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1

Jacques, Roux, ed. Gilbert Simondon: Une pensée opérative. Publications de l'Université de Saint-Etienne, 2002.

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2

Bardin, Andrea. Epistemology and Political Philosophy in Gilbert Simondon. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9831-0.

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3

Gilbert, Simondon, ed. Gilbert Simondon: Une pensée de l'individuation et de la technique. A. Michel, 1994.

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4

France) Colloque de Cerisy (2013 Cerisy-la-Salle. Gilbert Simondon, ou, L'invention du futur: Actes de la décade des 5-15 août 2013 du Centre culturel international de Cerisy-la-Salle. Klincksieck, 2016.

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5

Bula Caraballo, Germán Ulises, ed. Spinoza. Universidad de La Salle. Ediciones Unisalle, 2017. http://dx.doi.org/10.19052/9789585400764.

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Si se considera que la sociedad actual, tal como funciona, funciona bien, resulta sensato pensar en maneras de conservar su funcionamiento; para quien piensa que es urgente la transformación radical, resulta suicida ser conservador. Este libro es para quienes piensan lo segundo. Como explica Werner Jaeger en Paideia, la educación, consiste en la producción de seres humanos según cierto modelo. Como el alfarero que moldea una vasija, cada sociedad. ¿En qué consistirá una educación pensada para transformar las sociedades, en lugar de conservarlas? Este libro desarrolla una idea de educación a pa
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6

Mills, Simon. Gilbert Simondon. Rowman & Littlefield International, Ltd., 2016. https://doi.org/10.5040/9798881813123.

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Gilbert Simondon: Information, Technology and Media is a comprehensive introduction to the work of the French philosopher Gilbert Simondon. In particular it examines Simondon's original informational ontology, as developed from a synthesis of Cybernetics, thermodynamics and French epistemology, The book goes on to delineate the role this ontology plays in developing an original account of individuation in the physical, biological and psycho-social regimes. This is done, in part, through reading Simondon with and against other figures in these fields such as Merleau-Ponty and Stuart Kauffman. A
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7

Woodward, AshleyVE, Alex Murray, and Jon Roffe. Gilbert Simondon. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748645268.

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8

De Boever, Arne, Shirley S. Y. Murray, and Jon Roffe, eds. Gilbert Simondon. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748677214.001.0001.

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9

Boever, Arne De. Gilbert Simondon: Being and Technology. Edinburgh University Press, 2012.

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10

Gilbert simondon 1 pensee operative. Presses Universitaires de Saint-Etienne, 2002.

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11

Gilbert Simondon: Being and Technology. Edinburgh University Press, 2013.

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12

Boever, Arne De, and Alex Murray. Gilbert Simondon: Being and Technology. Edinburgh University Press, 2012.

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13

Woodward, Ashley, Arne De Boever, Jon Roffe, and Alex Murray. Gilbert Simondon: Being and Technology. Edinburgh University Press, 2012.

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14

Woodward, Ashley, Arne De Boever, Jon Roffe, and Alex Murray. Gilbert Simondon: Being and Technology. Edinburgh University Press, 2012.

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15

Gilbert Simondon: Being and Technology. Edinburgh University Press, 2012.

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16

Gilbert Simondon ou l'invention du futur. Klincksieck, 2016. http://dx.doi.org/10.14375/np.9782252040201.

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17

Mills, Simon. Gilbert Simondon: Information, Technology and Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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18

Mills, Simon. Gilbert Simondon: Information, Technology and Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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19

Bardin, Andrea. Epistemologia E Politica in Gilbert Simondon. Lulu Press, Inc., 2011.

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20

Gilbert Simondon filosofo della mentalité technique. Mimesis, 2011.

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21

Gilbert Simondon: Information, Technology and Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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22

NOVAES, T., L. P. VILALTA, and E. SMARIERI. Máquina Aberta: a mentalidade técnica de Gilbert Simondon. Dialética, 2022. http://dx.doi.org/10.48021/978-65-252-2295-0.

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23

Manning, Erin, Thomas Lamarre, Muriel Combes, and Brian Massumi. Gilbert Simondon and the Philosophy of the Transindividual. MIT Press, 2012.

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24

Gilbert Simondon and the philosophy of the transindividual. MIT Press, 2013.

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25

Une autre subjectivité: Étude sur la philosophie de Gilbert Simondon. Éditions Dittmar, 2013.

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26

Amar a las máquinas : cultura y técnica en Gilbert Simondon. Prometeo Libros, 2015.

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27

Parente, Diego, and Andrés Vaccari. Amar a Las Máquinas: Cultura y Técnica en Gilbert Simondon. Independently Published, 2021.

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28

Bardin, Andrea. Epistemology and Political Philosophy in Gilbert Simondon: Individuation, Technics, Social Systems. Springer, 2015.

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29

Bardin, Andrea. Epistemology and Political Philosophy in Gilbert Simondon: Individuation, Technics, Social Systems. Springer Netherlands, 2015.

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30

Bardin, Andrea. Epistemology and Political Philosophy in Gilbert Simondon: Individuation, Technics, Social Systems. Ingramcontent, 2016.

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31

Pour un humanisme technologique: Culture, technique et société dans la philosophie de Gilbert Simondon. Presses universitaires de France, 2010.

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32

Baer, Nicholas, and Annie Oever. Technics. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789048564552.

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Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of
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33

Caponi, Saverio. Gilbert Simondon, la Tecnica e la Vita. Divenire Significato: Percorsi Di Individuazione Tra Strumenti e Sentimenti, Oggetti Tecnici Ed Esseri Viventi. Lulu Press, Inc., 2012.

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34

Aigner, Franziska. Kant and Technics. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350299061.

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Martin Heidegger, Gilbert Simondon, and Bernard Stiegler each argued in their own way that, ever since its inception in ancient Greece, western philosophy is incapable of thinking technics, which reaches its clearest expression in the philosophy of Immanuel Kant.According to Heidegger, Kant articulated the essence of modern technics as enframing (Gestell) without understanding the nature of his own insight, while Simondon claimed that transcendental philosophy is structurally incapable of thinking technics as its answer to the question of technics either comes too early (a priori) or too later
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35

Dereclenne, Émilien. Technics and Enaction. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350507623.

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Providing an innovative approach to conceptualising imagination or creativity, this book offers analternative concept of imagination to the classical internalist and representationalist theory. Émilien Dereclenne argues that contemporary conceptions of imagination and creativity in the field of cognitive science, are guilty of a kind of dualism between mind and technics. Combining enacted, embodied, ecological, extended, embedded (5e) cognitive theories with material anthropology and the French philosophy of technics and imagination, Dereclenne challenges this approach. Instead, he highlights
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36

Bird, Terri. Forming. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0003.

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The aim of art for Deleuze and Guattari is to render perceptible forces that lie beyond perception and to capture, in what is given, the forces that are not given. They task artists with producing compounds of sensation, heterogeneous assemblages of affects and intensities, extracted from forces lying at the limits of sensibility. This chapter explores the forming of these assemblages through processes of capture orientated around practices employing sculptural methodologies. Although Deleuze and Guattari have little to say about sculpture in general or specific works, they refer to the sensat
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37

Hoelscher, Jason A. Art as Information Ecology. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021681.

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In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and ins
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38

Ruyer, Raymond. Genesis of Living Forms. The Rowman & Littlefield Publishing Group, 2019. https://doi.org/10.5040/9798881817138.

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The philosophy of Raymond Ruyer was an important if subterranean influence on twentieth-century French thought, and explicitly engaged with by figures such as Maurice Merleau-Ponty, Georges Canguilhem, Gilbert Simondon, and Gilles Deleuze. The Genesis of Living Forms is Ruyer’s most focussed and forceful analysis of a central but apparently paradoxical biological phenomenon that also presents serious problems for philosophy: embryogenesis. When a cat develops from the early stages of fertilization to an adult, what is it that makes it the same cat? How is it that a living being can at once be
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39

Scott, David. Gilbert Simondon's Psychic and Collective Individuation. Edinburgh University Press, 2014. http://dx.doi.org/10.1515/9780748654512.

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40

David, Scott. Gilbert Simondon's Psychic and Collective Individuation: A Critical Introduction and Guide. Edinburgh University Press, 2014.

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41

David, Scott. Gilbert Simondon's Psychic and Collective Individuation: A Critical Introduction and Guide. Edinburgh University Press, 2014.

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42

David, Scott. Gilbert Simondon's Psychic and Collective Individuation: A Critical Introduction and Guide. Edinburgh University Press, 2014.

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43

David, Scott. Gilbert Simondon's Psychic and Collective Individuation: A Critical Introduction and Guide. Edinburgh University Press, 2014.

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