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Bibliografías temáticas / Gender identity – Cartoons and comics

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Artículos de revistas

Literatura académica sobre el tema "Gender identity – Cartoons and comics"

Autor: Grafiati

Publicado: 25 de julio de 2024

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Artículos de revistas sobre el tema "Gender identity – Cartoons and comics"

1

Høigilt, Jacob. "EGYPTIAN COMICS AND THE CHALLENGE TO PATRIARCHAL AUTHORITARIANISM." International Journal of Middle East Studies 49, no. 1 (2017): 111–31. http://dx.doi.org/10.1017/s0020743816001161.

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AbstractAdult comics are a new medium in the Arab world. This article is the first in-depth study of their emergence and role within Arab societies. Focused on Egypt, it shows how adult comics have boldly addressed political and social questions. Seeing them as part of a broader cultural efflorescence in Egypt, I argue that, against patriarchal authoritarianism, adult comics have expressed an alternative ideology of tolerance, civic rights and duties, individualism, creativity, and criticism of power. Specifically, they present a damning critique of Egypt's authoritarian order, as well as of t

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2

Vera, Jose Manual. "Cultural resignifications: from the globalized image of the superhero to the image of the Chilean indigenous peoples in the editorials Mitomano comics and Nük Comics." Revista de Antropología Visual 5, no. 32 (2024): 1–15. http://dx.doi.org/10.47725/rav.032.04.

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In the current context of comics in Chile, we observe that the superhero genre has acquired importance, to a large extent, by representing characters that take their identity and graphic narrative from cultures originating from the country. In this article, some of these visual representations are analyzed, based on the intersection between the editorial point of view, art and the narrative presented in each comic, to which a reflection is incorporated from concepts coming from both visual anthropology and of the visual economy. The latter allows us to give new readings to the theme, taking as

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3

Tembo, Kwasu. "Sons of Lilith: The Portrayal and Characterization of Women in the Apocryphal Comics of Neil Gaiman, Alan Moore, and Grant Morrison." Corpus Mundi 1, no. 2 (2020): 88–121. http://dx.doi.org/10.46539/cmj.v1i2.14.

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This paper examines the treatment and characterization of women, sex, identity, and gender in the lesser known or studied comics of Alan Moore, Neil Gaiman, and Grant Morrison in order to discern what such an analysis tells us about each author's engagement with the issues and debates surrounding these sociopolitical and cultural phenomena. The purpose of this study is to discern how three of the most influential writers of contemporary comics books engage with themes of gender, identity, sexuality, and trauma and, in this way, set precedents that have come to be debated and critiqued in conte

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4

Vuorinne, Anna, and Ralf Kauranen. "Visions of Queer Places." European Comic Art 15, no. 1 (2022): 26–45. http://dx.doi.org/10.3167/eca.2022.150103.

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This article discusses two queer comics from Finland in the 2010s, H-P Lehkonen’s Life Outside the Circle (2017–2018) and Edith Hammar’s Homo Line (2020), analysing them as identity work and acts of queer world-making. Both comics depict migration and foreground identity formation in relation to place. The analysis focuses on the intersectionality of queer identities, marked as minority positions with regard to power structures related to gender and sexuality—where a binary conception of gender and heteronormativity dominates, with systemic hierarchies related to place and different national a

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5

Cooper-Cunningham, Dean. "Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics." Millennium: Journal of International Studies 48, no. 2 (2019): 165–97. http://dx.doi.org/10.1177/0305829819889133.

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Feminist scholars have provided important analyses of the gendered and racialised discourses used to justify the Global War on Terror. They show how post-9/11 policies were made possible through particular binary constructions of race, gender, and national identity in official discourse. Turning to popular culture, this article uses a Queer feminist poststructuralist approach to look at the ways that Ms. Marvel comics destabilise and contest those racialised and gendered discourses. Specifically, it explores how Ms. Marvel provides a reading of race, gender, and national identity in post-9/11

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6

Jones, James W. "Cartoons and AIDS: Safer Sex, HIV, and AIDS in Ralf König's Comics." Journal of Homosexuality 60, no. 8 (2013): 1096–116. http://dx.doi.org/10.1080/00918369.2013.776422.

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7

Bettaglio, Marina. "A Womb With a (Political) View: Reclaiming Reproductive Rights in Spanish Feminist Cartoons." Revista Lusófona de Estudos Culturais 10, no. 2 (2023): 63–85. http://dx.doi.org/10.21814/rlec.4652.

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Drawing attention to the ways in which art activism can be mobilized “with the objective of achieving social and or political change” (Serafini, 2018, p. 3), in this article, I attend especially to the image of the womb as a powerful visual metaphor for political intervention. Analyzing the transformative potential of an embodied medium such as political cartoons, the present article focuses on Wombastic, a Tumblr-based initiative organized by the Spanish collective Autoras de Cómic in response to the restrictive abortion bill that the Spanish right-wing Partido Popular approved in the Council

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8

Bell, Sarah A. "Serial Selves: Identity and Representation in Autobiographical Comics." Women's Studies in Communication 45, no. 1 (2022): 113–14. http://dx.doi.org/10.1080/07491409.2022.2041952.

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9

Chambliss, Julian Carlos, Nicole Huff, Kate Topham, and Justin Wigard. "Days of Future Past: Why Race Matters in Metadata." Genealogy 6, no. 2 (2022): 47. http://dx.doi.org/10.3390/genealogy6020047.

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While marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the MSU Library Comics Art Collection (CAC), which contains over 300,000 comics and comic artifacts dating as far back as 1840. As noted on the MSU Special Collections’ website, “the focus of the collection is on published work in an effort to present a c

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10

Shaw, Adrienne. "Women on Women: Lesbian Identity, Lesbian Community, and Lesbian Comics." Journal of Lesbian Studies 13, no. 1 (2009): 88–97. http://dx.doi.org/10.1080/07380560802314227.

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