Bibliografías temáticas / Guillaume de Palerne (Romance)

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Literatura académica sobre el tema "Guillaume de Palerne (Romance)"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Guillaume de Palerne (Romance)"

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Behrmann, Bridget. "“Quel beste ceste piax acuevre” : Idyll and the Animal in Guillaume de Palerne’s Family Romance." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 331–46. http://dx.doi.org/10.4000/crm.12940.

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Colombo Timelli, Maria. "Guillaume de Palerne en prose." Cahiers de recherches médiévales et humanistes, no. 30 (December 15, 2015): 391–405. http://dx.doi.org/10.4000/crm.13901.

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Ferlampin-Acher, Christine. "Guillaume de Palerne : une parodie ?" Cahiers de recherches médiévales et humanistes, no. 15 (June 20, 2008): 59–72. http://dx.doi.org/10.4000/crm.5583.

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Kay, Sarah, and Peggy McCracken. "Introduction : Animal Studiesand Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 323–30. http://dx.doi.org/10.4000/crm.12938.

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McCracken, Peggy. "Skin and sovereignty in Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 361–75. http://dx.doi.org/10.4000/crm.12944.

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Runstedler, Curtis. "The Benevolent Medieval Werewolf in William of Palerne." Gothic Studies 21, no. 1 (2019): 54–67. http://dx.doi.org/10.3366/gothic.2019.0007.

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This article argues that the werewolf of the medieval romance displays behaviour comparable with modern studies of the wolf. In the dualistic medieval world of nature versus society, however, this seems inconsistent. How does the medieval werewolf exhibit realistic traits of the wolf? I examine the realistic lupine qualities of the werewolf Alphouns in the Middle English poem William of Palerne to justify my argument. Citing examples from his actions in the wilderness, I argue that Alphouns's lupine behaviour is comparable to traits such as cognitive mind-mapping and surrogate parental roles,
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Colombo Timelli, Maria. "Guillaume de Palerne, texte présenté et traduit par Christine Ferlampin-Acher." Studi Francesi, no. 172 (LVIII | I) (April 1, 2014): 117. http://dx.doi.org/10.4000/studifrancesi.2060.

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Hanna, Ralph. "William of Palerne, an Alliterative Romance. G. H. V. Bunt." Speculum 62, no. 1 (1987): 109–12. http://dx.doi.org/10.2307/2852572.

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Charbonneau, Joanne A. "G. H. V. Bunt, ed., William of Palerne: An Alliterative Romance." Yearbook of Langland Studies 01 (January 1987): 140–43. http://dx.doi.org/10.1484/j.yls.2.302977.

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Miller, Hartley R. "“Hey, you look like a prince!” Ideology and Recognition in Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 347–60. http://dx.doi.org/10.4000/crm.12942.

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Tesis sobre el tema "Guillaume de Palerne (Romance)"

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Hodgson, Eleanor. "Reflections of writing, rewriting, and reading in twelfth-century French literature : a study of Guillaume de Palerne as a self-reflexive romance." Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/10689/.

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This thesis explores Guillaume de Palerne as a self-reflexive romance in which twelfth-century practices of writing, rewriting, and reading are reflected in the narrative. As a romance excluded from the main corpus of texts analysed in medieval studies, Guillaume suffered from critical neglect throughout much of the twentieth century. However, a recent rise in interest in this work has called for its integration into mainstream scholarship. This study develops this trend by examining the contribution that Guillaume can make to existing knowledge of romance production and reception. Detailed an
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2

Beer, Lewis. "Fortune and desire in Guillaume de Machaut." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3896/.

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There is a pervasive tendency, in Machaut scholarship, to read his poetry as having value only insofar as it speaks to our postmodern age: either it is fragmented and riven with ambiguities, or it celebrates eroticism and the things of this world for their own sake; in any case, it resists religious and moral orthodoxy. Such readings, while often valuable in themselves, fail to take sufficient account of the influence which Boethian and Neoplatonic ideas had upon Machaut, and thus misunderstand his work on a fundamental level. By paying attention to the Boethian content in the narrative dits,
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Maxwell, Sheila Kate. "Guillaume de Machaut and the mise en page of medieval French sung verse." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/764/.

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The aim of this thesis is to examine what a study of the visual presentation of the fourteenth-century poet-composer Guilluame de Machaut's songs can tell us that studying them simply as pre-defined works cannot. This has involved two distinct, but related fields of enquiry. Firstly, I have developed of a way of considering the six manuscripts of Machaut containing what appear to be his complete works which focuses on the visual impact of each codex as a whole, from the materials used to the content it contains (text, images, music). This methodology, which draws on the works of such scholars
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Martire, Giulio. "Le Moniage Guillaume long. Édition critique. Modèles narratifs, modèles de culture." Thesis, Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP018.

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Ce travail consiste en une vue multiperspective sur le Moniage Guillaume long, chanson de geste composée dans le dernier quart du XIIe siècle et transmise par 7 manuscrits. Cette thèse est divisée en trois sections : 1) étude philologique ; 2) édition critique, annexe et glossaire ; 3) étude des systèmes narratifs et des modèles de culture, qui émergent dans les deux branches principales de l’œuvre (Moniage ‘proprement dit’ et branche d’Ysoré). La première section est divisée en trois chapitres : Dans le premier, j’ai cherché de souligner les problèmes liés au rapport entre le Moniage Guillaum
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Grecu, Veronica. "Transparence et ambiguïté de la "semblance" : interpréter et traduire les figures du déguisement au Moyen âge." Poitiers, 2006. http://www.theses.fr/2006POIT5010.

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Malgré le nombre important d'épisodes de travestissement à l'intérieur de la littérature narrative médiévale, le mot "desguisement" n'y est pas fréquemment employé. C'est la "semblance", dont le sens premier est celui de ressemblance, d'image, qui exprime l'apparence trompeuse, la feinte et la nature double. En raison de la relation ambiguë qui unit la copie à son modèle, des multiples modalités de la "semblance", de la fascination qu'elle a pu susciter, de ses nombreuses condamnations aussi, nous nous sommes attachée à analyser les figures de déguisement dans quelques romans français, datant
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Morton, Jonathan Simon. "The Roman de la Rose : nature, sex, and language in thirteenth-century poetry and philosophy." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6e179c13-9046-44d3-801c-9cb12eb28229.

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Jean de Meun's continuation of the Roman de la rose (The Romance of the Rose), written in Paris in the 1270s, presents a vast amount of philosophy and natural science in vernacular poetry, while engaging thoroughly with contemporary, local philosophical and institutional debates. Taking this into consideration, this study investigates how the Rose depends for its meaning on questions around human nature, natural philosophy, and the philosophy of language that were being discussed and debated in the University of Paris at the time of its composition. It suggests a reading of the poem as a work
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"Presence, mutation et repression de l'orientalisme chez Guillaume Apollinaire." Tulane University, 1995.

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This study examines the aesthetic and representational strategies and objectives of Guillaume Apollinaire's Orientalism in his poetry, prose fiction, literary and art criticism, and journalism. To Apollinaire, the Orient was a body of cultural resources which, when skillfully 'digested' in the creative process, was believed to hold the key to the regeneration of European poetry and art. His ambivalent discourse on a mute and unknown Orient was the means by which--as a foreigner in France--he sought to define himself socially. The general orientation of the thesis rests on the theoretical found
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Pudo, Dorota. "De la chanson de geste au roman chevaleresque : trois mises en prose du XV^{e} siècle ("Roman de Guillaume d'Orange", "Huon de Bordeaux" et "Histoire de la Reine Berthe et du Roy Pepin")." Praca doktorska, 2011. http://ruj.uj.edu.pl/xmlui/handle/item/41470.

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Libros sobre el tema "Guillaume de Palerne (Romance)"

1

V, Bunt G. H., ed. William of Palerne: An alliterative romance. Bouma's Boekhuis, 1985.

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Renart, Jean. The romance of the rose, or, Guillaume de Dole. University of Pennsylvania Press, 1993.

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Renart, Jean. The Romance of the Rose or of Guillaume de Dole =: Roman de la Rose ou de Guillaume de Dole. Garland Pub, 1995.

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1953-, Durling Nancy Vine, ed. Jean Renart and the art of romance: Essays on Guillaume de Dole. University Press of Florida, 1997.

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Stults, Cathy Lynn. Mendacity in three thirteenth-century old French romances: Le Roman de la rose ou de Guillaume de Dole ; la Chastelaine de Vergi ; and, Le Roman du Castelain de Couci et de la Dame de Fayel. University Microfilms International, 1986.

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William of Palerne: An Alliterative Romance. John Benjamins Pub Co, 1986.

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7

Sconduto, Leslie A. Guillaume De Palerne: An English Translation of the 12th Century French Verse Romance. McFarland & Company, 2004.

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Guillaume de Palerne. Creative Media Partners, LLC, 2022.

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Guillaume de Palerne. Creative Media Partners, LLC, 2022.

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10

Michelant, H. Guillaume de Palerne. Creative Media Partners, LLC, 2018.

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Capítulos de libros sobre el tema "Guillaume de Palerne (Romance)"

1

"3. Guillaume Apollinaire." In Purdue University Monographs in Romance Languages. John Benjamins Publishing Company, 1986. https://doi.org/10.1075/pumrl.22.c3.

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Diamond, Arlyn. "Loving Beasts: The Romance of William of Palerne." In The Spirit of Medieval English Popular Romance. Routledge, 2014. http://dx.doi.org/10.4324/9781315841335-7.

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Cooper, Helen. "4 Women and Werewolves: William of Palerne in Three Cultures." In Cultural Translations in Medieval Romance. Boydell and Brewer, 2022. http://dx.doi.org/10.1515/9781800104402-007.

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"The Romance of the Rose or Guillaume de Dole." In The Romance of the Rose or Guillaume de Dole. University of Pennsylvania Press, 1993. http://dx.doi.org/10.9783/9780812292350-003.

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"1.The Play of Temporalities; or, The Reported Dream of Guillaume de Lorris." In Rethinking the "Romance of the Rose". University of Pennsylvania Press, 1992. http://dx.doi.org/10.9783/9781512814903-003.

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"A Reversing Mirror: Guillaume de Lorris’ Romance of the Rose." In Translatio studii. BRILL, 2000. http://dx.doi.org/10.1163/9789004490420_015.

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"Acknowledgments." In The Romance of the Rose or Guillaume de Dole. University of Pennsylvania Press, 1993. http://dx.doi.org/10.9783/9780812292350-001.

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"Introduction." In The Romance of the Rose or Guillaume de Dole. University of Pennsylvania Press, 1993. http://dx.doi.org/10.9783/9780812292350-002.

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"Notes." In The Romance of the Rose or Guillaume de Dole. University of Pennsylvania Press, 1993. http://dx.doi.org/10.9783/9780812292350-004.

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"Appendix 1: Clothing in the Thirteenth Century." In The Romance of the Rose or Guillaume de Dole. University of Pennsylvania Press, 1993. http://dx.doi.org/10.9783/9780812292350-005.

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