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Artículos de revistas sobre el tema "Günther Anders"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Herrmann, Fritz. "L'épouvantail de Günther Anders." Tumultes 28-29, no. 1 (2007): 223. http://dx.doi.org/10.3917/tumu.28.0223.

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Mello, Gustavo Moura de Cavalcanti. "Variações contemporâneas sobre a vergonha e a discrepância prometeicas." Profanações 11 (May 24, 2024): 97–134. http://dx.doi.org/10.24302/prof.v11.5227.

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O artigo parte das proposições de Günther Anders sobre a vergonha e a discrepância prometeicas elaboradas a partir de um conjunto de fenômenos, notadamente a iconomania, o culto ao corpo, o imperativo da performance, a engenharia humana, e a dialética entre o Tempo do Fim e o fim dos tempos, inerente à Era Atômica. Em cada sessão do texto as breves sínteses de teses avançadas por Günther Anders são então articuladas a reflexões de um conjunto de autores como Guy Debord, Alain Ehrenberg, João Bernardo, Thomas Meyer e Jonathan Crary, entre outros, e contrapostas a recentes fenômenos como o da ex

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3

Catalani, Felipe. "Günther Anders, fenomenólogo e agitador." Cadernos de Tradução LELPraT 2 (June 29, 2021): 101–27. http://dx.doi.org/10.34024/lelprat.2.2021.12327.

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4

Weiß, Edgar. "Günther Anders als früher Globalisierungstheoretiker." Jahrbuch f??r P??dagogik 2004, no. 1 (2004): 157–74. http://dx.doi.org/10.3726/53125_157.

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5

Fabius, Léo. "Günther Anders, lʼhumanité en sursis". Sciences Humaines 374, № 10 (2024): 72–79. https://doi.org/10.3917/sh.374.0072.

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6

Liessmann, Konrad Paul. "Günther Anders und die Philosophie." Austriaca 35, no. 1 (1992): 101–12. http://dx.doi.org/10.3406/austr.1992.4206.

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Le Rider, Jacques. "Günther Anders et l’identité juive." Austriaca 35, no. 1 (1992): 87–99. http://dx.doi.org/10.3406/austr.1992.4205.

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8

Latini, Micaela. "Miniaturas del final. La prosa breve de Günther Anders entre filosofía y literatura." Microtextualidades. Revista Internacional de microrrelato y minificción, no. 2 (November 28, 2017): 72–80. http://dx.doi.org/10.31921/microtextualidades.n2a7.

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Este trabajo se propone estudiar algunos textos breves de la prosa literaria de Günther Anders destacando los puntos de contacto con los temas fundamentales de su recorrido filosófico: la cuestión del final del hombre, la tesis del desajuste entre imaginación y producción humana, y, sobre todo, la dinámica del analfabetismo emotivo. De ahí la importancia que Anders atribuye a la fantasía (incluso narrativa) en tanto herramienta de comprensión de la realidad. L'articolo intende indagare alcuni testi brevi della prosa letteraria di Günther Anders, sottolineando i punti di convergenza con i

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9

Depelchin, Jacques. "Est-ce possible d’éviter l’obsolescence des humains?" ODEERE 9, no. 2 (2024): 23–35. http://dx.doi.org/10.22481/odeere.v9i2.15266.

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En 2010, une de mes sœurs vivant en Belgique nous a envoyé un livre rédigé par Günther Anders Hiroshima est partout et introduit par une préface très élogieuse de Jean-Pierre Dupuy. Ancien étudiant de Martin Heidegger et de Edmund Husserl, Günther Anders avait compris, longtemps avant ses contemporains, à quel point les humains s’étaient trompés sur l’impact que les rapports entre les humains et les machines avait eu sur la déshumanisation. Les machines se sont solidement imposées sur les humains.

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10

Sigrist, Vanina Carrara. "Günther Anders, o homem está antiquado." Tematicas 18, no. 35 (2010): 15–34. http://dx.doi.org/10.20396/tematicas.v18i35/36.13655.

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Esta tradução pretendeu responder à necessidade de divulgação e discussão no meio acadêmico de alguns pressupostos centrais da filosofia de Günther Anders, apresentados neste texto tão direto, polêmico e definitivo em relação à antiguidade do ser humano, percebida e atestada, com mais ou menos ceticismo, “coragem civil” ou nostalgia, por diversos outros importantes intelectuais no século XX. A introdução aqui publicada em português se baseou principalmente na edição italiana L’uomo è antiquato.

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11

Dries, Christian. "Einleitung: Mit Günther Anders im Anthropozän." Deutsche Zeitschrift für Philosophie 72, no. 4 (2024): 539–42. http://dx.doi.org/10.1515/dzph-2024-0038.

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12

Gavioli, Nicola. "A “tecnificação” da “alma” e a bomba: apontamentos sobre a correspondência entre Günther Anders e Claude Eatherly." Revista Brasileira de Literatura Comparada 25, no. 48 (2023): 199–214. http://dx.doi.org/10.1590/2596-304x20232548ng.

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RESUMO Explosões atômicas e radiações - os grandes temores da Guerra Fria repropostos com frequência pela literatura e pelo cinema - são temas deste ensaio inspirado pela leitura de Burning conscience (1989; [1961]), coletânea de cartas trocadas entre o filósofo Günther Anders e Claude Eatherly, um dos pilotos responsáveis pela destruição de Hiroshima. Revisito as reflexões de Elsa Morante, João Guimarães Rosa, Albert Camus e Günther Anders, entre outros, sobre as ligações entre tecnologia de guerra e mutações da “alma” humana. A parte central do texto concentra-se na troca de cartas entre And

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13

Dries, Christian. "Günther Anders’ philosophischer Okkasionalismus: Methoden, Voraussetzungen, Ziele." Deutsche Zeitschrift für Philosophie 72, no. 4 (2024): 543–63. http://dx.doi.org/10.1515/dzph-2024-0039.

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Abstract The philosopher, writer and technology critic Günther Anders, né Stern (1902–1992), occasionally referred to his own thinking as “occasional philosophy”. In order to reconstruct this mode of thought, which is also an essential key to understanding Anders, I will refer to a previously unpublished typescript of the same name from his literary estate. This reconstruction will be based on three theses: From the outset, Anders’ work is characterised by a preoccupation with questions of method. Secondly, the tools of occasional philosophy can be found not only in his philosophical writings,

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14

Anders, Günther (Stern). "The Pathology of Freedom: An Essay on Non-Identification." Deleuze Studies 3, no. 2 (2009): 278–310. http://dx.doi.org/10.3366/e1750224109000658.

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In the twenty-second series of The Logic of Sense, Gilles Deleuze references a remarkable essay by Günther (Stern) Anders. Anders’ essay, translated here as ‘The Pathology of Freedom’, addresses the sickness and health of our negotiation with the negative anthropological condition of ‘not being cut out for the world’.

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15

Marrades Millet, Julián. "Sobre la ‘normalidad’ de Auschwitz." Quaderns de Filosofia 7, no. 1 (2020): 17. http://dx.doi.org/10.7203/qfia.7.1.16081.

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Resumen: Partiendo de la hipótesis, avanzada por Horkheimer y Adorno, de que Auschwitz era una posibilidad inscrita en la racionalidad instrumental de la civiliza- ción moderna, el artículo analiza algunos mecanismos de la estructura de empresa heredada del industrialismo que pudieron contribuir a ‘normalizar’ lo anormal en el Holocausto nazi. Esta argumentación se desarrolla mediante la articulación de la concepción weberiana de la burocracia moderna con la teoría de la moral de colaboración de Günther Anders. Abstract: Starting from the hypothesis, advanced by Horkheimer and Adorno, th

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16

Doll, Jürgen. "Günther Anders, la guerre froide et l’Autriche. À propos d'une polémique entre Günther Anders et Friedrich Torberg." Austriaca 35, no. 1 (1992): 49–61. http://dx.doi.org/10.3406/austr.1992.4201.

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17

Jokisaari, Olli-Jukka. "Elinikäinen oppiminen – häpeä ja menetetty vapaus." Aikuiskasvatus 24, no. 1 (2004): 4–16. http://dx.doi.org/10.33336/aik.93528.

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Elinikäistä oppimista on pidetty ihmisyksilön positiivisena kykynä kehittää itseään sisä- ja ulkosyntyisten tarpeiden mukaan. Filosofi Günther Andersin (1902–1992) tekniikan filosofian ja myöhäismodernin ihmisen tilan analyysin kautta voidaan elinikäinen oppiminen nähdä myös radikaalilla tavalla toisin. Anders on tutkinut ja tarkastellut ihmisenä olemisen muutosta teknistyvässä maailmassa. Anders puhuu sisäänrakentuneesta häpeästä, jonka aiheuttama identifikaatiohäiriö johtuu ihmisen kahden taustan, luonnon ja teknologian, välisestä sovittamattomasta erosta.

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18

Perreau, Laurent. "Günther Anders à l'école de la phénoménologie." Tumultes 28-29, no. 1 (2007): 21. http://dx.doi.org/10.3917/tumu.28.0021.

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19

Meyer-Drawe, Käte. "Mit ,,eiserner Inkonsequenz“ fürs Überleben – Günther Anders." Jahrbuch f??r P??dagogik 2014, no. 1 (2014): 105–19. http://dx.doi.org/10.3726/265764_105.

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20

Stafflinger, Andreas. "Materialistische und idealistische ›Technikkritik‹ bei Günther Anders." sans phrase. Zeitschrift für Ideologiekritik 2013, no. 2 (2013): 104–14. https://doi.org/10.28937/9783862596355_9.

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21

Barrón-Tovar, José Francisco. "Poder describir el acontecimiento de transformación de las tecnologías de producción." FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN 6, no. 3 (2025): 212–15. https://doi.org/10.22201/fesa.26832917e.2025.6.3.424.

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La reseña sostiene que la edición de Escultura sintecho de Günther Anders, publicada por Molussia Editores, retoma el gesto tecnológico que el propio Anders aplicó al reflexionar sobre la obra de Auguste Rodin. Afirma que la conferencia de 1943 del pensador alemán presenta las esculturas de Rodin no como objetos artísticos tradicionales, sino como máquinas de producción de experiencias. Además, subraya cómo Anders se inserta en el debate filosófico sobre la técnica, en diálogo con figuras como Walter Benjamin, Theodor Adorno, Martin Heidegger y Hannah Arendt.

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22

Fuchs, Christian. "Günther Anders’ Undiscovered Critical Theory of Technology in the Age of Big Data Capitalism." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, no. 2 (2017): 582–611. http://dx.doi.org/10.31269/triplec.v15i2.898.

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Günther Anders (1902-1992) was an Austrian philosopher, critical theorist, political activist, and a writer of poems, short stories and novels. His works on the critical theory of technology have remained rather undiscovered. His main work Die Antiquiertheit des Menschen (The Antiquatedness of the Human Being) appeared in two volumes and has thus far not been published in English. This essay reviews key aspects of Anders’ works and uses them to critically assess big data capitalism. It first discusses Anders’ concept of the Promethean gap; the gap between what humans can produce with the help

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23

Thiltges, Sébastian. "Compte rendu: Günther Anders, Dix thèses sur Tchernobyl." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 17, no. 1 (2023): 171–76. http://dx.doi.org/10.51777/relief17725.

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Compte rendu de Günther Anders, Dix thèses sur Tchernobyl, traduit de l’allemand par Christophe David, édition présentée et commentée par Bruno Villalba, Paris, Presses Universitaires de France, coll. « Classiques de l’écologie », 2022.

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24

Jongy, Béatrice. "Kafka, cet oiseau de malheur : Günther Anders contre Franz Kafka." Austriaca 60, no. 1 (2005): 27–44. http://dx.doi.org/10.3406/austr.2005.4468.

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Günther Anders bricht in Pro und Contra mit der traditionellen Kafka-Rezeption, die aus ihm einen Heiligen zu machen versucht. Die Kennzeichnung der kafkaschen Protagonisten als Außenseiter, die nach einem angemessenen Platz in dieser Welt suchen, ist Kritik am Pessimismus Kafkas und einer gewissen "Unterwürfigkeit". Anhaltspunkte für diese Einschätzung finden sich beispielsweise im Tagebuch. Der kafkasche Held, so Anders, unterwirft sich einer unbegreiflichen gesellschaftlichen Ordnung. In diesem Sinne findet man bei Kafka eine Ästhetik der Erniedrigung, in der sich die Revolte in einem juris

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25

Hentschel, Christine. "Denken in der Endzeit: Günther Anders für unsere apokalyptischen Zeiten lesen." Deutsche Zeitschrift für Philosophie 72, no. 4 (2024): 593–606. http://dx.doi.org/10.1515/dzph-2024-0042.

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Abstract How can Günther Anders’ concern with the threat of the atomic bomb enlighten current social thought about the Anthropocene? Building on Anders’ frustration with the “apocalypse blindness”, “laziness” and “indifference” of his contemporaries and his plea for an “apocalyptic passion,” this text sketches the contours of a thinking in and for ‘our’ end times – a time marked by destruction and the irretrievable loss of habitability on this planet. It first translates Anders’ notion of the end times into current debates about the Anthropocene, and then formulates three perspectives for such

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26

Anders, Günther. "Tesis para la Era Atómica." Estudios Latinoamericanos, no. 44 (December 7, 2019): 171. http://dx.doi.org/10.22201/fcpys.24484946e.2019.44.77205.

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<p>N. E. En febrero de 1959, en la Universidad Libre de Berlín (Freien Universität Berlin) , Günther Anders impartió un seminario de dos días sobre “Los Problemas Morales de la Era Atómica”. Al concluir el seminario, los estudiantes solicitaron a Anders que les dejara un “documento de discusión”. Anders les proporcionó sus “Tesis” expresando su deseo de que fueran usadas sólo para debatirse. En 1960, con el propósito de que sus “Tesis” fueran discutidas por un público más amplio, Anders publicó “Thesen zum Atomzeitalter”, en Berliner Hefte. Dos años más tarde (1962), su esposa Charlotte

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27

Alvis, Jason. "Transcendence of the Negative: Günther Anders’ Apocalyptic Phenomenology." Religions 8, no. 4 (2017): 59. http://dx.doi.org/10.3390/rel8040059.

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28

Latini, Micaela. "Schriften zur Kunst und Film by Günther Anders." Journal of Austrian Studies 55, no. 1 (2022): 136–38. http://dx.doi.org/10.1353/oas.2022.0007.

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29

Wolfe, Katharine. "Introduction to Günther Anders’ ‘The Pathology of Freedom’." Deleuze Studies 3, no. 2 (2009): 274–77. http://dx.doi.org/10.3366/e1750224109000646.

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30

Müller, Christopher John, and David Mellor. "Utopia inverted: Günther Anders, technology and the social." Thesis Eleven 153, no. 1 (2019): 3–8. http://dx.doi.org/10.1177/0725513619865638.

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31

Fetz, Bernhard. "Prophet, Regisseur und Stimmenimitator. Der Tagebuchschreiber Günther Anders." Austriaca 35, no. 1 (1992): 65–77. http://dx.doi.org/10.3406/austr.1992.4203.

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32

Babich, Babette. "On Günther Anders, political media theory, and nuclear violence." Philosophy & Social Criticism 44, no. 10 (2018): 1110–26. http://dx.doi.org/10.1177/0191453718794741.

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Günther Anders was a philosopher concerned with the political and social implications of power, both as expressed in the media and its tendency to elide the citizenry and thus the very possibility of democracy and the political implications of our participation in our own subjugation in the image of modern social media beginning with radio and television. Anders was particularly concerned with two bombs dropped on Japan at the end of World War II, and he was just as concerned with the so-called ‘peaceful’ uses of nuclear power, what he named our apocalypse-blindness and the urgency of violence

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33

Giuliani, Foucauld. "Renoncer à l’apocalypse ?" Communio 289, no. 5 (2023): 45–60. http://dx.doi.org/10.3917/commun.289.0045.

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L’article compare le statut de la peur dans le catastrophisme de Günther Anders, la collapsologie contemporaine et l’eschatologie chrétienne. Face à la catastrophe écologique, l’enjeu est moins de délégitimer la peur apocalyptique que d’en redécouvrir le sens et de la relier à l’espérance messianique.

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34

van Munster, Rens, and Casper Sylvest. "Appetite for destruction: Günther Anders and the metabolism of nuclear techno-politics." Journal of International Political Theory 15, no. 3 (2018): 332–48. http://dx.doi.org/10.1177/1755088218796536.

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It is well recognized how the modern social sciences, particularly in the United States, fed off and contributed to a nuclear state associated with the military-industrial complex. But it is less known that the thermonuclear revolution also constituted a productive moment for critical theories of (nuclear) techno-politics. In this article, we recover a strand of the latter by focusing on Günther Anders (1902–1992), a German philosopher of technology for whom thermonuclear weapons symbolized the self-destructive capacity embedded in a disenchanted modernity. We stress the techno-political dimen

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35

Seri, Bat Chen. "Walter Benjamin and Günther Anders on Kafka and the Role of Literature." Labyrinth 26, no. 2 (2025): 43–62. https://doi.org/10.25180/lj.v26i2.366.

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What is the political significance of literature? How, if at all, can fictional narratives interact with issues of social and legal justice? This paper addresses these questions and proposes four models of literature's intervention in political reality based on Walter Benjamin’s and Günther Anders’ readings of Kafka. According to Benjamin’s 1930s Kafka essays, fictional narratives have the power to unsettle hitherto established legal decisions and thus partake in the exercise of justice. Anders, in his 1951 book Kafka: Pro und Contra, criticises Kafka for authoring narratives that—complacent w

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Sánchez Ricardo, Carlos Alberto. "John Saxe-Fernández (coordinador), Sociología política del colapso climático antropogénico. Capitalismo fósil, explotación de combustibles no convencionales y geopolítica de la energía." Estudios Latinoamericanos, no. 44 (December 7, 2019): 187. http://dx.doi.org/10.22201/fcpys.24484946e.2019.44.77206.

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<p>En 1960, el filósofo polaco Günther Anders publicó, por petición de sus alumnos, “Tesis para la Era Atómica” (Thesen zum Atomseitalket). Las “Tesis…” de Anders son el resultado de un seminario en la Universidad Libre de Berlín, realizado en 1959, cuya temática giró en torno a las implicaciones morales de la Era Atómica.<br />Anders analizó los componentes morales, éticos y filosóficos de la era civilizacional, iniciada el 6 de agosto de 1945 en Hiroshima, caracterizada por un grado de desarrollo de la racionalidad hasta el punto de dar al ser humano la capacidad material de dest

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37

Anders, Günther, Manuela Kölke, and Christopher John Müller. "Mourning the Future." Journal of Continental Philosophy 5, no. 1 (2024): 169–77. https://doi.org/10.5840/jcp2024517.

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This is the first English translation of “Die beweinte Zukunft,” a retelling of the story of Noah and the flood by Günther Anders (1902–1992). The German original was written in 1961 and first published in 1962 in the journal Alternative: Zeitschrift für Literatur und Diskussion in a slightly longer version, which also carried a subtitle that translates to “from the Molussian Apocrypha, translated by Günther Anders.” This link to Molussia, a fictious land of Anders’s invention that is frequently evoked in his writings, was dropped upon the text’s republication in the shorter version included i

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38

Putz, Kerstin. "Activist poetry versus lyrical action: Günther Anders on poetry and politics." Thesis Eleven 153, no. 1 (2019): 24–38. http://dx.doi.org/10.1177/0725513619863117.

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This essay focuses on Günther Anders’s engagement with (political) poetry. I draw on published material and unpublished source texts from the Anders Nachlass to track how Anders arrives at his own writing style and mode of address through his sustained engagement with poetry. Anders’s philosophical prose and exoteric use of language is shaped by multifaceted reflections on (political) poetry and by the tension between ‘political poetry’ and ‘lyrical action’. I first elaborate on Anders's reading of Brecht in the early 1930s, and then turn to the poetry and reflections on poetics that were writ

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39

Bösel, Bernd. "Ikonomanie, apriorische Bedingungsformen, Psychotechnik." Deutsche Zeitschrift für Philosophie 72, no. 4 (2024): 579–92. http://dx.doi.org/10.1515/dzph-2024-0041.

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Abstract In his 1956 essay “Die Welt als Phantom und Matrize”, Günther Anders provided a thorough interpretation of radio and television. Far from just being a time-specific document of early electronic mass media, it still continues to provide insights into how human experience is changed through each new technical medium. This will be illustrated via three critical concepts proposed by Anders. He coined the term “iconomania” to conceptualise the ongoing medial shift from a writing-based to a primarily visual culture. “A priori conditional forms” is Anders’ way of getting a grasp on the struc

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40

Pollmann, Anna. "Verdinglichung und Zerstörung. Günther Anders und der Begriff der Geschichte im Jahr 1941." Naharaim 13, no. 1-2 (2019): 117–38. http://dx.doi.org/10.1515/naha-2018-0100.

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Abstract The article discusses the transformation of the concept of History as it can be traced in the writings of Günther Anders. Anders is primarily known as a critique of modern technology specifically of the atomic bomb, which made him a mentor for the first anti-nuclear movement in West-Germany in the late 1950s. His historical thinking was therefore mainly perceived in its post-historic and apocalyptic dimensions. A closer look at his earlier writings reveals not only that his questioning of the modern concept of History began long before the “ontological cesura” of Hiroshima and Nagasak

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41

Nisio, Francesco Saverio. "Sartre con Lévy-Bruhl, « anthropologie politique des émotions »." Revue philosophique de la France et de l'étranger Tome 149, no. 3 (2024): 389–94. http://dx.doi.org/10.3917/rphi.243.0389.

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Cette lecture du livre de Gregory Cormann, Sartre. Une anthropologie politique. 1920-1980 , est centrée sur la relation de Sartre avec Lucien Lévy-Bruhl sur le thème des émotions, développée dans son dernier chapitre. Cela conduit aussi à suggérer, sous ce rapport, un lien entre Günther Anders Stern e Sartre.

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42

Babich, Babette. "Radio ghosts: Phenomenology’s phantoms and digital autism." Thesis Eleven 153, no. 1 (2019): 57–74. http://dx.doi.org/10.1177/0725513619863852.

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Günther Anders offers one of the first phenomenological analyses of broadcast radio (in 1930) and its transformation of the contemporary experience of music. Anders also develops a reflection on its political consequences as he continues his reflection in a discussion of radio and newsreel, film and television in his 1956 ‘The World as Phantom and Matrix’. A reflection on the consequences of this transformation brings in Friedrich Kittler’s reflection on radio and precision bombing. A further reflection on Jean Baudrillard’s notion of ‘speech without response’ permits a review of digital cultu

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43

Müller, Christopher J. "Ich fühle, dass ich nichts fühle: Eine Gefühlspolitik für den Weltzustand Technik." Deutsche Zeitschrift für Philosophie 72, no. 4 (2024): 564–78. http://dx.doi.org/10.1515/dzph-2024-0040.

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Abstract This article tracks the wider politics of emotion that run through the work of Günther Anders. It conceptualises the emergence of “anaesthetic violence”, a feel-good, or even unsensed form of power that configures around user-friendly devices. Anders’ mapping of the sense of inferiority, obsolescence and humiliating dependency our devices can invoke in us is gaining scholarly traction, but his work also exposes anaesthetic structures of feeling that merit further consideration. To open this perspective, the first part develops the quasi-Socratic formula “I feel that I feel nothing” th

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Lobato, Anderson Oreste Cavalcante, and Cláudia Carneiro Peixoto. "O PROBLEMA DA PUBLICIDADE E A PERVERSÃO DA LINGUAGEM COMO UM PROBLEMA POLÍTICO EM HANNAH ARENDT E GÜNTHER ANDERS." Revista Dissertatio de Filosofia 43 (October 13, 2016): 169. http://dx.doi.org/10.15210/dissertatio.v43i0.9730.

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O presente trabalho incursiona pelo pensamento de Hannah Arendt (1906-1975) e Günther Anders (1902-1992), a partir do tema da propaganda/publicidade e da perversão da linguagem. As categorias do pensamento dos autores, convergentes ou divergentes, auxiliam na compreensão de elementos presentes no mundo contemporâneo, a partir dos quais, pode-se apontar o potencial destrutivo da propaganda/publicidade e o problema político da deturpação da linguagem na sociedade de massa. Tanto para Arendt como Anders a instalação da mentira como forma de vida, da crença na ilusão como substituto da realidade e

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Benoit, Martine. "Edouard Jolly, Günther Anders. Une politique de la technique." Germanica, no. 62 (July 31, 2018): 184–86. http://dx.doi.org/10.4000/germanica.5089.

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Mendes, João Ribeiro. "O conceito de “Dispositivo universal” (Universalapparat) em Günther Anders." Trans/Form/Ação 44, spe (2021): 97–116. http://dx.doi.org/10.1590/0101-3173.2021.v44dossier.06.p97.

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RESUMO: Encontra-se em curso, sensivelmente no último meio século, a finalização de um processo de planetarização da Tecnologia, que, na ordem das causas, terá sido mais proximamente determinado pela Globalização político-económica urdida e imposta pelo Neoliberalismo e mais remotamente influenciado por sucessivas revoluções industriais, desde o século XVIII. Ele implicou uma transformação na própria natureza da Tecnologia, fazendo com que deixasse de ser mero meio (utensílio, ferramenta, instrumento) para determinados fins e se tivesse tornado num ambiente vital e existencial. Günther Anders

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Pfersmann, Andreas. "La pompe à incendie d’avant-hier. Günther Anders fabuliste." Austriaca 35, no. 1 (1992): 113–24. http://dx.doi.org/10.3406/austr.1992.4207.

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Stieg, Gerald. "Günther Anders als Deuter der Duineser Elegien. Eine Miszelle." Austriaca 35, no. 1 (1992): 159–63. http://dx.doi.org/10.3406/austr.1992.4211.

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Faye, Jean-Pierre. "Rencontres avec Günther Anders. La course dans la prairie." Austriaca 35, no. 1 (1992): 63–64. http://dx.doi.org/10.3406/austr.1992.4202.

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Kinzler, Burkhard, Christian Münch-Cordellier, Gerald Stütz, Peter Sühring, Marina Gordienko, and Angelika Moths. "Rezensionen." Forum Musikbibliothek 38, no. 3 (2017): 52–65. http://dx.doi.org/10.13141/fmb.v2017480.

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Das verdächtige Saxophon. Hrsg. von Albrecht Dümling (B. Kinzler) Philipp Weber: Zwischen Avantgarde und Tradition. Ernst Kreneks neoklassizistische Werke (Chr. Münch-Cordellier) Frank Bruns: Practice Pad Workbook (G. Stütz) Günther Anders: Musikphilosophische Schriften. Texte und Dokumente (P. Sühring) Alexej Parin: Paradigmen der russischen Oper (M. Gordienko) Die Schrift des Ephemeren – Konzepte musikalischer Notationen. Hrsg. von Matteo Nanni (A. Moths)

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