Literatura académica sobre el tema "Hamlet (Shakespeare, William)"

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Artículos de revistas sobre el tema "Hamlet (Shakespeare, William)"

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Román, David. "Hamlet by William Shakespeare, and: Hamlet by William Shakespeare." Theatre Journal 70, no. 4 (2018): 563–68. http://dx.doi.org/10.1353/tj.2018.0113.

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Musa Rzayeva, Leyla. "A LOOK AT THE HEROES OF WILLIAM SHAKESPEARE'S "HAMLET" TRAGEDY." SCIENTIFIC WORK 15, no. 3 (2021): 59–62. http://dx.doi.org/10.36719/2663-4619/64/59-62.

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William Shakespeare is the most famous writer in England. He was a great poet and playwright. In his works, he wrote about the eternal problems that afflict people: life and death, love, loyalty and betrayal. Therefore, Shakespeare's works, especially tragedies, are popular today. In the tragedy Hamlet, William Shakespeare reworked the plot of a medieval legend and an old English legend about Prince Hamlet, describing in depth the tragedy of humanism in the modern world. Prince Hamlet of Denmark is a humanist figure facing a world hostile to humanism. The spread of evil in society has a negati
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Bozorova, Nasiba. "THE TRAGEDY “HAMLET” AND THE LEGAL VIEWS OF WILLIAM SHAKESPEARE." Jurisprudence 2, no. 4 (2022): 128–35. http://dx.doi.org/10.51788/tsul.jurisprudence.2.4./upsi4974.

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In education, there is an opportunity to study, analyze and draw conclusions on economic, social, political, and legal problems in human society through a single source. This source can be a work of art that discusses the realities of life. Giving wings to thinking and imagination, models of artistic creativity serve to correct many problems of society. In this sense, it is essential in legal education to study and teach works of art as an object of a legal issue. One such work is the tragedy “Hamlet” by the English playwright William Shakespeare. The image, fate, experiences, and actions of H
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Pao, Angela C. "Recasting Race: Casting Practices and Racial Formations." Theatre Survey 41, no. 2 (2000): 1–22. http://dx.doi.org/10.1017/s004055740000380x.

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He used to come to the house and ask me to hear him recite. Each time he handed me a volume ofThe Complete Works of William Shakespeare.… He wanted me to sit in front of him, open the book, and follow him as he recited his lines. I did willingly.…And as his love for Shakespeare's plays grew with the years he did not want anything else in the world but to be a Shakespearean actor.Toshio Mori“Japanese Hamlet” (1939)
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Atrinawati, Atrinawati. "Semiotic Elements on William Shakespeare’s Hamlet Prince of Denmark." Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 2, no. 2 (2018): 9–13. http://dx.doi.org/10.14710/culturalistics.v2i2.2498.

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ABSTRACTThis article analysis Hamlet Prince of Denmark, a tragic drama written by William Shakespeare. The purpose of this study is to finding out basic narrative scheme, prime signifier and paradigmatic and syntagmatic aspects of the drama. The approaches that I used is semiotics and close reading. The result shows that the narration centered on a binary opposition, hesitated revenge being the prime signifier, and paradigmatic and syntagmatic revealed details of the signals. Based on the analyses, William Shakespeare’s Hamlet Prince of Denmark contain prime signifier Keywords: semiotic; signi
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Barozai, Shumaila Maryam, Faria Saeed Khan, and Muhammad Zeeshan. "Shakespeare’s Concept of Astronomy." Al-Burz 8, no. 1 (2016): 55–64. http://dx.doi.org/10.54781/abz.v8i1.135.

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This contribution scrutinizes Shakespeare knowledge and views about cosmological theories i.e. Ptolemaic, Copernicus, TychoBrahe and Galileo. It in addition claims that William Shakespeare had a profound interest and specialized knowledge in the domain of technical astronomy. Plays by Shakespeare are loaded with astronomical allusions. Because that is injected in Shakespeare’s nature to discuss every aspect of his age like medicine, falconry and agriculture but his astronomy is quite interesting. Furthermore, this effort examines the Shakespeare’s astronomical concept in allegorical form in hi
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Turatti, Ricardo Amarante. "Os Caminhos de Hamlet no Cinema." Remate de Males 37, no. 1 (2017): 409. http://dx.doi.org/10.20396/remate.v37i1.8649238.

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Hamlet, de William Shakespeare, é uma obra que provoca constantes revisões e interpretações. No que se refere ao cinema, diversas produções adaptaram ou fizeram referência à peça do dramaturgo inglês. O artigo se concentra nas possibilidades de exploração filosófica e política da obra no campo do cinema, ressaltando principalmente duas adaptações: Hamlet, dirigido por Laurence Olivier em 1948 e Hamlet de William Shakespeare, dirigido por Kenneth Branagh em 1996. A partir da exploração das adaptações de Hamlet, é possível traçar um panorama não apenas das possibilidades de releitura para essa o
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Vieira, Pedro Luís Sala. "The Spectre of Hamlet in the Brazilian Translations of James Joyce’s Ulysses." ABEI Journal 24, no. 2 (2022): 31–44. http://dx.doi.org/10.11606/issn.2595-8127.v24i2p31-44.

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William Shakespeare (1565-1616) is a noteworthy presence in works by James Joyce (1882-1941). Joyce’s Ulysses contains a number of passages that allude to the bard’s plays. Unlike the Homeric parallel, the Shakespearean references are scattered through the novel in form of allusions and echoes. In view of this, Laura Pelaschiar (2016) points out that “the job of the Joyce/Shakespeare explorer is a trying one because Shakespeare’s presence in Joyce is hard to unearth and assess” (58). The spectre of Hamlet arises in the novel in multiple ways and evokes crucial themes of the novel, such as the
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Kujundžić, Fahrudin. "Shakespeareov "Hamlet" između klasike i manirizma / Shakespeare’s "Hamlet" between classicism and mannerism." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 25 (December 23, 2022): 295–313. http://dx.doi.org/10.46352/23036990.2022.295.

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Continuing the previous research on mannerism in the history of European art, primarily the book Dnevnik melankolije [The Diary of Melancholy] by Dževad Karahasan, this paper tries to understand the specific internal contradictions of William Shakespeare’s play in the tension between the classical and mannerist experience of the world. On the foundations laid by Gustav Rene Hocke in his books on mannerism, Karahasan examined the relationship between classical and mannerist dramatic techniques throughout the history of European drama. In accordance with Hocke’s approach, Karahasan recognizes pe
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Richards, Jo. "Ophelia in Hamlet by William Shakespeare." British Journal of Psychiatry 201, no. 5 (2012): 359. http://dx.doi.org/10.1192/bjp.bp.112.120501.

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Tesis sobre el tema "Hamlet (Shakespeare, William)"

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Berger, Amy White. "Claudius' story in Shakespeare's Hamlet." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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Records, Nathan D. Beard DeAnna M. Toten. "A director's approach to William Shakespeare's Hamlet." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5082.

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Laqué, Stephan. "Hermetik und Dekonstruktion die Erfahrung von Transzendenz in Shakespeares Hamlet." Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2758696&prov=M&dok_var=1&dok_ext=htm.

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Claret, Jean-Louis. "Le traitement de la révélation dans trois tragédies de Shakespeare : "Hamlet, Le Roi Lear et Macbeth : la clairvoyance sublime de l'égarement /." Villeneuve-d'Ascq : Les presses universitaires du Septentrion, 1997. http://catalogue.bnf.fr/ark:/12148/cb37717827p.

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Laqué, Stephan. "Hermetik und dekonstruktion : die erfahrung von transzendenz in Shakespeares "Hamlet /." Heidelberg : Universitätsverlag Winter, 2002. http://catalogue.bnf.fr/ark:/12148/cb40115438v.

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Hays, Michael Louis. "Shakespearean tragedy as chivalric romance : rethinking Macbeth, Hamlet, Othello and King Lear /." Cambridge : D. S. Brewer, 2003. http://www.loc.gov/catdir/toc/fy045/2003004936.html.

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Lee, Insoon. "Shakespeare-Inszenierungen in Korea seit 1970 : eine Untersuchung zur interkulturellen Rezeption anhand exemplarischer Aufführungen von Hamlet und Romeo und Julia /." München : Verl. Dr. Hut, 2008. http://d-nb.info/98822934X/04.

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Barrus, David W. "Hamlet : the design as process." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Theatre and Dramatic Arts, c2012, 2012. http://hdl.handle.net/10133/3389.

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This thesis represents the written portion of the Degree Requirements of the Master of Fine Arts in Theatre Design. The Thesis production of HAMLET, by Wm. Shakespeare (edited by Brian C. Parkinson), was the University of Lethbridge Department of Theatre and Dramatic Arts third show of the 2011 – 2012 Mainstage Theatre season, running February 14 – 18, 2012, performed at the University Theatre in the University of Lethbridge Centre for the Arts, Lethbridge, Alberta. HAMLET was directed by Brian C. Parkinson, with the assistant direction of L. Jay Whitehead and Yvonne Mandel. Contained within t
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Leibnitz, Kimiko. "Die Frauenfiguren in Hamlet-Verfilmungen des 20. Jahrhunderts." Doctoral thesis, Saarbrücken VDM Verlag Dr. Müller, 2005. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-19478.

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Diese Dissertation liefert einen kulturhistorischen Überblick über die Darstellung der Frauenfiguren Gertrude und Ophelia in Hamlet-Verfilmungen des 20. Jahrhunderts. Die beiden weiblichen Gestalten werden dabei im Hinblick auf ihr äußeres Erscheinungsbild wie auch ihre Charakterzeichnung vor dem historischen, kulturellen, politischen und gesellschaftlichen Entstehungshintergrund der Filme beleuchtet. Die Analysen konzentrieren sich ausschließlich auf Kinofilme, da diese ein wesentlich breiteres Publikum erreichen als etwa die diversen Bühnen- oder Textfassungen des Stücks. Die erste der insge
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Phillips, Chelsea Lenn. "Mobled queen is good : Creating an interactive, educational website for three Hamlet texts /." To link to the Hamlet site :, 2009. http://www.mbc.edu/shakespeare/hamlet_project/Hamlet%201.1/Site%20pages/HamletHomepage.html.

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Libros sobre el tema "Hamlet (Shakespeare, William)"

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Currie, Felicity. William Shakespeare: Hamlet. The Critical Forum, 2001.

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Martin, Coyle, ed. Hamlet : William Shakespeare. Macmillan, 1992.

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Rudorff, Wolfgang. William Shakespeare, Hamlet. M. Diesterweg, 1988.

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Martin, Coyle, ed. Hamlet, William Shakespeare. St. Martin's Press, 1992.

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Bolt, Sydney. William Shakespeare, Hamlet. Penguin Books, 1990.

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Ann, Thompson. William Shakespeare, Hamlet. 2nd ed. Northcote House, 2005.

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1943-, Taylor Neil, ed. William Shakespeare, Hamlet. Northcote House in Association with the British Council, 1996.

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1564-1616, Shakespeare William, ed. Hamlet: William Shakespeare. Spark Pub., 2002.

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Gibson, Rex. Shakespeare, Hamlet. Cambridge University Press, 2002.

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A, Cantor Paul. Shakespeare, Hamlet. 2nd ed. Cambridge University Press, 2004.

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Capítulos de libros sobre el tema "Hamlet (Shakespeare, William)"

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Brooks, Jean R. "Responses to Hamlet." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_6.

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Brooks, Jean R. "Shakespeare’s Life and the Background to Hamlet." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_1.

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Brooks, Jean R. "The Play." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_2.

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Brooks, Jean R. "Themes and issues." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_3.

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Brooks, Jean R. "Technical features." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_4.

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Brooks, Jean R. "Dramatic form: Hamlet as a Tragedy." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_5.

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Brooks, Jean R. "Specimen passage and commentary." In Hamlet by William Shakespeare. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07484-6_7.

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Döring, Tobias. "Shakespeare, William: The Tragedy of Hamlet, Prince of Denmark." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17053-1.

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Hudson, Glenda A. "Forbidden Familial Relations: Echoes of Shakespeare’s King Henry VIII and Hamlet in Austen’s Mansfield Park and Sense and Sensibility." In Jane Austen and William Shakespeare. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25689-0_9.

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McEvoy, Sean. "Critical History." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-6.

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Actas de conferencias sobre el tema "Hamlet (Shakespeare, William)"

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Dudalski, Sirlei Santos. "“Você nos livrará da tirania de William Shakespeare?” - Hamlet na HQ Kill Shakespeare." In 1º Congresso Internacional de Intermidialidade 2014. Editora Edgard Blücher, 2015. http://dx.doi.org/10.5151/phypro-intermidialidade2014-008.

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