Bibliografías temáticas / Galactic milieu (imaginary place)

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Literatura académica sobre el tema "Galactic milieu (imaginary place)"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 28 de julio de 2025

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Artículos de revistas sobre el tema "Galactic milieu (imaginary place)"

1

Bâgiu, Lucian Vasile. "Dacians, Varangians, Vlachs and The Golden Bough." Swedish Journal of Romanian Studies 8, no. 2 (2025): 42–65. https://doi.org/10.35824/sjrs.v8i2.26500.

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The essay interprets four parts of Mihai Sadoveanu’s 1933 enigmatical novel The Golden Bough. The Dacian section focuses on the way geographical, historical, ethnical and social guide marks are introduced to define an uncertain moment in history, the late eighth century in the Carpathians. It also introduces the impetus that must have driven the author to do so and continues with an intertextual comparative reading with Eminescu’s poem The Ghosts, particularly on the depiction of the magus and the unexpected reasons behind the author’s choice, i. e. the Viking pathway. The Varangians segment h
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2

Blumenthal-Barby, Martin. "The Surveillant Gaze: Michael Haneke's The White Ribbon." October 147 (January 2014): 95–116. http://dx.doi.org/10.1162/octo_a_00168.

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Michael Haneke's 2009 The White Ribbon is set in the village of “Eichwald.” Eichwald cannot be found on any German map. It is an imaginary place in the Protestant North of Eastern Germany in the early twentieth century. What is more, Haneke tells his black-and-white tale as the flashback narration of a voice-over narrator—a series of defamiliarizing techniques that lift the diegetic action out of its immediate sociohistorical context, stripping it of its temporal and topographical coordinates. Against this backdrop, is it possible to hear the name “Eichwald” without being reminded of, on the o
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3

Doan, Laura. "Forgetting Sedgwick." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 370–73. http://dx.doi.org/10.1632/pmla.2010.125.2.370.

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Eve Kosofsky Sedgwick was not a historian of sexuality, but she was keenly aware of the historicity of sexuality and erotic desire in ways unlike other major figures in queer theory. This fact has gone largely unnoticed in queer studies, a field dominated by literary and cultural critics that has an uneasy relation with academic history. An example of the historicity of Sedgwick's theories of sexuality can be seen in her famous critique of Foucault's Great Paradigm Shift—that imaginary moment in the late nineteenth century when the category of the modern homosexual was thought to displace the
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4

Patengouh, Aïssata S. Kindo. "Literary production in Niger: The case of the novel." Tydskrif vir Letterkunde 42, no. 2 (2019). http://dx.doi.org/10.4314/tvl.v42i2.29707.

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Literature, like all art, is in part geographically and historically determined. Despite its imaginary nature, literature maintains close ties with its context of emergence. African literature is in part an illustration of determinisms of this type and owes a great deal to colonial trauma. Nevertheless, it also draws on autochthonous myths – both old and new – on the colonial heritage, and on new mentalities generated by decolonisation and other factors. However, certain political and ideological choices visible in literary texts underline national specificities. My intention, as a citizen of
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5

Speer, Margaret. "Queer for Art: Tennyson’s Poetic Autonomy as Female Same-Sex Desire." Journal of Victorian Culture, December 1, 2022. http://dx.doi.org/10.1093/jvcult/vcac077.

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Abstract This article argues that in ‘The Lady of Shalott’, and later, to lesser degree, in In Memoriam, Alfred Tennyson expresses artistic autonomy by a Renaissance poetic trope of female same-sex desire. He does so to do away with the aesthetic closure and separation from the world implied by lesbianism in the Renaissance poetic imaginary. Via readings of these two poems, as well as historical and biographical examination of Tennyson’s writings and contemporaries’ writings about Tennyson – including later sexological writings – this article suggests that Tennyson’s choice of early modern aes
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6

-, Adeela Velapurath Nazeer, and Sumathi R. -. "A Theoretical Exposition to Geo-criticism: Mapping the Philosophical Trajectory of Spatial Studies." International Journal For Multidisciplinary Research 6, no. 4 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i04.26042.

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Time and Space are the two cardinal aspects that determine the narrative, character development, and thematic elements of a story. Space in fiction refers to the way authors use physical, symbolic, or metaphorical spaces to shape the narrative, amplify characters, and convey multitudes of themes. It encompasses various aspects of setting and environment, including how space is described, its significance within the plot, and its impact on the overall narrative. As a generic narrative tool, space serves as an altar in fictional contexts - both real and imaginary, original and fictionalised – af
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7

Marotta, Steve, Austin Cummings, and Charles Heying. "Where Is Portland Made? The Complex Relationship between Social Media and Place in the Artisan Economy of Portland, Oregon (USA)." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1083.

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ExpositionPortland, Oregon (USA) has become known for an artisanal or ‘maker’ economy that relies on a resurgence of place specificity (Heying), primarily expressed and exported to a global audience in the notion of ‘Portland Made’ (Roy). Portland Made reveals a tension immanent in the notion of ‘place’: place is both here and not here, both real and imaginary. What emerges is a complicated picture of how place conceptually captures various intersections of materiality and mythology, aesthetics and economics. On the one hand, Portland Made represents the collective brand-identity used by Portl
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8

Filho, José dos Santos Cabral. "Flip Horizontal." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1870.

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The Issue of Gaming in Contemporary Culture "Are we still in the game?" This banal phrase gains a terrifying meaning in the last scene of Cronenberg's film eXistenZ, when a puzzled character, on the verge of being murdered, asks his potential killer if they are still inside a virtual reality game. The scene denotes the crucial place the issue of gaming is occupying in contemporary culture. If we take sci-fi movies less as an exercise of future divination and more as symptom of our current feelings projected into the future, we can easily see how games are becoming a frequent metaphor that sums
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9

Jaaniste, Luke Oliver. "The Ambience of Ambience." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.238.

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Well, you couldn't control the situation to that extent. The world just comes in on top of you. It creeps under the door. It falls out of the sky. It's all around. (Leunig) Like the world that cartoonist Michael Leunig describes, ambience is all around. Everywhere you go. You cannot get away from it. You cannot hide from it. You cannot be without it. For ambience is that which surrounds us, that which pervades. Always-on. Always by-your-side. Always already. Here, there and everywhere. Super-surround-sound. Immersive. Networked and cloudy. Ubiquitous. Although you cannot avoid ambience, you ma
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10

Frichot, Hélène. "On the relentless logic of the logo-sign." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2205.

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We do not bear a straightforwardly passive relationship with the ubiquitous regime of the logo-sign. As dwellers of the eternity of the consumer present, the luxury of our boredom allows us to pick and choose. The overwhelming celerity with which the everyday perpetually transforms its packaging, the excessively rapid turnover of signs has condensed our historical perspective. Tomorrow I will buy that new pair of shoes. As congenital sufferers of a logorrhea of the logo, our chatter is articulated by product placement. We become active in distinguishing ourselves with these loaded and at once
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Libros sobre el tema "Galactic milieu (imaginary place)"

1

May, Julian. The nonborn King. Collins, 1985.

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2

May, Julian. Magnificat. Ballantine Books, 1997.

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3

May, Julian. Intervention: A root tale to the Galactic milieu and a vinculum between it and The saga of pliocene exile. Pan in association with Collins, 1988.

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4

May, Julian. Intervention: A root tale to the Galactic milieu and a vinculum between it and the Saga of Pliocene exile. Houghton Mifflin, 1987.

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5

May, Julian. Intervention: A root tale to the galactic milieu and a vinculum between it and the saga of pliocene exile. Collins, 1987.

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6

May, Julian. Jack the bodiless: A novel. HarperCollins, 1992.

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7

May, Julian. Jack the Bodiless: A novel. Knopf, 1992.

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8

May, Julian. Jack the bodiless: A novel. Ballantine, 1993.

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9

May, Julian. Diamond mask: A novel. Knopf, 1994.

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10

May, Julian. Diamond mask: A novel. Knopf, 1994.

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