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Artículos de revistas sobre el tema "Guatemalan Sculpture"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 27 de julio de 2025

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1

Kaplan, Jonathan. "The Incienso Throne and Other Thrones From Kaminaljuyu, Guatemala. Late Preclassic examples of a Mesoamerican throne tradition." Ancient Mesoamerica 6 (1995): 185–96. http://dx.doi.org/10.1017/s0956536100002170.

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AbstractA “table altar,” perhaps one described by Cabrera (1822) almost 200 years ago and since unreported, is the only complete example of a class of four-legged sculptures known at present from Kaminaljuyu. Iconographic similarities between the monument and sculptures from southern piedmont and coastal centers and comparisons with other Kaminaljuyu sculptures suggest an early Late Preclassic date (Late Verbena-Early Arenal, approximately 300-200 B.C.). According to depictions on other southern-area monuments many “table altars” were formal, emblematic seats for rulers, or thrones, which had

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2

Thompson, Lauri McInnis, and Fred Valdez. "POTBELLY SCULPTURE." Ancient Mesoamerica 19, no. 1 (2008): 13–27. http://dx.doi.org/10.1017/s0956536108000278.

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AbstractPrehistoric potbelly (boulder) sculpture has been of great interest for many decades. Most such sculptures occur in the highlands and piedmont of the Pacific Coast in Guatemala and El Salvador. The specific function and dating of the monuments has been of particular concern to researchers. This paper presents a summary of data in an attempt to place potbelly sculptures into recognizable stylistic groups that may in turn allow scholars to hypothesize their general function or functions. The excavation of a ceramic potbelly figure in northern Belize may provide hard evidence for the dati

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3

Estrada-Belli, Francisco. "LIGHTNING SKY, RAIN, AND THE MAIZE GOD: The Ideology of Preclassic Maya Rulers at Cival, Peten, Guatemala." Ancient Mesoamerica 17, no. 1 (2006): 57–78. http://dx.doi.org/10.1017/s0956536106060068.

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Research in the northeastern Peten region at Holmul and nearest minor centers shows a complex history of public ritual activity from the Middle Preclassic onward. Patterns of public architecture, monumental sculpture, iconography, caches, and burials at sites such as Holmul and Cival document early development of the ideology of Maya kingship. Late Preclassic monumental sculptures adorning large pyramid temples provide immediate and elaborate metaphors for the ancestral patrons of emerging dynasts. Middle Preclassic architecture and caches are encoded with the ideological program of the earlie

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4

Solari, A. "Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala." Ethnohistory 60, no. 4 (2013): 784–86. http://dx.doi.org/10.1215/00141801-2314038.

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5

Dmitri, Beliaev, and Vepretskii Sergei. "Los monumentos de Itsimte (Petén, Guatemala): nuevos datos e interpretaciones." Arqueologia Iberoamericana 38 (April 4, 2018): 3–13. https://doi.org/10.5281/zenodo.3474375.

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Durante los trabajos de campo del Proyecto <em>Atlas Epigráfico de Petén</em> en Guatemala desde 2013 a 2016, se volvió a documentar la mayoría de los monumentos del sitio Itsimte (Departamento de Petén, Guatemala). Las estelas 2, 5 y 7 proporcionaron nuevos datos sobre la dinastía de Itsimte que, al parecer, fue fundada alrededor de 200-220 d. C. ENGLISH: The Monuments of Itsimte (Peten, Guatemala): New Data and Interpretations. During the fieldwork phase of the <em>Epigraphic Atlas of Peten</em> project between 2013 and 2016, the majority of hierogly

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6

Lin, Wei-Cheng. "Megan E. O'Neil,Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala." Art Bulletin 96, no. 2 (2014): 238–40. http://dx.doi.org/10.1080/00043079.2014.899418.

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7

Becker, Marshall. "Maya Rulersof Time: A Study of the Architectural Sculpture at Tikal, Guatemala." Latin American Anthropology Review 1, no. 1 (2009): 16. http://dx.doi.org/10.1525/jlca.1989.1.1.16.1.

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8

Love, Michael, and Julia Guernsey. "Monument 3 from La Blanca, Guatemala: a Middle Preclassic earthen sculpture and its ritual associations." Antiquity 81, no. 314 (2007): 920–32. http://dx.doi.org/10.1017/s0003598x00096009.

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Beside one of the earliest Preclassic pyramids in Guatemala the authors discovered a large basin fashioned in clay and shaped like a quatrefoil. The use of the quatrefoil theme on other carvings reveals its association with water and its symbolic role as the mouth of an underworld. Excavations in an adjacent mound exposed an affluent community, rich in figurines. This juxtaposition of monuments and residence at La Blanca shows a society of 900-600 BC in which ritual and the secular power were well integrated.

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9

Chinchilla Mazariegos, Oswaldo. "HUMAN SACRIFICE AND DIVINE NOURISHMENT IN MESOAMERICA: THE ICONOGRAPHY OF CACAO ON THE PACIFIC COAST OF GUATEMALA." Ancient Mesoamerica 27, no. 2 (2016): 361–75. http://dx.doi.org/10.1017/s0956536116000201.

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AbstractThis article explores the sacrificial symbolism of cacao (Theobroma sp.) on the Pacific coast of Guatemala, manifest in the iconography of ceramic objects and stone sculptures from the Classic period, in textual references from the colonial period, and in contemporary ethnographic data from the southern highlands. The iconographic and textual metaphors contained in these sources linked cacao pods with dead warriors, captives, and sacrificial victims. As interpreted in this article, the harvest of cacao was equated with the acquisition of sacrificial victims, and both were conceived as

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10

Dmitri, Beliaev, de León Antillón Mónica, Galeev Philipp, and Vepretskii Sergei. "Nuevo estudio del Templo VI (Templo de las Inscripciones) de Tikal, Guatemala." Arqueologia Iberoamericana 29 (February 18, 2016): 28–37. https://doi.org/10.5281/zenodo.1315007.

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El presente trabajo analiza los datos sobre la cronología del Templo VI (Templo de las Inscripciones) de Tikal. Durante el trabajo de la segunda fase del proyecto «Atlas Epigráfico de Petén» (abril-mayo de 2014), fue documentada la inscripción en la crestería del templo, el texto jeroglífico del Clásico Tardío más grande del Petén y uno de los más extensos de todas las Tierras Bajas mayas. La secuencia de la construcción del relieve y estuco modelado observada en la crestería, junto con los d

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11

Becker, Marshall. "Maya Rulers of Time:Maya Rulersof Time: A Study of the Architectural Sculpture at Tikal, Guatemala." Latin American Anthropology Review 1, no. 1 (1989): 16. http://dx.doi.org/10.1525/jlat.1989.1.1.16.1.

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12

Saccarello, M. V., P. Bensi, and E. Pedemonte. "Problems of adhesion between support and ground layers in polychrome wooden sculptures in Guatemala." Studies in Conservation 37, no. 1 (1992): 135–39. http://dx.doi.org/10.1179/sic.1992.37.1.135.

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13

Saccarello,, M. V., P. Bensi, and E. Pedemonte. "PROBLEMS OF ADHESION BETWEEN SUPPORT AND GROUND LAYERS IN POLYCHROME WOODEN SCULPTURES IN GUATEMALA." Studies in Conservation 37, sup1 (1992): 135–39. http://dx.doi.org/10.1179/sic.1992.37.s1.029.

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14

O'Neill, Kevin Lewis. "I Want More of You: The Politics of Christian Eroticism in Postwar Guatemala." Comparative Studies in Society and History 52, no. 1 (2009): 131–56. http://dx.doi.org/10.1017/s0010417509990351.

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The image appeared on the cover of a Sunday bulletin, produced and distributed by one of Guatemala City's most conservative neo-Pentecostal mega-churches. The picture presented the face of a young teenage girl, her eyes closed, lips wet, and skin kissed by a soft, transcendent light; the young woman's head was even tilted to the side in what Jacques Lacan would call jouissance (1998). Across her pink lips read Psalm 4:6: “In peace, I lay myself down.” This image, stitched together by the church's media relations department, makes a sly reference to Gian Lorenzo Bernini's sculpture, St. Teresa

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15

Palka, Joel W. "Reconstructing Classic Maya Socioeconomic Differentiation and the Collapse at Dos Pilas, Peten, Guatemala." Ancient Mesoamerica 8, no. 2 (1997): 293–306. http://dx.doi.org/10.1017/s0956536100001747.

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AbstractThree field seasons of extensive residential archaeology at Dos Pilas, Peten, Guatemala, provide important data for the examination of ancient Maya social structure and the Classic Period collapse in the Petexbatun region. A sampling strategy guiding excavations in structures of different size and architectural configuration enables us to reconstruct the multifaceted, segmented nature of Maya social inequalities and helps to elucidate the effects of the collapse on the lives of people of various socioeconomic ranks and statuses. Other significant findings of the project include hierogl

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16

Fu, Roger R., Joseph L. Kirschvink, Nicholas Carter, et al. "Knowledge of magnetism in ancient Mesoamerica: Precision measurements of the potbelly sculptures from Monte Alto, Guatemala." Journal of Archaeological Science 106 (June 2019): 29–36. http://dx.doi.org/10.1016/j.jas.2019.03.001.

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17

MacLeod, Barbara. "The God's Grand Costume Ball: a Classic Maya prophecy for the close of the thirteenth Bakˈtun". Proceedings of the International Astronomical Union 7, S278 (2011): 231–39. http://dx.doi.org/10.1017/s1743921311012658.

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AbstractIn the favored correlation between the Mayan and Gregorian calendars, a time period of a little over 5125 solar years will be completed on the winter solstice of 2012. While numerous Classic Maya hieroglyphic texts feature the previous closing of this era in 3114 BCE, only one text—Monument Six of Tortuguero, Tabasco, Mexico—mentions the future event. The portion of the monument describing the event is damaged, and previous attempts to decipher this part of the text have been inconclusive. These have inadvertently led to popular and far-flung millenniarian speculations about ancient es

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18

Kosakowsky, Laura J., Francisco Estrada Belli, and Paul Pettitt. "PRECLASSIC THROUGH POSTCLASSIC." Ancient Mesoamerica 11, no. 2 (2000): 199–215. http://dx.doi.org/10.1017/s0956536100112027.

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Ceramic and radiometric data from the three seasons of survey and excavations, 1995–1997, conducted in the coastal districts of Santa Rosa and Jutiapa in southeastern Guatemala are used to construct a chronological sequence for this previously little-known 1000-km2 region. Patterns of local ceramic manufacture and interregional trade are identified through the use of type-variety classification methods coupled with neutron-activation analysis. The resulting 3000-year-long uninterrupted chronological sequence, beginning in the Early Preclassic, shows patterns of continuity in manufacturing tech

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19

Fash, William L. "Maya Rulers of Time, A Study of Architectural Sculpture at Tikal, Guatemala. Arthur G. Miller. University Museum, University of Pennsylvania, Philadelphia, 1986. 96 pp., illustrations, appendix, biblio. $24.95 (paper)." American Antiquity 54, no. 1 (1989): 211. http://dx.doi.org/10.2307/281354.

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20

Schreiber, Rebecca M. "Visions of Refuge: The Central American Exodus and the Floating Ladder." American Literary History 34, no. 3 (2022): 1015–40. http://dx.doi.org/10.1093/alh/ajac076.

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Abstract This essay focuses on two performative acts. The first is the fall 2018 caravan, a work of political performance, which involved thousands of Central American migrants/refugees fleeing their countries in response to structural and other forms of violence. These caravaneros (caravaners) traveled collectively through Honduras, Guatemala, and Mexico to protect themselves from being targeted by state and nonstate actors en route to the US–Mexico border. The second performative act, which took place in Tijuana in January 2019, involved an artistic collaboration between Caleb Duarte and a g

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21

Coggins, Clemency Chase. "The Origins of Maya Art: Monumental Stone Sculpture of Kaminaljuyú, Guatemala, and the Southern Pacific Coast. Lee Allen Parsons. Studies in Pre-Columbian Art and Archaeology, No. 28. Dumbarton Oaks Research Library and Collection, Washington, D.C., 1986. ix + 134 pp., tables, maps, figures, biblio. $30.00 (paper)." American Antiquity 53, no. 2 (1988): 428–29. http://dx.doi.org/10.2307/281035.

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22

"Engaging ancient Maya sculpture at Piedras Negras, Guatemala." Choice Reviews Online 50, no. 03 (2012): 50–1552. http://dx.doi.org/10.5860/choice.50-1552.

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23

Hansen, Eric F., Arie Wallert, and Michele Derrick. "An Organic Colorant used in Painted Ancient Maya Architectural Sculpture at Nakbe, Peten, Guatemala." MRS Proceedings 462 (1996). http://dx.doi.org/10.1557/proc-462-287.

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ABSTRACTThe ancient Lowland Maya are generally considered to have used a limited number of inorganic colorants in their polychrome reliefs due to the lack or inaccessibility of mineral resources, especially during the Late Preclassic period (300 B.C. – 300 A.D.). A notable exception is the manufacture of a blue pigment from indigo and specific types of clay, known as Maya blue, from the Classic Period (300 – 900 A.D.) through Colonial times. Another exception is a recently analyzed cream (or reddish-yellow) colored paint found on exceptionally large architectural polychrome stuccoed sculpture

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24

Spencer, Kaylee. "Kaylee R. Spencer. Review of "Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala" by Megan E. O'Neil and "Space and Sculpture in the Classic Maya City" by Alexander Parmington." caa.reviews, June 28, 2017. http://dx.doi.org/10.3202/caa.reviews.2017.91.

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25

Carter, Nicholas P., Samantha Krause, and Jacob Lozano. "Striking distance: Investigating the epigraphy and geography of a Late Classic Maya war." Ancient Mesoamerica, June 26, 2023, 1–15. http://dx.doi.org/10.1017/s095653612300010x.

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Abstract We present a photogrammetric model and new line drawing of Sacul Stela 3 at the ancient Maya site of Sacul 1, Guatemala. Although virtually illegible in person and from photographs, the inscription on the eroded stela can largely be read or reconstructed in the 3D model. Our reading confirms a previous argument that the kingdom based at Sacul 1 was attacked in A.D. 779 by forces from the site of Ucanal. Traveling by night, warriors from Sacul retaliated with a raid at dawn next day on an unidentified site and, months later, followed up with an attack on Ucanal itself. The same narrati

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