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Landes, Jonas. "Hippie houses of Redlands Mesa a continuation of the folk building tradition /". Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1939263751&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
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Larsson, Marie, Viktoria Andersson y Eline Josefsson. "From “the hippies on the third floor” to the C-suite". Thesis, Internationella Handelshögskolan, Jönköping University, IHH, Företagsekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-48993.
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Background: Managers working with sustainability and environmental issues are receiving higher priority in organizations (Knight & Paterson, 2018) and the environmental issues are today discussed at the top management level in corporations worldwide (Landrum, 2017). In line with the increased interest of the role, literature focusing on the individual sustainability manager, has recognized the need for competencies and motivational drivers in order to take sustainable actions (Wiek et al., 2011; UNESCO, 2017; Rieckmann, 2018). In addition, literature presents a significant positive relationship between motivations of individual managers and firm performance. However, previous literature covering key competencies for sustainable development, as well as individual motivations for working with sustainability, is rather ambiguous. Therefore, the authors identified a gap in the literature and initiated an interest to further investigate the key competencies and individual motivations of a sustainability manager operating in Sweden today. Purpose: The purpose of this study is to investigate the individual sustainability manager operating in Sweden today. The study aims to identify the key competencies required for operating in the role, and to explain corresponding underlying motivations for working with sustainability. Method: The study follows a qualitative and exploratory approach by combining existing literature, theories and empirical data. The empirical data was collected through six semi-structured interviews. The empirical findings were further analyzed following a thematic analysis technique. Conclusion: The authors suggest a proposed framework that illustrates the identified key competencies required for operating as a sustainability manager in Sweden today, as well as the underlying motivations for working with corporate sustainability. The illustration of the proposed framework provides a generalized foundation for understanding the sustainability manager role in terms of key competencies and individual motivations. This framework adds to current literature on the topic of sustainability management and can be used as a means for evaluating current sustainability managers, as well as a means to analyze current education for sustainable development.
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Porto, Geraldo 1950. "Geraldo Porto = uma participação na arte contemporânea do Brasil no contexto da contracultura dos anos sententa". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284449.
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Orientador: Marco Antonio Alves do ValleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Neste trabalho são comentadas as exposições e participações de Geraldo Porto nos Salões oficiais de Arte Contemporânea do Brasil desde 1966, destacando o ano de 1974, quando conquistou o reconhecimento da crítica especializada pela sua obra artística. É privilegiada uma análise de sua atuação no movimento de contracultura e de suas curadorias de "Arte Incomum" com a apresentação dos registros documentais e publicações na imprensa. Geraldo Porto participou e refletiu criticamente sobre a Arte Contemporânea, contribuindo para a História da Arte em Campinas e no Brasil neste período de rupturas e transgressões no Brasil e no mundo. Teve as suas obras selecionadas pelos mais atuantes e destacados críticos de arte da época, como Mário Schemberg, Walter Zanini, Roberto Pontual, Olívio Tavares de Araujo, Márcio Sampaio, José Roberto Teixeira Leite, Frederico de Morais, Aracy Amaral, Wolfgang Pfeiffer, José Geraldo Vieira, Mário Barata, Waldemar Cordeiro e Walmir Ayala, entre outros. A tese apresenta um breve relato do seu trabalho como monge beneditino, pesquisador, curador e professor de arte na Universidade Estadual de Campinas desde 1984
Abstract: This work discusses the exhibitions and participating in the Expositions of Contemporary Art in Brazil of Geraldo Porto since 1966, highlighting the year 1974, when he gained recognition from critics for his artistic work. It's an insider analysis of his performance in the counterculture movement and his researches of "Art Unusual", with the presentation of documentary records and publications in the press. Geraldo Porto took part and reflected critically on Contemporary Art, contributing to the History of Art in Campinas in Brazil during this period of disruption and transgressions in Brazil and worldwide. He had their works selected by the most active and prominent art critics of the time as Mario Schemberg, Walter Zanini, Roberto Pontual, Olívio Tavares de Araújo, Márcio Sampaio, José Roberto Teixeira Leite, Frederico de Morais, Aracy Amaral, Wolfgang Pfeiffer, José Geraldo Vieira, Mário Barata, Waldemar Cordeiro and Walmir Ayala, among others. The thesis presents a brief account of his work as a Benedictine monk, researcher, curator and art teacher at the State University of Campinas in 1984
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Pereira, Neto Paulo da Costa. "Gringos, hippies e conquistadores em Samaipata, Bolívia: a fama e a infância dos forasteiros". reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/134934.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Antropologia Social, Florianópolis, 2015.Made available in DSpace on 2015-09-15T04:07:00Z (GMT). No. of bitstreams: 1 334105.pdf: 1905535 bytes, checksum: 66a111cca90da518715c073f9f9282e9 (MD5) Previous issue date: 2015
A crescente presença de forasteiros em Samaipata, uma pequena cidade boliviana próxima a Santa Cruz de la Sierra, faz com que, com grande frequência, o substantivo "gringo" seja usado para se referir a pessoas, bem como a locução adjetiva "de gringos" venha colada com certas coisas (festas de gringos, lugares de gringos, manias de gringos...). No entanto, as duas formas de uso se revelavam muito mais plásticas do que poderiam parecer à primeira vista: mesmo quando gringo era visto como "alguém de fora", identificar esse alguém e estabelecer o que se está se considerando como o local (Samaipata, as terras baixas, a Bolívia, a América Latina) dependiam muito mais das circunstâncias em jogo do que de qualquer forma de definição enciclopédica. Mas isso não implicava que a noção de gringo fosse, tão simplesmente, uma concepção subjetiva, que não dependesse da circulação de ideias e do compartilhamento de certas experiências dentro da cidade. Mais do que isso, havia uma certa "má-fama" bem disseminada - embora não absolutamente disseminada - que se refletia em algumas práticas instituídas pelo poder local para tentar minar os "abusos" cometidos pelos forasteiros na cidade - fossem eles turistas ou moradores estabelecidos. O objetivo de minha dissertação foi tentar entender o que fazia com que esse rótulo se tornasse tão disseminado e a razão que levava a categoria "gringo" a ser tão frequentemente associada a formas de subversão dos hábitos locais.
Abstract : The growing presence of outsiders in Samaipata, a tiny town near Santa Cruz de la Sierra, makes that, very often, the noun ?gringo? be used to refer to people, in the same way that he adjective ?gringo? is linked to certain things (gringo parties, gringo places, gringo manias?). Nevertheless, both uses showed to be much more plastic than would be expected at first glance: even when gringo was treated as someone from abroad, identifying this person and establishing what is being considered to be the local (Samaipata, the lowlands, Bolivia, Latin America) depended much more on the circunstances at stake than on any sort of encyclopedic definition. This assumption, however, didn?t imply that the idea of gringo should be treated as a strictly subjective conception, independent from the circulation of other ideas and from the share of some experiences that were going around the town. Moreover: there was a certain ?bad reputation? very widespread ? though not absolutely widespread ? that was reflected in some instituted practices that were being performed by the local authorities in order to undermine eventual ?abuses?practiced by outsiders in town ? tourists and established. The main aim of this dissertation was to understand the reasons that made this label so widespread and why this category, gringo, was so frequently related to some forms of subversion of the local ways of being.
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Hahn, Miriam. "Playing Hippies and Indians: Acts of Cultural Colonization in the Theatre of the American Counterculture". Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1400171772.
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Förster, Felicitas. "Die Bluesbewegung in der DDR. Akteur eines Kulturtransferprozesses". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-155283.
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Die Bluesbewegung war eine Jugendbewegung, die sich Ende der 1960er Jahre in der DDR formierte. Sie regte einen Kulturtransfer an, der in den 1970er und 1980er Jahren amerikanischen Blues in die DDR brachte. Die vorliegende Arbeit rekonstruiert diesen Prozess, angefangen bei den Motiven für die Jugendlichen, sich für Blues zu interessieren, über die Vermittlung des Blues durch verschiedene Medien, vor allem durch den Hörfunk, bis zur DDR-spezifischen Aneignung des Blues inner- und außerhalb der Szene“Bluesbewegung” is the name of a youth movement that arose in the late 1960’s in the GDR. This movement encouraged the cultural transfer which brought American blues music into the GDR. My study wants to reconstruct this process beginning with the motives for being interested in Blues music, continuing with the transfer of Blues music throughout the media (especially in radio broadcasting), and finally, ending with the GDR-specific appropriation of Blues within and outside of the youth scene
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Le, Roy Christine. "De la génération hippie à la génération yuppie aux Etats-Unis". Paris 4, 1987. http://www.theses.fr/1987PA040152.
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Les hippies sont les descendants de la génération beats des années 50. Ces deux groupes ont fait preuve de non-conformisme. Les hippies ont tenté de créer un nouveau type de famille basé sur l'amour libre. Ils aimaient vivre en communauté, proche de la nature. Ils étaient contre la guerre, mais ils refusaient de manifester leur opposition dans la rue. Ils étaient avant tout des non-violents. Pour combattre le matérialisme occidental, qu'ils rejetaient, seule la philosophie orientale leur apparaissait comme l'antidote. L'épanouissement n'était possible que sous l'effet de la drogue. Les chansons des années 60 et 70 ont cherché à éveiller la conscience des américains. A la fin des années 70, ce mouvement s'éteint. Certains hippies sont devenus des artistes, certains se sont fondus dans l'anonymat des villes, d'autres sont devenus des contestataires et d'autres des yuppies. Ces derniers dominent aux Etats-Unis largement la tendance actuelle des années 80. Ce sont de jeunes cadres dynamiques. Ils sont sérieux et ambitieux. Ils aspirent à la gloire. Ils rêvent de pouvoir et d'argent. Ils sont sportifs et ne mangent que des aliments sains. Ils ont de confortables revenus. En politique, ils sont à la fois libéraux (en matière sociale) et conservateurs (pour leurs affaires). Ils se donnent plus de mal que leurs parents pour réussir, (la conjoncture économique ne leur est pas particulièrement favorable). Alors que dans les années 70, les américains avaient perdu à la suite de différentes désillusions : Viêt-Nam, Watergate, crise énergétique, etc. . . , la notion du rêve américain, les yuppies pensent au contraire que celui-ci est encore possible. Le tout est de le vouloir vraiment. Malgré des conceptions diamétralement opposées, certains hippies ont révisé leur jugement et sont devenus des yuppiesThe hippies are the descendants of the beat generation of the fifties. Both groups showed non-conformism. The hippies tried to create a new type of family based on companionate marriage. They liked life in a community, close to nature. They were against war, but refused to take part in public demonstrations in the streets. They were nonviolent, above all. They rejected western materialism. Eastern philosophy was the only antidote for them. Heyday could only be reached with drugs. The songs of the sixties and seventies tried to awake the American consciousness. At the end of the seventies, the movement faded some hippies became artists, others became contestants and others yuppies. They are the present-day trends of the united-states. They are young urban professionals. They are serious and ambitious. They aspire to glory. They dream of power and money. They like sports and eat only healthy food. They have comfortable incomes. In politics, they are at the same time (in social matters) and conservative (for their business). They work harder than their parents to succeed, (the economical conjuncture is not particularly good for them. ) In the seventies, the American had lost the notion of American dream, after several disillusions: Vietnam, Watergate, energy crisis,. . . , but on the contrary, the yuppies think it is possible. If you really want it badly. Despite the diametrally opposite conceptions, some hippies went through their judgment again and became yuppies
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Dodgson, Richard. "Fun for the Revolution of It: A History of Ken Kesey and the Merry Pranksters". Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1159973773.
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Lee, Yun Doo. "Retirement Planning Decisions Using the 2013 Survey of Consumer Finances". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2093.
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This dissertation consists of two essays. The first essay analyzes financial preparation for retirement of American men and women, using the 2013 Survey of Finances. Specifically, for retirement plan, income is an important factor for men and women aged 35-45 because of their insufficient income, health (excellent) for men and women aged 46-59 because of continuing work, number of weeks worked per year for men and women aged 60-67 because they have already retired or will retire and many of them are participating in a part time job. Also, health has significantly positive effects on the share of the financial wealth invested in the stocks while age has significantly negative effects in the analysis.
The second essay analyzes the differences between the hippie cohort and the X and Y cohorts for the adequate preparation for retirement. In the hippie cohort, using the Internet or online for getting information to make decisions about investments and saving has positive effects on satisfaction of the retirement income from pensions and Social Security even if it’s statistically insignificant in the X and Y cohorts. In the responses regarding the question of how rate the retirement income from job pensions and Social Security, the findings show that the hippie cohort is more likely than the X and Y cohorts in satisfaction of the retirement income from pensions and Social Security income. The results show that the hippie cohort is better than the X and Y cohorts in preparation for retirement.
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Карєва, Лідія Андріївна. "Проектування колекції молодіжного одягу на основі аналізу субкультур хіпі та актуальних тенденцій в моді 1960-1970-х років". Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17885.
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Рух хіпі – це один з найяскравіших прикладів молодіжних субкультур ХХ століття, що незмінно впливав на моду. Необхідність детального вивчення моди хіпі зумовлена актуальністю стилю молодіжних субкультур й до сьогодні. Метою дослідження є удосконалення дизайн-проектування сучасного одягу на основі аналізу характерних ознак стилю хіпі, що сформувався під впливом політичних подій і актуальних соціальних проблем. Об’єктом дослідження є процес художнього проектування сучасного одягу на основі моди молодіжної субкультури. Предметом дослідження є розробка художньо-композиційних принципів проектування сучасного жіночого одягу, яка відштовхується від культури хіпі. Методом дослідження є детальне вивчення історії формування руху хіпі, причини виникнення молодіжної субкультури з метою виявлення ознак стилю і передачі основної ідеї в колекції; вивчення сучасних тенденцій моди з метою створення сучасного актуального одягу. Наукова новизна полягає в теоретичному обґрунтуванні застосування системи гармонізації структури і візуалізації форм сучасного одягу на базі використання елементів стилю хіпі. Практичне значення отриманих результатів полягає в розробці рекомендацій щодо створення проектних рішень колекцій сучасного костюма. На основі проведених досліджень виконано проектування сучасної колекції жіночого одягу з використанням ознак стилю хіпі і актуальних модних тенденцій.Движение хиппи – это один из самых ярких примеров молодежных субкультур ХХ века, который неизменно влиял на моду. Необходимость детального изучения моды хиппи обусловлена актуальностью стиля молодежных субкультур и сегодня. Целью исследования является совершенствование дизайн-проектирования современной одежды на основе анализа характерных признаков стиля хиппи, сформировавшегося под влиянием политических событий и актуальных социальных проблем. Объектом исследования является процесс художественного проектирования современной одежды на основе моды молодежной субкультуры. Предметом исследования является разработка художественно-композиционных принципов проектирования современной женской одежды, которая отталкивается от культуры хиппи. В работе исследована история формирования движения хиппи, причины возникновения молодежной субкультуры; изучены современных тенденций моды с целью создания современного актуального одежды. Научная новизна заключается в теоретическом обосновании применения системы гармонизации структуры и визуализации форм современной одежды на основе использования элементов стиля хиппи. Практическое значение полученных результатов заключается в разработке рекомендаций по созданию проектных решений коллекций современного костюма. На основе проведенных исследований выполнено проектирование современной коллекции женской одежды с использованием признаков стиля хиппи и актуальных модных тенденций.
The hippie movement is one of the most striking examples of youth subcultures of the twentieth century, which has invariably influenced fashion. The need for a detailed study of hippie fashion is due to the relevance of the style of youth subcultures today. The aim of the study is to improve the design of modern clothing based on the analysis of the characteristic features of the hippie style, which was formed under the influence of political events and current social problems. The object of the research is the process of artistic design of modern clothing based on the fashion of the youth subculture. The subject of the research is the development of artistic and compositional principles for designing modern women's clothing, which is based on the hippie culture. The research method is a detailed study of the history of the formation of the hippie movement, the reasons for the emergence of the youth subculture in order to identify the signs of style and transfer the main idea in the collection; study of modern fashion trends in order to create modern topical clothing. The scientific novelty lies in the theoretical substantiation of the application of the system of harmonization of the structure and visualization of the forms of modern clothing based on the use of elements of the hippie style. The practical significance of the results obtained lies in the development of recommendations for the creation of design solutions for collections of a modern costume. On the basis of the research carried out, the design of a modern collection of women's clothing using signs of the hippie style and current fashion trends has been carried out.
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Enckell, Cajsa. "Representationen av maskulinitet i Guccis reklamfilm Mémoire d'une Odeur – En studie av Guccis reklamfilm med Harry Style som frontperson". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23871.
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Den reklam vi ser idag är oftast uppbyggd på stereotyper som leder till ensidiga representationer av genus och blir därför problematiskt i skapandet av reklam. I den här uppsatsen undersöks Guccis reklamfilm för deras parfym Mémoire d’une Odeur (2019) där Harry Styles är frontperson, genom en film semiotisk analys där maskulinitet utifrån representation av kropp och aktivitet är i fokus. Resultatet av den film semiotiska analysen av reklamfilmen visar hur Gucci skapar unisex representation av maskulinitet genom att leka med feminina och maskulina koder där den visualiserade manligheten tar avstamp i en mansbild från 1970-talets hippie stereotyp. Guccis representation av maskulinitet bryter därför mot den stereotypa maskuliniteten som brukar gestaltas i reklam. Avslutningsvis diskuteras framtiden för maskulina representationer.The advertising we see today is usually based on stereotypes that lead to one-sided representations of gender and therefore becomes problematic in the creation of advertising. This essay examines Gucci's perfume commercial Mémoire d'une Odeur (2019) in which Harry Styles is the face out for. Through a film semiotic analysis, focusing on masculinity based on representation of body and activity, the result of the film semiotic analysis of the commercial shows how Gucci creates a unisex representation of masculinity by mixing feminine and masculine codes. The visualized masculinity takes off in a masculinity from the 1970s hippie stereotype. Gucci's representation of masculinity therefore violates the stereotypical masculinity that is usually embodied in advertising. In the ending of the essay, the future of masculine representations in commercials are discussed.
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Dawson, Rebecca. "AND STARRING JESUS AS HIMSELF: CULTURAL CONTEXT AND THE IMAGES OF CHRIST IN NORTH AMERICAN FILM". Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1178209057.
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Ashton-Griffiths, Roger. "'Paul Scott's Hippie' and Hanging On". Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/59221/.
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This thesis consists of a critical essay examining the evolution of genre and aesthetic in English fiction about South Asia, and a novel about a family of Sri Lankans settled in England. In the essay I question how a contemporary English novelist can place himself amongst the cohort of those earlier writers who have written about South Asia, since the relationship between the former colonists and colonised has changed so greatly. I demonstrate that generic elements were established in the earliest examples of this fiction, which remained notably constant throughout, even up to the late work of Paul Scott. However, I show that the aesthetic attending this Anglo-Indian genre begins with an affirmation of the benefit to the subcontinent which the colonial project might bring and ends with a repudiation of that idea. I seek to break new ground by arguing that the repudiation is so unequivocal in the work of Scott and others that this fiction comes to express an aesthetic of apology. I argue that Scott recognises that it has become possible no longer to write within the Anglo-Indian genre, and that his final novel, Staying On, has evolved into the Commonwealth genre. My novel, Hanging On, is an echo of Scott's last novel. It examines the life of a man who wishes to remain more-or-less British, rather than become independently Sri Lankan, and the legacy of his position as it filters down through the generations of his family in Luton. Cultural difference is now the prime source of conflict, rather than political power, and it aims to demonstrate that cultural hybridity is the paradoxical consequence of the racial rigidity which accompanied the colonial project to its termination.
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Acker, Tristan D. "CONFESSIONS OF A HIP-HOP HIPPIE". CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/60.
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This Statement of Purpose does not give a history of hip-hop or hip-hop poetry but rather how this particular poet fits into the current phase of hip-hop and performance poetry. In it, I discuss and explain the new pro-working class hip-hop performance poetic. This includes extensive discussion of how rap poetry conveys meaning through sound. Also discussed is the socioeconomic context for the suburban southwestern topics found in the manuscript. This statement is a parallel piece to the manuscript itself in that it explains a brown kid from San Bernardino’s journey of connecting words and music for purposes of personal expression and potentially the betterment of his community. This statement also discusses my aesthetic beliefs and preferences as a sound poet with a background in performance and music.
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Williamson, Benjamin Wayne. "Coming Home: The Jesus People Movement In the Midwest And Their Attempts To Escape Fundamentalism". University of Dayton / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1619794567166103.
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Alvim, Alexandra Lis. "Um tardio sonho hippie em Porto Alegre". reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/168134.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2016.Made available in DSpace on 2016-09-20T04:56:08Z (GMT). No. of bitstreams: 1 341813.pdf: 4714578 bytes, checksum: 5d540c51303cda67bde392892715d543 (MD5) Previous issue date: 2016
"Fazer um filme sobre as nossas vidas": em 1981 essa era a ideia de um grupo de jovens aficionados por cinema quando juntou um punhado de ideias sobre a sua adolescência na década de 1970 e uma câmera de Super-8 para lançar em Porto Alegre o longa-metragem "Deu pra ti, anos setenta". O filme seria um sucesso local a partir de sua proposta de narrar as memórias sobre a década de um grupo de jovens de classe média naquela cidade. No ano seguinte, a mesma equipe lançaria "Coisa na Roda", um longa que, a partir do mesmo formato estético, divagava sobre as possibilidades de sobrevivência dos sonhos de quatro jovens que viviam em uma comunidade urbana na cidade: um apartamento onde tudo era dividido e discutido. As duas obras significaram o início de um tipo de discurso para a cidade: jovem, contracultural e eminentemente afirmador do urbano. Esta dissertação partirá do princípio de que as duas obras constituem, juntas, uma possibilidade de pensamento sobre um espaço urbano: um pensamento que articulava uma série de referências distintas, específicas das conjunturas políticas e sociais do tempo que as produzia, mas também das bagagens culturais que seus produtores portavam. Com as ferramentas que dispunham, eles recriam suas vidas através do vídeo, recobrindo-as de sentido enquanto criam uma visão sobre Porto Alegre: uma cidade em Super-8, passível de ser significada com memórias e citações e de ser palco e objeto para os sonhos do cinema.
Abstract : "To make a movie about our lives": In 1981 this was the idea of a group of young film lovers when they put together ideas about their teenage years in the 1970s with a Super-8 camera to release the feature film "Deu pra ti, anos setenta" in Porto Alegre. The film would become a local hit due to its proposition of telling the memoirs of a decade through the eyes of the middle-class youth of that city. In the following year, the same team would release "Coisa na Roda", a feature film in the same aesthetic format that would focus on the survival possibilities of the dreams of four young people who lived in an urban community in Porto Alegre: a flat where everything was shared and discussed. Both works meant the beginning of a new type of discourse to the city: a young and countercultural one, which was eminently affirmative of the urban scene. This dissertation will take into account the fact that both works constitute, together, a possibility of thought about the urban space: a thought that articulated several distinctive ideas, specific to the social and political circumstances of the times where they were produced, but also of the cultural background that its producers carried with them. With the tools available to them, they recreated their lives through video, covering them with meaning while creating an image of Porto Alegre: a city seen through Super-8, open to be signified with memories and quotations and to be both the stage and the object to the dreams of film making.
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Desjardins, Carl. "Une étude sociologique de la littérature : Charles Bukowski et les contestataires américains, 1955-1974". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28223/28223.pdf.
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Mercer, Kevin. "The farm a hippie commune as a countercultural diaspora". Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/587.
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Counterculture history is often divided, with a focus on either the turbulent 1960s or the "back to the land" exodus of the 1970s. A study of Stephen Gaskin and his followers' founding of The Farm, a rural commune near Summertown, Tennessee, provides a unique insight into the commonalities and connections of these two periods. It will be the aim of this thesis to weave the separate narratives of this demographic into one complete idea. The idea that the hippies constituted a counterculture suggests that once that culture went into exile, onto numerous communes, they existed as a diaspora. The Farm's existence as a spiritual commune, with their roots in Haight-Ashbury's short-lived utopian dream, and their continuation and evolution of that dream in Tennessee, make this particular group a model for the diaspora. The Farm, with its larger profile, publishing, and outreach programs, became the preeminent post-Haight-Ashbury commune. The commune was able to preserve the counterculture in exile, while it became a leader in dictating the direction of its progress. The Farm's efforts in midwifery, sustainable living, promotion of vegetarian diets, and outreach in America's inner cities and the Third World all point to a proactive counterculture and the commune's leadership role for the remnants of the counterculture. While the profile of the counterculture has diminished, a shift in American attitudes toward natural childbirth, ecology, and a more earth-friendly diet containing a greater variety of organic and vegetarian options reveal a significant success for their agenda.B.A.
Bachelors
Arts and Humanities
History
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Rhuart, Britton Stiles. "Hippie Films, Hippiesploitation, and the Emerging Counterculture, 1955-1970". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu159068865182906.
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Ramos, Santiago. ""What's Beautiful is Difficult": Beauty and Eros in Plato's Hippias Major". Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:105052.
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Thesis advisor: Marina B. McCoyThis dissertation investigates the role that eros in general, and philosophical eros in particular, plays in the search for the eidos of the beautiful in Plato’s Hippias Major. It defends the claim that noesis of the eidos of the beautiful can only be accomplished within the life of philosophical eros, that is, within the life of eros which is directed toward the good. As such this dissertation aims both to provide an interpretive key to the Hippias Major, allowing us to read the dialogue in a rich and novel way, and also to make the claim that the Hippias Major presents us with a picture of the interrelation between eros, philosophy, and beauty, and about how these three elements manifest themselves in human life. As such, some continuities and parallels can be found between it and the other two dialogues which deal most explicitly with beauty and eros, the Phaedrus and Symposium. The first five chapters interpret a particular section of the Hippias Major according to role the eros plays within it, attempting to show that eros, both in general and in its unique manifestation as philosophical eros, is a crucial mediating term for any comprehensive understanding of any section of the dialogue, and therefore of the dialogue as a whole. In each of these five chapters, I will articulate the role that eros plays within the search for obtaining a noetic glance at the eidos of the beautiful. The first chapter demonstrates how Socrates’s philosophical eros gives birth to the question about the beautiful itself within the context of a discussion about sophistry and money. The second chapter shows how Socrates’s philosophical engagement with Hippias’s definitions of the eidos of the beautiful generates a dialectic of ascent, allowing Hippias to expand his understanding of what counts as beautiful in a trajectory that mirrors Diotima’s ascent in the Symposium. The third chapter articulates the erotic significance of Socrates’s claim that the eidos of the beautiful inheres in being and not appearances. The fourth chapter gauges the erotic significance of Socrates’s and Hippias’s claim that the beautiful is good, and the good beautiful. The fifth chapter interprets the comic and tragic aspects of the dialogue in terms of philosophical eros, its rejection and fulfillment. The sixth chapter will take stock of the overall interpretation of the Hippias Major developed in the first five chapters, and will present the overarching view about the relationship between the contemplation of beauty, on the one hand, and desire for possession of beauty and moral concern, on the other, which one can glean from the character and action of Socrates in Hippias Major. It will bring this view into a conversation with the notion of “liking devoid of interest” which is found in Kant’s Critique of Judgment. The conclusion of this dissertation will underscore the principle claim, that the philosophical search for the eidos of the beautiful can neither be separated from the eros which beauty inspires in a human being, nor can it be accomplished without one’s eros benig directed toward the good, and that this philosophical search is marked by suffering and possible tragedy
Thesis (PhD) — Boston College, 2015
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Philosophy
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Rouvière, Catherine. "Regards croisés autour d'une utopie : le "retour à la terre" en Ardèche, des années 1960 aux années 1990". Paris 1, 2011. http://www.theses.fr/2011PA010592.
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Dans les années soixante, les espaces désertifiés du territoire français, sont le théâtre d'un « retour à la terre», exprimant le refus des contraintes imposées par la société libérale, urbaine et de consommation. A partir de sources variées, ce phénomène est étudié, des années 1960 aux années 1990, dans une perspective historique et dans le cadre local du département de l' Ardèche, mais en s'attachant, grâce à des comparaisons avec d' autres espaces, à le mettre en perspective afin de dégager sa signification et sa portée au plan national. Complexe, il interroge la société dont il constitue l'avant-garde, mettant ainsi en lumière ses profondes mutations, génératrices d'un doute qui alimente les motivations et les représentations de ses acteurs. La rencontre forcée entre anciens et nouveaux paysans, provoque un choc de cultures qui, mettant en jeu des représentations antinomiques de soi et de l'autre, génère une série de conflits articulés autour de notions fondatrices, témoignant du caractère insupportable de la remise en cause imposée par la présence néo-rurale. Enfin, l'acculturation réciproque et l'intégration lente et difficile des nouveaux venus, amorcée entre 1977 et 1983, conduit à une recomposition des rapports de pouvoir et se traduit par des apports importants au milieu local.
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Martins, Carmen da Silva. "RELIGIÃO E MODERNIDADE VISTA DO CAMPO DA FEIRA HIPPIE EM GOIÂNIA". Pontifícia Universidade Católica de Goiás, 2002. http://localhost:8080/tede/handle/tede/994.
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Previous issue date: 2002-03-25Capitalism, nowadays, promotes a global world and a homogenized culture to obtain more profit. It changes the conditions of thousand people lifes and works to reach its objectives. Such process is also happening in Goiânia, what can be noticed by the increase of unemployment, while some commercial and industrial jobs get extinct. So, the recent unemployed person finds himself / herself in a world without structure and he / she cannot find answers in the tradicional sence producer instituions. Some of these recent unemployed people are the group of the researched open marketing workers . When they search explanations for the shaking of their financial and faith situations, they discover, in the symbolic wealth market , religions that promess them solutions. They do not transit uncomfortably, they become walkers among these systems. They make their choices, in a subjective and individualized way, for a model that fits in his interests. Even though there are few exceptions, they question the sense system , but not their faith in God. They still fear Him, keeping with them the historical sense strengh the open marketing workers need so much, even in the day-by-day precariousness.
O capitalismo promove, hoje, um mundo global e uma cultura homogeneizada para obter mais lucro. Para tanto, transforma as condições de vida e de trabalho de milhares de pessoas. Tal processo também acontece em Goiânia, observável pelo crescimento do desemprego, na medida em que são fechados postos de trabalho no comércio e na indústria. O dispensado vê-se, então, às voltas com um mundo desestruturado e não encontra respostas explicativas nas instituições tradicionais produtoras de sentido. Um segmento desses dispensados compõe o grupo de feirantes ora pesquisados. Estes ao buscar explicações para suas situações financeiras e de fé abalada, encontra no mercado de bens simbólicos religiões que lhe prometem soluções. Transitam sem constrangimento, tornam-se andarilhos entre esses sistemas. Fazem sua escolha, de forma subjetiva e individualizada, por um modelo que se encaixe em seus interesses. Com raras exceções, o que põem em cheque são os sistemas de sentido, não a sua fé em Deus. Mesmo na precariedade do dia a dia, o temor a Deus permanece, mantendo consigo a histórica força de sentido que o feirante tanto necessita.
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Hildeman, Togner Theodor. "Konstens arete : Techne som dygd hos Platon i Den Mindre Hippias och Gorgias". Thesis, Södertörns högskola, Filosofi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-36379.
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The most common question that scholars ask regarding the concept of techne in the Plato dialogues is if it is possible to understand arete, morale or the good, as a techne, that is, if arete kan be viewed as a knowledge, an ability or a skill. Is arete something that can be taught? In this essay I will explore this question from a reversed viewpoint, and try the claim that techne always in itself is an excercise of arete, inasmuch as the goal of a techne has to be the good, or ”what is best”, in order for it to be a techne for Plato at all.
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Ménager, Hervé. "Géographie de l'équitation hors stade : mutations et coalescences de sociétés et territoires". Bordeaux 3, 2006. http://www.theses.fr/2006BOR30004.
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Témoin de sept millénaires de géostratégies, le Cheval, par son énergie domestiquée, a décuplé le capital spatial de l'Homme. Véhicule emblématique des dominants, il est, depuis un siècle, de plus en plus menacé par les engins mécaniques sur ses anciens territoires, routes et sentiers. Les nouvelles générations urbanisées et hypermobiles prennent cependant le temps de chercher des repères naturels et culturels via l'Hippisme et l'Equitation sauvegardés en stades au XXème siècle par les courses et les sports équestres olympiques. En quête d'altérité avec le tourisme équestre, elles réinventent des technologies hors stade oubliées comme l'Endurance équestre. Eclipsant la cavalerie militaire, les nouvelles bandes de cavaliers occidentaux et orientaux se confrontent sportivement aux distances et aux durées. Accompagnant la " glocalisation ", le tourisme équestre et l'endurance sont des épiphénomènes des mutations et coalescences des sociétés sur des territoires voisins ou éloignés qui progressent dans le même sens sur le temps long, par échanges réciproquesA witness to seventy thousand years of geo-strategies, the Horse, with its domesticated energy, has increased Mankind's spatial sphere by tenfold. A symbolic vehicle of the leaders, in the last hundred years, the horse has been more and more threatened by the presence of engines and machines on his old territories, roads and lanes. Nevertheless, the new urban and hyper mobile generations are taking time to seek out natural and cultural markers through equestrianism and horse riding, kept alive, during the XXth century, in arenas and on race tracks thanks to horse racing and the Olympic Equestrian tradition. Looking for a different way of life from equestrian tourism, they are reinventing forgotten outdoor practices such as Endurance riding. Overshadowing the Cavalry, new groups of riders both from the west and the east are confronting each other in sportsmanlike manner in the open spaces. Accompanying " glocalisation ", equestrian tourism and endurance riding are epiphenomenona, of the mutations and coalescences of society upon local or distant territories, which are going in the same direction but over the long term
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Vochelle, Choquet Valérie. "Le monde des courses hippiques en Angleterre dans la seconde moitié du XVIIIe siècle". Paris 3, 1998. http://www.theses.fr/1998PA030124.
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Reflet fidele d'une societe en transition dans laquelle tradition et innovation voisinaient de maniere quasi osmotique, le sport hippique anglais se revelait, dans la seconde moitie du xviiieme siecle, tout a la fois loisir de classe et divertissement de masse, officieux et officiel, conservateur et novateur, amateur et professionnel, primitif et scientifique. Constante et equilibree, cette osmose n'affecta pas seulement la nature et l'organisation des courses mais engendra aussi une redefinition de leur finalite socio-economique : tout en s'affirmant comme le plus populaire des sports de patronage et comme le fer de lance de la politique d'elevage equin, elles constituaient desormais, par l'engagement des paris, l'elevage du pur-sang anglais et l'exercice des metiers de jockey, d'entraineur ou de maquignon, un agent de mobilite sociale non negligeable. Grace a ses principes elitistes et a ses inventions revolutionnaires, le jockey club, fonde en 1751, se posa naturellement en garant inconteste de cette interaction entre tradition et innovationA true reflection of a society in transition, in which tradition and innovation went side by side in an almost osmotic way, english horse-racing proved to be both a form of mass entertainment and an upper-class leisure activity in the second half of the 18th century, being at the same time official and unofficial, amateur and professional, conservative and innovative, scientific and primitive. This constant and balanced osmosis not only altered the nature and the organization of the sport, but also gave rise to a new definition of its socioeconomic function. While spearheading the horse-breeding policy and establishing itself as one of the most popular sports under the patronage of the nobility, english horse-racing was also responsible for some social mobility, through the laying of bets and the breeding, training and selling of thoroughbreds. Thanks to its elitist principles and revolutionary inventions, the jockey club, founded in 1751, was able to impose itself as the undisputed guardian of the interaction between tradition and innovation
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Welzel, Anne [Verfasser], Marion [Akademischer Betreuer] Hippius, Winfried [Akademischer Betreuer] Meißner y Martin [Akademischer Betreuer] Wehling. "Unerwünschte Arzneimittelwirkungen bei akutgeriatrischen Patienten / Anne Welzel. Gutachter: Marion Hippius ; Winfried Meißner ; Martin Wehling". Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2014. http://d-nb.info/1047579014/34.
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Welzel, Anne [Verfasser], Marion Akademischer Betreuer] Hippius, Winfried [Akademischer Betreuer] Meißner y Martin [Akademischer Betreuer] [Wehling. "Unerwünschte Arzneimittelwirkungen bei akutgeriatrischen Patienten / Anne Welzel. Gutachter: Marion Hippius ; Winfried Meißner ; Martin Wehling". Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2014. http://nbn-resolving.de/urn:nbn:de:gbv:27-20140211-103211-8.
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Schäfer, Martin. "Zwischen Adelethos und Demokratie : archäologische Quellen zu den Hippeis im archaischen und klassischen Athen /". München : Tuduv, 2002. http://catalogue.bnf.fr/ark:/12148/cb390043592.
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Sjögren, Erik. "The Sound of the Rain Needs no Translation : Synen på samhället och den moderna människan hos Alan Watts". Thesis, Stockholms universitet, Avdelningen för idéhistoria, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104296.
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In the 1940s, 50s and 60s the two youth movements of the beats and the hippies emerged in the United States. Disagreeing with the progressive positivism of the previous generations these youths were part of a counter culture that adhered to an ideal of living in the present. Alan Wilson Watts (1915–1973), most known for his popularization of eastern philosophy and religion in general and Zen-Buddhism in particular, became one of the most influential and well-read advocates of the new movements. Drawing upon eastern philosophy and religion as well as modern psychology, Watts challenged the western world view by rejecting the dualism of self and environment, arguing that man is one with God and nature and claiming that nothing exists but the present experience here and now. Based on Watts’ view of man and reality, and in the context of the emerging youth movements, this study examines Watts’ criticism of western culture and society as well as his view on happiness and the possibility of a better life for the individual living in the west. The study shows that, according to Watts, the root of the problem facing western society lies in man’s incapability of distinguishing concept from reality, preferring abstract ideas and symbols to the experience present in everyday life. As a result, man perceives himself as separate from nature, waging war on his environment in a futile attempt at finding happiness by constantly striving for ever greater achievements of which the main goal always seems to lie somewhere in the future but never in the present. His ideas inspired the youth movements, although they moved in a different direction than the one he would have wanted. Watts, suggesting that an altered understanding of oneself as one with the universe is central in maintaining a thriving society in union with nature, claims that the essence of happiness consists of this understanding here in the present rather than the pursuit and obtaining of a desired goal.
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Arteau, McNeil Raphaël. "Les conditions du discours: La critique des sophistes dans l'"Hippias majeur" et l'"Euthydème"". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26438.
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L'objectif de ce travail est de dégager les motifs et les enjeux de la critique platonicienne des sophistes dans l'Hippias majeur et l'Euthydème. On y montre d'abord que le motif de la critique platonicienne réside dans son opposition à la conception élémentaire et matérielle de l'unité que défend Hippias dans le dialogue éponyme, en regard de laquelle le concept d'"unité formelle" est avancé. Cette opposition ontologique sur le rapport de l'un au multiple est complexifiée par les objections epistémologiques des sophistes de l' Euthydème qui révèlent les antinomies indépassables auxquelles se bute le discours. Pour sortir de cette impasse epistémologique, on resitue l'opposition de Socrate aux sophistes sur le plan éthique et on dévoile son enjeu. En niant l'"unité formelle", la doctrine sophistique s'interdit la possibilité d'un savoir unifié sur le beau et, par conséquent, ne peut remplir sa promesse éthique de pouvoir enseigner l'excellence humaine.
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Lindemann-Stark, Anke. "Leben und Lebensläufe des Theodor Gottlieb von Hippel /". St. Ingbert : Röhrig, 2001. http://catalogue.bnf.fr/ark:/12148/cb38844641w.
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Yang, Chao. "Solidification behaviour and hipping induced surface modification in Ti4522XD castings". Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/7614/.
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The solidification behaviour of Ti45Al2Mn2Nb1B (at.%) has been studied together with its response to HIPing (Hot Isostatic Pressing) in order to understand the mechanism of grain refinement in castings and to understand the influence of surface changes occurring during HIPping on the properties of HIPped net shape cast turbine blades. Samples which had been rapidly cooled from near the melting point from a Bridgman furnace, where a thermal gradient was imposed, have been used to understand the grain refinement mechanism and the details of the solidification sequence. In addition the structure of powder samples, which have been gas-atomised and hence very rapidly cooled have also been used to further the understanding of solidification and of the role of borides. It has been shown that borides themselves play an important role in grain refinement. It has been shown that HIPping results in the formation of a surface which is caused by oxidation from the oxygen present in the argon used in the HIP. The details of the chemistry and microstructure of the surface layers have been shown to be influenced by oxygen partial pressure, by HIPping time and HIPping temperature. Conventional HIPping conditions lead to a surface which contains a γ-layer which does not appear to downgrade either the tensile properties or fatigue properties of the samples and may slightly improve the corrosion resistance. Further work is required to produce net shape castings, which have properties comparable with conventionally cast Ti4522XD, but the present work shows that these could then be HIPped without the γ-layer contained surface causing any downgrading in properties.
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Tourreau, Sylvie. "Les courses hippiques à l'île Maurice : tentative d'expression d'une nation". La Réunion, 1998. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/98_06_tourreau.pdf.
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Fondé par les anglais en 1812, le Mauritius Turf Club, association élitiste à buts non lucratifs, organise des courses hippiques de Maurice aujourd'hui encore seul divertissement public, laïc et gratuit de grande envergure où se retrouvent toutes les classes et toutes les communautés de la société mauricienne. Longtemps le seul fief d'une communauté dirigeante, le Mauritius Turf Club traduit une certaine dynamique sociale, intégrant peu à peu la nouvelle bourgeoisie plurielle de l'île. Alors que le patrimoine culturel demeure l'agrégat des patrimoines privés des communautés ethniques et religieuses de Maurice, l'engouement du public, sa passion pour le sport et les jeux, la charge symbolique du lieu dans lequel elles se déroulent chaque semaine des mois de mai à novembre, font des courses hippiques un élément du patrimoine national du pays, transcendant les clivages sociaux et communautaires. L'hippisme mauricien devient, en cette fin de siècle, un patrimoine vivant. Expression de la créolité, fruit des interférences culturelles, ce patrimoine vécu parle en faveur d'un sentiment national naissant chez les Mauriciens.
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Silvestre, Bruno Souza. "Calças jeans como suporte para pensar o consumo – uma etnografia na Feira Hippie de Goiânia". Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/7546.
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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
From an ethnography on Feira Hippie of Goiânia, the largest free market in Latin America, this dissertation seeks to raise some aspects linked to the popular fashion consumption in Brazil. Starting from the approaches proposed by the anthropology of consumption and theories of material culture, this ethnography had the jeans as the main focus. Seeking to analyze the relationship between product and consumer established at the Feira Hippie of Goiânia, this dissertation depart of a description of the market as a whole and then analyze the product sold in the market. The relationships established between the jeans as a global product and the market as a local event are the focus of the work.
A partir de uma etnografia realizada na Feira Hippie de Goiânia, a maior feira livre da América Latina, essa dissertação busca levantar alguns aspectos ligados ao consumo de moda popular no Brasil. Partindo das abordagens propostas pela antropologia do consumo e por teorias da cultura material, essa etnografia teve o jeans como foco principal. Buscando analisar as relações entre produto e consumidor estabelecidas na Feira Hippie de Goiânia essa dissertação parte de uma descrição da feira como um todo para depois analisar o produto vendido na mesma. As relações estabelecidas entre o jeans como produto global e a feira como evento local são o foco do trabalho.
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Stølen, Ellen Margrete. "RELIABILITY ASSESSMENT OF A SUBSEA HIPPS". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for produksjons- og kvalitetsteknikk, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24545.
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Safety instrumented systems are vital in the oil and gas industry. A SIS consists of input elements, a logic solver and final elements. A High Integrity Pressure Protection System is an example of such a system. HIPPS is installed to protect a platform from too high pressure by shutting off the source before exceeding the design pressure. The IEC 61508 and IEC 61511 are used in the oil and gas industry during all phases of a SIS lifecycle. As a measure of SIS reliability, both standards use safety integrity level. The standards lists several requirements for both hardware and software. Compliance to the SIL must be demonstrated by quantitative assessments including estimations to the SIS reliability. Several models for reliability assessments are demonstrated in IEC 61508.A HIPPS is installed to perform a safety instrumented function (SIF) that is operated in low-demand mode and its availability must be quantified by using the average probability of failure on demand, PFDavg. Some methods used to determine the reliability of a SIS are Reliability Block Diagrams, approximation formulas and Markov modeling.Proof testing a HIPPS is an expensive process due to downtime and availability of the system. It is therefore suggested to perform partial stroke testing (PST) on these systems. PST is performed while the operation is online, so there is no need to stop the production. This type of testing will reveal some of the dangerous failures on a system at a lower test interval than a full function test of the system.
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McCaffery, Nick. "Global Hopi : local hippie : an anthropological study of Hopi identity in relation to the New Age". Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426692.
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Emerson, Lindsay Jane. "Von Hippel Lindau protein effects on cell-matrix interactions". Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249758.
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Zhang, Kun. "The microstructure and properties of hipped powder Ti alloys". Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/856/.
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In the present study, the effect of hot isostatic pressing (HIPping) variables such as HIPping temperature, HIPping cycle and powder particle size, on the microstructure and mechanical properties of HIPped samples of two Ti alloys have been assessed. Powders of the most commonly used (α + β) alloy, Ti-6Al-4V and one specific beta alloy, Ti-25V-15Cr-2Al-0.2C wt% (burn resistant titanium alloy, BuRTi) were studied. The Ti-6Al-4V powder was made by the plasma rotating electrode process (PREP). BuRTi powders, which were made both by gas atomisation and by PREP were HIPped to investigate the influence of the initial structure of the powder on the microstructure and associated mechanical properties of the HIPped alloy. The PREP Ti-6Al-4V powder was shown to be fully martensitic in the as-atomised condition. The gas-atomised and PREP powders of BuRTi showed very different as-atomised structures, but in both cases the structure was, as expected single phase beta, with the carbon retained insolution. The individual particles of gas-atomised BuRTi powder were always polycrystalline, although there was a significant scatter in grain sizes within different particles. In contrast the individual particles in the PREP powder were either coarse grained polycrystals or single crystals. These differences led to significant differences in the microstructures and properties of HIPped samples. It was found that HIPping of Ti-6Al-4V samples resulted in the formation of equiaxed regions and lath-like microstructure. The small equiaxed regions are formed by recrystallisation which occurs at original particle boundaries where most of the deformation occurs during HIPping; the lath-like microstructure is formed by simply tempering the (less deformed) original alpha prime martensite within the central part of original particles. Among the three HIPping temperatures used, samples machined from powder HIPped at 930°C exhibited a better balance of properties than those HIPped at 880°C or 1020°C. The fatigue properties of samples HIPped at 930°C, made using different HIPping procedures were compared. It was found that samples which contain the as-HIPped surface, which were made using a new HIPping procedure, have better fatigue properties than samples with as-HIPped, machined or electro-polished surfaces which were produced by conventional HIPping . The properties of optimally HIPped Ti-6Al-4V samples are as good as or better than ingot-route samples. In the case of BuRTi the original single crystals or coarse grained polycrystals in the PREP powder are retained after HIPping and limited grain growth occurs in the gas-atomised samples. The tensile strength is comparable for the gas-atomised and PREP samples, but samples tested to failure showed a significant scatter in ductility (a larger scatter in the PREP powder samples) and all fracture surfaces contained large circular fracture initiation sites, with larger sites associated with lower ductility. Initiation occurs in the centre of these circular regions in large grains or in adjacent grains which have similar orientations and the failed region expands symmetrically in powder samples where no texture is expected. The fatigue properties of the PREP samples are much lower whereas the fatigue properties of the gas atomised samples are better than those of samples from ingot route. This behaviour is associated with obvious facetted failure sites in the PREP powder samples where it is suggested that the coarser microstructure has allowed persistent slip to occur leading to localised deformation and to premature failure. These observations are discussed in terms of the potential of net shape HIPping for the production of engineering components and in this context the fact that a new HIPping schedule has been developed during this study, where the fatigue properties of samples containing an as-HIPped surface are excellent, is very significant.
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Pantigozo-Rimachi, Andrea, Giuliana Murillo-Díaz, Nilton Yhuri Carreazo y Dávila Victor Manuel Cucho. "Von Hippel-Lindau disease with extramedullary and pancreatic involvement". Elsevier B.V, 2020. http://hdl.handle.net/10757/655630.
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PAOLACCI, FRANCOISE. "La maladie de von hippel-lindau : etude d'une famille franc-comtoise". Besançon, 1993. http://www.theses.fr/1993BESA3060.
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BACHARD, THIERRY. "Maladie de von hippel-lindau : a propos de deux cas". Besançon, 1992. http://www.theses.fr/1992BESA3097.
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DELEBARRE, BERTRAND. "Expression multiviscerale de la maladie de von hippel lindau : a propos d'une observation". Lille 2, 1988. http://www.theses.fr/1988LIL2M299.
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Lee, Hangyoo. "Die sophistische Rechtsphilosophie in den platonischen Dialogen Protagoras, Theaitetos und Gorgias Protagoras, Hippias von Elis, Gorgias, Polos, Kallikles /". [S.l. : s.n.], 2005. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11675447.
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Hippler, Marc [Verfasser] y M. [Akademischer Betreuer] Wegener. "3D Laser Lithography of Stimuli-Responsive Hydrogels / Marc Hippler ; Betreuer: M. Wegener". Karlsruhe : KIT-Bibliothek, 2020. http://d-nb.info/1222109484/34.
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Bex, Claudia. "Identifizierung und Charakterisierung neuer Interaktoren des von Hippel-Lindau Tumorsuppressors". Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-42949.
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Kirwan, M. A. Q. "Diamond machining in 5 wt% Y2O3 sinter hipped silicon nitride". Thesis, University of Surrey, 1992. http://epubs.surrey.ac.uk/843045/.
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A collaborative research project was set up to study peripheral diamond wheel machining damage in silicon nitride ceramics. The objective of the work to be carried out at the University of Surrey was to study the nature and depth of machining damage in 3 point flexural rupture test bars made from 5 wt% Y2O3 sintered hot isostatically pressed silicon nitride. The bars were machined to three surface finishes. The work carried out at Rolls-Royce by Mr R Quinn concentrated on the effects the machining damage had on the fracture strengths of the test bars. Work at the University of Surrey has identified in detail the nature and depth of machining damage in "coarse" 0. 4mum centre line average roughness surfaces. Deep grooves up to 2mum depth, 18mum width are found to have been superimposed on the general surface roughness by singularly large diamonds in the 350 grit diamond wheel. Sub-surface median cracks normal to the machining direction were clearly identified in bar cross-sections using oblique, diffuse "penumbra" illumination in an optical microscope, an as yet undocumented technique. Cross-section views of the machined surface and sub-surface were made possible by the very difficult and delicate technique of producing sandwich cross-sections of the machined bars. An analysis of machining-induced median cracks has not been carried out in such detail before. Semi-elliptical in shape the median cracks extend from 6mum - 45mum below the machined surface, and range from 19mum to 101mum in length parallel to the machining direction. They initiate at the focal point of a tributary system of microcracks at an average depth of 4mum - 5mum below the machined surface. It is believed that the median cracks initiate at the plastic/elastic boundary of a plastically deformed surface layer. Therefore a residual compressive layer, formed by the overlap of localised residual stresses from multi-particle contact events. and bound by an underlying tensile field, is thought to have an average depth of 4mum - 5mum. A very innovative technique was used to reveal sub-surface deformation, where TEM X-ray microdiffraction spots were distorted by mechanical damage in the ceramic grain structure. The "arcing" or "streaking" of the diffraction spots tended to disappear at a depth of 4mum - 5mum below the machined surface. This is further evidence of the existence of a thin layer in residual compression, which has an average depth of 4mum - 5mum. This technique is not known to have been used before. Fine diamond machining with a 600 grit wheel produced a centre line average roughness of 0.01/0.02 mum. However, evidence of machining damage is still present in the form of "remnant tracks" which lie parallel to the machining direction and consist of material pull-out. They are remnants of machining damage under grinding grooves introduced in previous machining stages. Single point Vickers pyramid diamond scratches were implemented at different loads on a polished surface. The morphology of the grooves and material fragmentation and the sub-surface median cracks were examined. Many features were found to resemble the deformation/fracture formed under a deep grinding groove in the coarse machined surface. Work carried out at Rolls-Royce by R Quinn showed that an increase in the quality of surface finish is accompanied by an increase in the mean strength and Weibull modulus of the machined bars. Furthermore a distinct anisotropy in the fracture strengths parallel and normal to the "coarse" machining direction is evidence of anisotropy in machining damage formed by a peripheral diamond grinding wheel. X-ray diffraction tests carried out at the CEGB by P E J Flewitt showed that machining damage produces a long range biaxial residual compressive field with the highest component acting normal to the machining direction. These results are consistent with the nature of machining damage identified at the University of Surrey, namely the strength-controlling median cracks which lie parallel to the machining direction and the residual compressive stress which exists as a thin 4mum - 5mum layer below the machined surface. Processing flaws were discovered in the as-hipped billets received for the project. Their elemental composition and likely origin were examined. A three dimensional "cellular network" flaw ranging from 400mum to 2.1mm in size (in different production batches) is believed to have been formed as a result of flocculation clustering during processing. Clusters of 1mum - 3mum metallic particles were also identified. They range from 5mum - 45mum in size. The contaminant particles are steel and were introduced as a result of the original ceramic powder ball milling process which employed a steel ball mill.
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Chou, Jyh-Shann. "A statistical model for fracture toughness of hipped cast alloys". Diss., Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/18176.
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Cooke, James C. "Molecular investigations of phaeochromocytoma tumourigenesis in von Hippel-Lindau disease". Thesis, University of Newcastle Upon Tyne, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417558.
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ZEZE, DJOLO GUY. "Hemangioblastomes retiniens (tumeurs de von hippel) : aspects diagnostiques et therapeutiques". Nantes, 1992. http://www.theses.fr/1992NANT099M.
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Lenoir, Patrick. "La maladie de Von Hippel Lindau : contribution à partir de l'étude d'un cas familial". Nantes, 1986. http://www.theses.fr/1986NANT3552.
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