Bibliografías temáticas / Greek American literature

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Literatura académica sobre el tema "Greek American literature"

Autor: Grafiati
Publicado: 25 de julio de 2024

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Artículos de revistas sobre el tema "Greek American literature"

1

Constantinou, Stavros T., Milton E. Harvey, and Karen H. Larwin. "Development and Validation of an Adult Greek-American Identity Scale." Journal of Methods and Measurement in the Social Sciences 8, no. 1 (2018): 20–57. http://dx.doi.org/10.2458/v8i1.22020.

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The current investigation demonstrates the development of an identity instrument, specifically for the measurement of Greek-American ethnic identity: the Adult Greek-American Identity Scale (AGIS). This scale construct validity was assessed with data collected from six Greek Orthodox parishes in northeastern Ohio. As an expansion of earlier research, this study demonstrates that the Greek-American Identity Scale successfully captures the salient elements of this complex and multifaceted phenomenon under four constructs: Ethos, Network, Diaspora, and Attitude. This study makes contributions to
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2

Kellman, Steven. "Multilingual Literature of the United States." Polylinguality and Transcultural Practices 19, no. 1 (2022): 19–27. http://dx.doi.org/10.22363/2618-897x-2022-19-1-19-27.

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Like the Russian Federation, the United States is a multilingual, multicultural society. A nation of immigrants and indigenous peoples, it has produced a rich body of literature in dozens of languages in addition to English that scholars have only in recent decades begun to pay attention to. Of particular note are texts in Spanish, Yiddish, Chinese, French, Hebrew, German, Arabic, Norwegian, Welsh, Greek, Turkish, Italian, Korean, Polish, Portuguese, Russian, Vietnamese and numerous American Indian languages. In this paper we observe the most significant texts of multilingual American literatu
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3

Cox, Jeremy. "American Philhellenes and the Poetics of War." Journal for the History of Rhetoric 23, no. 3 (2020): 253–86. http://dx.doi.org/10.5325/jhistrhetoric.23.3.0253.

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ABSTRACT Between 1821 and 1829, the Greek War for Independence attracted widespread and enthusiastic support in the United States. While most were content to simply follow along with the war’s proceedings, a small but vocal group of “philhellenes” took the remarkable step of making Greece’s cause their own. American philhellenes used nationalistic appeals couched in the language of an emergent middle-class sentimentality to raise funds for the Greeks while also lobbying for deeper American involvement in the conflict. Greece’s revolution, American philhellenes argued, was not a foreign war to
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4

Tsokanos, Dimitrios. "“The Black Cat” and Emmanuel Rhoides." Edgar Allan Poe Review 22, no. 2 (2021): 343–52. http://dx.doi.org/10.5325/edgallpoerev.22.2.0343.

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Abstract This essay explores the influence of Edgar Allan Poe on Emmanuel Rhoides, the Greek writer and translator who, in 1877, first introduced the American author to a Greek audience. Granting the lack of research into Poe's impact on the Hellenic literary world, the note discusses “Ἱστορία ἑνὸς σκύλου” (“The Story of a Dog”) published by Rhoides in 1893, which bears clear but unexplored similarities to Poe's “The Black Cat.” The Greek story was printed alongside “Η Ιστορία μιας Γάτας,” a tale that has already been linked to the same Poe story in terms of content and structure. This compari
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5

Pastourmatzi, Domna. "Researching and Teaching Science Fiction in Greece." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 530–34. http://dx.doi.org/10.1632/003081204x20613.

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In the dreams our stuff is made of, Thomas M. Disch talks about the influence and pervasiveness of science Fiction in American culture and asserts the genre's power in “such diverse realms as industrial design and marketing, military strategy, sexual mores, foreign policy, and practical epistemology” (11-12). A few years earlier, Sharona Ben-Tov described science fiction as “a peculiarly American dream”—that is, “a dream upon which, as a nation, we act” (2). Recently, Kim Stanley Robinson has claimed that “rapid technological development on all fronts combined to turn our entire social reality
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6

Keller, Katherine Zepantis. "Gender, Myth, and Memory, Ethnic Continuity in Greek-American Narrative." MELUS 20, no. 3 (1995): 47. http://dx.doi.org/10.2307/467742.

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7

De Lucia, Francesca. "Return Narratives: Ethnic Space in Late-Twentieth-Century Greek American and Italian American Literature by Theodora D. Patrona." Journal of Modern Greek Studies 37, no. 1 (2019): 202–4. http://dx.doi.org/10.1353/mgs.2019.0013.

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8

Adamik, Verena. "Making worlds from literature: W.E.B. Du Bois’s The Quest of the Silver Fleece and Dark Princess." Thesis Eleven 162, no. 1 (2021): 105–20. http://dx.doi.org/10.1177/0725513621993308.

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While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space f
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9

Daddario, Will. "«Lemma»: Jay Wright’s Idiorrhythmic American Theater." Pamiętnik Teatralny 70, no. 4 (2021): 121–40. http://dx.doi.org/10.36744/pt.985.

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This essay presents Jay Wright’s play Lemma as a historiographical challenge and also as a piece of idiorrhythmic American theater. Consonant with his life’s work of poetry, dramatic literature, and philosophical writing, Lemma showcases Wright’s expansive intellectual framework with which he constructs vivid, dynamic, and complex visions of American life. The “America” conjured here is steeped in many traditions, traditions typically kept distinct by academic discourse, such as West African cosmology, Enlightenment philosophy, jazz music theory, Ancient Greek theater, neo-Baroque modification
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10

Balint, Adina. "MEMORY TRANSMISSION, SURVIVAL AND MULTICULTURALISM IN CONTEMPORARY CANADIAN LITERATURE." Alea : Estudos Neolatinos 18, no. 3 (2016): 422–34. http://dx.doi.org/10.1590/1517-106x/183-422.

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Abstract In 2014, the Quebecois writer Catherine Mavrikakis published Diamanda Galas, a tribute to the American artist performer of Greek origin, Diamanda Galas – at the Montreal Publishing House, Héliotrope, inaugurating a new collection, “Guerrières et Gorgones” (Warriors and Gorgons). At the same time and in the same collection, Martine Delvaux published a tribute to the American photographer Nan Goldin, in an eponymous essay. “What survives from/through artists who are prophets of the contemporary?”, inquires Mavrikakis. Acting on the tragedy of history and transgressing it, how can litera
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