Bibliografías temáticas / Highway 61 revisited (Dylan, Bob)

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Literatura académica sobre el tema "Highway 61 revisited (Dylan, Bob)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Highway 61 revisited (Dylan, Bob)"

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Akalay, Nadia. "“Cinderella seems so easy”: Archetypal Characterisation in Bob Dylan and T.S. Eliot’s Wastelands." Theory in Action 17, no. 2 (2024): 38–55. http://dx.doi.org/10.3798/tia.1937-0237.2407.

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This article presents an intertextual study of T.S. Eliot’s The Waste Land (1922) and Bob Dylan’s ‘Desolation Row’ (1965) – the original version in the album Highway 61 Revisited. Only a few scholars dedicated to the works of Bob Dylan have ‘Desolation Row’ being a vague rather than an explicit allusion to The Waste Land. This study will demonstrate how the themes and topics in both texts are not only similar, but how the piece by Dylan contains direct references to Eliot’s poem as well as to other literary and cultural phenomena which Eliot references in his Wasteland – “alluding to allusions
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Roos, Michael, and Don O'Meara. "Is your love in vain? – dialectical dilemmas in Bob Dylan's recent love songs." Popular Music 7, no. 1 (1988): 35–50. http://dx.doi.org/10.1017/s0261143000002518.

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In a recent interview, Bob Dylan said that he has learned never to ‘give one hundred per cent’ – a person, particularly a public artist, should always hold something in reserve. Somewhat taken aback, the interviewer pressed for a follow-up to this puzzling statement. Wasn't Dylan giving 100 per cent on those great albums of the 1960s. Highway 61 Revisited and Blonde on blonde? All right, Dylan finally admitted, maybe he was. The reporter dropped the question and went on to other subjects, leaving the readers, like Mr Jones, wondering just what is going on here. Most people who have followed Dy
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Dedić, Nikola. "Highway 61 Revisited: Bob Dilan i francuski poststrukturalizam / Highway 61 Revisited: Bob Dilan and French Poststructuralism." AM Journal of Art and Media Studies, no. 3 (June 15, 2013): 11–23. http://dx.doi.org/10.25038/am.v0i3.32.

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The main aim of this text is to show parallels between rock music and poststructuralist philosophy. As a case study one of the most celebrated rock albums of all times – Bob Dylan’s Highway 61 Revisited from 1965 is taken. It is one of the crucial albums in the history of popular culture which influenced further development of rock music within American counter culture of the 60s. Dylan’s turn from the politics of American New Left and folk movement, his relation towards the notions of the author and intertextuality, and his connection with experimental usage of language in the manner of avant
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4

"Bob Dylan: Highway 61 revisited." Choice Reviews Online 45, no. 12 (2008): 45–6683. http://dx.doi.org/10.5860/choice.45-6683a.

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Tesis sobre el tema "Highway 61 revisited (Dylan, Bob)"

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Forsberg, Jacob. "“It ain’t the melodies that’re important man, it’s the words” : Dylan’s use of figurative language in The Times They Are A-Changin’ and Highway 61 Revisited." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41174.

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This essay compares the figurative language of Bob Dylan’s albums The Times They Are A-Changin’ (1964) and Highway 61 Revisited (1965), with a focus on how Dylan remained engaged with societal injustices and human rights as he switched from acoustic to fronting a rock ‘n’ roll band. The essay argues that Dylan kept his critical stance on social issues, and that the poet’s usage of figurative language became more expressive and complex in the later album. In the earlier album Dylan’s critique, as seen in his use of figurative language, is presented in a more obvious manner in comparison to High
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Libros sobre el tema "Highway 61 revisited (Dylan, Bob)"

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1953-, Sheehy Colleen J., and Swiss Thomas 1952-, eds. Highway 61 revisited: Bob Dylan's road from Minnesota to the world. University of Minnesota Press, 2009.

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Bob Dylan: Highway 61 revisited. Billboard Books, 2008.

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Bob Dylan: Highway 61 revisited. Billboard Books, 2008.

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4

Bob Dylan's Highway 61 Revisited. Bloomsbury Academic & Professional, 2006.

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Highway 61 revisited. Continuum, 2007.

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6

(Editor), Paul Du Noyer, ed. Bob Dylan "Highway 61" Revisited (Legendary Sessions). Flame Tree Publishing Co Ltd, 2007.

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Legendary Sessions: Bob Dylan: Highway 61 Revisited (Legendary Sessions). Billboard Books, 2007.

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Highway 61 Revisited: Bob Dylan S Road from Minnesota to the World. University of Minnesota Press, 2009.

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9

Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.

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Polizzotti, Mark. Bob Dylan's Highway 61 Revisited (33 1/3). Continuum International Publishing Group, 2006.

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Capítulos de libros sobre el tema "Highway 61 revisited (Dylan, Bob)"

1

Polito, Robert. "Highway 61 Revisited (1965)." In The Cambridge Companion to Bob Dylan. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521886949.013.

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Starr, Larry. "Accompanying Bob Dylan." In Listening to Bob Dylan. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.003.0006.

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In this chapter, Bob Dylan’s very conscious decisions about the instruments, playing styles, and players with which to accompany his singing voice and harmonica receive consideration. His own picking and strumming of an acoustic guitar, his choice of piano, beginning with “Black Crow Blues” (1964), and his historic switch to electric guitar and employment of a rock band on Bringing It All Back Home and Highway 61 Revisited (both 1965), are all examined in terms of their impact on the sound of his recorded work and their significance for the songs he played. Backing singers first appeared on Dy
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"‘There is No Eye’: Highway 61 Revisited." In Invisible Now: Bob Dylan in the 1960s. Routledge, 2016. http://dx.doi.org/10.4324/9781315589770-15.

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Tellier, Albéric. "6. Bob Dylan. Highway 61 Revisited (1965, Columbia)." In Nouvelles vibrations. EMS Editions, 2020. http://dx.doi.org/10.3917/ems.telli.2020.01.0077.

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Polizzotti, Mark. "Side One." In Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.0004.

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Polizzotti, Mark. "Side Two." In Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.0005.

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Polizzotti, Mark. "Recording Dates." In Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.0006.

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Polizzotti, Mark. "Endnotes." In Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.0007.

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Polizzotti, Mark. "Select Bibliography and Discography." In Bob Dylan's Highway 61 Revisited. Bloomsbury Publishing Inc, 2006. http://dx.doi.org/10.5040/9781501396762.0008.

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