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Libros sobre el tema "Heat bonding"

Autor: Grafiati
Publicado: 28 de mayo de 2022

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1

Technology), International Conference on Diffusion Bonding (2nd 1990 Cranfield Institute of. Diffusion bonding 2. London: Elsevier Applied Science, 1991.

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2

Dadgostari, Soheila. Bone-bonding to alkali/heat treated titanium. [Toronto: University of Toronto, Faculty of Dentistry, 2000.

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3

Office, Energy Efficiency. A compact titanium heat exchanger made by superplastic forming and diffusion bonding. London: Dept of the Environment, 1994.

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4

Collins, Georgia Lee. Bonding with the heart: [Xi qing]. Taipei: Taiwan Power Co., 1998.

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5

Smith, Deborah DeMoss. Reflections of the Heart. New York: John Wiley & Sons, Ltd., 2004.

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6

Graham, Bernie. Creature comfort: Animals that heal. Amherst, N.Y: Prometheus Books, 2000.

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7

1955-, McCormick Marlena Deborah, ed. Horse sense and the human heart: What horses can teach us about trust, bonding, creativity, and spirituality. Deerfield Beach, FL: Health Communications, 1997.

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8

Guyer, Evelyn A. From the hand to heart: Bonding and relaxation techniques (B.A.R.T.) for individuals with combined auditory and visual impairments. [New York?]: E.A. Guyer, 1992.

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9

Whole heart, whole horse: Building trust between horse and rider. New York: Skyhorse Pub., 2009.

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10

United States. National Aeronautics and Space Administration., ed. Sulfur impurities and the microstructure of alumina scales. [Washington, DC]: National Aeronautics and Space Administration, 1997.

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11

Donald, Mittendorf y United States. National Aeronautics and Space Administration., eds. Materials technology for Stirling space power converters. [Washington, D.C.]: National Aeronautics and Space Administration, 1992.

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12

Fujishin, Randy. Gifts from the Heart: Skills for Speaking, Listening, and Bonding. Rowman & Littlefield Publishers, Incorporated, 2018.

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13

Fujishin, Randy. Gifts from the Heart: Skills for Speaking, Listening, and Bonding. Rowman & Littlefield Publishers, Incorporated, 2018.

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14

Montgomery, Mary y Herb Montgomery. Forever In My Heart: Remembering My Pet's Life. Lippincott Williams & Wilkins, 2000.

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15

Smith, Deborah DeMoss. Reflections of the Heart: What Our Animal Companions Tell Us. Howell Book House, 2004.

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16

Rashid, Mark. Whole Heart, Whole Horse: Building Trust Between Horse and Rider. Skyhorse Publishing Company, Incorporated, 2014.

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17

Rashid, Mark. Whole Heart, Whole Horse: Building Trust Between Horse and Rider. Skyhorse Publishing Company, Incorporated, 2009.

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18

Coffman, Chris. Gertrude Stein's Transmasculinity. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474438094.001.0001.

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By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.
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