Bibliografías temáticas / Henry Ford Museum

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Literatura académica sobre el tema "Henry Ford Museum"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 11 de febrero de 2022

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Artículos de revistas sobre el tema "Henry Ford Museum"

1

Hyde, Charles K. y Fannia Weingartner. "Streamlining America: A Henry Ford Museum Exhibit". Technology and Culture 29, n.º 1 (enero de 1988): 174. http://dx.doi.org/10.2307/3105260.

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Lankton, Larry. ""Made in America" at the Henry Ford Museum". Technology and Culture 35, n.º 2 (abril de 1994): 389. http://dx.doi.org/10.2307/3106307.

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Zembala, Dennis. ""Power in Motion" at the Henry Ford Museum". Technology and Culture 33, n.º 2 (abril de 1992): 342. http://dx.doi.org/10.2307/3105863.

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Taylor, Bradley Leland. "House Industries: A Type of Learning". Museum and Society 15, n.º 3 (10 de enero de 2018): 363–66. http://dx.doi.org/10.29311/mas.v15i3.2521.

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Hoover, Terry. "Automotive History Collections: Henry Ford Museum and Greenfield Village". Michigan Historical Review 22, n.º 2 (1996): 149. http://dx.doi.org/10.2307/20173590.

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Chiarappa, Michael J. y Ford R. Bryan. "Henry's Attic: Some Fascinating Gifts to Henry Ford and His Museum". Michigan Historical Review 23, n.º 2 (1997): 202. http://dx.doi.org/10.2307/20173685.

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Hyde, Charles K. ""Streamlining America," an Exhibit at the Henry Ford Museum, Dearborn, Michigan". Technology and Culture 29, n.º 1 (enero de 1988): 125. http://dx.doi.org/10.2307/3105232.

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Hoover, Terry. "Henry Ford Museum & Greenfield Village Archives, Manuscripts, Library Holdings, and Special Collections". Michigan Historical Review 27, n.º 1 (2001): 152. http://dx.doi.org/10.2307/20173900.

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Hyde, Charles K. ""The Automobile in American Life," an Exhibit at Henry Ford Museum, Dearborn, Michigan". Technology and Culture 30, n.º 1 (enero de 1989): 105. http://dx.doi.org/10.2307/3105433.

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Israel, Paul B. "Enthusiasts and Innovators: "Possible Dreams" and the "Innovation Station" at the Henry Ford Museum". Technology and Culture 35, n.º 2 (abril de 1994): 396. http://dx.doi.org/10.2307/3106308.

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Tesis sobre el tema "Henry Ford Museum"

1

Cooper, Ann. "For the public good : Henry Cole, his circle and the development of the South Kensington estate". Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317573.

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Hållen, Nicklas. "Travelling objects : modernity and materiality in British Colonial travel literature about Africa". Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-46365.

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This study examines the functions of objects in a selection of British colonial travel accounts about Africa. The works discussed were published between 1863 and 1908 and include travelogues by John Hanning Speke, Verney Lovett Cameron, Henry Morton Stanley, Mary Henrietta Kingsley, Ewart Scott Grogan, Mary Hall and Constance Larymore. The author argues that objects are deeply involved in the construction of pre-modern and modern spheres that the travelling subject moves between. The objects in the travel accounts are studied in relation to a contextual background of Victorian commodity and object culture, epitomised by the 1851 Great Exhibition and the birth of the modern anthropological museum. The four analysis chapters investigate the roles of objects in ethnographical and geographical writing, in ideological discussions about the transformative powers of colonial trade, and in narratives about the arrival of the book in the colonial periphery. As the analysis shows, however, objects tend not to behave as they are expected to do. Instead of marking temporal differences, descriptions of objects are typically unstable and riddled with contradictions and foreground the ambivalence that characterises colonial literature.
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Swigger, Jessica 1976. ""History is bunk": historical memories at Henry Ford's Greenfield Village". Thesis, 2008. http://hdl.handle.net/2152/3955.

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In 1929, Henry Ford opened Greenfield Village, his outdoor history museum in Dearborn, Michigan. Fourteen years earlier, Ford announced that written history was bunk. The museum was designed to reshape the historical project by celebrating farmers and inventors in lieu of military heroes and politicians. Included among the structures were Thomas Edison’s Menlo Park Laboratory, Noah Webster’s home, and Ford’s Quadricycle shop. Ford used architecture and material culture to connect American progress to self-made manhood, middle-class domesticity, and the inventive spirit. Despite signs that the struggling automotive industry is responsible for Michigan’s economic decline, the site is popular--since 1976 over one million visitors have attended each year. This project examines this phenomenon, which exemplifies how publics often fail to link past and present in the same way that scholars do. The Village’s largely unexplored archives documenting its internal history are mined, along with primary and secondary sources on the histories of public history and the Detroit metropolitan-area. Chapter one studies the site’s construction and audiences during Ford’s presidency arguing that the populist public images of Ford and Edison mediated encounters with the Village. Chapter two links the site to the racial politics of the Detroit metro-area, which marked the Village as an alternative public space for whites. Chapter three draws on visitor surveys, to show how patrons’ worldviews were shaped by the politics of populistconservativism. Chapter four explains how the appointment of an academic as president ensured the addition of progressive historical narratives, but the site’s location in Dearborn impeded efforts to draw a larger African American audience. In the mid-1990s, the fifth chapter contends, administrators successfully sought new patrons by blending progressive history and entertainment. This project argues that the Village is popular because it articulates both visitors’ longing for an imagined past, and desires for alternative futures. It also proposes that representations of the past are understood not only through a study of their internal histories, but by placing them in the broader contexts of the economy, politics, and social relationships of the geographic area in which they are located.
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Miller, Brittany L. "A MECHANISM OF AMERICAN MUSEUM-BUILDING PHILANTHROPY, 1925-1970". Thesis, 2010. http://hdl.handle.net/1805/2500.

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Indiana University-Purdue University Indianapolis (IUPUI)
This thesis investigates why twentieth-century philanthropists, such as Henry Ford, John and Abby Rockefeller, Henry du Pont, and Henry and Helen Flynt, developed American museums between 1925 and 1970. These individuals shared similar beliefs and ideological perspectives of American history, which shaped their museum-building efforts. Additionally, philanthropists had financial resources, social networks, and access to agents. The combination of these elements assisted in the establishment of their institutions. Over two generations, these museum builders established an American museum ideal through the implementation of their philanthropy. Philanthropists’ extensive financial resources, combined with philanthropic and museum-oriented ideas of the time, provided the impetus for the creation of new museums and collections. Furthermore, this work investigates Henry Ford as a case study of the philanthropic system used to establish these institutions. Ford’s agents mediated an exchange of artifacts and resources between Ford and average people, who were willing to give buildings, furnishings, and industrial machinery to the museum. This multi-directional system of philanthropy exemplifies the relationship between Ford as the philanthropist, his agents, and potential donors, to create his museums. Other philanthropists and institutions are referenced to further illustrate the museum building process and the role of philanthropy established at this time.
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Kienker, Brittany Lynn. "The Henry Ford : sustaining Henry Ford's philanthropic legacy". Thesis, 2014. http://hdl.handle.net/1805/4654.

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Indiana University-Purdue University Indianapolis (IUPUI)
This dissertation argues that the Edison Institute (presently known as The Henry Ford in Dearborn, Michigan) survived internal and external challenges through the evolution of the Ford family’s leadership and the organization’s funding strategy. Following Henry Ford’s death, the museum complex relied upon the Ford Foundation and the Ford Motor Company Fund as its sole means of philanthropic support. These foundations granted the Edison Institute a significant endowment, which it used to sustain its facilities in conjunction with its inaugural fundraising program. Navigating a changing legal, corporate, and philanthropic landscape in Detroit and around the world, the Ford family perpetuated Henry Ford’s legacy at the Edison Institute with the valuable guidance of executives and staff of their corporation, foundation, and philanthropies. Together they transitioned the Edison Institute into a sustainable and public nonprofit organization by overcoming threats related to the deaths of two generations of the Ford family, changes in the Edison Institute’s administration and organizational structure, the reorganization of the Ford Foundation, the effects of the Tax Reform Act of 1969, and legal complications due to overlap between the Fords’ corporate and philanthropic interests. The Ford family provided integral leadership for the development and evolution of the Edison Institute’s funding strategy and its relationship to their other corporate and philanthropic enterprises. The Institute’s management and funding can be best understood within the context of philanthropic developments of the Ford family during this period, including the formation of the Ford Foundation’s funding and concurrent activity.   This dissertation focuses on the research question of how the Edison Institute survived the Ford family’s evolving philanthropic strategy to seek a sustainable funding and management structure. The work examines its central research question over multiple chapters organized around the Ford family’s changing leadership at the Edison Institute, the increase of professionalized managers, and the Ford’s use of their corporation and philanthropies to provide integral support to the Edison Institute. In order to sustain the Edison Institute throughout the twentieth century, it adapted its operations to accommodate Henry Ford’s founding legacy, its legal environment, and the evolving practice of philanthropy in the United States.
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Libros sobre el tema "Henry Ford Museum"

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American ingenuity: Henry Ford Museum and Greenfield Village. New York: H.N. Abrams, 1985.

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Henry Ford Museum and Greenfield Village., ed. Henry Ford Museum: An abc of American innovation. New York: Harry N. Abrams, 1997.

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Bryan, Ford R. Henry's attic: Some fascinating gifts to Henry Ford and his museum. Dearborn, Mich: Ford Books, 1995.

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Bryan, Ford R. Henry's attic: Some fascinating gifts to Henry Ford and his museum. Detroit: Wayne State University Press, 2006.

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Bryan, Ford R. Henry's attic: Some fascinating gifts to Henry Ford and his museum. Detroit: Wayne State University Press, 2006.

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Henry Ford Museum and Greenfield Village. Fordson 1917 through 1928: Photo archive : photographs from the Henry Ford Museum and Greenfield Village. Minneapolis, Minn: Iconografix, USA, 1995.

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"History is bunk": Assembling the past at Henry Ford's Greenfield Village. Amherst: University of Massachusetts Press, 2014.

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Leno, Jay. Driving America: The Henry Ford automotive collection. Nashville, TN: he Henry Ford, 2013.

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Matisse, Henri. Matisse: Fleurs, feuillages, dessins : Musée Matisse, Le Cateau-Cambrésis, 8 juillet-30 septembre 1989. Le Cateau-Cambrésis: Le Museé, 1989.

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Matisse, Henri. Matisse: El explendor deslumbrante del color de los fauves. Madrid: Electa, 1998.

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Capítulos de libros sobre el tema "Henry Ford Museum"

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Maurice, Shelby, Andrew Diefenbach, Danielle Garshott, Elizabeth McDonald, Thomas Sanday, Mary Fahey y Mark A. Benvenuto. "Analysis of Liquid Patent Medicines Archived at the Henry Ford Museum, via1H NMR Spectroscopy". En ACS Symposium Series, 181–90. Washington, DC: American Chemical Society, 2015. http://dx.doi.org/10.1021/bk-2015-1189.ch013.

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Diefenbach, Andrew, Danielle Garshott, Elizabeth MacDonald, Thomas Sanday, Shelby Maurice, Mary Fahey y Mark A. Benvenuto. "Examination of a Selection of the Patent Medicines and Nostrums at the Henry Ford Museum via Energy Dispersive X-ray Fluorescence Spectrometry". En ACS Symposium Series, 87–97. Washington, DC: American Chemical Society, 2014. http://dx.doi.org/10.1021/bk-2014-1159.ch007.

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"Dearborn: Greenfield Village and Henry Ford Museum". En The Americas, 213–16. Routledge, 2013. http://dx.doi.org/10.4324/9781315073828-55.

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&, Cohen. "Midwest". En America's Scientific Treasures, 248–304. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197545508.003.0005.

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The chapter “Midwest” explains about scientific and technological sites of adult interest in Illinois, Indiana, Iowa, Michigan, Minnesota, Ohio, and Wisconsin, including Fermi National Accelerator Laboratory, National Model Aviation Museum, John Deere Company, The Henry Ford, Forest History Center, National Museum of the Great Lakes, and the University of Wisconsin Geology Museum. The traveler is provided with essential information, including addresses, telephone numbers, hours of entry, handicapped access, dining facilities, dates open and closed, available public transportation, and websites. Nearly every site included here has been visited by the authors. Although written with scientists in mind, this book is for anyone who likes to travel and visit places of historical and scientific interest. Included are photographs of many sites within each state.
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Morrison, Katherine. "Committed to a Narrative: Expressions of Knowledge Organization at The Henry Ford Museum of American Innovation". En Knowledge Organization at the Interface, 310–18. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2020. http://dx.doi.org/10.5771/9783956507762-310.

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Gochberg, Reed. "Shadowed Silhouettes". En Useful Objects, 49–83. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197553480.003.0003.

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This chapter explores questions of loss, theft, and erasure by considering the collections of Indigenous artifacts in early American museums through the eyes of Native visitors and writers. Many museums, including Peale’s Philadelphia Museum, the Salem East India Marine Society, and the Columbian Institute in Washington, D.C., framed the theft and appropriation of Indigenous artifacts as a form of preservation linked to antiquarianism and myths of the “vanishing Indian.” Descriptions of visiting delegations to Philadelphia, however, challenge such attempts at erasure, revealing how Native visitors subtly performed their resistance to such practices within museum galleries. The literary collaborations between ethnologist Henry Rowe Schoolcraft and his wife, the métis Ojibwe poet Jane Johnston Schoolcraft, similarly demonstrate the conflicts between White and Indigenous collecting practices and interpretive frameworks. These accounts show how Native writers and visitors contested the broader claims to ownership and authority being invoked by museums during this period.
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Gochberg, Reed. "Specimen Collectors". En Useful Objects, 151–88. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197553480.003.0006.

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This chapter examines the early history of Harvard’s Museum of Comparative Zoology and broader conversations about the representation of the natural world as fixed and stable. While the museum’s founder, Louis Agassiz, emphasized the value of preserved specimens to research and teaching, many collectors and writers questioned such practices. After donating turtles to the museum, Henry David Thoreau contemplated the ethical and scientific implications of freezing nature for extended study. In children’s fiction, Louisa May Alcott emphasized the relationship between collecting specimens and moral order, while highlighting the growing gendered divide between scientific practice in the museum and the parlor. And in philosophical writings, William James drew on classification to consider more flexible possibilities to fixed theories. These accounts show how writers sought to promote a deeper understanding of flux and change both within the museum and beyond.
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McGhie, Henry A. "Time for a change". En Henry Dresser and Victorian Ornithology. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994136.003.0015.

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This chapter reveals how ornithology had become divided into factions, with Dresser occupying a distinctive position as one of the last independent naturalists. The British Ornithologists Union had its 50th anniversary in 1909; this showed how the BOU had become rather left behind in the face of competition from the American school of ornithology. Bird and egg collecting were the source of a great debate that ran for some time in the Times. Dresser took part in the commemorations of Darwin’s birth and the publication of On the Origin of Species through his friendship with Alfred Russel Wallace. He was again accused of theft by the British Museum (Natural History). Dresser took part in one last book project, to standardise the names of the birds that had occurred in Britain in line with more modern naming practices.
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McGhie, Henry A. "The 1880s: the rise of rivalry". En Henry Dresser and Victorian Ornithology. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994136.003.0011.

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This chapter explores the 1880s as a time when standards were set in ornithology, in terms of scientific practices of naming and drawing up agreed lists of accepted records of rare birds visiting Britain. Dresser was a key figure in this, at a time when a number of self-proclaimed authorities disputed evidence and practices. Dresser was involved in various arguments over scientific naming practices with American ornithologists, which would run for many years. His relationship with Henry Seebohm, an English collector with whom he had previously been on good terms, deteriorates as Seebohm set out to deinstall Dresser as the leading commentator on the birds of Europe and Siberia. The British Museum (Natural History) continued to develop its leading importance as a scientific research institution, attracting support from many of Dresser’s contemporaries and acquiring their collections. Dresser remained separated from the museum.
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McGhie, Henry A. "The 1890s: the continuing rise of the British Museum (Natural History)". En Henry Dresser and Victorian Ornithology. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784994136.003.0012.

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This chapter explores Dresser’s activities in the 1890s. His relationship with Walter Rothschild, a particularly wealthy private collector, is discussed. Dresser continued to hold a leading position in scientific society and became involved in the early Society for the Protection of Birds. He had some involvement with the British Ornithologists’ Club, established by Richard Sharpe of the British Museum (Natural History). There were ongoing disputes on how birds should be given scientific names; Dresser was notable as a firm advocate of the ‘old school’, which was losing ground to new innovations supported by American ornithologists. There was a dispute over the ownership of bird specimens with Richard Sharpe, which would be the first of several such accusations. Dresser parted with his bird collection to Manchester Museum. The days of independent gentlemen naturalists were not over, but the rift between individuals and organised institutions, societies and professionals was growing ever wider.
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