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Libros sobre el tema "Haroldo de Campos"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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1

Tápia, Marcelo, 1954- editor of compilation y Nóbrega, Thelma Médici, editor of compilation, eds. Haroldo de Campos: Transcriação. São Paulo, SP, Brasil: Perspectiva, 2013.

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2

S, Bessa A. y Cisneros Odile, eds. Novas: Selected writings of Haroldo de Campos. Evanston, Ill: Northwestern University Press, 2007.

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3

Campos, Haroldo de. Os melhores poemas de Haroldo de Campos. São Paulo, SP: Global, 1992.

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4

Corrêa, Oscar Dias. Vozes de Minas: Bilac Pinto, Haroldo Valladão, Milton Campos. Rio de Janeiro: Forense Universitária, 1988.

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5

Dias, Oscar Corrêa. Vozes de Minas: Bilac Pinto, Haroldo Valladão, Milton Campos. Rio de Janeiro: Forense Universitária, 1988.

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6

El destierro apacible y otros ensayos: Xavier Villaurrutia, Alí Chumacero, Fernando Pessoa, Francisco Cervantes, Haroldo de Campos. Tlahuapan, Puebla: Premià, 1987.

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7

O rei da vela. O país dos mascarados por Sábato Magaldi. Uma leitura do teatro de Oswald por Haroldo de Campos. São Paulo, SP: Secretaria de Estado da Cultura de São Paulo, 1991.

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8

da, Motta Leda Tenório, Guinsburg J y Nóbrega Thelma Médici, eds. Céu acima: Para um "tombeau" de Haroldo de Campos. São Paulo, SP, Brasil: FAPESP, 2005.

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9

de, Campos Haroldo, Jackson K. David y University of Oxford. Centre for Brazilian Studies., eds. Haroldo de Campos: A dialogue with the Brazilian concrete poet. Oxford: Centre for Brazilian Studies, University of Oxford, 2005.

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10

Jackson, K. David. Haroldo De Campos: A Dialogue With the Brazilian Concrete Poet. Centre for Brazilian Studies, 2005.

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11

Haroldo de Campos, don de poesía: Ensayos críticos sobre su obra y una entrevista. Lima, Perú]: Fondo Editorial UGSS, 2004.

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12

Modenessi, Alfredo Michel. ‘Victim of Improvisation’ in Latin America. Editado por James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.27.

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The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de Campos and Silviano Santiago’s elaborations on ‘transcreation’, ‘cultural anthropophagy’, and ‘in-betweenness’. To outline significant common factors among Shakespeare performances in Latin America’s twenty Spanish-speaking nations, the chapter discusses two examples in depth: the first, a simple but powerful Mexican adaptation called Mendoza (2011); the second, an Italian documentary of a Cuban performance called Shakespeare in Avana: Altri Romeo, Altre Giuliette (2010). These analyses suggest the strengths of other Latin American acts of performance based on the complex phenomenon called Shakespeare.
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13

Kosick, Rebecca. Material Poetics in Hemispheric America. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474474603.001.0001.

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Material Poetics in Hemispheric America examines poets and artists in the Americas during the late twentieth and early twenty-first centuries to show how they worked to make language into material objects and material objects into language. It builds a theory of ‘material poetics’ that provides an alternative account of poetry in hemispheric America. It argues that by reframing American poetry to prominently include object-oriented practices within and beyond the United States, material poetry can be seen as representing a significant branch of the American poetic tradition. This book puts contemporary theories of objects and matter into conversation with a variety of American approaches to material poetics. These approaches result in one-word poems more concerned with the look of language than its meaning, artworks that invite viewers to physically engage with language, poems assembled from networks of out-of-place words and things, poetic monuments that meditate on (and take up) space, and poetry that attempts to materialise the remnants of lyrics and lives. By examining five case studies, drawn from Brazil, Chile, the United States, and Canada, it investigates five ways of conceptualizing these poetic objects—as autonomous, relational, assembled, architectural, and posthuman. Poets and artists featured include Haroldo de Campos, Décio Pignatari, Augusto de Campos, Ferreira Gullar, Hélio Oiticica, Lygia Pape, Juan Luis Martínez, Ronald Johnson, and Anne Carson.
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14

Linhas de Fuga: Trânsitos Ficcionais. 7 Letras, 2004.

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15

LINHAS DE FUGA : TRANSITOS FICCIONAIS. Rio de Janeiro: Sette Letras, 2004.

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16

VARÃO, Rafiza. HAROLD LASSWELL E O CAMPO DA COMUNICAÇÃO. EDITORA CRV, 2021. http://dx.doi.org/10.24824/978655578875.4.

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17

Bachner, Andrea. The Secrets of Language. Editado por Carlos Rojas y Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.6.

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In his 2009 poetry collectionQing/man (Light/Slow), Taiwanese poet Chen Li returns to a traditional Chinese form of anagrammatic poetry, the genre of the hidden-character poem (yinzi shi), a rebus-like poetic riddle that focuses on the graphic form the sinograph, by providing clues to its riddle in the form of descriptions of, references to, and graphic components of a given Chinese character. This chapter uses the genre and theory of anagrams as its starting point for a reflection on language, literary creation, and translation, from Ernest Fenollosa’s reflections on the ideographic method to Ferdinand de Saussure’s work on a phonetically understood anagrammar of Indo-European poetry and Haroldo de Campos’s reflections on the poetic resonances in logographic and alphabetic scripts. Rather than essentializing the graphic nature of the Chinese script, Chen Li’s poetic revitalization of the genre of the hidden-character poem challenges preconceived notions of linguistic difference (between sound and script) with an interest in words under words, in the components of (and below) language that constitute language as a concrete practice and allows for a thought of language as duplicitous and multilayered phenomenon.
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18

Bussel, Robert. Coming Up the Hard Way. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039492.003.0002.

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This chapter describes the early lives and education of Harold Gibbons and Ernest Calloway. Gibbons was born on April 10, 1910, in Archibald Patch, a coal mining camp in the town of Taylor, Pennsylvania. He was the youngest of twenty-three children. Calloway was born on January 1, 1909, in Heberton, a tiny town in Fayette County, West Virginia. Both Gibbons and Calloway's fathers were coal miners, and their experiences reflected the influential role played by the coal industry in shaping America after the Civil War. This chapter considers the working conditions of miners, coal mine unions, and miners' attempts at union organizing in West Virginia and Pennsylvania during the time of Calloway and Gibbons. It also examines how the coal patch, ethnic and racial intolerance, and corporate domination converged as the catalysts for Calloway and Gibbons's subsequent efforts to craft a “total person unionism” that fostered interracial and interethnic solidarity.
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19

United States. General Accounting Office., ed. Refugees, U.S. processing of Haitian asylum seekers: Statement of Harold J. Johnson, Director, Foreign Economic Assistance Issues, National Security and International Affairs Division, before the Subcommittee on Legislation and National Security, Committee on Government Operations, House of Representatives. [Washington, D.C.]: The Office, 1992.

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20

United States. General Accounting Office., ed. Refugees, U.S. processing of Haitian asylum seekers: Statement of Harold J. Johnson, Director, Foreign Economic Assistance Issues, National Security and International Affairs Division, before the Subcommittee on Legislation and National Security, Committee on Government Operations, House of Representatives. [Washington, D.C.]: The Office, 1992.

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21

United States. General Accounting Office., ed. Refugees, U.S. processing of Haitian asylum seekers: Statement of Harold J. Johnson, Director, Foreign Economic Assistance Issues, National Security and International Affairs Division, before the Subcommittee on Legislation and National Security, Committee on Government Operations, House of Representatives. [Washington, D.C.]: The Office, 1992.

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