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Artículos de revistas sobre el tema "Hippolyta (greek mythology) – drama"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Konstantinos, Kalogeropoulos. "Ήρωες θεραπευτές και Ασκληπιός". Archive 8 (5 грудня 2012): 10–15. https://doi.org/10.5281/zenodo.4542909.

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Although Asclepius is not considered an important god of Greek mythology he is a central figure in the context of archetypal hero-healers. He also took part in the journey of the Argonauts and the hunt for Caledonian Boar, a fact that includes him in the lives of the most important heroes of Greek mythology. Asclepius was also an important figure in the drama that that has been unfolded between Apollo, Zeus and the Cyclops, known to us through the theatrical drama of Euripides <em>Alcestis</em>.

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2

Showerman, Earl. "A Century of Scholarly Neglect: Shakespeare and Greek Drama." Journal of Scientific Exploration 37, no. 2 (2023): 201–17. http://dx.doi.org/10.31275/20233109.

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In the late 19th and early 20th centuries, a number of Shakespeare scholars, including Israel Gollancz (1894), H.R.D. Anders (1904), J. Churton Collins (1904), and Gilbert Murray (1914) wrote convincingly of Shakespeare’s debt to classical Greek drama. However, in the century since, most scholars and editors have repeatedly held that Shakespeare was not familiar with Greek drama. In Classical Mythology in Shakespeare (1903), Robert Kilburn Root expressed the opinion on Shakespeare’s ‘lesse Greek’ that presaged this enduring dismissal: “It is at any rate certain that he nowhere alludes to any c

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3

Liang, Hongxin. "The Standpoint of Goodness: On the Dramatic Ethics in Medea." Scientific Journal Of Humanities and Social Sciences 7, no. 5 (2025): 195–99. https://doi.org/10.54691/1xf4wk06.

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In Medea, Euripides not only portrays the most classic female characters in ancient Greek tragedy through dark, violent, and bold means, but also presents the differentiated ethics and morals in ancient Greek polis to the audiences from a mythological perspective, the core conflict of tragedy points to the irreconcilable micro conflict, which directly involves different standpoints of goodness. This paper combines the concept of "literary judge" with the drama studies, attempting to explore the tragic causes of the Medea murder case from the aspects such as moral oppression in ancient Greek po

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4

Satya, Nilayam Research Institute of Philosophy &. Culture. "Literary Forms of Philosophizing." Satya Nilayam Chennai Journal of Intercultural Philosophy 8 (June 5, 2005): 7–20. https://doi.org/10.5281/zenodo.12730212.

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Let us begin with questions of what is philosophizing. In the Greek tradition philosophy is understood as search for the essence or "whatness" of things (quidditas). In that sence philosophy was developed in European context and expressed in a specific written from, a particular form of language which is diffrent from that of other forms of communication like poetry, drama, mythology, ect.

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5

Raza, Momina. "Haunting Revenge as a Theatrical Caveat: A Comparative Study of Classical and Shakespearean Plays." Journal of Arts and Linguistics Studies 3, no. 1 (2025): 1505–17. https://doi.org/10.71281/jals.v3i1.279.

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The essence of Renaissance is eulogised with the spirit of Greek mythology and traditions, such as the chorus, oracles and eidola. They are used as tools of warning, especially evoking haunting revenge. These traditions hold prime importance in influencing a structural, as well as thematic understanding of Shakespearean drama. The research aims at unfolding the traditional Greek theatrical use of oracles, Chorus and the recurring eidola as a reverberating effect in the form of soliloquies, asides and avenging ghosts in the later theatrical productions of Shakespeare. The objective of the resea

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6

De Chiara-Quenzer, Deborah. "Commentary on Pappas." Proceedings of the Boston Area Colloquium of Ancient Philosophy 32, no. 1 (2017): 59–65. http://dx.doi.org/10.1163/22134417-00321p06.

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This commentary on Nicholas Pappas’s paper, “Telling Good Love from Bad in Plato’s Phaedrus,” reflects on a number of Pappas’s thoughtful observations and interpretations of features woven into the drama of the discussion (for example, Typho and Boreas, wings, left and right). However, unlike Pappas, who refrains from claiming that divinely inspired human love (good love) can be discerned by turning to the earthly, this commentary suggests that Pappas’s contrasts of wings which conceal versus wings which elevate, of left and right, and my added contrast of traditional Greek mythology versus Pl

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7

Aboelazm, Ingy. "Africanizing Greek Mythology: Femi Osofisan’s Retelling of Euripides’the Trojan Women." European Journal of Language and Literature 4, no. 1 (2016): 87. http://dx.doi.org/10.26417/ejls.v4i1.p87-103.

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Nigerian writer Femi Osofisan’s new version of Euripides' The Trojan Women, is an African retelling of the Greek tragedy. In Women of Owu (2004), Osofisan relocates the action of Euripides' classical drama outside the walls of the defeated Kingdom of Owu in nineteenth century Yorubaland, what is now known as Nigeria. In a “Note on the Play’s Genesis”, Osofisan refers to the correspondences between the stories of Owu and Troy. He explains that Women of Owu deals with the Owu War, which started when the allied forces of the southern Yoruba kingdoms Ijebu and Ife, together with recruited mercenar

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8

Dobre, Angela Anca. "The Destiny in the Tomitan Funerary Poetry." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 8 (November 27, 2009): 257–62. http://dx.doi.org/10.35219/history.2009.12.

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The destiny is a favorite topic in the Greek and Latin mythology, which defines it as a divine independent body, superior to all deities of the Panthenon, „dictating” the facts even to Zeus. The Greek theatre illustrates the best the relationship between destiny and the individual freedom (to see the Greek drama authors: Eschil, Sophocle, Euripide). The Romans believed as well in Destiny seeing him as a personal genius, supreme judge of everyone’s life. The Greek colony and then the metropolis of the Left Pont, Tomis was perfectly framed into the Greek philosophical-religious system, Hellenist

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9

Kim, Gongsook. "The Archetype of Femme Fatale Character in K-drama: Focusing on the Heroine of Misty." Korean Society of Culture and Convergence 45, no. 4 (2023): 291–308. http://dx.doi.org/10.33645/cnc.2023.04.45.04.291.

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The archetype of the femme fatale character of Go Hye-ran, the heroine of the K-drama Misty, was analyzed by applying the Greek mythology archetype theory of the Jungian School of Bolen and the discussion of the femme fatale character in literature. A femme fatale is a female type that maximizes the negative aspects of the archetype of the goddess Aphrodite. Misty shows the tragedy that can happen when an goddess Aphrodite-archetypal woman rushes for her desire through the modern success-oriented femme fatale Go Hye-ran. She reproduces the archetype of femme fatale as a beautiful and menacing

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10

Luton, Jane Isobel, and Jacqueline Hood. "A Sisyphean task? Doing drama online with Year 9 students in a COVID-19 lockdown." Teachers and Curriculum 22, no. 1 (2022): 39–45. http://dx.doi.org/10.15663/tandc.v22i1.385.

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Using the allegory of Sisyphus from ancient Greek mythology, we examine the problems that arose while teaching Year 9 drama classes online during the COVID-19 pandemic lockdowns in Aotearoa, New Zealand. At times we have felt like Sisyphus, forced to push a boulder uphill forever. We became adept at using the school’s chosen online platform, in this case, Microsoft Teams. For all teachers, this meant that students were no longer in an actual classroom with their peers but met in a virtual space as a series of little icons on a screen. For drama, this disrupted the very essence of the praxis. D

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11

Śmiechowicz, Olga. "Pure Propaganda or Great Art, Patriotism and Civic Engagement? How Aeschylus and Euripides Used Their Plots to Support Athenian Politics towards the Allies." Symbolae Philologorum Posnaniensium Graecae et Latinae 29, no. 2 (2019): 5–16. http://dx.doi.org/10.14746/sppgl.2020.xxix.2.1.

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In this article I would like to focus on one research topic: how ancient tragedians manipulated their drama plots (based on Greek mythology) so as to use them for influencing Athenian “international policies.” Those were not any mistakes or airs of nonchalance on the part of the Athenian tragedians; it was just their carefully premeditated strategy of creating persuasive messages to function as pure propaganda. I am chiefly directing my attention to the topic of how the Athenians established their relations with the allies. Meaning the closest neighbours as well as some of those who did not be

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12

Mostafa Hussein, Wafaa A. "Freedom as the Antithesis of Commitment in Jean-Paul Sartre’s The Flies (Les Mouches)." International Journal of Linguistics, Literature and Culture 8, no. 2 (2021): 1–17. http://dx.doi.org/10.19044/llc.v8no2a1.

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In the mid of the twentieth century, French Existentialism was a predominant doctrine that significantly enriched and influenced the literary scene in Europe during the Post-War area. Jean-Paul Sartre (1905-1980), the founder of Existentialism, is both a professional philosopher and a talented man of letters whose literary achievements represent a declarative embodiment of his Existentialist philosophy. In his 1943 drama, The Flies (Les Mouches), Sartre puts the Greek myth into a drastically innovative structure, where contemporary issues and values are presented through classical outlines. Th

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13

Kumukova, Dzhamilya. "Strindberg’s A Dream Play and Gumilyov’s Allah’s Child. A mystery plot." Scandinavian Philology 20, no. 2 (2022): 311–27. http://dx.doi.org/10.21638/11701/spbu21.2022.206.

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Тhe article explores the issue of implementation of a mystery plot in the dramaturgy of the turn of 19th–20th centuries. Within the aspect of the given topic, two plays are considered — A. Strindberg’s drama A Dream Play, and N. S. Gumilyov’s fairy tale Allah’s Child. It is an attempt to demonstrate that in these works one can find the same plotline, which can be traced back to the myth of Persephone. With various interpretations still around as to the content of the ancient Greek mystery, is can generally be acknowledged that the myth comprised the foundation of the sacred action at Eleusis;

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14

Koci, Katerina. "Whose Story? Which Sacrifice? On the Story of Jephthah’s Daughter." Open Theology 7, no. 1 (2021): 331–44. http://dx.doi.org/10.1515/opth-2020-0167.

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Abstract The story of Jephthah and his daughter (Judg. 11:29–40) is a peculiar and problematic text. This article explores the question of the accountability for the sacrificial act with which the story culminates, and which provokes sharp disapproval in certain quarters, especially because of its gender bias. Applying the hermeneutical framework of René Girard and his distinction between sacrifice in Greek mythology (divinity in charge) and sacrifice in Judeo-Christian revelation (everyone responsible for his/her actions), I investigate the question: Is Jephthah’s daughter a mute puppet in a

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15

Apene, Dickson Nkehmengwe. "Intertextuality Across Genres: A Study of Homer’s the Odyssey and Suzan-Lori Parks’s Father Comes Home from the Wars." Global Academic Journal of Linguistics and Literature 5, no. 05 (2023): 81–86. http://dx.doi.org/10.36348/gajll.2023.v05i05.003.

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This research work aims to show the relationship between Homer’s The Odyssey and Parks’s Father Comes Home from the Wars. It has as objective, to debunk the stereotypical norms of writing literary works, which shows that comparative analysis can only be limited to a particular genre, that is (novel to novel, play to play and poetry to poetry). This intertextual study proclaims that a literary work cannot be limited only to a particular genre but can equally cut across genres. This explains why Parks rewrites Homer’s epic poem The Odyssey into a play, Father Comes Home from the Wars, which she

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16

Chrzanowska-Kluczewska, Elżbieta. "Transmedial Creation of Text Worlds. Pictorial Narration in Response to Verbal Texts." Discourses on Culture 19, no. 1 (2023): 25–64. http://dx.doi.org/10.2478/doc-2023-0002.

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Abstract With the narrative and visual turn engaging research in several scholarly disciplines over the last decades, the author of this article intends to approach the issue of world-formation in such pictorial representations that have originated in response to verbal texts, mostly literary. The study assumes a semiotic vantage point, with text understood broadly as any meaningful sequence or network of signs. It draws also from Intermedial Studies, following in particular the idea of media transformation (transmediation) as proposed by Lars Elleström (2014), especially in application to “qu

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17

Rahayuningtiar, Titis. "Penciptaan Naskah Drama Narcissus Berdasarkan Mitologi Yunani." Resital: Jurnal Seni Pertunjukan 13, no. 2 (2013). http://dx.doi.org/10.24821/resital.v13i2.519.

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Naskah drama Narcissus adalah sebuah naskah drama dengan genre klasik yang mengusung irama tragis. Narcissus adalah sebuah tokoh yang berasal dari cerita mitologi Yunani. Narcissus merupakan seorang pemuda sombong yang sangat mengagungkan keindahan yang ada dalam dirinya. Hingga suatu hari Narcissus dikutuk untuk jatuh cinta pada bayangannya sendiri. Penciptaan naskah drama Narcissus bertujuan untuk mengisi kelangkaan naskah drama yang sumber idenya berasal dari fenomena narsis di masyarakat dan konsep irama tragis dalam mitologi Yunani. Metode penciptaan mengusung sebuah metode kreatif yang t

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18

SUMARNO, RANO. "Penciptaan Naskah Drama Pemberontakan Sisifus." Resital: Jurnal Seni Pertunjukan 10, no. 1 (2013). http://dx.doi.org/10.24821/resital.v10i1.473.

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The Rebellion of Syssiphus. The Rebellion of Syssiphus play script is an effort to response suicide phenomenonin Indonesia. Joining two different social lives among human life in Indonesia and Greek mythology constructsthis creation as a surrealism play script. The purpose of this creation is: 1) to create a joint script of two differentrealms between Sissyphus’ life and recent reality of Indonesian people’s life in surrealist plot, (2) to produce a scriptconstantly contextual with man’s problem in life, (3) to enrich Indonesia Drama documentation through a scriptwith high motivational content

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19

Dagios, Mateus. "O riso da infâmia: estupro no drama satírico Ciclope de Eurípides." História em Revista 26, no. 2 (2021). http://dx.doi.org/10.15210/hr.v26i2.20915.

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Resumo: O artigo analisa uma menção à violência sexual no drama satírico Ciclope de Eurípides, investigando como o corifeu transforma uma referência a um estupro de Helena em uma cena cômica. Em primeiro lugar, estabelecemos a singularidade do drama satírico em relação à tragédia e à comédia gregas. Em seguida, abordamos como entender a noção de estupro na Grécia Antiga, tanto na mitologia quanto em relação às leis, demostrando que o tema dialoga com relações de gênero e a história do corpo. Mapear significados sociais do estupro associado a dimensões cômicas ajuda a entender violências e perc

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20

Tessaro, Camila Lorenzini, João Gabriel Cavazzani Doubek, and Matheus Kahakura Franco Pedro. "BEYOND THE NEUROLOGIST: CHARLES FOIX AS A POET AND A PLAYWRIGHT." European Neurology, May 4, 2024. http://dx.doi.org/10.1159/000539145.

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Background: Charles Foix (1882-1927) may be mostly remembered today due to his contributions to vascular neurology and the syndromes that bear his name, such as the Foix-Alajouanine syndrome. However, he also developed a literary career and composed poetry and a vast collection of plays, often dealing with biblical themes or figures from Greek mythology. Summary: His poetry was often inspired by his own experiences during the First World War, in which he was assigned to serve as medical officer in Greece, becoming enamored with his surroundings and the classical lore. Key messages: The authors

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21

JIN, Xusheng. "The Ethical Mystery of the Sphinx Riddle." Iris Online Journal of Arts and Social Sciences 1, no. 1 (2023). http://dx.doi.org/10.33552/iojass.2023.01.000501.

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This thesis embarks upon a polemic trek by poring over the origin of human ethical consciousness in Adam and Eve after their eating of the Tree of Good and Evil in the Bible, then goes on to explore the ethical mystery of the Sphinx Riddle in Greek Mythology, illustrate the ethical dilemma of Hamlet in Shakespeare’s renowned drama, and finally wind up with a new vision on Robert Frost’s poem with Lawrence’s idea of the Noble Wild Beast. Believing that there has appeared the binary of animality and rationality in man since the Biblical time, this thesis believes that human beings have repeatedl

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22

Nikola, M. I. "Antiquity and modernity (from the experience of teaching ancient literature)." Literature at School 2 (2025). https://doi.org/10.31862/0130-3414-2025-2-101-109.

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In the article, based on the author’s many years of experience in teaching ancient literature, it is proposed to highlight certain aspects that meet the needs of our time when studying a university course on antiquity. The emphasis on certain names, phenomena, and processes in the article is motivated by educational, aesthetic, and educational goals. In particular, the course material emphasizes the need for primary attention to the development of ancient mythology and images, which subsequently acquired the status of so-called eternal or age-old images. Special attention is paid primarily to

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