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1

Marshall, Matt, and n/a. "GHOST STORIES WITHOUT GHOSTS: A STUDY OF AUTHORSHIP IN THE FILM SCRIPT ?THE SEABORNE?" University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20090106.150522.

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In 'The Crypt, the Haunted House of Cinema', Cholodenko argues that film is, metaphorically speaking, a haunted house: an instance of the uncanny. This raises the possibility the film script is also uncanny, from the Freudian notion of das Unheimliche, the strangely familiar and familiarly strange - and thus also a haunted house. This proposition engenders a search as self-reflexive practice for that which haunts the script' an uncanny process to explore the uncanny. The search requires drawing on Barthes, acting 'as dead' with that process' attendant contradictions and problematics' the most
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2

Millbern, Ryan S. "Running down the ghosts : stories." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337200.

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The four short stories in this collection all take place in Galvin, a rural Midwestern town plagued by its reluctance to acknowledge the problems that are destroying it: methamphetamines, unemployment, and a dwindling police force to name a few. The characters in this collection realize that stasis eventually becomes paralysis, and that escape is both necessary and inevitable, whether it is through uprooting, obsession, or substance abuse. Each character experiences alienation and struggles with the way their past decisions have shaped the trajectory of their lives. There is a sense of danger
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3

Stewart, Clare. "Fighting spirit : Victorian women's ghost stories." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/1610/.

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4

Foreman, Hillary Jo. "The Holy and Other Ghosts: Stories." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1586528590411429.

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5

Lorenz, Johnny Anderson. "Haunted cartographies : ghostly figures and contemporary epic in the Americas /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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6

Reed, Delanna. "Ghost Stories for Historic Rugby Ghostly Gathering." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1274.

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Celebrate Halloween Rugby style at Historic Rugby’s Annual Ghostly Gathering events with ghost stories, a bonfire, and visits from some of Rugby’s most prominent haunts! Ghost stories also performed during October 2014.
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7

Marvulli, Pietro <1988&gt. "The Gothic Spirit in Edith Wharton's Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6666.

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La tesi si propone in un primo momento di dipingere tratti distintivi e peculiari della letteratura gotica Americana, al fine poi di approfondire lo stile e comprendere le tematiche che si celano dietro le "ghost stories" di Edith Wharton.
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8

Lake, Marilyn Hope. "Our mothers' ghosts /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091940.

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9

Felton, D. "Haunted Greece and Rome : ghost stories from classical antiquity /." Austin : University of Texas Press, 1999. http://www.loc.gov/catdir/toc/texas051/98039213.html.

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10

Sala, Carlotta <1992&gt. ""Recounting Nightmares": An Analysis of Five Dickens' Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15227.

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La tesi tratterà cinque racconti di fantasmi di Charles Dickens: The Haunted Man and the Ghost’s Bargain (1848), The Ghost in the Bride’s Chamber (1857), The Haunted House (1859), The Trial for Murder (1865) e The Signalman (1866). L’introduzione parlerà dell’origine e della storia delle Ghost Stories in generale, spiegando l’attenzione verso questo tipo di racconti durante l’epoca vittoriana ed in particolare come mai Dickens vi fosse interessato, tanto da scriverli lui stesso e pubblicarli nelle sue riviste. Nei cinque capitoli verranno analizzati i racconti sopramenzionati, focalizzandos
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11

Cotter, Cara E. "Ghosts That We Knew." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1689.

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12

Torres, Jessica M. "In the Presence of Ghosts: A Series of Short Stories." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/491.

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This is a creative thesis centering around four different lives; each is unrelated to the next in every way except one. I titled my thesis "In the Presence of Ghosts" because in each story the protagonist is not quite there. When dealing with loss we tend also to lose a part of ourselves. The idea of not being fully present in one's own life is fascinating to me and I try to explore this notion in separate ways and to different ends.
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13

Smith, Jeannette Ward. "Being Incommensurable/Incommensurable Beings: Ghosts in Elizabeth Bowen’s Short Stories." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/english_theses/11.

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I investigate the ghosts in Elizabeth Bowen’s short stories, “Green Holly” and “The Happy Autumn Fields.” By blending psychoanalytic feminism and social feminism, I argue that these female ghosts are the incommensurable feminine—a feminine that exceeds the bounds of phallocentric logic and cannot be defined by her social or symbolic manifestations. An analysis of Bowen’s ghosts as actual ghosts is uncharted territory. Previous Bowen critics postulate that Bowen’s ghosts are imaginary figments or metaphors. These critics make Bowen’s stories “truthful” representations of the world, but, as suc
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14

Gratch, Ariel Alexander Craft Renee. "Haunting stories of abuse revealing ghosts through critical performance ethnography /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1804.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Master of the Arts in the Department of Communication Studies." Discipline: Communication Studies; Department/School: Communication Studies.
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15

Cadwallader, Jen Taylor Beverly. "Spirits of the age ghost stories and the Victorian psyche /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2278.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English and Comparative Literature; Department/School: English and Comparative Literature.
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16

Borden-King-Jones, Christine A. "Speaking the Unspeakable: Storied Experience and Everyday Ghosts." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case1619788906764408.

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17

Bann, Jennifer Patricia. "Spirit writing : the influence of spiritualism on the Victorian ghost story." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/373.

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This thesis investigates the connection between the spiritualist movement and the literary ghost story, both of which came to prominence and mass popularity during the second half of the nineteenth century. While existing critical literature has viewed both phenomena as symptomatic of a wider Victorian fascination with the supernatural and the nature and possibility of an afterlife, little attention has been paid to the relationship between the two movements. By examining spiritualist literature alongside the work of both canonical and lesser-known writers, I attempt to address this area. My t
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18

Coleman, Cornelia. "Pictures of Lily and Other Stories." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/1353.

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The ghost story--in all its forms--has haunted humans since the first tales of the strange and inexplicable were told around the campfires of pre-history. Such stories explore collective ideas of death and the afterlife, the eeriness of certain places, and the awe that is felt in the presence of the Unknown. Pictures of Lily and Other Stories contains three examples of the genre, each written in a different sub-genre. "Money," the story of an impoverished college student who gets a housesitting job that is more perilous than it first appears, owes much to the haunted house stories of British m
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19

Alsowaifan, Sabah H. "Qasim's short stories, an example of Arabic supernatural/ghost/horror story." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60270.pdf.

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20

Petersson, Catrine. "Tradition and Development : The Theme of Revenge in Two Ghost Stories." Thesis, Linköpings universitet, Avdelningen för språk och kultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-107174.

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This essay is a literary analysis of two ghost stories, Elizabeth Gaskell’s “The Old Nurse’s Story” (1852) and Susan Hill’s The Man in the Picture (2007). The main focus of the essay is the theme of revenge, which is explored on the basis of similarities and differences in the mentioned ghost stories. It is shown that, in spite of many similarities, The Man in the Picture is a more developed and less conventional ghost story than “The Old Nurse’s Story”. This development is seen in the setting, the narrators and the structure of the story, all of which contain more layers in Susan Hill’s story
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21

Bissell, Sarah Jane. "Haunted matters : objects, bodies, and epistemology in Victorian women's ghost stories." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/6402/.

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Haunted Matters interrogates objects, bodies, and epistemology in a selection of Victorian women’s ghost stories, arguing that these things provided a means through which the chosen writers could critique women’s troubled cultural position in mid- to late-nineteenth-century Britain. The four authors considered – Charlotte Riddell, Margaret Oliphant, Vernon Lee, and Edith Nesbit – were all fundamental figures in the development of the ghost story genre, using this popular fiction form to investigate social arenas in which women were subjugated, professional venues from which they were excluded,
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22

Finegan, Samuel Patrick. "Broken gates and leaky graves : spectral language and Australia's ghost stories." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/71189/3/Samuel_Finegan_Thesis.pdf.

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Ghost stories are unusual amongst supernatural literatures in their modelling of a recognisable, mimetic reality interrupted or infiltrated by immaterial forces. In its discussion of Australian ghost stories, this thesis advances a new approach to ghost narratives which seeks to model and articulate the mechanics of ghosts and hauntings as something reliant on and engaged with the material and the mundane.
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23

Jacobs, Emily. "Excerpts From the Eva Crane Field Diary: Stories." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28436/.

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Male or female, young or old, the characters of this collection inhabit a liminal space of trauma and social dislocation in which elements of the real and fabulous coexist in equal measure. The ghosts that populate the stories are as much the ghosts of the living, as they are the ghosts of the dead. They represent individual conscience and an inescapable connection to the past.
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24

Mullins, Michelle D. ""Twins and the Sunken Continent" and "Lexington Ghosts": Two short stories by Murakami Haruki." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1449643.

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25

Köster, Terena. "On Stories of Liveliness: following the Arts of Living on a Damaged Karoo Veld." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31117.

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This thesis is concerned with the conditions of generating a livable Karoo landscape and the arts of living on a damaged Karoo veld. It takes place in a context where the anthropogenic influences on land degradation, desertification and biodiversity loss continues to haunt the Karoo in the present. The Karoo is a semi-arid region that spans the interior of South Africa. It is also region that has been subject to ongoing and widespread concern of the impact of overgrazing, threatening the livability of the Karoo landscape. This is a result of human/nonhuman relations that have been grounded in
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26

Callaghan, Jennefer. "Spectral realism the ghost stories of William Dean Howells, Henry James, and Sarah Orne Jewett /." Restricted access (UM), 2009. http://libraries.maine.edu/gateway/oroauth.asp?file=orono/etheses/37803141.pdf.

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Thesis (Ph. D.)--Emory University, 2008.<br>Title from PDF title page (viewed on May 25, 2010) Available through UMI ProQuest Digital Dissertations. Includes bibliographical references (leaves 236-269). Also issued in print.
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27

Lyons, Reneé C. "Knock Knock, Who's There? Spooky Stories from the White House." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/2406.

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28

Rostedt, Erica. "The Tween Ghost Story: Articulating the Tween Experience." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1665.

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In the early 1980s, a particular kind of “tween” (children aged 10-14) ghost story emerged. Through examining multiple examples of tween ghost stories (such as Wait Till Helen Comes by Mary Downing Hahn, Stonewords by Pam Conrad, and Time Windows by Kathryn Reiss), this paper illustrates the ways in which these stories are remarkably consistent in nature, and then investigates this sub-genre’s specific and consistent articulation of the struggle of moving away from childhood and into the teenage years. By using a ghost to create a situation so off balance (a ghost who is stuck, a protagonist w
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29

Eriksson, Johan. "Evil and Innocence : Children in Ghost Stories by Elizabeth Gaskell, M. R. James, and Susan Hill." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-105351.

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The essay analyses three works of supernatural horror fiction written by different authors over various periods of time. These three works are “The Old Nurse’s Story” by Elizabeth Gaskell, “Lost Hearts” by M. R. James and The Small Hand by Susan Hill. The argument of the essay is that all three stories diverge from the conventions of Gothic horror stories by including a child in the role of victim and ghost. This makes the stories more frightening since they challenge the reader’s expectations of children’s innocence. In order to discern how the stories diverge from the norm the essay explores
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30

Zhao, Shumeng. "The Boy Who Draws Cats: 3D Animation As a Medium For Telling Culturally-specific Ghost Stories." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461265497.

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31

Handley, Sasha. "'Visions of an unseen world' : the production and consumption of English ghost stories, c.1660-1800." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/2843/.

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This thesis traces the cultural significance of ghost beliefs in English society from c.1660 to c.1800. It is an attempt to partially re-enchant these years and to nuance historical characterisation of eighteenth-century England as an enlightened, secularising and ‘anti-superstitious’ nation. Moreover, I aim to restore ghost beliefs to historical legitimacy and my central argument is that they played a crucial role in shaping the specific social, political, economic and religious contours of eighteenth-century life. Ghosts have been largely exorcised from existing accounts of this period and s
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32

Morgan, Kazel Yvonne. "Not a ghost : liminal female identity and American women's supernatural fiction, 1870-1902 /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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33

Bentley-Edwards, Melissa Ann. "Laughing in the Shadow: The Role of Humor in Ghost Story Telling." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2201.

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The ghost story concert is a popular modern form of presenting ghost stories to ticket buying audiences and is one of the last stomping grounds of the oral tradition. Attendees come to be scared but not terrified. Tellers employ humor to release tension during the tale. When does humor release tension while maintaining the momentum of the story? When does the humor employed deflate it into a comical tale and diffuse suspense altogether? In an effort to answer these questions, four variants of a single story, Tailypo, were analyzed for the presence of tension and humor inducing stimuli employin
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34

Stevens, Catherine Rose. "Spectre within : unburying the dead in Elizabethan literature." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5514.

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This thesis examines spectrality in Elizabethan literature, focusing on the ghost as a figuration of disjuncture within contemporary constructions of the dead. Taking account of the cultural unease and uncertainties about the afterlife generated during the Reformation, I explore how particular conceptualizations of the dead manifest instabilities that move the figure of the ghost into the disturbing role of the spectre. The literature I examine ranges from Elizabethan translations of Seneca and key theological treatises to examples of the English revenge tragedy produced by Shakespeare, Marsto
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35

Tisi, Deborah <1996&gt. "Ghost of Tsushima - Il videogioco che racconta il viaggio alla scoperta della cultura giapponese." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21326.

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I videogiochi sono diventati al giorno d’oggi un affermato e potente mezzo di comunicazione, non solo assicurano un momento di divertimento e svago, ma sono anche promotori di contenuti sociali significativi e nozioni educative. Nel corso degli anni, il videogioco ha vissuto un’evoluzione da un punto di vista di innovazione tecnologica, con migliori console o game design e gameplay più realistici e dettagliati, e un’evoluzione in termini di contenuti condivisi grazie a uno storytelling sempre più avvincente, teso a coinvolgere emotivamente l’utente. Tali cambiamenti hanno portato alla nascita
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36

Scott, Joline L. "Shells." Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1285194565.

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37

Foley, Matt. "Haunting modernisms : appropriations of the ghostly in Eliot, Woolf, Bowen and Lawrence." Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/10994.

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This thesis is an extended reading of the topos of the ghostly as it is staged in the modernist writings of T.S. Eliot, Virginia Woolf, Elizabeth Bowen and D.H. Lawrence. As I argue, their distinct appropriations of haunting are innately tied to their individual theories of the aesthetic; there are also a number of recurring motifs throughout their respective oeuvres, which time and again evoke a ghostly register. Consistently appearing in the texts I read here, most of which were published between the years 1919 and 1935, are figurations of the ghostly as a symptom of ‘ontological uncertainty
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38

Stansberry, Tonya Faye. "Imprisoned and Empowered: The Women of Edith Wharton's Supernatural Fiction." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0712103-091758/unrestricted/StansberryT072203f.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-0712103-091758. Includes bibliographical references. Also available via Internet at the UMI web site.
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39

Kemp, Joshua M. "Heartwood: Spiritual homebuilding and white-vanishing in Australian gothic fiction." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2549.

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This thesis represents the spiritual connection between a non-Aboriginal Australian and the Australian natural landscape through a creative work, Heartwood, and an exegesis, which engages with the white-vanishing trope in Australian Gothic fiction. It critically examines ways in which this trope has been used in Australian literature to, consciously or not, represent Aboriginal characters as Other, peripheral or absent, and sometimes appropriated their religious beliefs. Heartwood (2021) is an Australian Gothic novel which features two white Australian characters and their spiritual connection
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40

Compagnoni, Anna Giulia. "‘Ghosts and Spirits from the Tikotin Museum of Japanese Art’: proposta di traduzione e commento." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18825/.

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Questo elaborato ha lo scopo di tradurre alcuni estratti del libro ‘ghosts and spirits from the tikotin museum of japanese art’, edito da Jaron Borensztajn e edito da Leiden University Press nel 2012. Il libro si concentra sul collezionista tedesco Felix Tikotin, che ha passato la sua vita commerciando e collezionando opere d'arte giapponesi, tra cui stampe, statue e lacche. Il libro raccoglie inoltre decine di opere collezionate da Tikotin durante gli anni e donate successivamente al museo da lui fondato a Haifa, Israele, nel 1960: il Tikotin Museum of Japanese Art. L'elaborato contiene ap
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41

Määttä, Maarit. "Strange Spirits : – Possession and the queering of gender and other social positions in Yuan Mei’s Zibuyu." Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-411564.

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This thesis explores a Qing dynasty collection of stories about ghosts and other strange events written by Yuan Mei (1716–1798). The thesis focuses on a number of stories about possession of living persons by spirits, which are studied with the help of Sara Ahmed’s queer phenomenology. By studying stories in which the living and the dead and men and women’s identities overlap while they are possessed, we gain greater understanding about hierarchical relations during Qing dynasty, and how these stories both support and question these.<br>Uppsatsen studerar en samling av berättelser om spöken oc
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42

Van, Graan Mariëtte. "Die rol van ruimte in Afrikaanse spookstories / deur Mariëtte van Graan." Thesis, North-West University, 2008. http://hdl.handle.net/10394/1898.

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43

Skrove, Katie Suzanne. "The power of voice: Cultural silencing and the supernatural in women's stories: Allende's The House of the Spirits, Kingston's The Woman Warrior, and Morrison's Beloved." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2382.

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This thesis focuses on a study of the female voice and silencing as well as on the use of the supernatural in selected works of literature from three different cultures: Isabel Allende's The House of the Spirits, Maxine Hong Kingston's The Woman Warrior, and Toni Morrison's Beloved.
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44

Nye, Bret Allan. "Hauntings in the Midwest." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1374166761.

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45

Pillainayagam, Priyanthan A. "The After Effects of Colonialism in the Postmodern Era: Competing Narratives and Celebrating the Local in Michael Ondaatje’s Anil’s Ghost." Cleveland State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=csu1337874544.

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46

Bagnolini, Beatrice, Benedetta Lucchi, Nicola Ghetti, and Francesco Giovannetti. "Suasa senonum. Progetto per un nuovo parco archeologico." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/9973/.

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Il sito archeologico di Suasa è stato oggetto di una lunga campagna di scavi iniziata negli anni sessanta, che ha portato alla pubblicazione di diversi saggi e ha stimolato l’attenzione di numerosi studiosi nel corso degli ultimi anni. Questo interesse, però, rimane un fenomeno ristretto agli addetti al settore e non vede una vera riflessione sul piano turistico. Suasa, infatti, rimane un gioiello culturale scarsamente conosciuto nel territorio ed escluso dai principali percorsi turistici. Il primo obiettivo del nostro intervento è quello di porre l’attenzione su un’area di così grande interes
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47

LU, TING-JUNG, and 盧亭蓉. "The Study of Ghost Stories in Taiwanese Ghost Stories." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/hwdytd.

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碩士<br>國立雲林科技大學<br>漢學應用研究所<br>107<br>There are about 180 ghost stories in Taiwanese Ghost Stories and also be seperated by the presentation as the place where bump into the ghost , ghost’s face and the experiences of bump into the ghost.   This research will introduce of the book simply first and describe the origin and the type of ghost stories detailedly. And then scatter the ghost stories in the book and reclassify them as private place , public place and outdoor environment. Explore where is the ghost stories happen the most. And finally understand the fear when people listen or watch ghost
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48

Chiang, yi fang, and 蔣宜芳. "A study of ghost wife in tradition short stories." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/43826436589362301776.

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Von, Memerty Joan Elizabeth. "Distance and clarity in selected works of Michael Ondaatje." Diss., 2007. http://hdl.handle.net/10500/1739.

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Chang, Yu-shan, та 張鈺珊. "research on Human-Ghost love and marriage stories in ghost category of “太平廣記”". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/72910512390526278546.

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碩士<br>國立臺南大學<br>國語文學系國語文教學碩士班<br>96<br>“太平廣記” was a novel general collection before Sung Dynasty, also played an important role in the research of ancient novels, absurd haunting stories occupied the biggest share in this book. The research range of this thesis focused on the 78 chapters of stories, which connected with Human-Ghost love and marriage stories, in the ghost story category, by means of investigation of these stories, to understand the forming background and transition situation of Human-Ghost love and marriage stories, to disclose the era thinking consciousness cultural spirits an
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