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1

Andjelkovic, Sladjana, Cedo Vuckovic, Suzana Milutinovic, Tomislav Palibrk, Marko Kadija, and Marko Bumbasirevic. "Giovanni Battista Monteggia (1762-1815)." Srpski arhiv za celokupno lekarstvo 143, no. 1-2 (2015): 105–7. http://dx.doi.org/10.2298/sarh1502105a.

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Giovanni Battista Monteggia was born in Laverne on the 8th of August 1762. Monteggia started his education in the School of Surgery at the Hospital Maggiore in Milano in 1779. This hospital was called ?Big House? and it is one of the oldest medical institutions in Italy. He passed exam in surgery in 1781. Monteggia was promoted to assistant at surgery in Maggiore hospital in 1790. He was among the first who gave a complete clinical description of polio. He described traumatic hip dislocation and special forearm fracture which was named after him. Strictly speaking, a Monteggia fracture is a fr
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2

Favero, Giancarlo, and Sandro Baroni. "Giovanni Battista Lacchini: An Amateur Astronomer from Italy." International Astronomical Union Colloquium 98 (1988): 44–45. http://dx.doi.org/10.1017/s0252921100092149.

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3

Clerici, Carlo Alfredo, Laura Veneroni, and Marco Poli. "Giuseppe Pasta (1742–1823): protophysician and pioneer of psychological studies in the medical field." Journal of Medical Biography 17, no. 4 (2009): 189–94. http://dx.doi.org/10.1258/jmb.2009.009011.

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Giuseppe Pasta was a pioneer of psychological support in physical disease. Born in Bergamo, Italy, he was a cousin of the physician Andrea Pasta who was a pupil of Giovanni Battista Morgagni. Giuseppe's cultural and clinical resources were the teachings of Francesco Redi's medical school in Tuscany. This paper discusses the courage and philosophical tolerance of disease and the etiquette of the physician.
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4

TUBBS, R. S., R. G. LOUIS, M. LOUKAS, A. A. GUPTA, M. M. SHOJA, and J. OAKES. "The First Description of the Palmaris Brevis Muscle." Journal of Hand Surgery (European Volume) 32, no. 4 (2007): 382–83. http://dx.doi.org/10.1016/j.jhse.2007.04.020.

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Giovanni Battista Canano was born in Italy in 1515 and his work has gone mostly unknown. Very few copies of this anatomist and physician's book are known to exist. Interestingly, Canano reported and depicted what we believe, to be the first description of the palmaris brevis muscle. This description would be some 200 years prior to what is thought to be the earliest mention of this muscle by William Cheselden in his book, The Anatomy of the Human Body, published in 1713.
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5

Pinheiro, Maciel. "Relation among Theology, Natural Philosophy and New Science in Giovanni Battista Riccioli (1598-1671)." Circumscribere International Journal for the History of Science 30 (July 12, 2023): 38. http://dx.doi.org/10.23925/1980-7651.2022v30;p38.

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This essay tries to analyse the way in which the Jesuit priest Giovanni Battista Riccioli (1598-1671) and his ideas were evaluated by traditional and modern Historiographies, from seventeenth to twentieth century, in secular and ecclesiastic ambiances in Italy, having in mind the possibility of historical forgetfulness of the contribution this Jesuit offered to modern science in his century. For this, the use of Contextual, Historiographical and Epistemological approaches aims to understand more deeply the man Riccioly, his ideas in the debates of his time, from his Cosmology, Jesuit Mystic, E
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6

Majori, Giancarlo. "SHORT HISTORY OF MALARIA AND ITS ERADICATION IN ITALY." Mediterranean Journal of Hematology and Infectious Diseases 4, no. 1 (2012): e2012016. http://dx.doi.org/10.4084/mjhid.2012.016.

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In Italy at the end of 19th Century, malaria cases amounted to 2 million with 15,000-20,000 deaths per year. Malignant tertian malaria was present in Central-Southern areas and in the islands. Early in the 20th Century, the most important act of the Italian Parliament was the approval of laws regulating the production and free distribution of quinine and the promotion of measures aiming at the reduction of the larval breeding places of Anopheline vectors. The contribution from the Italian School of Malariology (Camillo Golgi, Ettore Marchiafava, Angelo Celli, Giovanni Battista Grassi, Amico Bi
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7

Cecalupo, Chiara. "The Rome Pavilion at the Italian General Exhibition in Turin in 1884: the exposition of Maps and Plans of Rome by Giovanni Battista de Rossi and the City Museum." ACME 75, no. 2 (2023): 129–45. http://dx.doi.org/10.54103/2282-0035/21302.

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The paper contributes to the reflection on how the 19th-century national events of wider appeal such as the Art and Industrial Exhibitions fostered the dissemination and enhancement of archaeological discoveries. The specific case of the ‘Exhibition of the City of Rome’, held during the Turin Exhibition in 1884, is examined as a paradigmatic example of the archaeologist Giovanni Battista de Rossi’s commitment to promoting Rome in united Italy, using archive and press documents of the time. The Roman pavilion at Turin in 1884, for which de Rossi was responsible for the medieval section, is pres
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8

Boffano, Paolo, Fabio Roccia, Cesare Gallesio, K. Karagozoglu, and Tymour Forouzanfar. "Inferior Alveolar Nerve Injuries Associated with Mandibular Fractures at Risk: A Two-Center Retrospective Study." Craniomaxillofacial Trauma & Reconstruction 7, no. 4 (2014): 280–83. http://dx.doi.org/10.1055/s-0034-1375169.

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The aim of the study was to investigate the incidence of the inferior alveolar nerve (IAN) injury in mandibular fractures. This study is based on two databases that have continuously recorded patients hospitalized with maxillofacial fractures in two departments—Department of Maxillofacial Surgery, Vrije Universiteit University Medical Center, Amsterdam, the Netherlands, and Division of Maxillofacial Surgery, San Giovanni Battista Hospital, Turin, Italy. Demographic, anatomic, and etiology variables were considered for each patient and statistically assessed in relation to the neurosensory IAN
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9

BACCIAGALUPPI, CLAUDIO. "CLASSIFYING MISATTRIBUTIONS IN PERGOLESI’S SACRED MUSIC." Eighteenth Century Music 12, no. 2 (2015): 223–29. http://dx.doi.org/10.1017/s1478570615000329.

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On 16 March 1736 Giovanni Battista Pergolesi died from consumption at age twenty-six in the Franciscan monastery of Pozzuoli near Naples, leaving a considerable number of compositions in all genres: stage works, cantatas, instrumental music and sacred music. On account of the success these compositions had enjoyed in Italy during his life, and the extraordinary fame they achieved in the rest of Europe after his death, a multitude of works bearing his name continued to be disseminated, many of which had little, if any, connection with Pergolesi himself. This phenomenon invites us to question wh
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10

Merlo, Elisabetta, and Valeria Pinchera. "Configuring Cultural Emerging Industries: A Comparison of the French and Italian Fashion Industries." Business History Review 97, no. 4 (2023): 779–807. http://dx.doi.org/10.1017/s0007680523000880.

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AbstractThis paper builds on a body of multi-disciplinary literature to analyze and compare the emergence of the prêt-à-porter industry in France and the ready-to-wear industry in Italy from their founding to their growth stages in the mid-twentieth century. The comparison demonstrates the significant impact that the French Chambre Syndicale de la Couture, des Confectionneurs et des Tailleurs pour Dame, and the National Chamber of Italian Fashion had on the trajectories of the fashion industry for each country. The article focuses on foundational entrepreneurs within the industry such as Giova
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11

Vacca, G., and A. Dessi. "GEOMATICS SUPPORTING KNOWLEDGE OF CULTURAL HERITAGE AIMED AT RECOVERY AND RESTORATION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2022 (May 30, 2022): 909–15. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2022-909-2022.

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Abstract. The study presented aims a practical contribution to the use of the Terrestrial Laser Scanner and the Close Range Photogrammetry geomatic techniques and to their integration for the knowledge and development of the historical-architectural heritage, both in the step of planning a restorative conservation project, and in the subsequent step of the restoration works. In particular, these techniques and their integration were applied at the process of study, planning and execution of the restoration of the San Giovanni Battista church in Fonni (Sardinia, Italy), founded in the 16th cent
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12

Bezerra, Alexandra M. R., Russo Edoardo Di, and Riccardo Castiglia. "Disseminating "hidden" scientific collections: the medium and large-sized terrestrial mammals at the Museo di Anatomia Comparata "Giovanni Battista Grassi", Roma, Italy." Biodiversity Data Journal 12 (July 5, 2024): e124810. https://doi.org/10.3897/BDJ.12.e124810.

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The dissemination of specimen data in scientific collections is a crucial step in making them available to the scientific community. However, even today, especially in some countries, little or nothing is known about the contents of the naturalistic collections of some museums. This is regrettable, especially in cases where the collections include historic specimens and endangered species. The Museum of Comparative Anatomy "Giovanni Battista Grassi", situated in Rome, Italy, houses historical anatomical and didactic collections, with specimens gathered from 1600s and almost worldwide. The coll
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13

Castriota, Marco, Emanuela Meduri, Tiziana Barone, Giuseppe De Santo, and Enzo Cazzanelli. "Micro-Raman investigations on the fresco ‘Trapasso della Vergine’ in the Church of ‘S. Giovanni Battista’ of Paterno Calabro in southern Italy." Journal of Raman Spectroscopy 39, no. 2 (2008): 284–88. http://dx.doi.org/10.1002/jrs.1888.

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14

Jan, Peter Verhave. "Robert Koch, malaria pioneer." MalariaWorld Journal 13, no. 5 (2022): 1–24. https://doi.org/10.5281/zenodo.8205289.

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The role of Robert Koch in the early discoveries of the malaria lifecycle and the complex of diseases, the devel-opment of immunity, quinine prophylaxis and the mosquito theory has fallen into oblivion. As a mature and famous hygienist, Koch had travelled the Old World, where malaria was endemic. His first studies took place in Tanganyika, German East Africa (now Tanzania) in 1898 and thereafter in Italy and the East Asian ar-chipelago. As malaria in Germany did not offer a sufficiently endemic situation, he chose the Istrian island of Brioni (Kroatia) to eliminate malaria. Because virtually a
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15

Brignardello, Enrico, Marco Gallo, Ileana Baldi, et al. "Anaplastic thyroid carcinoma: clinical outcome of 30 consecutive patients referred to a single institution in the past 5 years." European Journal of Endocrinology 156, no. 4 (2007): 425–30. http://dx.doi.org/10.1530/eje-06-0677.

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Objective: Treatment options for anaplastic thyroid carcinoma (ATC), which is one of the most lethal human malignant tumors, include surgery, chemotherapy and radiotherapy usually combined in a multimodal approach, to improve survival and avoid death from local invasion. However, there is no standard protocol for ATC treatment and the optimal sequence within multimodal therapy is debated. We retrospectively report the clinical outcome of 30 ATC patients referred consecutively to the Oncological Endocrinology Unit of San Giovanni Battista Hospital (Turin, Italy) between 2000 and 2005. Design: P
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16

Коваль, В. Ю. "SEARCHING THE «ITALIAN TRACE» IN THE WOOD AND EARTH FORTIFICATION OF THE MEDIEVAL RUSSIA." Краткие сообщения Института археологии (КСИА), no. 267 (October 4, 2022): 410–18. http://dx.doi.org/10.25681/iaras.0130-2620.267.410-418.

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Трактат итальянского архитектора первой половины XVI в. Д. Б. Белуцци, в котором изложена технология строительства земляных стен с деревянными внутренними конструкциями, демонстрирует ее принципиальные отличия от средневековой русской древо-земляной фортификации. На территории Руси имеется пока только один пример применения такой технологии при строительстве не сохранившегося до наших дней вала Китай-города в Москве в 1534 г. (да и тот - лишь в летописном тексте). Появление в Италии такой оригинальной технологии связано с противодействием огнестрельной артиллерии, а применение дерева в земляны
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17

Saleem Mohammed AIi, Nuha. "Correlation Betveen Erythromycin- Resistance Phenotypes ofStreptoco cc us Pne unrc nifi e ancl the Invitro Activitl' of Telith romycineand Azithrornycine." Tikrit Journal of Pharmaceutical Sciences 3, no. 2 (2023): 127–34. http://dx.doi.org/10.25130/tjphs.2007.2.6.127.134.

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Tow principal mechanisms have so far been found to be responsible for acquired macrolide ,lincosamide and streptogramin B (MLSB) antibiotics resistance in Streptococcus pneumoniae : target site modification and active drug efflux .the target site modification is due to methylase prevents the binding of the antibiotic to its ribosomal target and can be expressed either in a constitutive (cMLS phenotype) or inducible (iMLS phenotype ) manner .the macrolide efflux system,M phenotype ,is mediated by a membrane protein responsible for the efflux resistance. Although the incidence of resistance to m
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18

Kaleciński, Marcin. "Italian Inspirations in Speymann’s House and Its Alleged Role as a Museum." Porta Aurea, no. 22 (December 29, 2023): 101–14. http://dx.doi.org/10.26881/porta.2023.22.05.

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While choosing the theme of reliefs which were to decorate his house, Johann Speymann, the mayor of Gdańsk, educated in Italy, drew inspiration from such works as De veri precetti della pittura by Giovanni Battista Armenini (1587) and Trattato dell’arte della pittura by Gian Paolo Lomazzo (1584). Speymannhaus, also known as Steffenshaus, was built in the years 1609–1618 and designed by Abraham van den Blocke and Hans Voigt. In the façade Speymann presented a gallery of Roman consuls and other viri illustres whose lives abounded in Republican exempla virtutis. As the first patron in the history
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19

Zuccotti, Susan. "Cardinal Pietro Boetto: A Life of Service to the Society of Jesus, the Catholic Church, and the People of Genoa." Journal of Jesuit Studies 7, no. 4 (2020): 616–41. http://dx.doi.org/10.1163/22141332-00704006.

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Cardinal Pietro Boetto, archbishop of Genoa from 1938 until his death in 1946, was an unusual Jesuit priest in several respects. First, although from humble origins, trained in seminaries other than the most prestigious Jesuit institutions, and not given to complex theological writings, he rose through the ranks of the Society’s administration to attract the notice of Pope Pius xi and be elevated to the cardinalate in 1935. The elevation was in itself highly unusual, given standard Jesuit policy and the expressed reluctance of the order’s Superior General Włodzimierz Ledóchowski at the time. E
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20

Johnson, Janet. "Donizetti's first ‘affare di Parigi’: an unknown rondò-finale for Gianni da Calais." Cambridge Opera Journal 10, no. 2 (1998): 157–77. http://dx.doi.org/10.1017/s0954586700004912.

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Donizetti's involvement with Paris has been understood to date from February 1834, when Rossini, acting as the Théâtre Italien's music director, commissioned Marino Faliero for performance the following winter. Though written in Italy, the work was substantially revised in Paris during the two months Donizetti spent there before the première on 12 March 1835, hence William Ashbrook's assertion that Donizetti ‘wrote for the first time for Paris, absorbing the musical tastes of that city, when he presented Marino Faliero at the Théâtre Italien’. While this opera unquestionably remains the one th
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21

Jessica, Dello Russo. "Raffaele Garrucci and the Jewish Catacombs of Rome." Roma Subterranea Judaica, Publications of the International Catacomb Society 2012, no. 6 (2021): 1–52. https://doi.org/10.5281/zenodo.5670996.

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The Jesuit archaeologist Raffaele Garrucci (1812-1885) was one of the first on the site of every new archaeological discovery in Rome. An enthusiastic and erudite visitor, he could easily obtain the privilege of recording important details from an excavation. In this manner, he was fortunate to publish the Jewish catacombs discovered beneath the vineyards of one Giuseppe Randanini on the Appian Way in 1859. As a “private investigator” on the site in contrast to those representing the interests of the Papal State, Garrucci focused almost exclusively on Jewish epigraphic material fro
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22

Tramelli, Barbara. "Lomazzo's colors, Leonardo's colors." L'IDEA 1, no. 1 - Testi Fonti Lessico (2024): 33–47. https://doi.org/10.69114/LIDEA/2024.178-286.

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This article presents the discourse on color in Giovanni Paolo Lomazzo&rsquo;s&nbsp;<em>Treatise on the Art of Painting</em>, comparing the notions that the painter presents with select passages of Leonardo&rsquo;s&nbsp;<em>Libro di Pittura</em> and other writings on art (Dolce&rsquo;s, Pino&rsquo;s and Armenini&rsquo;s), to understand how Lomazzo differentiates his discourse on the subject from previous writers, and which notions the Milanese author may have appropriated from earlier treatises.
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23

Gómez Gómez, María Belén. "El proyecto religioso del cardenal Montini a la vanguardia de la arquitectura milanesa. El caso de Mater Misericordiae, icono de la modernidad | Cardinal Montini´s Religious Project, on the avant-garde of Milanese architecture. The study case of Mater Misericordiae, an icon of modernity." ZARCH, no. 8 (October 2, 2017): 300. http://dx.doi.org/10.26754/ojs_zarch/zarch.201782168.

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Durante la década de los años cincuenta del pasado siglo la ciudad de Milán creció a un ritmo acelerado al tratar de acomodar a la población que, como consecuencia de los movimientos migratorios acaecidos al final de la Segunda Guerra Mundial, se había ido alojando en la periferia. Algunas entidades, como la Diócesis de esta ciudad, trataron de dar ayuda espiritual a los habitantes de estas áreas en crecimiento, consolidándose esta iniciativa en un plan de construcción de nuevos complejos parroquiales en los alrededores de la ciudad. En el año 1955 es nombrado Arzobispo de Milán Giovanni Batti
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24

Mishyn, Viktor. "ORPHEUS: THE SYMBOL OF A NEW MUSIC ERA." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 20–28. http://dx.doi.org/10.30970/vas.20.2019.10649.

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The purpose of the article is to analyse the philosophical and aesthetical processes, which at the beginning of Modern Times had led to the formation of new musical-aesthetical paradigm, thereby changing the world of music and resulting in creating of the emotionally colored music as we know it. This belated Renaissance in music is inextricably linked to the emergence of opera and to the reconstructions of the antique musical-aesthetical philosophical ideas, attitudes and values in Northern Italy at the end of the 16th and beginning of the 17th century. One of the first scholars who appealed t
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25

Dello, Russo Jessica. "The Jewish Catacomb of the Vigna Cimarra." Roma Subterranea Judaica, Publications of the International Catacomb Society (PICS) 2010, no. 2 (2010): 1–32. https://doi.org/10.5281/zenodo.5676268.

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Recent publications have reminded us once again of what little information exists about a Jewish catacomb discovered in 1866 below the Vigna Cimarra in Rome. New research, however, has revealed its exact location and condition. Access to and study of this catacomb look far more promising now than they have been for generations. With the catacomb&#39;s fortunate preservation, de Rossi&#39;s &quot;note&quot; can now be transformed into a modern presentation of the site.&nbsp;
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26

Hughes, Byron D., and Don Nakayama. "Giovanni Battista Morgagni and the Morgagni Hernia." American Surgeon, April 22, 2021, 000313482110111. http://dx.doi.org/10.1177/00031348211011108.

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Giovanni Morgagni remains an eminent figure in the field of pathological anatomy. Born in Forli, Italy, he excelled as a child. He entered medical school at the age of 16 years old in Bologna. By the age of 31 he held the chair position at the University of Padua. During his tenure, he discovered many anatomical and pathological findings, with the most widely known discovery being the Morgagni Hernia. Morgagni first described this eponymic hernia in an adult stonecutter during an autopsy. In addition to his many discoveries, his most esteemed written contribution to the field of medicine came
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27

Sanguineti, Alessandro. "Giovanni Battista Vitali’s Violone in the Accademia." Journal of the Society for Musicology in Ireland, July 17, 2017, 3–29. http://dx.doi.org/10.35561/jsmi12161.

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&#x0D; This article discusses the background and content of Se le passioni amorose si debbano scoprire all’amico, ‘Olà, saggi, tacete’, an accademia set by Giovanni Battista Vitali, preserved in the Biblioteca Estense Universitaria, Modena, Mus. E. 245. Presumably performed during the period 1690–92, this special type of cantata includes one of the earliest examples, hitherto unnoticed, of a solo-obbligato bass-violin aria. Such arias were increasingly included in operas and oratorios composed in northern Italy from the late 1680s, but rarely in cantatas, and the present article explores the p
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28

Arrigo Caserta, Fawzi Doumaz, Antonio Costanzo, et al. "Assessing soil-structure interaction during the 2016 Central Italy seismic sequence (Italy): preliminary results." Annals of Geophysics 59 (December 5, 2016). http://dx.doi.org/10.4401/ag-7250.

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&lt;p&gt;&lt;em&gt;We used the moderate-magnitude aftershocks succeeding to the 2016 August 24&lt;sup&gt;th&lt;/sup&gt;, Mw = 6.0, Amatrice (Italy) mainshok to asses, specially during an ongoing seismic sequence, the soil-structure interaction where cultural Heritage is involved. We have chosen as case study the&lt;/em&gt;&lt;em&gt; San Giovanni Battista&lt;/em&gt;&lt;em&gt; church (A.D. 1039) in Acquasanta Terme town, about 20 Km northeast of Amatrice. First of all we studied the soil shaking features in order to characterize the input to the monument. Then, using the recordings in the church
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29

Ostapkowicz, Joanna, and Cecilia Pennacini. "Collecting “Remembrances of these Isles”: Tracing the Post-1880 History of a Taíno Cotton Cemí in the Dominican Republic and Italy." Latin American Antiquity, April 25, 2023, 1–17. http://dx.doi.org/10.1017/laq.2022.106.

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Abstract This article charts the collection history of the only surviving precolumbian cotton reliquary (cemí) from the Dominican Republic, establishing its provenance from the mid-nineteenth century through a previously unpublished manuscript written by the collector, Rodolfo Domingo Cambiaso Sosa, and using archival documents in Italy. The cemí, found in a cave in the southwest of the country near the town of Petitrou (Enriquillo), was purchased in 1882 by Admiral Giuseppe Giovanni Battista Cambiaso, one of the founders of the Dominican Navy. It emerged in international publications commemor
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30

Rodríguez-Mesa, Francisco José. "Un ginepro per Ginevra: appunti sulle donne Sforza protagoniste nella Gynevera de le clare donne." Estudios Románicos 31 (May 1, 2022). http://dx.doi.org/10.6018/er.498611.

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Giovanni Sabadino degli Arienti wrote, around 1490, the Gynevera de le clare donne, a collection of exemplary female biographies dedicated to Ginevra Sforza, wife and counsellor of Giovanni II Bentivoglio, de facto lord of Bologna. Unlike Boccaccio’s De mulieribus claris (archetype of this type of works), the women appearing in Sabadino’s work do not seem to have been chosen for their crucial contributions to our civilization, but for a rather different purpose, since most of them are connected to the courtly milieu of northern Italy or directly linked to the dedicatee herself. In this study w
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31

Everett, Paul. "Vivaldi’s Bohemian Manuscripts." Journal of the Society for Musicology in Ireland, June 14, 2013, 41–50. http://dx.doi.org/10.35561/jsmi08123.

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The present article was originally published in Czech translation by Michaela Freemanová: ‘Vivaldiho bohemikální rukopisy’, Opus musicum, 44/3 (2012), 14-25. It concerns the several manuscripts - mostly autographs - of Antonio Vivaldi that appear to originate from Bohemia and the time of the composer’s visit, accompanied by his father Giovanni Battista Vivaldi, to ‘Germania’ in 1729-30. Besides three manuscripts of compositions with lute (RV 83, 85 and 93), whose association with Count Johann Joseph von Wrtby (Jan Josef z Vrtba, 1669-1734) had been recognized in the 1970s, there are eleven fur
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32

Bezerra, Alexandra M. R., Edoardo Di Russo, and Riccardo Castiglia. "Disseminating “hidden” scientific collections: the medium and large-sized terrestrial mammals at the Museo di Anatomia Comparata “Giovanni Battista Grassi”, Roma, Italy." Biodiversity Data Journal 12 (July 5, 2024). http://dx.doi.org/10.3897/bdj.12.e124810.

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The dissemination of specimen data in scientific collections is a crucial step in making them available to the scientific community. However, even today, especially in some countries, little or nothing is known about the contents of the naturalistic collections of some museums. This is regrettable, especially in cases where the collections include historic specimens and endangered species. The Museum of Comparative Anatomy “Giovanni Battista Grassi”, situated in Rome, Italy, houses historical anatomical and didactic collections, with specimens gathered from 1600s and almost worldwide. The coll
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33

Selvafolta, Ornella. "ARTE, POLITICA, CULTURA NEI GIARDINI DI VILLA MELZI D’ERIL A BELLAGIO. IL MONUMENTO A DANTE E BEATRICE DI GIOVANNI BATTISTA COMOLLI, 1810." Istituto Lombardo - Accademia di Scienze e Lettere • Rendiconti di Lettere, February 10, 2022. http://dx.doi.org/10.4081/lettere.2021.779.

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On the occasion of the double anniversary - the seven hundred years since the death of Dante Alighieri and the two hundred years since the death of Napoleon Bonaparte - the essay deals with the monument of Dante and Beatrice sculpted by the neoclassical artist Giovanni Battista Comolli in 1810. His client was Francesco Melzi d’Eril, former Vice President of the Italian Republic (1802-1804), then Grand Chancellor Keeper of Seals of the Kingdom of Italy (1805-1814). Located in the gardens of the Villa Melzi d’Eril in Bellagio on Lake Como, the monument features the meeting of Dante and Beatrice
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34

Brignardello, Enrico, Marco Gallo, Ileana Baldi, et al. "Anaplastic thyroid carcinoma: clinical outcome of 30 consecutive patients referred to a single institution in the past 5 years." March 26, 2007. https://doi.org/10.1530/eje-06-0677.

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Objective: Treatment options for anaplastic thyroid carcinoma (ATC), which is one of the most lethal human malignant tumors, include surgery, chemotherapy and radiotherapy usually combined in a multimodal approach, to improve survival and avoid death from local invasion. However, there is no standard protocol for ATC treatment and the optimal sequence within multimodal therapy is debated. We retrospectively report the clinical outcome of 30 ATC patients referred consecutively to the Oncological Endocrinology Unit of San Giovanni Battista Hospital (Turin, Italy) between 2000 and 2005. Design: P
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35

Marzi, Tanja, Clara Bertolini-Cestari, and Olivia Pignatelli. "Learning from tradition: a case study of the diagnosis, dendrochronological dating, and intervention on a 16th-century timber roof structure in the western Italian Alps." Rivista Tema SI, no. 2022 (2023). http://dx.doi.org/10.30682/tema08sit.

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The paper presents a significant case study: the Church of San Giovanni Battista in Salbertrand dates back to the 16th century and constitutes one of the most interesting examples of religious architecture in the Susa Valley of the western Italian Alps. Its historic timber roof structure was once at risk of demolition, but in 2000 finally became the object of necessary preservation and reinforcement works. Here, the interdisciplinary studies carried out for the diagnosis and assessment of the state of conservation are presented, starting with the identification of the wood species used, the ge
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