Literatura académica sobre el tema "Graffiti – Société"
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Artículos de revistas sobre el tema "Graffiti – Société":
Buendía, Pedro. "Urban art, public space, and political subversion: The Egyptian revolution through graffiti Arte urbano, espacio público y subversión política la revolución egipcia a través del graffiti Art urbain, espace public et subversion politique : La révolution égyptienne à travers du graffiti". Regions and Cohesion 2, n.º 3 (1 de diciembre de 2012): 84–117. http://dx.doi.org/10.3167/reco.2012.020306.
Souillard, Sasha. "La Rivoluzione Macchiata: The Stained Revolution". Interdependent: Journal of Undergraduate Research in Global Studies 2 (2021): 91. http://dx.doi.org/10.33682/nv4g-se2u.
Wakeland, Robin Gay. "21st Century Graffiti Dialog". World Journal of Social Science Research 10, n.º 2 (23 de abril de 2023): p23. http://dx.doi.org/10.22158/wjssr.v10n2p23.
Yendra, Yendra, Ketut Artawa, I. Nyoman Suparwa y Made Sri Satyawati. "Symbolic Functions of Graffiti in Padang City of Indonesia: Critical Linguistic Landscape Studies". JURNAL ARBITRER 7, n.º 1 (26 de abril de 2020): 100. http://dx.doi.org/10.25077/ar.7.1.100-108.2020.
Melbārde, Aija, Auguste Petre y Zane Grigoroviča. "VISUAL INSIGHTS INTO GRAFFITI AND STREET ART IN RIGA. PHOTOGRAPHS". Culture Crossroads 13 (9 de noviembre de 2022): 9–18. http://dx.doi.org/10.55877/cc.vol13.110.
YERZNKYAN, Yelena y Grisha GASPARYAN. "ENGLISH TEXTUAL GRAFFITI IN THE CONTEXT OF LANGUAGE FUNCTIONS". Foreign Languages in Higher Education 24, n.º 2 (29) (7 de diciembre de 2021): 13–25. http://dx.doi.org/10.46991/flhe/2020.24.2.013.
Safonov, Ivan E., Ekaterina V. Shapiro, Ekaterina M. Lukina y Sofia A. Shchepkina. "Graffiti for the City or the City for Graffiti? Legitimacy of Graffiti in the Historical Center of Saint-Petersburg". Galactica Media: Journal of Media Studies 4, n.º 3 (3 de octubre de 2022): 100–122. http://dx.doi.org/10.46539/gmd.v4i3.315.
Umdu, Duygu Cinar. "Street Graffiti and Residents’ Attitude: Izmir City". New Trends and Issues Proceedings on Humanities and Social Sciences 4, n.º 11 (28 de diciembre de 2017): 130–38. http://dx.doi.org/10.18844/prosoc.v4i11.2867.
Hess, Djamila y Deddy Mulyana. "Beyond Art: Graffiti as a Medium of Counterpublics". Jurnal Komunikasi: Malaysian Journal of Communication 38, n.º 3 (30 de septiembre de 2022): 1–19. http://dx.doi.org/10.17576/jkmjc-2022-3803-01.
Al-Khawaldeh, Nisreen Naji, Imad Khawaldeh, Baker Bani-Khair y Amal Al-Khawaldeh. "AN EXPLORATION OF GRAFFITI ON UNIVERSITY’S WALLS: A CORPUS-BASED DISCOURSE ANALYSIS STUDY". Indonesian Journal of Applied Linguistics 7, n.º 1 (31 de mayo de 2017): 29. http://dx.doi.org/10.17509/ijal.v7i1.6856.
Tesis sobre el tema "Graffiti – Société":
Andrieu, Morgane. "Graffites et société en Gaule lyonnaise : contribution à l'étude des inscriptions gravées sur vaisselle céramique". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040117.
Latin writing is one of the main types of evidence for studying the Gallo-Roman period. Contacts between Romans and natives have favoured its spread throughout Gaul. Although few traces have remained, writing is a valuable testimony of the past and the objective of this thesis is to study its everyday use in the capital cities of Gallia Lugdunensis through the examples of Autun, Chartres and Sens (France). Therefore, this study is based on the analysis of the incised inscriptions (graffiti) on pottery tableware which was an everyday object accessible to the entire Gallo-Roman population and made of a non-perishable material. Thus, graffiti on pottery are among the rare examples at our disposal to understand the daily epigraphic habits of the Gallo-Roman population. The first part of this work was to identify all graffiti on pottery discovered in Autun, Chartres and Sens. The missions, which were possible thanks to the help of volunteers and to the financial support of the European Archaeological Centre (Bibracte), the Ministry of Culture and Paris-Sorbonne University, allowed us to identify a total of 676 graffiti, most of them are unpublished. All are listed, illustrated and discussed in the catalogue of this thesis. The study of the corpus includes the inscriptions, their linguistic and palaeographic analysis, the identification and the dating of their support and context of discovery. The messages transmitted by these inscriptions were different contents, wishes, dedications, etc.), but most consisted of ownership marks incised on quality crockery. The study reveals similar epigraphic practices in the three cities and the comparison with the results of previously published studies shows that these epigraphic codes are used far beyond the borders of Gallia Lugdunensis
Alrawashdeh, Hana. "Le graffiti dans les camps de fortune au Nord de la France : carrefour de langues, de signes et de discours. Une analyse de différentes réalisations scripturales". Electronic Thesis or Diss., Université de Lorraine, 2021. http://www.theses.fr/2021LORR0280.
This research work focuses on graffiti in the " temporary camps" that were set up between 2016 and 2017 in the North of France, including, among others, the well-known one in Calais (called the Jungle). This graffiti was created by the displaced people who lived there. To help them create the graffiti, those people used the available materials like tents, walls, and garbage bins.The photo collection that I have captured for this graffiti consists of 90 photos.This photo collection is a hybrid collection. It includes text and images. The text was written in several languages (mainly French, English, and Arabic). Also, the text was varied between words, quotes, and short, simple sentences.To conduct the analysis taking into account having the graffiti in different languages, all graffiti work was translated to French. The other factor that has been used in the analysis was the location of each graffiti in the camp. The ways for the residents of these camps to express their anxiety and anger were very limited. Given the social context and the purpose of creating this graffiti, we observed that the messages have included, among other things, demands, references to their countries of origin, and calls for peace. Due to the diversity of the content of this photo collection, I used different criteria to study them, and I applied the appropriate context to each photo.This thesis has two sections. The first section explains the general context of the camps (the structure of the camp, populations, and the spoken languages). The second section talks about the tools that have been used in the analysis of graffiti. The first chapter discusses the concept of graffiti. The second chapter talks about the linguistic characteristics of the photo collection. The third chapter covers graffiti as a speech act and the relationship between the sender and receiver of these messages. In more detail, who is the audience of this graffiti ? Is it possible to consider this graffiti as exposed writing “ écritures exposées ” ? The fourth chapter discusses the significant dimensions of graffiti such as the materials used, colors, and the interaction between writing and image. The last chapter provides my argument about the notion of seeing camps as cities where graffiti can be seen as a linguistic landscape
Yang, Chorong. "Graffiti et Street art : étude des discours historiographiques et de la critique esthétique d'une forme sociale de modernité visuelle". Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH016/document.
Many plastic works were born from a theory and practice influenced by political and social issues. Apart from differences in the methods used, they are united by a spirit of rebellion and contestation. We examined the relationship between art and popular culture, street art and socio-critical phenomenon of this period. Our hypothesis is that this relationship can be defined by the concept of street art, understood as an artistic practice whose connotations are both aesthetic and social a critique and order. It is on the basis of this hypothesis that we questioned the social content / critique of street art and its relationship with the socio-critical sphere which is a representation of the contemporary era. Our first intention was to show, through the graffiti testimony that the modern artists discovered the artistic value of graffiti and some anonymous registrant walls with intellectual expression. Then, this part concerns the prospect of popular culture, critical look at the age and plastics criteria that have had an influence on the street artists in France. Finally, the third and fourth parts deepen the street art movement that became the graffiti art in the history of contemporary art. We study the quarrels offered by the social function of works of art, the ethical problem of the artist's work social function, role, and real artistic value in the industrial culture and commercial art, unrolling a panorama of street artists activities. The two axes of “the artistic value” and “rebellious act”, dealing with contemporary art and its relationship with its critical vision of modernity, those are the foundation of the street art movement, which activist and rebel practice, as an art, and a critical approach towards the art world or our society are essential to its survival as it is. This subject will therefore give us the opportunity to question the true art in our society, a consumer society. Any image that is concerned with the meaning of the pictorial discourse is contentious and feeds on cultural and political antagonisms
Sabatini, Gerald Andrew. "Graffiti Architecture: Alternative Methodologies for the Appropriation of Space". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216901954.
Tarawneh, Aram. "Entrapped Between State and Tradition: The Effects of Graffiti and Street Art on the Jordanian Society". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21094.
Duarte, Angelina Maria Luna Tavares. "A sociedade secreta de pichadores/as e grafiteiros/as em Campina Grande-PB". Universidade Federal da Paraíba, 2010. http://tede.biblioteca.ufpb.br:8080/handle/tede/7273.
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis is the result of an investigation about the secret‟ society of taggers and graffiti artists, in Campina Grande, State of Paraíba, Brazil. Trying to find the secret kept by the young people involved, our aim was to identify, describe, and analyze its organizational structure, its functioning, its relations, its rules and characteristics. In order to do so, we intercrossed three theoretical and methodological fields: Ethnography; Oral History, and Social Theory of Discourse (FAIRCLOUGH, 2001). The analytical corpus was built upon two verbs: to observe and to listen participative observation and life histories. We observed individuals. We listened to five of them three boys and two girls. We also observed texts and real and virtual contexts. Regarding their discourse about the secret‟ society, we observed linguistic extracts (written and oral texts from taggers and others from graffiti artists, and five narratives of their life histories), so that we could develop the analytical process. We sometimes inquired into texts available on online social networks such as Orkut, written by taggers and graffiti artists, as well as other linguistic events available on group or crew blogs and notes taken on field diary. Within the hierarchically divided and structurally organized space, in which the group plays the main role, individuals live symbolic and material experiences of sociability. They organize themselves, exercise control, set rules, lead, and fund a closed society, whose existence lies on the secrecy. From this society, they play, dispute, protest, negotiate, and claim the inclusion of their cultural practices in the urban contemporary cultural scene. The concept of experience (THOMPSON, 1981) was fundamental to our analysis. The results suggest that the taggers and graffiti artists see the secret‟ society as an identity locus which allows them to have a paradoxical anonymous visibility, once they do not have social projection in peripheries.
Esta tese resultou de uma investigação sobre a sociedade secreta de pichadores/as e grafiteiros/as, em Campina Grande PB. Em busca do segredo guardado por esses/as jovens, estabelecemos, como objetivo, identificar, descrever e analisar a estrutura organizacional, o funcionamento, as relações, as regras e as características dessa sociedade. Para tanto, entrecruzamos três fios teórico-metodológicos: Etnografia, História Oral e Teoria Social do Discurso (FAIRCLOUGH, 2001). Construímos o corpus analítico com dois verbos: OBSERVAR e OUVIR observação participante e histórias de vida. Observamos sujeitos. Ouvimos cinco deles três meninos e duas meninas. Observamos também textos e contextos reais e virtuais. Observamos ainda imagens. No que diz respeito ao discurso produzido por eles/as sobre essa sociedade secreta , utilizamos o procedimento metodológico da observação de excertos linguísticos desse discurso (escrito e oral, respectivamente, alguns textos da pichação e do grafite, e cinco narrativas das histórias de vida), para, a partir deles, desenvolvermos o processo analítico. Recorremos, ainda, algumas vezes, a textos presentes nas páginas do site de relacionamento ORKUT, de pichadores/as e grafiteiros/as, como também a outros eventos linguísticos constantes nas páginas de comunidades e blogs de grupos ou crews, além das anotações no diário de campo. O conceito de experiência (THOMPSON, 1981) foi fundamental às nossas análises. Os resultados sugerem que a sociedade secreta é representada, por esses/as jovens, como um locus identitário que lhes permite, paradoxalmente, uma visibilidade anônima, já que, na periferia, eles não conseguem projeção. Nesse espaço estruturalmente organizado, hierarquicamente dividido, em que o coletivo assume o papel principal, vivenciam experiências simbólicas e materiais de sociabilidade, organizam-se, exercem um controle, estabelecem regras, comandam, fundam uma sociedade fechada, para cuja existência o segredo é uma ferramenta indispensável. Assim, a partir dela, brincam, disputam, protestam, agenciam, mas também reivindicam a inclusão de suas práticas culturais na cena da cultura urbana contemporânea.
Beauchamp, Geneviève. "Le graffiti comme sous-culture contemporaine : pratique anarchique et marginale ou microcosme de la société moderne ?" Thèse, 2005. http://hdl.handle.net/1866/17181.
CHANG, YUNG-HSIANG y 張詠翔. "The Analysis of Graffiti in Berlin – in the aspect of politics, society, culture, and art. / Die Analyse der Graffiti in Berlin - Aus Perspektiven der Politik, Gesellschaft, Kultur und Kunst". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/byg587.
東吳大學
德國文化學系
107
In 1961, German Democratic Republic (GDR) began to build the Berlin Wall, which became the most famous open-air gallery in the world in 1990. Graffiti came to be cultural symbol of Berlin at this time, and had a huge positive impact on the growth of tourism economy in Berlin. The graffiti movement was introduced from the United States to Germany during the 1980s. The graffiti in Berlin developed from Kreuzberg. After World War Two, migration of Kreuzberg and inability to attract investment resulted in tons of empty houses there; additionally, intense social situation also contributed to social structural conditions of the development of graffiti. Based on the geographical and historical factors of Kreuzberg, the amount of graffiti is larger and the art pieces are more delicate than those in other areas of Berlin. After the collapse of the Berlin Wall, graffiti spread far wider, even to the Eastern Berlin. The forms of graffiti in Berlin were diverse; moreover, the techniques, the way of using it, and the motivation of graffiti writers were a far cry from pieces to pieces. The status of graffiti changed due to the variation of the social situation, the promotion of relevant groups, and the development of the tourism economy. The changes could also be observed from corresponding policies of the concerned government. This paper features the function, which continues on varying considering changes in society, of graffiti in Berlin with four aspects: politics, society, culture and art.
Dube, Liketso. "Exploration of Ndebele carnival literature posted on Facebook walls and how it provides an escape route from censorship in Zimbabwe". Thesis, 2020. http://hdl.handle.net/10500/27415.
African Languages
D. Phil. (African Languages)
Libros sobre el tema "Graffiti – Société":
Ponosov, Igorʹ. Iskusstvo i gorod: Graffiti, ulichnoe iskusstvo, aktivizm. Moskva: [publisher not identified], 2016.
Andersen, Ivar. Playground Sweden. Årsta: Dokument, 2007.
Mania, Patrizia, Raffaella Petrilli y Elisabetta Cristallini. Arte sui muri della città: Street art e urban art : questioni aperte. Roma: Round Robin editrice, 2017.
Roa, Alberto Saldarriaga. Ciudad contemporánea: Arte, imagen y memoria. Editado por Vargas Rodríguez Alberto. Bogotá: Universidad de Bogotá Jorge Tadeo Lozano, 2011.
Milnor, Kristina. Graffiti and the literary landscape in Roman Pompeii. Oxford: Oxford University Press, 2014.
Varnedoe, Kirk. High & Low: Moderne Kunst und Trivialkultur. München: Prestel-Verlag, 1990.
Campos, Ricardo. Arte(s) urbana(s). Ribeirão - V. N. Famalicão: Húmus, 2020.
Mills, Stormie. Dwi yma. [West Perth, W.A.]: Magenta Group, 2013.
Tilly, Luke. If you like art you'll love this: The necessity of graffiti in todays society. London: LCP, 1999.
Magalhães, Liliana y Lucas Ribeiro. Transfer: Cultura urbana, arte contemporânea, transferências, transformações : Santander Cultural, Porto Alegre, de 25 junho a 28 setembro de 2008. Porto Alegre, Rio Grande do Sul, Brazil]: Santander Cultural, 2008.
Capítulos de libros sobre el tema "Graffiti – Société":
Bishop, Elizabeth. "“Dogs of Wall Street, Let Us Alone”: Graffiti in Cold War Baghdad, 1953". En The Arab Spring, Civil Society, and Innovative Activism, 17–32. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57177-9_2.
Sargsyan, Gagik G. y Amir Harrak. "Armenian Inscriptions and Graffiti at the Monastery of Mār Behnam and in Qaraqosh". En Journal of the Canadian Society for Syriac Studies 15, editado por Amir Harrak, 17–32. Piscataway, NJ, USA: Gorgias Press, 2015. http://dx.doi.org/10.31826/9781463236915-003.
Carmona-Quiroga, Paula María, María Teresa Blanco-Varela y Sagrario Martínez-Ramírez. "Freeze-Thaw and UV Resistance in Building Stone Coated with Two Permanent Anti-graffiti Treatments". En Engineering Geology for Society and Territory - Volume 8, 531–34. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09408-3_94.
Bassetti, Massimiliano. "I graffi ti dell’abside nord di S. Zeno: uno spaccato della societa veronese dei secoli ix e x". En Urban identities in Northern Italy, 800-1100 ca., 307–36. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.scisam-eb.5.109866.
Porter, Martin. "Living Graffiti". En Windows of the Soul, 255–300. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199276578.003.0007.
Ley, David y Roman Cybriwsky. "Urban Graffiti as Territorial Markers*". En Culture and Society, 143–57. Routledge, 2018. http://dx.doi.org/10.4324/9781351160360-7.
Alves, Aline Kedma Araujo, Rafael Santos Câmara y lyane Lins Corrêa. "Urban (In)Visibilities: Women Artists of Graffiti in Salvador City". En COMbART:Arte, artivismo e cidadania. Utopias e futuros imaginados, 218–37. Universidade do Porto. Faculdade de Letras, 2020. http://dx.doi.org/10.21747/978-989-9082-54-0/comba14.
Bost, Jean-Pierre. "Quelques graffitis de Périgueux antique". En L’Empire romain et les sociétés provinciales, 347–69. Ausonius Éditions, 2009. http://dx.doi.org/10.4000/books.ausonius.8525.
Richlin, Amy. "Graffiti, Gossip, Lampoons, and Rhetorical Invective". En The Garden of Priapus, 81–104. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195068733.003.0004.
Bost, Jean-Pierre. "Exploits amoureux à Limoges au iiie siècle après J.-C. : trois graffiti de la “Maison des Nones de Mars”". En L’Empire romain et les sociétés provinciales, 241–49. Ausonius Éditions, 2009. http://dx.doi.org/10.4000/books.ausonius.8507.
Actas de conferencias sobre el tema "Graffiti – Société":
Albu, Ion, Svetlana Albu y Adrian-Alexandru Șerbănoiu. "Solutions to maintain and increase the value of the built heritage in the mun. Chișinău". En The 5th Economic International Conference “Competitiveness and sustainable development“. Technical University of Moldova, 2023. http://dx.doi.org/10.52326/csd2023.17.