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Literatura académica sobre el tema "Gilardino"

Autor: Grafiati

Publicado: 24 de abril de 2025

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Artículos de revistas sobre el tema "Gilardino"

Ur Rahaman, Mohammad Ferdous, Md Abul Kalam Azad y Mehedy Ahmed Munna. "Infective Endocarditis in a Patient due to Roseomonas Gilardii in a Tertiary Care Hospital". Bangladesh Journal of Medicine 33, n.º 1 (6 de diciembre de 2021): 109–13. http://dx.doi.org/10.3329/bjm.v33i1.56800.

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Roseomonas gilardiii a species of Gramnegative, strictly aerobic, coccobacilli-shaped, pink-pigmented bacterium pathogenic for humans, causing rare cause of bacteremia and other infections especially who are immunosuppressed .These bacterias are detected after several days growth in culture, and typical pink, mucoid colonies are found.In this case infective endocarditis in a patient due to roseomonas gilardii and the clinical course with isolation of the organism in Bangabandhu Sheikh Mujib Medical University (BSMMU)is reported. Bangladesh J Medicine July 2022; 33(1) : 109-113

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Trípodi, María Victoria. "El Conservatorio de Música Gilardo Gilardi y la inundación". Boletín de Arte, n.º 23 (20 de abril de 2022): e043. http://dx.doi.org/10.24215/23142502e043.

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El 2 de abril del año 2013 la ciudad de La Plata sufrió la peor inundación de su historia, que dejó secuelas psicológicas, económicas y sociales en la comunidad. Luego del devastador acontecimiento la sociedad desplegó una serie de acciones, entre las que se podríamos situar a las iniciativas artísticas, que visibilizaron lo sucedido y buscaron construir una memoria colectiva en torno a la tragedia. En este sentido, el presente trabajo se propone estudiar la performance Búsqueda del alma del piano y la exposición «Ensambles, afinaciones, montajes, renacimientos, afinidades…» desplegadas en el marco del proyecto artístico Entre el Descarte y el Rescate, coordinado por los artistas Gustavo Alfredo Larsen y Susana Lombardo en torno a la inundación del Conservatorio de música Gilardo Gilardi.

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Tsyshchuk, Svetlana E. "Domenico Gilardi’s Sketch of a Park Pavilion: Aspects of Attribution". Observatory of Culture 20, n.º 3 (14 de julio de 2023): 280–90. http://dx.doi.org/10.25281/2072-3156-2023-20-3-280-290.

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This article is devoted to the problem of the attribution of architectural graphics, the identification and analysis of the individual graphic style of Domenico (Dementi Ivanovich) Gilardi, a master of Swiss origin, the chief architect of post-fire Moscow. In spite of the formal, stylistic and iconographic knowledge of the Moscow Empire style, the issue of attribution of architectural graphics to the period remains open. The work of Gilardi is no exception in this respect.The objective of this research is to use stylistic and iconographic analysis of his most outstanding works to form an idea of the nature of his graphic style and its peculiarities. The relevance of the topic is dictated by the need to distinguish the graphic works of Gilardi himself from the sheets created by his pupil — the architect A. Grigoriev (and in the longer term — to identify the “hand” of A. Grigoriev).The method of formal and stylistic analysis and iconographic comparison was chosen. Artistic sources are the most striking architectural and graphic works by Gilardi, which have not yet been studied in detail: several signed drawings, as well as a draft design of a park pavilion from the collection of the Shchusev State Museum of Architecture (the latter was introduced into academic circles by the author and is central in terms of representation). The style of the unrealised design of the park pavilion reflects the historical perspective of birth, development and decline of the Moscow Empire style in one of its variants. The style distinctly refers to the antique, Renaissance and classic monuments.The following complex of problems is being solved within the framework of the research: the genesis of the post-fire Moscow style is presented, the specific features of the architectural graphics of the first quarter of the 19th century are evaluated; the sketch of the park pavilion and the series of several drawings (so called master’s exemplary graphics) are described and analyzed as the basis for the attribution; the work of Gilardi is examined in the context of the global neoclassicism style development.The conducted study, in which the relationship between architectural and graphic style plays a key role, allows us to form an idea of Gilardi’s individual style and approach a more complex issue of attribution, chronology and style in his constructions. The unity of harmony, beauty and technicality of Gilardi’s works is expressed in the juxtaposition of his manner with the ideal of timeless classicism.

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Taube, Gerardo Gabriel. "El timbre musical y su incidencia en la decodificación de secuencias melódicas. Una herramienta útil para el docente de música". Revista Iberoamericana de Educación 38, n.º 1 (25 de febrero de 2006): 1–7. http://dx.doi.org/10.35362/rie3812671.

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En los contenidos curriculares de diversas perspectivas pertenecientes al ámbito de la educación musical, usualmente se incluyen los ejercicios denominados "dictados melódicos". Estos consisten en la reproducción de una melodía que los alumnos destinatarios deben decodificar y escribir, y se aplican con la finalidad de desarrollar determinadas competencias tales como la memoria musical, el reconocimiento de intervalos y la lecto-escritura musical. Por lo general, los instrumentos musicales empleados para su realización son elegidos por el docente sin una planificación estratégica. Ello se debe, en gran medida, a la carencia de estudios específicos que midan la incidencia de los timbres musicales en la memoria de corto plazo. Esto constituye un obstáculo para el educador musical a la hora de realizar una progresión lógica de dificultad creciente en la administración de los ejercicios.A fin de realizar un estudio serio sobre el tema, recientemente he desarrollado un trabajo de Investigación, conjuntamente con docentes del área de educación musical y alumnos del Conservatorio de Música Gilardo Gilardi de la Ciudad de La Plata, República Argentina. En el mismo nos propusimos como principal objetivo, la obtención de un patrón o listado en el cual se expusiese, en forma comparativa, el grado de dificultad que ofrece la memorización de secuencias melódicas realizadas con diferentes timbres musicales.

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Fanella, Sergio, Daryl Schantz, James Karlowsky y Ethan Rubinstein. "Septic arthritis due to Roseomonas gilardii in an immunocompetent adolescent". Journal of Medical Microbiology 58, n.º 11 (1 de noviembre de 2009): 1514–16. http://dx.doi.org/10.1099/jmm.0.011106-0.

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The genus Roseomonas comprises groups of slow-growing, Gram-negative coccobacilli, which only infrequently cause infection in humans. When identified, they are associated with immunocompromised adults, often causing bacteraemia. Due to their rarity, members of this genus can be overlooked or misidentified using automated laboratory identification systems. We report on an immunocompetent adolescent patient who developed septic arthritis due to Roseomonas gilardii following surgery for a sports injury. The isolate was initially misidentified as Bordetella bronchiseptica using the Vitek 2 system, but confirmed as R. gilardii based on 16S rRNA gene sequencing. To the best of our knowledge, this is the first case of a healthy paediatric patient with septic arthritis due to R. gilardii.

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Dandamudi, Radha Rani, Kinjal Shah, Pavan Kumar Boyela, C. H. Sravanthi y Swathi Nayani. "Bacteremia due to Roseomonas gilardi: A case report". Indian Journal of Case Reports 10, n.º 12 (22 de noviembre de 2024): 403–5. http://dx.doi.org/10.32677/ijcr.v10i12.4762.

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Implantation and the use of long-term central venous catheters are associated with complications like bacteremia. Contamination from the skin during handling is the most common source of the organisms causing these infections. Rarely, environmental organisms may cause these infections. Roseomonas gilardii is a rare opportunistic pathogen that can cause bacteremia in immunocompromised patients on long-term central venous catheters. We report the case of a 57-year-old woman diagnosed with acute myeloid leukemia who presented with fever and febrile neutropenia. The patient was diagnosed with R. gilardii bacteremia probably from peripherally inserted central catheter line infection.

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Iungin, O. S., O. Yu Bielikova, G. V. Gladka y O. B. Tashyrev. "Genetic potential of bacteria isolated from cadmium contaminated soils". Faktori eksperimental'noi evolucii organizmiv 23 (9 de septiembre de 2018): 352–56. http://dx.doi.org/10.7124/feeo.v23.1040.

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Aim. Determination of taxonomic position and resistance to Cd2+, Cu2+, Ni2+, Co2+, CrO42- of isolated bacteria from cadmium-contaminated soils. Methods. Bacterial cultures were isolated by ten-fold dilutions and further cultivation on agarized nutrient medium. Taxonomic position of isolated cultures was determined by molecular-genetic methods using GenBank and BLAST. Bacterial resistance to toxic metals was determined by strains cultivation in liquid medium in the presence of concentration gradient of Cd2+, Cu2+, Ni2+, Co2+, CrO42-. Results. Isolated cultures were highly resistance to cadmium. These bacterial cultures were identified as Brevundimonas vesicularis and Cupriavidus gilardii by phenotypic and molecular-genetic characteristics. Their resistance was in one order higher comparing to generally accepted. Conclusions. Isolated strains are promising for using in novel industrial biotechnologies for metal containing wastewater treatment. Keywords: metalresistance, toxic metals, taxonomic position, Cupriavidus gilardii, Brevundimonas vesicularis.

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Shokar, N. K., G. S. Shokar, J. Islam y A. R. Cass. "Roseomonas gilardii Infection: Case Report and Review". Journal of Clinical Microbiology 40, n.º 12 (1 de diciembre de 2002): 4789–91. http://dx.doi.org/10.1128/jcm.40.12.4789-4791.2002.

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Yang, Dong Chul, Young Ree Kim, Sung Ha Kang y Jung Mi Kwon. "Roseomonas gilardii Bacteremia from a Peripherally Inserted Central Catheter in a Patient with Endometrial Cancer". Journal of Medicine and Life Science 13, n.º 1 (1 de junio de 2016): 22–24. http://dx.doi.org/10.22730/jmls.2016.13.1.22.

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Roseomonas gilardii, a Gram-negative, non-motile, non-spore-forming, strictly aerobic, and pink-pigmented coccobacillus, isan uncommon species causing human infection. But, occasionally, it has been reported as a causative organism of opportunisticinfection in some countries. We report a case of bacteremia in a 51-year-old woman with endometrial cancer. She visited ouroutpatient clinic, complaining of cough, headache, and febrile sensation for 3 days after palliative chemotherapy performed 8days earlier. Cultures of the blood and the peripherally inserted central catheter were performed and bacteria were isolatedfrom cultures after 5 day incubation. Microbiological tests such as Gram staining, culture, and identification testing revealedRoseomonas gilardii. The patient was treated with antibiotics for 9 days and discharged. This case of Roseomonas gilardiibacteremia from the peripherally inserted central catheter in a patient with endometrial cancer suggests the importance ofdiagnostic tools for accurate identification of unusual causative organisms of bacteremia in immunocompromised patients.

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Khashe, Shideh y J. Michael Janda. "Biochemical and Pathogenic Properties ofShewanella alga and Shewanella putrefaciens". Journal of Clinical Microbiology 36, n.º 3 (1998): 783–87. http://dx.doi.org/10.1128/jcm.36.3.783-787.1998.

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We characterized 49 strains of Shewanella spp. from clinical (n = 31) and nonhuman (n = 18) sources. Most Shewanella alga organisms (Gilardi biovar 2; Centers for Disease Control and Prevention [CDC] biotype 2) originated from clinical material (92%), failed to produce acid from carbohydrates other than d-ribose, and were biochemically and enzymatically fairly homogeneous. In contrast, Shewanella putrefaciens organisms (Gilardi biovars 1 and 3; CDC biotype 1) were more often associated with nonhuman sources (70%), were able to utilize a number of sugars (sucrose, l-arabinose, and maltose), and were found to exhibit wider variations in biochemical characteristics; three biotypes within S. putrefaciens were detected. Notable differences between the two species in enzymatic activity, determined with the API-ZYM system (bioMérieux, Hazelwood, Mo.), and cellular fatty acid profiles, determined by the MIDI system (Microbial ID Inc., Newark, Del.), were also detected. Pathogenicity studies of mice indicate that S. alga appears to be the more virulent species, possibly due to the production of a hemolytic substance.

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Tesis sobre el tema "Gilardino"

Gilardi, Elisa [Verfasser] y Joachim [Akademischer Betreuer] Maier. "Interface effects in Y2Zr2O7 thin films / Elisa Gilardi ; Betreuer: Joachim Maier". Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2016. http://d-nb.info/1118368118/34.

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Gilardoni, Paola [Verfasser], Ian T. [Akademischer Betreuer] Baldwin, Ralf [Akademischer Betreuer] Oelmüller y Raquel [Akademischer Betreuer] Chan. "Decoding insect feeding : identification of regulatory components mediating insect-specific defense responses in plants / Paola Alejandra Gilardoni. Gutachter: Ian T. Baldwin ; Ralf Oelmüller ; Raquel Chan". Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2012. http://d-nb.info/1019516909/34.

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De, Vivo Maria. "La "smaterializzazione" dell'opera e la questione dell'arte relazionale. Il dibattito critico in Italia e le esperienze artistiche di Piero Gilardi e Michelangelo Pistoletto". Doctoral thesis, Universita degli studi di Salerno, 2013. http://hdl.handle.net/10556/1328.

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2011 - 2012
La "smaterializzazione" dell'opera - un processo che ha messo in discussione categorie tradizionali e generici artistici - è il tema centrale intorno al quale si polarizzano gli sviluppi dell'arte sul finire del decennio sessanta del Novecento, in una diffusa area di ricerca che spazia, coma ha detto Piero Gilardi, da "Torino alla West Coast". Questo lavoro di tesi muove dall'analisi del dibattito critico che da tale processo è scaturito, prendendo in particolare in considerazione ciò che accade nel contesto italiano nell'arco cronologico 1966-1972, un periodo tanto circoscritto quanto intensamente decisivo... [a cura dell'autore]
XI n.s.

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Gilardi, Alessia [Verfasser], Mathias [Akademischer Betreuer] Winterhalter, Mathias [Gutachter] Winterhalter, Richard [Gutachter] Wagner, Philip [Gutachter] Gribbon y Björn [Gutachter] Windshügel. "Novel approaches to identify small molecules modulating E.coli TolC protein function / Alessia Gilardi ; Gutachter: Mathias Winterhalter, Richard Wagner, Philip Gribbon, Björn Windshügel ; Betreuer: Mathias Winterhalter". Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2018. http://d-nb.info/1163109401/34.

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Fusco, Andrea Gabriela. "El Nacionalismo en la música orquestal argentina entre 1880 y la primera mitad del siglo XX". Doctoral thesis, 2021. http://hdl.handle.net/11086/22099.

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En el presente trabajo de investigación reflexionamos acerca del nacionalismo en la música orquestal en Argentina y estudiamos los modos en que los compositores lo plasmaron en sus obras por medio de la incorporación de elementos provenientes del folklore, la música indígena y el tango. Para un estudio del corpus musical, realizamos una selección de obras representativas de diversos compositores del período y las analizamos en función del objeto de estudio. Establecimos vinculaciones entre los rasgos observados y las características propias de la música folklórica, indígena y popular urbana; focalizamos nuestra atención en las maneras en que los artistas elaboraron dichos elementos con herramientas europeas. Posteriormente, establecimos relaciones entre las obras, en búsqueda de rasgos que nos permitiesen agruparlas según la semejanza en el grado de integración de los elementos nacionalistas con los no nacionalistas.
Fil: Fusco, Andrea Gabriela. Universidad Nacional de Córdoba. Facultad de Artes. Departamento Académico de Música; Argentina.

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Libros sobre el tema "Gilardino"

Gilardi, Piero. Piero Gilardi. Milano: Mazzotta, 1999.

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1942-, Gilardi Piero y Galleria d'arte F. Russo (Rome, Italy), eds. Piero Gilardi. Imola]: Manfredi edizioni, 2021.

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editor, Bindi Gaia y Accademia di belle arti (Carrara, Italy), eds. Piero Gilardi: Estetiche dell'antropocene. Pisa: Edizioni ETS, 2017.

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Cesena (Italy). Galleria comunale d'arte, ed. "Biomorfismi": Gilardi, Moreni, Bocchioni. Cesena (FC): Il vicolo divisione libri, 2016.

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editor, Poleschi Andrea y Poleschi arte (Firm), eds. Piero Gilardi: Natura espansa. Milano: Prearo editore, 2016.

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Dehò, Valerio. Piero Gilardi, Omar Ronda: Supernatura. Milano: Mazzotta, 2012.

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Giraldi, Galleria, ed. Piero Gilardi: La tempesta perfetta. Milano: Prearo editore, 2018.

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Leon, Gloria de. Eduardo Gilardoni: Una vida llena de Notas. Montevideo, Uruguay] 2: Artemisa, 2020.

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Gilardi, Piero. Piero Gilardi: Inverosimile : September-October 1991. New York: Sperone-Westwater, 1991.

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Giordi, Daniela. Ando Gilardi reporter: Italia 1950-1962. Cinisello Balsamo, Milano: Silvana editoriale, 2019.

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Capítulos de libros sobre el tema "Gilardino"

Komarova, Mariya. "Residential Architecture of Russian Imperial Age (1703-1843) in Drawings of Italian Architects". En Advances in Religious and Cultural Studies, 448–74. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0675-1.ch015.

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The object of research is the residential architecture of the heyday of the Russian Empire that has undergone many changes under the influence of time and urban transformation. However, the drawings of Italian architects as primary sources, can tell a lot about architectural and landscape heritage of the Russian cities of XVIII-XIX centuries. That was the period of origination and development of architectural drawing and Building Code in Russia. Domenico Trezzini, Francesco Rastrelli, Giacomo Quarenghi, Luigi Rusca, Domenico Gilardi, Giuseppe Bova, and others created their precious works of art. Thanks to the remaining drawings it is possible to write not only the history of architecture, but also restore the monuments of the Russian Empire.

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Luyet, Stéphane. "From Meso Decisions to Macro Results". En Interdisciplinary Applications of Agent-Based Social Simulation and Modeling, 143–64. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5954-4.ch009.

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Policy diffusion needs to be studied as a complex phenomenon, since it involves interdependent relationships between autonomous and heterogeneous countries. This chapter aims at developing a simple computational model based on a theoretical model of policy diffusion (Braun & Gilardi, 2006) that helps to explain the emergence of diffusion in a complex system. Based on three simple conditions (ready, choose, change) and a few internal and external characteristics that define countries and their interactions, the model presented in this chapter shows that policies do diffuse and lead to local convergence and global divergence. Moreover, it takes time for a country to introduce the best-suited policy and for this policy to become very effective. To conclude, diffusion is a complex phenomenon and its outcomes, as ensued from the author's model, are in line with the theoretical expectations and the empirical evidence.

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