure of his novels. Epilepsy was important in his life and creative process. Moritz H. Romberg (1795-1873) and Armand Trousseau (1801-1867) were two well-known physicians at the time who dedicated themselves to neurology. Its notoriety extended beyond the medical-scientific area, as exemplified by Dostoievski's letter. Although the occurrence of the meeting was controversial,3,4 its intention denotes their prestige. Romberg, known as the father of clinical n
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18

Umagandhi, Mrs R., and P. Pavithra. "Punishment and Redemption in the Novel Crime and Punishment by Fyodor Dostoyevsky." International Journal of Trend in Scientific Research and Development Volume-2, Issue-3 (2018): 1279–81. http://dx.doi.org/10.31142/ijtsrd11348.

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19

Ruzhitskij, Igor' Vasil'evich. "INVECTIVES GAME FUNCTION IN THE TEXTS OF FYODOR M. DOSTOYEVSKY." Ural Philological Herald. Series Language. System. Personality: the Linguistics of Creativity, no. 2 (2020): 300–308. http://dx.doi.org/10.26170/ufv20-02-27.

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20

Popiel-Machnicki, Wawrzyniec. "Русская тема в творческих размышлениях Януша Гловацкого". Studia Rossica Posnaniensia, № 38 (1 січня 2013): 213–22. http://dx.doi.org/10.14746/strp.2013.38.16.

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The works of the Polish prose writer, playwright, scriptwriter and columnist Janusz Głowacki are characterized by frequent references to Russian literature. This article analyzes works which refer to the artistic activity of Fyodor Dostoyevsky, Nikolai Gogol, Anton Chekhov and Maxim Gorky. Głowacki’s postmodern achievements, which are imbued with grotesque and irony, are an example of careful, even photographic reflection on present-day Poland, America and Russia.
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21

Zhekova, Desislava, Robert Zangenfeind, Alena Mikhaylova, and Tetiana Nikolaienko. "Sentence-Alignment and Application of Russian-German Multi-Target Parallel Corpora for Linguistic Analysis and Literary Studies." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 4, no. 1 (2015): 45–61. http://dx.doi.org/10.14195/2182-8830_4-1_3.

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This paper presents the application of multi-target parallel corpora consisting of a single source text and multiple target translations of it for linguistic analysis. We discuss the alignment, interactive search and visualization of this type of data within a specific tool called ALuDo (Alignment with Lucene for Dostoyevsky). This is a Java implementation that uses local grammars, ontological information, bilingual dictionaries and statistical approaches for alignment and search. The data set in use is the Russian novel Crime and Punishment by Fyodor Dostoyevsky and three German translations
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22

Sorbie, Charles. "In the Footsteps of Fyodor Dostoyevsky...Orthopedic Surgery Knows No Boundaries." Orthopedics 25, no. 8 (2002): 800. http://dx.doi.org/10.3928/0147-7447-20020801-07.

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23

Nawacka, Joanna. "Językowy obraz miłości w ujęciu translatorycznym (na podstawie „Zbrodni i kary” Fiodora Dostojewskiego)." Acta Neophilologica 1, no. XXII (2020): 127–48. http://dx.doi.org/10.31648/an.5223.

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Emotions and feelings, which determine mental experiences and activities of individuals, find their reflection in literary works. Love manifests itself externally as a behaviour of an individual, including the language he or she uses to communicate. The article constitutes an attempt to present the linguistic image of the world embodied in a Polish translation from Russian. For that purpose the research material was excerpted from Crime and Punishment, a novel by Fyodor Dostoyevsky.
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24

Koprowski, Piotr. "The Ideas of Russian Slavophiles and Occidentalists as Reflected in Fyodor Dostoyevsky’s Discourse on Freedom." Tekstualia 4, no. 67 (2021): 13–28. http://dx.doi.org/10.5604/01.3001.0015.5263.

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When developing ideological concepts and creating literary characters, Dostoyevsky drew from, among others, the ideas of the then most important trends in the Russian thought: Slavophilic and Occidental, as refl ected, among other examples, in his discourse on freedom. The condemnation of certain aspects of Western European civilization, present in the writer’s work – often articulated by the Slavophiles – expresses his aversion to negative freedom and excessive individualism, which undercut the roots of the social organism. Dostoyevsky’s affi nity with the Slavophiles is also refl ected in hi
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25

Bala, Maciej. "„Zbrodnia i kara” Fiodora Dostojewskiego w ujęciu doktryny eurazjatyckiej Aleksandra Dugina." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 7 (July 31, 2018): 9–22. http://dx.doi.org/10.14746/kw.2017.7.1.

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The present article amounts to an attempt to analyze the work Axe is the name of mine by Alexander Dugin — a theorist of Eurasianism ideology in Russia. In this article Dugin touches upon the novel Crime and Punishment by Fyodor Dostoyevsky. Dugin analyzes the novel in the context of cultural opposition between the orthodox Russia and the secular Western Europe, whose symbol is the capital of the Russian Empire— Saint Petersburg. The city in this case is the negation of the orthodox tradition of Moscow — The Third Rome. Dugin extremely relativized the meaning of Dostoyevsky‘snovel.
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26

Raźny, Anna. "Tożsamość narodu rosyjskiego w ujęciu Fiodora Dostojewskiego." Politeja 15, no. 55 (2019): 251–65. http://dx.doi.org/10.12797/politeja.15.2018.55.12.

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Identity and the Russian Nation According to Fyodor DostoevskyThe nation occupies a central place in the works of Fyodor Dostoevsky, one that is closely connected with anthropological issues. For the author of The Devils, the nation constituted a collective entity based on the ethos of personalism, which is such a distinctive feature of Russian Orthodox thought. The immersion of the individual in the Orthodox community protects him against what Dostoevsky regarded as the pernicious and destructive individualism of European civilization. Thanks to this community, the Russian people can protect
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27

Turysheva, Olga. "With the Truth or with Christ? Lars von Trier’s Dialogue with Fyodor Dostoyevsky." Quaestio Rossica, no. 1 (2015): 203–12. http://dx.doi.org/10.15826/qr.2015.1.087.

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In-son, Choi. "Character Education of Dostoyevsky through Religion: On “Grand Inquisitor” and “The Russian Monk” in The Brothers of Karamazov by Fyodor Dostoyevsky." Literature and Religion 24, no. 1 (2019): 1–20. http://dx.doi.org/10.14376/lar.2019.24.1.1.

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Sergei KIBALNIK. "Solving the Riddle of a Writer's Defamation: Why Did Nikolay Strakhov Slander Fyodor Dostoyevsky?" Social Sciences 50, no. 003 (2019): 115–34. http://dx.doi.org/10.21557/ssc.56018740.

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30

Waligorska-Olejniczak, Beata. "War is (not) Our Home. Andrei Konchalovsky’s House of Fools (Dom Durakov, 2002) as a Russian Literary and Cultural Archive." Interlitteraria 25, no. 1 (2020): 142–53. http://dx.doi.org/10.12697/il.2020.25.1.13.

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The article focuses on the film House of Fools (Dom Durakov, 2002) of Andrei Konchalovsky, who is one of the most recognized contemporary Russian directors. The selected work is analyzed from the point of view of its intertextual relationships with Russian literary texts and cultural phenomena. The motif of the train, the paradigm of jurodivyj and the reference to the artistic worlds of acclaimed Russian writers (Anton Chekhov, Fyodor Dostoyevsky, Leo Tolstoy, Ivan Vyrypaev) are among the main parallels which are discussed in the publication. The eclectic nature of the film allows treating it
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31

Ozer, Saiana. "Gogol’s Vestmental Term “Shinel (The Overcoat)” as “Daguerreotype” of Mediocrity." SHS Web of Conferences 50 (2018): 01125. http://dx.doi.org/10.1051/shsconf/20185001125.

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In the first half of the 19th century, the theme of ‘a small’ man, an ordinary and inconspicuous person, appeared in the literature. Different writers described the daily unremarkable life of mediocre people in detail. Such writers as Anton Chekhov, Alexander Kuprin, Maxim Gorky, Leonid Andreyev, Fyodor Sologub, Arkady Averchenko, Konstantin Trenyov, Ivan Shmelyov, Semyon Yushkevich, etc. dwelled later on the same topic. Under the guise of criticism of philistine life, Mikhail Zoshchenko, Mikhail Bulgakov, Vladimir Voinovich continued the tradition of “the small man’s menology” during the era
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Ozer, Saiana. "Gogol’s Vestmental Term “Shinel (The Overcoat)” as “Daguerreotype” of Mediocrity." SHS Web of Conferences 50 (2018): 01239. http://dx.doi.org/10.1051/shsconf/20185001239.

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In the first half of the 19th century, the theme of ‘a small’ man, an ordinary and inconspicuous person, appeared in the literature. Different writers described the daily unremarkable life of mediocre people in detail. Such writers as Anton Chekhov, Alexander Kuprin, Maxim Gorky, Leonid Andreyev, Fyodor Sologub, Arkady Averchenko, Konstantin Trenyov, Ivan Shmelyov, Semyon Yushkevich, etc. dwelled later on the same topic. Under the guise of criticism of philistine life, Mikhail Zoshchenko, Mikhail Bulgakov, Vladimir Voinovich continued the tradition of “the small man’s menology” during the era
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33

Walczak, Dorota. "The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution." Ikonotheka 27 (July 10, 2018): 93–108. http://dx.doi.org/10.5604/01.3001.0012.2319.

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The present work focuses on the motif of aggression against icons introduced in the works by many Russian writers before the Revolution. Analysed material includes the works of Nikolai Gogol, Fyodor Dostoyevsky, Nikolai Leskov, Lev Tolstoy, Dmitri Merezhkovsky and Vsevolod Krestovsky. The main aim of the article is to define how the authors imagined an act of imagebreaking and to determine who played the role of an iconoclast and what the presented motivation of such actions were. It attempts to answer the question of why so many authors felt the need to incorporate the motif of aggression aga
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Hertler, Steven C. "Psychological Perceptiveness in Pushkin’s Poetry and Prose." Janus Head 16, no. 2 (2018): 54–79. http://dx.doi.org/10.5840/jh201816213.

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This is the first of five papers celebrating the psychological complexity of nineteenth century Russian novels authored by Alexander Sergeyevich Pushkin, Nikolai Vasilievich Gogol, Lev Nikolayevich Tolstoy, Fyodor Mikhailovich Dostoyevsky, and Ivan Sergeyevich Turgenev. Using biography, letters, narratives, and literary criticism, the life and writings of each author will be reviewed as they contribute to the understanding of the human mind and the apperception of the human condition. More subtly than the case study, more fully than the clinical anecdote, more profoundly than the apt example,
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Stepanian-Rumyantseva, Elena V. "Didymous and Their Function in the Text of The Adolescent." Dostoevsky and world culture. Philological journal, no. 2 (2021): 116–27. http://dx.doi.org/10.22455/2541-7894-2021-2-116-127.

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The article focuses on repeating details, situations, and characters in Fyodor Dostoevsky’s novel The Adolescent. To define such repetitions, the author of the present article uses the term dvoichatka (didymous), which is not a strictly academic definition, having been introduced in literary usage by Osip Mandelstam. This term encompasses all duplications that form the odd “density” of the text of The Adolescent. It is of note, that sometimes such repetitions align unequal elements, figures, and situations of very different scopes. Hence, these duplications create the rhythm of the novel, bond
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36

Tényi, Dalma, Csilla Gyimesi, Norbert Kovács, Tamás Tényi, and József Janszky. "The possible role of the insula in the epilepsy and the gambling disorder of Fyodor Dostoyevsky." Journal of Behavioral Addictions 5, no. 3 (2016): 542–47. http://dx.doi.org/10.1556/2006.5.2016.061.

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Tikhomirov, Boris. "Books that were in Fyodor Dostoyevsky during his stay in Alexeyev Ravelin Peter and Paul Fortress (1849)." Неизвестный Достоевский 2, no. 3 (2015): 68–83. http://dx.doi.org/10.15393/j10.art.2015.2484.

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38

Sharma, Shikha Dutt. "The Guilt Full Morality: A Study on the Consciousness of the Protagonists of Fyodor Dostoyevsky with Reference to Crime and Punishment." International Journal of Trend in Scientific Research and Development Volume-2, Issue-1 (2017): 864–67. http://dx.doi.org/10.31142/ijtsrd7140.

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39

Kargol, Aleksandra Anna. "Człowiek podziemny w prozie konfesyjnej oraz wspomnieniowej Fiodora Dostojewskiego i Marii Komornickiej. Przypadek Notatek z podziemia i Biesów." Przegląd Humanistyczny, no. 65/3 (December 21, 2021): 7–21. http://dx.doi.org/10.31338/2657-599x.ph.2021-3.1.

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This paper considers the idea of an underground man. It attempts to answer why writers reach for such a type of heroes and their position in the face of contemporary novel solutions. Maria Komornicka and Fyodor Dostoyevsky see in fallen individuals a source of creative inspiration. The confessional prose of these writers is an attempt to talk about the nihilist heroes who have chosen to live in a place of the metaphorical underground. The underground space becomes a construct of these works, and it is also a symbolic place where individuals desire chaos and darkness. The heroes of Demons and N
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40

Kruglikova, Olga. "The Problem of the Judicial Reform of 1864 in the Publicism of Nikita Gilyarov-Platonov and Fyodor Dostoyevsky." Vestnik of Saint Petersburg University. Language and Literature 14, no. 4 (2017): 664–75. http://dx.doi.org/10.21638/11701/spbu09.2017.413.

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GAZHEVA, Inna. "THE STRUCTURE OF ARTISTIC SPACE IN PAVEL VEZHINOV’S NOVELLA “THE BARRIER” AND “A GENTLE CREATURE” BY FYODOR DOSTOYEVSKY." Problems of slavonic studies, no. 68 (2019): 149–61. http://dx.doi.org/10.30970/sls.2019.68.3076.

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Background: The article deals with the intertextual analysis of two novellas: The Barrier by Pavel Vezhinov and A Gentle Creature by Fyodor Dostoyevsky. The methodological basis of the study is the interpretation of intertextuality as a product of reading (not the phenomenon of “writing”), according to which Vezhinov and Dostoevsky – writers belonging to different national cultures and historical eras – in some sense become contemporaries. Accordingly, A Gentle Creature, written earlier, is enriched by the meaning as a result of its comparison with The Barrier, as well as the latter by compari
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42

Nizhnikov, Sergei A. "Russian Idea" of F.M. Dostoevsky: from Soilness to Universality." RUDN Journal of Philosophy 25, no. 1 (2021): 15–24. http://dx.doi.org/10.22363/2313-2302-2021-25-1-15-24.

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The author reveals Fyodor Dostoevsky's works main features, his importance for Russian and world philosophy. The researcher analyzes the concept of "Russian Idea" introduced by Dostoyevsky, which became a study subject in Russian philosophy's subsequent history. The polemics that arose regarding the characteristics of Dostoevsky's soilness ( Pochvennichestvo ) ideology and his interpretation of the Russian Idea in his Pushkin Speech and subsequent comments in A Writer's Diary are unveiled. The author concludes that Dostoevsky overcomes the limitations of soilness and comes to universalism. The
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Gazheva, Inna. "“A Gentle Creature” by Fyodor Dostoevsky and “The Barrier” by Pavel Vezhinov: Systematic and Comparative Reading." Dostoevsky and world culture. Philological journal, no. 3 (2020): 180–217. http://dx.doi.org/10.22455/2619-0311-2020-3-180-217.

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The article attempts to identify systemic intertextual connections between novellas “The Barrier” by Pavel Vezhinov and “A Gentle Creature” by Fyodor Dostoyevsky (as well as individual intertextual connections between “The Barrier” and “The Dream of a Ridiculous Man”) and show how their explication contributes to the comprehension of the artistic concept of each of the works. The methodological basis of the study is the interpretation of intertextuality as a product of reading (not as a phenomenon of “writing”), according to which Vezhinov and Dostoevsky – writers belonging to different nation
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Zhuravleva, M. V. "The training of an intonation of the emotionally charged speech of F. M. Dostoyevsky’s art characters at classes in Russian as foreign." Язык и текст 4, no. 2 (2017): 3–9. http://dx.doi.org/10.17759/langt.2017040201.

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This article devotes to the practical use of intonational constructions, which are based on emotional speech of main Dostoevsky’s characters. Three autobiographical pieces of work were taken into account: “The notes from death house”, “White nights” and “Netochka Nezvanova”. The first composition of the Great Russian writer was created from his memories when Dostoevsky was imprisonment in Omsk (1850-1854). The death sentence for Dostoevsky's participation in the revolutionary movement, lately changed into imprisonment, being in shackles with other criminals, close acquaintance with the sufferi
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Bisson, B. J. "Boris de Schloezer: A translator’s paradox." Voprosy literatury 1, no. 1 (2020): 220–30. http://dx.doi.org/10.31425/0042-8795-2020-1-220-230.

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Russian born Boris de Schloezer (1881–1969) is mainly known as one of the first translators-cum-philosophers who contributed to spreading Leo Shestov’s ideas and to introducing the European audience to some of new musical forms invented by the Russian émigré composers and musicians. Schloezer is widely acclaimed as one of the greatest translators of Russian literature into French in the 20th c. He proposed his own way of translating Russian classics and among the authors he translated are Leo Tolstoy and Fyodor Dostoyevsky, but also the philosopher Leo Shestov. In the foreword ‘En marge d’une
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Seul, Anastazja. "Od wartości humanistycznych do teologicznych. O odwołaniach do literatury pięknej w homiliach i przemówieniach Jana Pawła II." Roczniki Humanistyczne 68, no. 1 Zeszyt specjalny (2020): 405–19. http://dx.doi.org/10.18290/rh.2068s-27.

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The author of this article shows two types of values that are present in those pronouncements when the Pope recalls examples from belles-lettres. First and foremost, he speaks of the humanistic values rooted in the philosophy of the essence, namely the truth, goodness and beauty that are widely found in works of both less and more well-known authors of different nations. The aforementioned values, having a transcendent backdrop, open up the theological world. Some of those references unveil the three theological virtues which actually represent Christian axiology. For the Pope, the belles-lett
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Klimova, Svetlana M. "Dostoevsky - Strakhov - Tolstoy: Toward to the Story of One Conflict." RUDN Journal of Philosophy 25, no. 1 (2021): 72–88. http://dx.doi.org/10.22363/2313-2302-2021-25-1-72-88.

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The well-known epistolary conflict between Fyodor Dostoevsky and Nikolai Strakhov over the latter's slander of the great Russian writer's terrible sins is considered in the article from the point of view a philosophical anthropology and relations not two but between three participants of this story: Dostoyevsky, Strakhov and Tolstoy. This conflict is presented through anthropological, existential, and class prisms of description, based on a reconstruction of Strakhov's concept of man as a controversial, dual, and undefined being reflected in Dostoevsky's work. A direct relation between the def
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Borowski, Marcin Maksymilian. "Stary mistrz z Petersburga na podstawie powieści Johna Maxwella Coetzeego." Slavica Wratislaviensia 163 (March 17, 2017): 257–66. http://dx.doi.org/10.19195/0137-1150.163.22.

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The old master of Petersburg based on J.M. Coetzee’s novelThis article focuses on the concept of old age depicted in John Maxwell Coetzee’s novel The Master of Petersburg. The protagonist of the book is Fyodor Dostoyevsky, who is trying to solve the riddle of his stepson’s death. All events and the protagonist’s thoughts are fused by the motifs of death, passing away and old age. Youth reflects purity and kindness, whereas old age is associated with filthiness and hideousness. The main character grows old and this process is accelerated by the news of Paul Isayev’s death. He is accompanied by
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Shevtsov, N. V. "Magazine «Otechestvennye Zapiski » in the History of Russian Culture of the 19th Century." Concept: philosophy, religion, culture, no. 3 (November 17, 2019): 132–42. http://dx.doi.org/10.24833/2541-8831-2019-3-11-132-142.

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The literary magazine «Otechestvennye Zapiski» legitimately belongs to the realm of the most known and reputable periodicals in the history of Russian journalism. Its publishers did everything possible to refine the journalistic style of its content and to turn each issue or, a book, as they used to call them, into high-quality classical thick literary magazines. The magazine published articles and stories of various genres. All of them stood out in terms of the high-quality writing. Both, up-and-coming and established authors dreamed of a publication there. At the same time, all of them reali
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ACEHAN, Abdullah. "FYODOR MİHAYİLOVİÇ DOSTOYEVSKİ VE AHMET MİTHAT EFENDİ'DEN HAREKETLE NESİR TÜRÜND." Motif Akademi Halk Bilimi Dergisi 2015, no. 2015-1 (2015): 5. http://dx.doi.org/10.12981/motif.248.

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