Siga este enlace para ver otros tipos de publicaciones sobre el tema: Home Home in popular culture Home in literature.
Artículos de revistas sobre el tema "Home Home in popular culture Home in literature"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 50 mejores artículos de revistas para su investigación sobre el tema "Home Home in popular culture Home in literature".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore artículos de revistas sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
1
Bark Persson, Anna. "Home and Hell". lambda nordica 25, n.º 2 (26 de octubre de 2020): 68–90. http://dx.doi.org/10.34041/ln.v25.675.
Texto completoResumen
The aim of this article is to examine the representation of female masculinity in genre literature. Reading female masculinity as queer embodiment, I put two science fictional texts driven by a typical action narrative in dialogue with earlier research on representations of female masculinity in literature and popular culture to demonstrate the importance of bringing the genre of the text into the analysis when examining female masculinity. In the article, I use the connection between female masculinity and tragedy as my starting point to exemplify how the genre of a text shapes the depiction and reading of female masculinity. In the action-driven science fiction texts I study, this link is very much present, but tragedy is given another role to play. Instead of being an element in the constitution of gender non-conforming as an unlivable experience, the representation of these masculine female heroes as oriented away from heteronormative constructions of a good life (Ahmed 2006) makes possible the depiction of these women as masculine, as well as the glorification of their gender non-conformity within the framework of the action-based SF narrative.
2
Jones, Clara. "‘Mystery at the Lilacs’ (1938): Elizabeth Bowen's Thriller Serial for Home and Country". Literature & History 27, n.º 1 (21 de marzo de 2018): 3–27. http://dx.doi.org/10.1177/0306197318755671.
Texto completoResumen
This article introduces a rediscovered 1938 serial by Elizabeth Bowen ‘specially written’ for Home and Country, the monthly organ of the National Federation of Women's Institutes. It situates ‘Mystery at the Lilacs’ within the periodical culture of ‘ Home and Country’, paying particular attention to Bowen's engagement with the social and cultural debates that played out across its pages, and considers how Bowen's serial compares with her other contemporary literary projects. Far from being an aberration or curiosity, this serial overlaps thematically with Bowen's other interwar short stories. Self-reflexively concerned with the status of the writer in the community and preoccupied with the relationship between ‘high’ and popular culture, ‘Mystery at the Lilacs’ has much to tell us about Bowen's thinking about politics and culture in the interwar period.
3
Williams, Seán M. "Home Truths and Uncomfortable Spaces: Swiss Hotels and Literature of the 1920s". Forum for Modern Language Studies 55, n.º 4 (1 de octubre de 2019): 444–65. http://dx.doi.org/10.1093/fmls/cqz037.
Texto completoResumen
Abstract Switzerland was at the centre of the European grand hotel scene, geographically and discursively. This article considers Swiss hotel literature and life in the 1920s, a decade in which the country’s hotel landscape became politicized and, relatedly, was often portrayed in popular literature. Against the backdrop of more canonical and intellectual hotel literature set in Switzerland, the following reads Meinrad Inglin’s Grand Hotel Excelsior (1928) as a response to a contemporary ‘culture war’, and as an attempt at centrist cultural criticism. Drawing especially on magazine and other archival evidence, this article also uncovers the promotion, sponsorship and discussion of hotel literature by Swiss hotel lobbyists, which was concerned with increasing the commercial viability of hotels after the First World War, and improving their image at a time of polarized debates about the direction of Swiss society. Thus Inglin’s novel occupies a centre ground not only in its argument, but in a formal sense as well. Grand Hotel Excelsior is a literary means of mediating the problems of Swiss culture in the 1920s, manifest in hotels as actual spaces or subjects, rather than a novel written for, or adaptable to, vested interests, or a work that employs – in the vein of Thomas Mann and Hermann Hesse – the hotel as a material setting to explore abstract ideas.
4
VARNEY, DENISE. "White-out: Theatre as an Agent of Border Patrol". Theatre Research International 28, n.º 3 (octubre de 2003): 326–38. http://dx.doi.org/10.1017/s0307883303001160.
Texto completoResumen
In Australia in 2001, there was a marked escalation of debates about nation, national identity and national borders in tandem with a right-wing turn in national politics. Within the cultural context of debate about national identity, popular theatre became an unwitting ally of neo-conservative forces. Within popular theatre culture, the neo-conservative trend is naturalized as the view of the Anglo-Celtic-European mainstream or core culture that also embraces and depoliticizes feminist debates about home and family. Elizabeth Coleman's 2001 play This Way Up assists in the production of an inward-looking turn in the national imaginary and a renewed emphasis on home and family. The performance dramatizes aspects of what we are to understand as ordinary Australian life which might be interpreted as that which Prime Minister John Howard defends in the name of the National Interest. The cultural imaginary that shapes the production of the popular play is that of the conservative white national imaginary.
5
Breidenbach, Andrew L. "Constrained from leaving or comfortable at home? Young people’s explanations for delayed home-leaving in 28 European countries". International Journal of Comparative Sociology 59, n.º 4 (agosto de 2018): 271–300. http://dx.doi.org/10.1177/0020715218807261.
Texto completoResumen
Many comparative studies of home-leaving examine behavior associated with this transition and the relative importance of both structural and cultural factors in helping or hindering it. Yet, we know surprisingly little about how youth understand these factors on a broad scale to be influencing home-leaving for their generation. This article compares young people’s beliefs across cultures about why late home-leaving occurs using Eurobarometer survey data from 28 countries. I incorporate comparative home-leaving literature with theories about attitudinal worlds of welfare and explanations for social problems to argue that modes of explanation for late home-leaving hinge on whether youth see external, structural causes preventing earlier leaving (constraint-oriented explanations) or internal, more culturally motivated causes that lead individuals to stay at home longer (choice-oriented explanations). Demographic and institutional conditions that capture aspects of nations’ home-leaving contexts, such as women’s mean age at childbirth and the robustness of labor and housing markets, significantly correlate with the prevalence of these explanations. Findings suggest that youth tend to perceive their generation’s housing exits as structurally limited by scarce housing and weak purchasing power. However, in richer countries with more effective employment markets and better access to rental housing stock, choice-oriented explanations are more popular.
6
Janssen, Hayley G., Ian G. Davies, Lucinda D. Richardson y Leonard Stevenson. "Determinants of takeaway and fast food consumption: a narrative review". Nutrition Research Reviews 31, n.º 1 (17 de octubre de 2017): 16–34. http://dx.doi.org/10.1017/s0954422417000178.
Texto completoResumen
AbstractOut-of-home foods (takeaway, take-out and fast foods) have become increasingly popular in recent decades and are thought to be a key driver in increasing levels of overweight and obesity due to their unfavourable nutritional content. Individual food choices and eating behaviours are influenced by many interrelated factors which affect the results of nutrition-related public health interventions. While the majority of research based on out-of-home foods comes from Australia, the UK and USA, the same issues (poor dietary habits and increased prevalence of non-communicable disease) are of equal concern for urban centres in developing economies undergoing ‘nutrition transition’ at a global scale. The present narrative review documents key facets, which may influence out-of-home food consumption, drawn from biological, societal, environmental, demographic and psychological spheres. Literature searches were performed and references from relevant papers were used to find supplementary studies. Findings suggest that the strongest determinants of out-of-home food availability are density of food outlets and deprivation within the built environment; however, the association between socio-economic status and out-of-home food consumption has been challenged. In addition, the biological and psychological drives combined with a culture where overweight and obesity are becoming the norm makes it ‘fashionable’ to consume out-of-home food. Other factors, including age group, ethnicity and gender demonstrate contrasting effects and a lack of consensus. It is concluded that further consideration of the determinants of out-of-home food consumption within specific populations is crucial to inform the development of targeted interventions to reduce the impact of out-of-home foods on public health.
7
Arai, Yoichi y Frederick I. Kaplan. "Growing Up and the Old Kentucky Home: An Examination in Japanese Popular Culture of Divorce and the Broken Family1". Journal of Popular Culture 22, n.º 3 (diciembre de 1988): 131–41. http://dx.doi.org/10.1111/j.0022-3840.1988.2203_131.x.
Texto completo
8
Alessandrini, Anthony C. "“My Heart’s Indian for All That”: Bollywood Film between Home and Diaspora". Diaspora: A Journal of Transnational Studies 10, n.º 3 (diciembre de 2001): 315–40. http://dx.doi.org/10.3138/diaspora.10.3.315.
Texto completoResumen
In the spring of 1995, I had just begun to work on issues having to do with the global reception of Indian popular film.2 I was particularly interested in the consumption of Bollywood films in South Asian diasporic communities and was doing some preliminary research in Iselin, a small town in central New Jersey, with a large and thriving “Little India” neighborhood. Since I was also interested in the changes taking place in the Indian popular film industry itself, I had been following the case of Mani Ratnam’s film Bombay, which had been released earlier that year, in Tamil and Hindi, to a mix of acclaim and controversy in India. Because the film deals with the communal violence that gave rise to rioting that shook Bombay in 1992 and 1993, some authorities were concerned that screening the film in areas experiencing communal tensions might lead to more violence. Consequently, the film had been temporarily banned in several parts of India, including Hyderabad and Karnataka and, as of April 1995, had not yet been screened in Bombay itself (Niranjana, “Banning Bombayi” 1291–2). But at a party that spring, I found myself discussing the film with a colleague who had come from Bombay to study comparative literature at Rutgers. Bombay was quite an interesting film, she assured me, and I should watch it as part of my research. I must have looked puzzled, for she then added, “We found a copy on video in Iselin last week.”
9
Stott, Annette. "Prairie Madonnas and Pioneer Women: Images of Emigrant Women in the Art of the Old West". Prospects 21 (octubre de 1996): 299–325. http://dx.doi.org/10.1017/s0361233300006566.
Texto completoResumen
In the art of the American West, women have traditionally occupied a minor position. Compared to a surfeit of depictions of cowboys, braves, soldiers, miners, Indian chiefs, scouts, trappers, and traders, there are relatively few images of women; and when considering women who were not native to the plains and prairies, the field narrows still farther. Although literature and popular culture have given us numerous female types of the trans-Mississippi West (saloon and dance-hall girls, frontier mothers, helpless captives, schoolteachers, renegade female outlaws, wild-west-show women), art has virtually ignored all but the emigrant woman who traveled west in a covered wagon to establish a home on the prairie.
10
Sussman, Herbert. "INTRODUCTION". Victorian Literature and Culture 33, n.º 1 (marzo de 2005): 313. http://dx.doi.org/10.1017/s1060150305210860.
Texto completoResumen
WITH THESE ESSAYS, Victorian Literature and Culture begins a regular feature, “Victorians Live,” whose subject is how the Victorians still “live,” how they remain “live,” lively, alive. The focus is the intersection of the world of Victorian scholarship that the readers of VLC inhabit, with the larger world of representation. For, quite remarkably, in our globalized time, the Victorians remain “in”–from museum blockbusters to specialized exhibitions, from home decoration to popular fiction and graphic novels, from Masterpiece Theatre to Hollywood retellings of canonical novels. Rather than assuming an abyss between serious academic pursuits and the unserious non-academic world, Victorians Live seeks to chart the complex and ongoing dynamic wherein academic reinterpretations of the past, albeit in unexpected ways and with considerable time lags, shape the popular vision of the nineteenth century, and conversely, how contemporary social concerns as well as market demands on publishers and museums shape scholarship.
11
Gearon, Liam. "“No Direction Home”: The Life and Literature of Bob Dylan–From “Desolation Row” to the Nobel Prize". Text Matters, n.º 10 (24 de noviembre de 2020): 166–81. http://dx.doi.org/10.18778/2083-2931.10.10.
Texto completoResumen
Using the Nobel Prize as a prism through which to view the life and literature of a difficult-to-define artist, this article argues that Dylan’s output is one in which life and literature become, and have always been, indistinguishable. It is the life which has made the literature, through years lived in a particular niche of 1960s counter-cultural history; the lyrics gave voice to a man who was never at ease in the formalities of interview. For a supposed spokesman of a generation Dylan spoke very little except through his songs. So too in the more difficult-to-define later decades, little of his life was spoken of except through song, and some samplings of autobiography. Detailing the historically distinctive features of the Nobel Prize, the article shows how Bob Dylan has, through life and literature, broken down the boundaries between the literary and the popular. The article’s title is drawn, of course, from a famous line in Bob Dylan’s era-defining “Like a Rolling Stone,” one which Martin Scorsese used to title a full-length documentary on the life of Bob Dylan. Dylan here occupies the borderlands where art imitates life, and life imitates art. I argue, contrary to critical consensus, that there is a direction home. In Dylan’s lifetime of existentially staring death (political death, the death of romance) in the face, there is some glimpse of home. It is that glimpse which gives the poet’s lyrical output its endurance as literature.
12
Nitzke, Solvejg. "Prekäre Natur – Schauplätze ökologischen Erzählens zwischen 1840 und 1915 ll Eine Forschungsskizze ll." Kulturwissenschaftliche Zeitschrift 3, n.º 2 (10 de noviembre de 2018): 31–48. http://dx.doi.org/10.2478/kwg-2018-0012.
Texto completoResumen
Abstract During the second half of the long 19th century „precarious nature“ moves to the center of a variety of popular discourses. The increasing visibility of and reflection on the human manipulation and destruction of nature is equally important for an understanding of precarious nature as is the publicly received progress of science and the social transformation caused by industrialization and accompanying processes. All these fields create versions of human-nature-relations and of ‘natural’ lifestyles and -forms under increasingly precarious conditions. Precarious nature provides a perspective which allows for the recognition of the dual conditioning of nature in literature, popular science and personal as well as travel narratives and the analysis of its part in the production of affective, discursive and material environments. Ecological story-telling is a vital force which produces a specific proto-ecological knowledge in representations of village-home and forest-wilderness. Liminal spaces between nature and culture thus can be recognized as privileged sites of the negotiation of human-nature-relationships.
13
Kozlovic, Anton Karl. "Islam, Muslims and Arabs in the Popular Hollywood Cinema". Comparative Islamic Studies 3, n.º 2 (1 de noviembre de 2007): 213–46. http://dx.doi.org/10.1558/cis.v3i2.213.
Texto completoResumen
This is the age of Hollywood, yet, the pedagogic utilisation of popular films as a legitimate extra-ecclesiastical resource for the study of religion is frequently ignored, unappreciated or under-utilised. To thrive in the post-Millennial period, however, the religion professions need to integrate movies proactively into the educational curricula that go beyond their traditional deployment as visual aides, diversionary entertainment or student pacification. Applied cinema studies can thus contribute significantly to interreligious understanding, cooperation and peace-building, particularly the exposition of the many anti-Islamic messages embedded within the films of the West. Using textually based, humanist film criticism as the guiding analytical lens, the critical literature was reviewed and the popular Hollywood cinema scanned to reveal selected (mis-)representations of Islam, Muslims and Arabic culture in general. Both deconstructive and constructive issues were addressed. It was argued that: (a) the Hollywood hermeneutic is a viable pedagogic resource for the classroom, home and pulpit, (b) popular films can be profitably employed as a legitimate mode of interreligious dialogue, and (c) Islamic sacred subtexts should be constructed
to spread the message of God further afield. Additional research into
the emerging interdisciplinary field of religion-and-film was recommended.
14
Minsky, Amir. "Home Is Where the Heart Is: The Rise of Emotional Spaces in the German Late Enlightenment". Eighteenth-Century Life 45, n.º 3 (1 de septiembre de 2021): 88–115. http://dx.doi.org/10.1215/00982601-9273013.
Texto completoResumen
The emergent political arena of the late eighteenth century, and the literary one that preceded it, were claimed to be based upon a functional dichotomy between a private sphere of emotive ties and associations, and a “public sphere” of rational criticism (Habermas, 1962). This categorical distinction, however, scantily registered the emergence of a corollary affective economy in this period, which redefined social, political, and physical spaces according to their emotional content, or lack thereof. This article focuses on the rise of emotional language, its spatial configurations, and its dissemination during the late German Enlightenment in three thematic contexts: the “popular Enlightenment” (Volksaufklärung) and its emphasis on the enhancement of literacy among the lower classes to achieve emotional refinement; the visual representation of domestic emotional scenarios in the context of the Franco-German cultural exchange surrounding the French Revolution; and the emergence of “homeland” (Heimat) as an increasingly ubiquitous emotion-bound metaphor in the nationalization of space toward the century's end. These contexts reveal major shifts in the cultural dynamics of space and emotion in this period: first, the reaffirmation of emotion as a culturally viable interpretive mode, set against earlier concerted attempts to suppress or control it; second, the osmosis between private and public that enabled emotional protocols to transgress supposedly natural boundaries of class, status, and gender across society, and establish new contacts between exclusive and excluded communities; and last, the article shows how the spatial imaginary that emerged in the second half of the eighteenth century—despite its reliance on older dispositions regarding space in German culture—deployed emotional vocabularies for engendering new forms of sociability, which went on to became central determinants of Germanness in the early nineteenth century.
15
Browne, Ray B. "The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 by John Bush Jones". Journal of American Culture 30, n.º 1 (23 de febrero de 2007): 154. http://dx.doi.org/10.1111/j.1542-734x.2007.00502.x.
Texto completo
16
Wagner, Tamara S. "INTRODUCTION: THE NINETEENTH-CENTURY PACIFIC RIM: VICTORIAN TRANSOCEANIC STUDIES BEYOND THE POSTCOLONIAL MATRIX". Victorian Literature and Culture 43, n.º 2 (25 de febrero de 2015): 223–34. http://dx.doi.org/10.1017/s1060150314000527.
Texto completoResumen
the Victorians’ driving interest in exploration and expansion is perhaps one of the best-known scholarly truisms about the age and its literature. While the British Empire was rapidly expanding and commercial competition began to stretch across the globe with a newly perceived urgency, Victorians at home throughout this expanding empire were at once fascinated and anxious in reading about the wider world. Armchair explorers might have confined themselves to a vicarious enjoyment of the gold-nuggets that seem to lay scattered throughout the expanding settler world, of adventures in an excitingly exoticised “bush,” and of shipwrecks and dubious impostors who sometimes seemed to return from the middle of nowhere. Readers could even indulge in a smugly self-congratulatory sense of amusement when witnessing the satirised ignorance of Flora Finching in Charles Dickens's Little Dorrit (1857), when she famously evokes semi-colonial China as such a country to live in for so long a time, and with so many lanterns and umbrellas too how very dark and wet the climate ought to be and no doubt actually is, and the sums of money that must be made by those two trades where everybody carries them and hangs them everywhere, the little shoes too and the feet screwed back in infancy is quite surprising, what a traveller you are! (152; ch. 13) With its bizarre juxtaposition of exotic references and vague gesticulations towards imperial commerce's impact at home, Flora's confusion is first and foremost funny, and readers were clearly meant to recognise it as such. In the same vein, adventure tales set in far-off islands in the Pacific or in new settlements in Australia and Aotearoa/New Zealand certainly continued to feature the enticingly wild and exotic. Yet increasingly, popular fiction made it clear that we ought to know more about the world out there, and that this entailed a different sense of responsibility as well. It is tellingly the satirised, pompous characters who wildly joke about the hero's escapades “down under” in Anthony Trollope's John Caldigate (1879), while the novel instead shows that the widespread notion “that anything done in the wilds of Australia ought not ‘to count’ here, at home in England” (322; ch. 42) does no longer hold in a world that is clearly not only expanding, but contracting and narrowing in the process. But if these widely read Victorian triple-deckers show how aware readers were becoming of the British presence throughout the world – including such indisputably still mystified, exoticised places as China – and how this impacted on literature and culture “back home,” the way the Victorians thought about, imagined, and discussed their own shifting place in this changing world was markedly wide and varied. Public interest in sinology, for example, as reflected in the magazines of the time, or contradictory accounts by missionaries, military officers, and emigration societies, and how these discourses were worked into popular culture productions, all testify to an ambiguous, contested field. The depiction of settler societies in particular underwent enormous shifts in the course of the century. How the most persistent images of the expanding settler and commercial empire were generated and circulated in Victorian Britain can be gleaned from shipboard diaries, popular ballads, broadsides, as well as from more official accounts such as the manuals and pamphlets produced by emigration societies. A close analysis of this rarely discussed material, in turn, compels a reconsideration of the way literary works engaged with discourses on emigration, travel, and imperial adventure. In going beyond what we see merely reflected in Victorian canonical literature, this special issue on nineteenth-century representations of the region spanning, roughly, what we now consider the Pacific Rim allows us to get a wider perspective on what “the Victorians” made of the changing world around them.
17
Ledger, Sally. "FROM QUEEN CAROLINE TO LADY DEDLOCK: DICKENS AND THE POPULAR RADICAL IMAGINATION". Victorian Literature and Culture 32, n.º 2 (septiembre de 2004): 575–600. http://dx.doi.org/10.1017/s1060150304000671.
Texto completoResumen
ON AN AUTUMN DAY IN1842, William Hone lay dying. He was by now an obscure figure, but through the services of an old friend, George Cruikshank, he sent a request to Charles Dickens that he might shake his hand before he died. The famous novelist agreed to the request, and for a brief moment Dickens, Cruikshank, and William Hone came together in Hone's shabby London home. The meeting apparently meant little to Dickens who, subsequently attending Hone's funeral, recounted with comic viciousness Cruikshank's histrionics as his old friend was laid to rest. Writing to an American friend, Cornelius Felton, Dickens described how he found himself “almost sobbing with laughter at the funereal absurdities of George Cruikshank and others” (Ackroyd 407). The encounter between Dickens, Cruikshank, and Hone in 1842 is a little-known but with hindsight a significant convergence; for despite Dickens's seeming disregard for the ailing and rather threadbare old bookseller, the deathbed tableau crystallizes an important and much overlooked connection between Dickens's writings and an earlier popular radical tradition.
18
Choo, Kukhee. "Girls Return Home: Portrayal of Femininity in Popular Japanese Girls’ Manga and Anime Texts during the 1990s inHana yori DangoandFruits Basket". Women: A Cultural Review 19, n.º 3 (noviembre de 2008): 275–96. http://dx.doi.org/10.1080/09574040802137243.
Texto completo
19
Ichikawa, Chieko. "WRITING AS FEMALE NATIONAL AND IMPERIAL RESPONSIBILITY: FLORENCE NIGHTINGALE'S SCHEME FOR SOCIAL AND CULTURAL REFORMS IN ENGLAND AND INDIA". Victorian Literature and Culture 39, n.º 1 (6 de diciembre de 2010): 87–105. http://dx.doi.org/10.1017/s1060150310000288.
Texto completoResumen
Florence Nightingale, who becamea national heroine after the Crimean War, was the most popular subject in hagiographical collective biographies of women during the mid- and late-1850s. However, her life can be regarded as a resolute resistance to conformity with the ideal of womanhood in the Victorian era. She recognised the chasm between her popularity and reality:Good public! It knew nothing of what I was really doing in the Crimea.Good public! It has known nothing of what I wanted to do & have done since I came home. (Private note from 1857; Nightingale,Ever Yours177–78)This statement implies the resistance to the misrepresentation of her, which is indicative of her inner struggle to search for a means to express her vision.
20
Barut, Adil Koray. "M. DE FALLA, M. PONCE VE J. RODRIGO’NUN ESERLERİNDE BULUNMUŞ ORTAK TEMATİK MOTİFİN İNCELENMESİ". e-Journal of New World Sciences Academy 15, n.º 4 (31 de octubre de 2020): 242–57. http://dx.doi.org/10.12739/nwsa.2020.15.4.d0264.
Texto completoResumen
The Iberian Peninsula has been home to different societies for centuries. With the arrival of Andalusia Umayyads to these lands (711), Eastern culture started to flourish in this geography. Andalusia's architecture, music, literature and popular culture have been able to preserve its traditional structure until today. Towards the end of the 19th century, Spanish piano music started its golden age, and composers used Andalusian folkloric elements in their own musical language. In this study, the characteristics of Spanish music are mentioned, and these musical features are supported by giving examples from the works of Spanish composers. The focus of the study is the common thematic motif which was found in three separate works composed by Manuel de Falla (1876-1946), Manuel Ponce (1882-1948), and Joaquin Rodrigo (1901-1909). These works are respectively En los Jardines de la Cierra de Cordoba part of Noches en las Jardines de Espana, the first movement of Concierto del Sur (Allegro moderato) and the last movement of Concierto para una Fiesta (Allegro moderato). The thematic motif in the mentioned works has the same sound material and rhythmic structure. Distinctive aspects of this motif specific to Andalusia have been investigated.
21
Sen, Sambudha. "Bleak House, Vanity Fair, and the Making of an Urban Aesthetic". Nineteenth-Century Literature 54, n.º 4 (1 de marzo de 2000): 480–502. http://dx.doi.org/10.2307/2903014.
Texto completoResumen
This essay focuses on the relationship between certain popular visual forms, such as the city sketch and the panorama, and the making of an urban novelistic aesthetic, of which Charles Dickens's Bleak House (1852-53) is the most developed embodiment. In order to delineate the specific features of this urban aesthetic I turn to the very different ways in which William Makepeace Thackeray in Pendennis (1848-50) and, especially, Vanity Fair (1847-48) articulates the city and those who inhabit it-despite Thackeray's familiarity with the representational modes that developed in the relatively "lower" forms of visual culture. Through this process of differentiation I show how this urban aesthetic involves distinct ways of negotiating such problems as the tension between the dispersive and the centralizing impulses of the city, as well as the threat that the teeming, socially unpredictable life of the city posed to the traditional domain of the novel, the middle- or upper-class home. Finally, by setting off Dickens's mode of figuring character against Thackeray's more self-consciously literary methods, I highlight the ways in which the urban aesthetic that underlies Bleak House affected Dickens's methods.
22
Kuryanova, Valeriya V. "Myth of L.N. Tolstoy in the creative mind of M.A. Voloshin". Philological Sciences. Scientific Essays of Higher Education, n.º 3 (mayo de 2021): 68–75. http://dx.doi.org/10.20339/phs.3-21.068.
Texto completoResumen
The article, based on the material of M.A. Voloshin’s work, examines the elements of Tolstoy’s myth. The biographical myth of L.N. Tolstoy, which has been actively developing for a century and a half until today, but at the beginning of the 20th century, when Tolstoy’s departure from his own home became popular, it became especially relevant. The structure of the Tolstoy’s myth is analyzed, the mythologies associated with it (mythologized constant representations) created and reproduced by M.A. Voloshin in accordance with his own poetic worldview, personal attitude to the work and personality of L.N. Tolstoy. In the light of the problem posed, the author examines the poet's books “The Burning Bush” and “The Ways of Cain”. Attention is focused on the originality of Tolstoy’s text in the creative heritage of Voloshin, based on the proximity of worldviews, the sacralization of the image of the great writer. The poet interprets Tolstoy's mythologem about non-resistance to evil by violence in a completely new way. In the attempts of the great artist to protect himself and others from evil, Voloshin sees the reason for his tragic departure from Yasnaya Polyana. The question is raised about the features of the perception of this myth in the culture and literature of the first third of the XX century.
23
McBratney, John. "RELUCTANT COSMOPOLITANISM IN DICKENS'SGREAT EXPECTATIONS". Victorian Literature and Culture 38, n.º 2 (6 de mayo de 2010): 529–46. http://dx.doi.org/10.1017/s106015031000015x.
Texto completoResumen
It has recently been suggested, in various quarters, that cosmopolitanism, a concept that has proved broadly useful and popular in Victorian studies in the last several years, may have entered its critical senescence. The reports of its decline are, I believe, greatly exaggerated. I would like to prove the continuing vigor of the concept by using it in a reading of Dickens'sGreat Expectations(1860–61). Conceiving of the cosmopolitan figure as a mediator between native English and colonial subjectivities, I will argue that Pip and Magwitch are reluctant cosmopolitans of indeterminate national identity. Although their final lack of a home country represents a psychological loss, the sympathy they learn to feel for each other – a fellow-feeling between gentleman and convict produced by a transnational irony enacted across class and cultural divides – represents a clear ethical gain, the attainment of a partial universalism that goes to the heart of the moral vision of the novel. Throughout this study, I will seek to extend that “rigorous genealogy of cosmopolitanism” that Amanda Anderson has urged (“Cosmopolitanism” 266).
24
Zeng, Jingjing y Chuanmao Tian. "Translating the Three Kingdoms Cultural Attractions in Jingzhou and Xiangyang: Problems and Solutions". IRA International Journal of Education and Multidisciplinary Studies (ISSN 2455-2526) 5, n.º 2 (3 de diciembre de 2016): 94. http://dx.doi.org/10.21013/jems.v5.n2.p5.
Texto completoResumen
<em>With the rapid development of globalization, the trans-cultural communication has become more and more frequent. Tourism has become more popular with people as one of the ways in trans-cultural communication. In travelling, people cannot only spread their own culture, but also study other cultures. However, it is the transnational tourism that makes all kinds of languages encounter and gives rise to the differences among these languages. Thus, translation is one important way to solve this problem. As one of the ways in trans-cultural communication, tourism translation has its vital function. Therefore, a number of researches have been done by many famous experts and scholars. However, my literature search indicates that the researches about tourism translation abroad are relatively few, even though there are many at home. As far as China as a whole is concerned, Hubei Province boasts rich and abundant cultural relics. The cultural resources of Hubei Province are heterogeneous yet diversified, including Chu culture, Three Kingdoms culture, “Red Culture” related to the revolution under the leadership of the Communist Party of China, and so on. Most cities, towns and villages in Hubei Province are endowed with these cultural resources among which the Three Kingdoms culture is one of the main cultural resources in the province. The Three Kingdoms cultural tourism is concentrated in the cities of Jingzhou and Xiangyang where there are currently many problems with the translations of the scenic areas or spots. This paper firstly discusses the significant role of the Three Kingdoms culture in the construction and development of cultural tourism in Hubei Province. Then, referring to the present translation situation in the Three Kingdoms cultural attractions in Jingzhou City and Xiangyang City, it analyzes the problems existing in the Three Kingdoms cultural tourism translation in Hubei Province. According to the analysis, it puts forward the countermeasures, strategies, methods and principles to solve the problems.</em>
25
Kyrmanov, O. S. y A. V. Lemeshko. "MODERN VIEWS ON TOOTH WHITENING". Ukrainian Dental Almanac, n.º 4 (23 de diciembre de 2020): 16–20. http://dx.doi.org/10.31718/2409-0255.4.2020.03.
Texto completoResumen
Resume. In the modern world, the appearance of teeth is of great importance. Beautiful white teeth are not only a sign of good health, but also an element of culture and well-being.
Definition, the individual natural color of the teeth is mainly determined by dentin, however, the color, transparency, thickness and degree of mineralization of the enamel affect the color of dentin. Any changes in dentin and enamel during the formation, development and after teething can cause changes in light guide properties, and accordingly, changes in color.
Purpose. Analysis of the sources of scientific and medical information about the features of tooth whitening by various methods and their effectiveness with the presentation of their own clinical examples. Methods. An analytical review of the literature on various methods of teeth whitening and indications and contraindications to these methods.
Results. There are different options for coloring teeth and they call as external and internal. A separate category of discolors is such as internalized staining, when external chromogens penetrate into the hard tissues of the tooth. Treatment of diseases and conditions accompanied by discoloration of the teeth is complex and may include therapeutic (occupational hygiene, whitening, restoration) and orthopedic measures. Teeth whitening is a chemical oxidation process in which the color of enamel and dentin changes from dark to light. Modern bleaching systems are based on the use of preparations of hydrogen peroxide or urea peroxide in combination with activating factors. Currently, the following main types of whitening systems are widely used in dental practice: for professional use in the clinic, for home use under the supervision of a doctor, for home use without a doctor's supervision, for example, whitening toothpastes, strips, pencils and standardized caps with gel inside. The work presents various options for teeth whitening from home to clinical and professional. Indications and contraindications to the teeth whitening procedure and its protocol are given. The analysis of the results of modern scientific research in dentistry shows that now it is possible to consider that professional whitening is effective. That is why the use of high-intensity blue diode light (LED) is quite promising, especially when eliminating deep tooth pigmentation. One of the most popular brands in the world of whitening is Philips Zoom system. The Philips Zoom WhiteSpeed lamp is a fundamentally new technology in which the manufacturer has used LEDs as a light source, which has made the teeth whitening process more comfortable and safe for the patient.
Conclusion. To date, researchers and manufacturers have created various well-functioning, safe and comfortable systems for whitening teeth. It is important to find various aspects of tooth whitening and possible hazards. Understanding the operation of various systems and awareness of their advantages and disadvantages will allow you to choose the most optimal system. A professional approach to teeth whitening guarantee success.
26
Kuryanova, Valeria V. "TOLSTOVSKY TEXT IN WORKS BY A. BLOK". Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 6(72), n.º 3 (2020): 147–64. http://dx.doi.org/10.37279/2413-1679-2020-6-3-147-164.
Texto completoResumen
The article, based on the material of A. Blok’s work, examines the elements of the Tolstoyan text as a nominal supertext of literature. It is argued that the basis of this text is the myth of L.N. Tolstoy, which has been actively developing for a century and a half until today, but at the beginning of the 20th century, when Tolstoy’s tragic departure from his own home became popular, it became especially relevant. The structure of the Tolstoyan myth is analyzed, the mythologies associated with it (mythologized constant representations) created and reproduced by A. Blok in accordance with his own poetic worldview, personal attitude to the work and personality of L.N. Tolstoy. In light of the problem posed, the poet’s lyrics, his articles, and correspondence are examined. Attention is focused on the originality of the Tolstoy text in the creative heritage of Blok, based on the proximity of worldviews, the sacralization of the image of the great writer, rejection of criticism and profanation of the image of Tolstoy in contemporary art, journalism and memoirs. Unlike other modernist movements, the Symbolists did not set the task of overthrowing the idols of the past, but on the contrary, they even defended a certain continuity of traditions, all the more so with such an original author as Blok. But the desire to protect Tolstoy from attacks on his authority also makes it possible to develop a biographical myth about the writer. The question is raised about the features of the perception of this myth in the culture and literature of the first third of the XX century.
27
Singh, Ravi S. y Sarah Ahmad. "Geography of Pilgrimage with Special Reference to Islam". Space and Culture, India 8, n.º 4 (26 de marzo de 2021): 7–21. http://dx.doi.org/10.20896/saci.v8i4.1102.
Texto completoResumen
Pilgrimage is a spiritual journey during which pilgrims have a religious experience and feel connected to the faith's spiritual legacy. The sacred sites are the spiritual home for pilgrims which they have read and heard about but never visited or experienced before. With little attention paid to the Islamic pilgrimage, especially by geographers, this review paper is an attempt to provide an overview of the subject matter and seek to put forward possible future research directions. This paper provides a systematic description of pilgrimage in Islam by reviewing the literature on the subject, analysing the definitions, characteristics, processes, classification and authorisation of pilgrimage in general followed by an overview of Islamic pilgrimage, that is, Ziyarat by defining key terms, discussing the typology and exploring the neglected dimensions in Islamic pilgrimage studies. The study has brought the relics and saints venerated in the Muslim world into focus, which are the essential causes for the origin and continuation of the Ziyarat tradition. It also points out the different occasions and reasons for performing popular pilgrimage in Islam. And lastly, it discusses the future research dimensions of Islamic pilgrimage.
28
Zhang, Yechun. "An Interpretation of Mary in the Shadow of Colonialism in Doris Lessing’s—The Grass is Singing". Higher Education Studies 7, n.º 4 (25 de octubre de 2017): 55. http://dx.doi.org/10.5539/hes.v7n4p55.
Texto completoResumen
Doris Lessing, one of the most popular writers of British literature in the second half of the twentieth century, is famous for her changeable styles of works and different perspectives all over the world. Reviewing from Doris Lessing’s works, Marginal Man is the main clue in her literary creation. Most of characters she created in her works are living in the cracks of changeable era and cultural transformation. From the race of blacks and whites to the free female under the colonial background in 1950s and 60s; and then from the spiritual alienation under culture shock in 1970s and 80s to the difficult living conditions of the middle-aged and the aged in her later works, all of these characters are the unique microcosm of the Marginal Man created by means of blending Lessing’s own experiences and emotional imagery. All of these novels transmit the rise and fall of deep culture and the sense of vicissitudes of life.This thesis elaborates Mary, a Marginal Man in Doris Lessing’s The Grass is Singing from three points of view—Mary’s drifting, Mary’s Constraints and Fears, Mary’s Fleeing and Awakening. From it, we can understand that fleeing as her surviving way is to get rid of the shackles of life, moreover she bares the double loss coming from the external world and the innermost, and then she eventually makes for resistance and comes to her spiritual salvation in order to seek for her spiritual home. This thesis makes a good reflection on the real living conditions of marginal groups and guides people to establish correct social values to realize the social problems caused by marginal people and make some measures to solve some of them.
29
Yonan, Michael E. "Modesty and Monarchy: Rethinking Empress Maria Theresa at Schönbrunn". Austrian History Yearbook 35 (enero de 2004): 25–47. http://dx.doi.org/10.1017/s0067237800020932.
Texto completoResumen
The austrian habsburg court under Empress Maria Theresa has been characterized as combining an informal domesticity with a rigid ceremonial structure inherited from her predecessors. In this picture of life at the Habsburg court, the strict protocol and elaborate calendar of ceremonies only partially designated how the imperial family structured its time; protocol and ceremony coexisted, it would seem, with more casual and relaxed forms of familial interaction. Popular Austrian writing on Maria Theresa has stressed the image of the empress as mother, and the maternal quality of this portrait has colored some modern notions of how her palaces were occupied and used. Tourists visiting Schönbrunn palace, for example, are often told that many of its rooms were designed with familial contact in mind, and the resulting picture of the palace's use and habitation is curiously modern. The notion that an “imperial domesticity” governed actions at Maria Theresa's Schönbrunn has found its way into scholarly literature as well; one scholar has gone so far as to describe Schönbrunn's admixture of ceremonial and intimate spaces asvorbiedermeierlich, that is, prefiguring the family-oriented, bourgeois culture of nineteenth-century Vienna. The instigator of this myth may be Stefan Zweig, who in 1932 described Marie Antoinette's childhood at Schönbrunn as one filled with carefree play, personal freedom, and adventure, all of which prepared her inadequately for her future role as queen of France. The modern visitor to Schönbrunn might be forgiven for thinking that, despite the palace's sumptuous rooms and elegant decoration, it differs minimally from the modern single-family home.
30
Eva, Phil. "Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song". Popular Music 16, n.º 2 (mayo de 1997): 131–50. http://dx.doi.org/10.1017/s0261143000000337.
Texto completoResumen
We all know the foreigner who survives with a tearful face turned towards the lost homeland. Melancholy lover of a vanished space, he cannot, in face, get over his having abandoned a period of time. The lost paradise is a mirage of the past that he will never be able to recover. (Kristeva 1991, p. 9)
31
Juško-Štekele, Angelika. "THE CONCEPT OF PILGRIMAGE IN THE CULTURE OF LATGALE". Via Latgalica, n.º 6 (31 de diciembre de 2014): 20. http://dx.doi.org/10.17770/latg2014.6.1654.
Texto completoResumen
<p>The aim of the paper is to characterize pilgrimage as a significant concept in Latgalian culture by emphasizing pilgrimage’s dialectic comprehension and most essential manifestations in culture. The study use a linguistically culturological approach and reviews pilgrimage as a global and multilevel structure, that consists of conceptual, emotively evaluated, historical and etymological layers (Степанов 2001: 84). For this purpose there were used mainly such written sources as vocabularies, periodicals and fiction, that refer to pilgrimage.</p><p>While gathering various interpretations of sacredness and journeys, paper deals with four main comprehensions of pilgrimage in Latgale: firstly, pilgrimage as a religious activity, that means walking to a sacred place along with the prayers, secondly, pilgrimage as a social campaign for the affirmation of ideological efforts, thirdly, pilgrimage as an individual and sensitive search for the eternal values and, lastly, pilgrimage as a type of a religious tourism in contemporary post-modern society.</p><p>The beginning of Catholic pilgrimage tradition in Latgale usually tends to be associated with Aglona, when Dominicans or the so called White Fathers Order began their activities in the region in 1699. Today, within the Rēzekne–Aglona diocese of the Roman Catholic Church, there are several sites, which have been officially acknowledged as sacred on the basis of the corresponding features they possess. Primarily, it’s the altarpiece of the Virgin miracle-worker and other relics, that are special for the Christianity and where pilgrims may pray for health or any other mercy. Secondly, in the territory of the sacred place there may be located objects of nature, that bring health and blessing, for example, sacred spring.</p><p>The appreciation of religious pilgrimage in Latgalian culture has been also affected by the historical context. From 1918 to 1940 pilgrimage activity experienced especially strong prosperity, but it changed during the Soviet-era, when pilgrimage subject in mass media was forbidden and lost its official support, but it still continued to proceed. Organized pilgrimages to Aglona recurred only in 1989 along with the so called Third Latvian National Awakening.</p><p>Pilgrimage in Latgalian culture appears also as a social campaign for the affirmation of ideological efforts, where comprehension of sacredness from the scope of the Christian Religion transfers into secular every-day lifestyle and subjects to ideological dogmas of era. Such interpretation of pilgrimage especially activates during 1920s–1930s, as well as in 1940s and 1990s. The aspiration for such pilgrimage usually is a place, person or monument, but all pilgrimages that are distinctive to the affirmation of ideological efforts possess fragmentation feature. With the alterations within the ideological emphasis the idea of the ideological pilgrimage either disappears either transforms into ceremonial procession or simple memorial tribute.</p><p>Comprehension of the pilgrimage as an individual and sensitive search for the eternal values is more related to the individualized pilgrim’s motive, that is connected to emotional experience, namely, search for the deprecated and irreversible values. This motive is especially noticeable within the exiled Latgalians’ literature, where such personages as motherland, home, mother and mother’s tomb are united and related to the Virgin’s archetype. The pilgrimage process, that Latgalian exiled writers live through in their imagination, shows, that it is one of the most essential values, that is evaluated during the immense influence of foreign countries, that helps to preserve Latgalian identity at times while far away from home.</p><p>One of the most popular type of tourism today is religious tourism. In Latgale it began in the 20th century through periodicals of 1920s–1930s. Now it is an integral part of the global tourism industry, including both national and international projects.</p><p>Meaning diversification in the contextual semantics of the pilgrimage shows its deep roots in the Latgalian culture and how it merges universal, national, ethnic and denominational characteristic marks in cultural traditions.</p>
32
Whitfield, Stephen J., Lewis H. Carlson y Kevin B. Vichcales. "American Popular Culture at Home and Abroad." Journal of American History 84, n.º 4 (marzo de 1998): 1578. http://dx.doi.org/10.2307/2568220.
Texto completo
33
Thomsen, B. Thorup. "New Nordic Environments in Eyvind Johnson’s Factual and Fictional Prose, 1928–1932". European Journal of Scandinavian Studies 48, n.º 1 (25 de abril de 2018): 19–41. http://dx.doi.org/10.1515/ejss-2018-0002.
Texto completoResumen
AbstractThe main aim of the article is to offer a closer examination of interfaces between Johnson’s factual and fictional modes of writing around 1930, with a particular emphasis on analysing accounts and appreciations of modern environments, infrastructures and mentalities in “peripheral” as well as “central” Swedish locations. To frame theoretically this examination, the article opens by considering some aspects of the current scholarly discourses on the hybrid genre of travel writing, to which the nonfictional texts in question broadly belong, and on the interrelationship between factual and fictional modes of representation. The article goes on to consider three of Johnson’s newspaper reportage pieces that may be located in the subgenre of domestic travel writing, popular in the interwar period, while they also, as “foreign” correspondence of sorts, contribute to confounding the very concept of home nation as well as challenging the distinction between “off-centre” and “centre” in the nation space. In its third phase, the article discusses two novels that illustrate, respectively, the “marginal” and the metropolitan variant of domestic modernism in Johnson’s fictional work, thus complementing the reportage pieces. The article concludes by situating the discussion of Johnson’s narratives in the context of new approaches to Scandinavian literary modernism.
34
Oliveira, Magno Ferreira y Herbert Ary Sisenando. "Plantas Tóxicas: um Risco Quase Invisível à Saúde Infantil". UNICIÊNCIAS 21, n.º 2 (6 de noviembre de 2017): 115. http://dx.doi.org/10.17921/1415-5141.2017v21n2p115-119.
Texto completoResumen
A intoxicação é um conjunto de sinais e sintomas evidenciados pelo desequilíbrio fisiológico ocasionado ao introduzir, voluntária ou involuntariamente, alguma substância nociva ao organismo. As intoxicações podem ser classificadas em acidentais ou intencionais, sendo a primeira mais frequente entre crianças, especialmente, no ambiente domiciliar e com plantas. As intoxicações infantis se constituem um sério problema de saúde pública no mundo, especialmente, por se tratar da exposição de indivíduos sensíveis. As plantas tóxicas são aquelas que provocam danos à saúde de outros organismos pelo simples contato ou pela ingestão de alguma de suas partes. O objetivo do estudo foi fazer um levantamento na literatura a respeito dos riscos associados à exposição às plantas tóxicas, especialmente, entre crianças. As plantas tóxicas mais comumente associadas às intoxicações no Brasil são: Dieffenbachia picta, Sansevieria trifasciata, Euphorbia pulcherrima, Euphorbia milii, Ricinus communis, Astronium fraxinifolium, Myracrodruon urundeuva, Rhododendron Pentanthera, Urtica dioica e Nerium oleander var. Na grande maioria, as exposições ocorrem no ambiente domiciliar devido ao uso ornamental das mesmas. Estudos relatam a forte influência de crendices e hábitos culturais no convívio com as plantas de potencial tóxico. O desconhecimento e a não percepção do risco são apontados como os principais fatores para ocorrência de acidentes toxicológicos, especialmente, em locais pobres e que sofrem de forte influência da cultura popular.Palavras-chave: Plantas Tóxicas. Intoxicação. Saúde Infantil.AbstractIntoxication is a set of signs and symptoms evidenced by the physiological imbalance caused by voluntarily or involuntarily upon introducing some harmful substance into the body. Intoxications can be classified as accidental or intentional, the first being more frequent among children, especially in the home environment and with toxic plants. Child poisoning is a serious public health problem in the world, especially when it comes to the exposure of sensitive individuals. Toxic plants are those that cause damage to the health of other organisms by the simple contact or by the ingestion of some of its parts. The objective of the study was to make a review in the literature about the risks associated with exposure to toxic plants, especially among children. The toxic plants most commonly associated with intoxications in Brazil are: Dieffenbachia picta, Sansevieria trifasciata, Euphorbia pulcherrima, Euphorbia milii, Ricinus communis, Astronium fraxinifolium, Myracrodruon urundeuva, Rhododendron Pentanthera, Urtica dioica and Nerium oleander var. In the vast majority, exposures occur in the home environment due to their ornamental use. Studies report the strong influences of cultural beliefs in exposition to toxic plants. The lack of awareness and non-perception of risks are pointed out as the main factors for the occurrence of toxicological accidents, especially in poor places and that suffer from a strong influence of popular culture.Keywords: Toxic plants. Intoxication. Children’s health.
35
Sweet, Timothy. "Nineteenth-Century American Literature and the Long Civil WarBelligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil WarDefining Duty in the Civil War: Personal Choice, Popular Culture, and the Union Home FrontCivil War Nurse Narratives, 1863–1870". American Literature 89, n.º 3 (16 de agosto de 2017): 630–33. http://dx.doi.org/10.1215/00029831-4160930.
Texto completo
36
Coates, Jamie. "The Cruel Optimism of Mobility". positions: asia critique 27, n.º 3 (1 de agosto de 2019): 469–97. http://dx.doi.org/10.1215/10679847-7539277.
Texto completoResumen
Over the past thirty years, moving overseas has been a positively valued aspiration in China. On both a government level, and within popular discourse, migration has been propagated as a means to be better citizens, and a better nation, resonating with families’ desire for a better life. However, there are consequences for those who move, in terms of belonging and how they imagine their life projects. This article extends the established scholarship on mobility out of China by comparing the rhetorical construction of mobility with the experiences of Chinese migrants in Japan. Based on ethnographic fieldwork among educationally channeled Chinese migrants in Tokyo, I show how the imaginaries that shape migrant projects are constituted by conflicting aspirations and desires. The mismatch between daily experiences and discursively informed perceptions of what constitutes a “good life” and “success,” in many senses resemble what Lauren Berlant has called “cruel optimism.” Educationally channeled migration out of China is posited as a desirable object-idea that is “cruel” because the “cluster of promises” that constitute its “optimism” cannot be reconciled with the mobile lifeworlds of many Chinese transnational migrants. Due to the impossibility of simultaneously achieving the promises of success, pleasing one’s family, and attaining a sense of cosmopolitanism, many migrants resign themselves to the instabilities of mobile life. Their experiences are suggestive of the consequences of a world that increasingly celebrates mobility, with implications for how “being at home in the world” is imagined today.
37
Licursi, Maria Beatriz, Levi Fernandes Leonido y Elsa Maria Morgado. "Uma relação dialógica entre o universo literário e músico-teatral na obra de Cordel “Fogo Encantado”". Revista Crítica Cultural 15, n.º 2 (18 de diciembre de 2020): 317. http://dx.doi.org/10.19177/rcc.v15e22020317-327.
Texto completoResumen
A literatura de cordel, profundamente inserida no mundo da vida do homem nordestino, se constitui hoje em uma tradição cultural tão forte e arraigada que marca a sua identidade, de forma indelével. Historicamente considerada uma herança portuguesa o presente artigo é um estudo comparativo dialógico entre o cordel do Brasil e o cordel de Portugal e suas influências nos movimentos artísticos, tendo como objeto de pesquisa na cultura brasileira o grupo cordelista Cordel do Fogo Encantado, apresentando uma reflexão sobre a adaptação da cultura popular de nosso país a favor da cultura progressiva e a estética da oralidade como experiência da teatralidade aliada a uma musicalidade moldada por/para essa experiência teatral.
38
Colombo, Emanuele. "“Infidels” at Home". Journal of Jesuit Studies 1, n.º 2 (12 de marzo de 2014): 192–211. http://dx.doi.org/10.1163/22141332-00102003.
Texto completoResumen
Drawing from published and unpublished Jesuit sources—treatises, handbooks, reports, and letters—this article explores the Jesuit apostolate to Muslim slaves in Naples and in different cities of Spain during the seventeenth century. Under the blanket of missionary rhetoric, a Jesuit viewpoint not otherwise available is found in these sources, which highlight their missionary methods and strategies and clarify the special status of the apostolate to Muslim slaves in the Jesuit mind. While Europe was the setting of missions to Muslim slaves, and the missions were considered a variation of the so-called popular missions, they were often charged with a deeper symbolic value. Because the missionaries’ interlocutors were “infidels,” so different in their culture and in their habits, Jesuits used forms of accommodation extremely similar to those they used in the missions overseas. Converting Muslim slaves in Naples or in Spain was conceived by Jesuits as an alternative and effective way to go on a mission “even among Turks,” as the Jesuit Formula of the Institute stated, despite never leaving European kingdoms for Ottoman lands. Located between the missions overseas, where Jesuits converted the “infidels” in distant lands, and the missions in Europe, where they attempted to save the souls of baptized people who lacked religious education, were “other Indies,” where Jesuits could encounter, convert, and baptize the “infidels” at home.
39
Puchalski, Jacek. "Przegląd badań nad historią bibliotek i bibliotekarstwa w Polsce z lat 1945–2015". Roczniki Biblioteczne 60 (8 de junio de 2017): 97–139. http://dx.doi.org/10.19195/0080-3626.60.5.
Texto completoResumen
AN OVERVIEW OF RESEARCH INTO THE HISTORY OF LIBRARIES AND LIBRARIANSHIP IN POLAND IN 1945–2015The author of the article discusses selected academic and popular publications concerning the history of libraries and librarianship in Poland which appeared in 1945–2015. In that period information about the most important historical resources of various Polish libraries and early book collections was made available; in addition, the period was marked by progress in the study of materials originating before the end of the 18th century. Scholars published a range of methodological studies as well as studies dealing with sources, contributing to the development of scholarship. On the other hand, there were too few editions of source materials.After 1989 scholars intensified their efforts to find sources in foreign collections, especially in Lithuania, Belarus, Ukraine, Russia and Germany. Polish collections kept abroad are yet to be fully researched and have their inventories and catalogues published.The vast body of literature is uneven when it comes to its focus on the various historical periods, regions, subregions and local centres. It comprises publications dealing with the history of libraries, their function and role in culture with regard to the history of the book, and publications focused on the types of libraries or individual libraries — of different traditions, sizes and stature. Scholars also explored the history of home book collections, reading rooms and libraries as well as biographies of librarians and collectors. The quality of the publications varies. There are gaps in, for example, the history of libraries in the former Polish Eastern Borderlands as well as “blank pages” in the historiography of Polish librarianship after the Second World War. There is a visible shortage of quantification of phenomena from the past of libraries, despite the fact that there are some possibilities in this respect. What is also needed is development in comparative studies, also in an international perspective, although this would require Polish historians to become more interested than before in the history of librarianship in other countries.
40
NISSEN, AXEL. "A Tramp at Home". Nineteenth-Century Literature 60, n.º 1 (1 de junio de 2005): 57–86. http://dx.doi.org/10.1525/ncl.2005.60.1.57.
Texto completoResumen
Mark Twain's Adventures of Huckleberry Finn (1884) contains the materials for a wide-ranging analysis of the different and competing understandings of American manhood in the nineteenth century and the ways in which men might interact with each other and love each other. In order to understand better the sexual and emotional dynamics of the novel, we must understand the other kinds of writings about men alone and together that Twain was responding to. In this essay I place Twain's classic novel in two nineteenth-century discursive contexts that have been obscured in the existing criticism: the fiction of romantic friendship and the public debate on the homeless man. Huckleberry Finn may be seen as the reverse of the medal of normative, middle-class masculinity in Victorian America and as a counterpoint to the more conventional, idealized accounts of romantic friendship in the works of several of Twain's contemporaries and rivals. I suggest that while Huck and Jim negotiate an uncommon type of romantic friendship across barriers of race and generation, the duke and the dauphin appear as a grotesque parody of high-minded "brotherly love." By co-opting some of the conventions of romantic friendship fiction, Twain decreased the distance between his underclass characters and middle-class readers. Yet by writing and publishing the first novel about tramps during a period of heightened national concern about homeless men, Twain increased the topicality and popular appeal of what was, in its initial American publication in 1885, a subscription book that needed an element of sensationalism in order to sell.
41
Sirkeci, Ibrahim. "Transnational Döner Kebab taking over the UK". Transnational Marketing Journal 4, n.º 2 (31 de octubre de 2016): 143–58. http://dx.doi.org/10.33182/tmj.v4i2.397.
Texto completoResumen
People move, finances move, so does the cultures, artefacts, goods and food. Remittances literature expanded significantly in the last two decades to cover more of what we refer to as social remittances. Social remittances refer to often intangible elements, cultural artefacts, habits, opinions, attitudes, beliefs, values transferred by migrants from destination countries to their home countries. Through studies on migrant remittances, we know that even in terms of financial transfers, remittances operate in corridors and in a two-way fashion. One third of remittances are sent to countries which are called “advanced economies”. United Kingdom, Germany, France are among the top remittance receiving countries as well as leading the table of sending countries. In this paper, I explore the ways in which social remittances change the foodscapes of destination countries with particular reference to Döner Kebab in the United Kingdom. Until two decades ago, Döner Kebab was a rare meal you would enjoy when holidaying in Turkey or if you happen to be in that cosy corner of North London. Nevertheless, in 2010s Britain, it became a popular fast food, particularly when it comes to what to eat after a night out. One may find an outlet selling Döner Kebab literally in every city, every town, every neighbourhood, every village in Britain. Multiple forces were in play in the making of Döner Kebab a British national food: 1) practicality of the food itself, 2) growing number of immigrants from Turkey arriving in Britain, 3) labour market disadvantages immigrants face, 4) asylum dispersal policies of the 1990s and 2000s, 5) declining incentives making small shops not viable economically, and 6) increasing number of British tourists visiting Turkey. In this article, a number of hypotheses are proposed for a conceptual model explaining the ways in which foreign food becomes part of the national food/cultural heritage in destination.
42
Aulia, Sisca. "Pola Perilaku Konsumen Digital Dalam Memanfaatkan Aplikasi Dompet Digital". Jurnal Komunikasi 12, n.º 2 (10 de diciembre de 2020): 311. http://dx.doi.org/10.24912/jk.v12i2.9829.
Texto completoResumen
This research is about consumer behavior in making digital payments in buying and selling transactions. Digital payment methods are a new way of making payments, especially in times of a pandemic like today, this is also a result of government policies, various countries globally to not do many activities outside the home and keep each other apart during the Covid-19 pandemic. Consumer behavior has begun to switch conventional payment instruments to digital payments. Payment via digital wallets has become popular and most accepted as an emerging payment method in both developed and developing countries. This research itself aims to determine the behavior patterns of millennial consumers with impulsive buying because of seeing promotions and digital payment facilities. Based on this, the use of digital wallets on millennial consumer behavior during the Covid-19 pandemic is the object of research. This study uses a qualitative descriptive method with a literature approach. The research data is obtained through literature study and theoretical studies from various scientific sources. The results of the study show that the Covid-19 pandemic has increased the use of digital wallets to the tendency of consumer consumerism to use electronic transactions that are more suitable and efficient for use during a pandemic. The digital era has developed rapidly in a society that has adapted to become an adaptive shopper in a cashless society that has developed a new normal culture, namely electronic payment transactions through digital wallets. Penelitian ini mengenai perilaku konsumen melakukan pembayaran digital dalam transaksi jual-beli. Metode pembayaran digital menjadi cara baru melakukan pembayaran terlebih lagi di masa pandemi seperti sekarang ini, hal ini juga sebagai dampak dari kebijakan pemerintah, berbagai negara secara global untuk tidak banyak melakukan kegiatan di luar rumah serta menjaga jarak satu sama lain di masa pandemi Covid-19. Perilaku konsumen mulai beralih alat pembayaran konvensional menjadi pembayaran digital. Pembayaran melalui dompet digital telah populer dan paling diterima sebagai metode pembayaran yang muncul di negara maju dan berkembang. Penelitian ini sendiri bertujuan untuk mengetahui pola perilaku konsumen milenial dengan pembelian yang cepat serta tidak direncanakan (impulsive buying) karena melihat promosi dan sarana pembayaran digital. Berdasarkan hal tersebut, penggunaan dompet digital pada perilaku konsumen milenial di saat pandemi Covid-19 menjadi obyek penelitian. Penelitian ini menggunakan metode deksriptif kualitatif dengan pendekatan literature. Data penelitian diperoleh melalui studi pustaka dan kajian teoritis dari berbagai sumber ilmiah. Hasil penelitian memperlihatkan bahwa pandemi Covid-19 memberikan peningkatan penggunaan dompet digital hingga kecenderungan konsumerisme konsumen dengan penggunaan transaksi elektronik yang lebih cocok dan efisien untuk digunakan dalam masa pandemi. Era digital sudah berkembang pesat dalam masyarakat yang sudah beradaptasi menjadi adaptive shopper di dalam cashless society yang mengembangkan budaya normal baru yaitu transaksi pembayaran elektronik melalui dompet digital.
43
Riazi, Toloo. "Home Away from Home: Immigrant Narratives, Domesticity, and Coloniality in Contemporary Spanish Culture". Hispanic Research Journal 20, n.º 4 (4 de julio de 2019): 417–19. http://dx.doi.org/10.1080/14682737.2019.1617010.
Texto completo
44
Liu, Yan. "Study on the Development Strategy of Shandong Home Stay From the Perspective of Local Culture". E3S Web of Conferences 251 (2021): 02006. http://dx.doi.org/10.1051/e3sconf/202125102006.
Texto completoResumen
Rural home stay is not only a popular tourist accommodation products but also an important carrier of local culture. In recent years, rural home stay has shown a well-developed trend as the State vigorously develops rural tourism. Starting with the study of the theory of home stay, this paper, on the basis of analyzing the connotation of the local culture and the local culture of home stay, focuses on the characteristics of Shandong local culture, and forms the products of home stay with different characteristics, interdependence and complementarity through effective integration, so as to promote the cluster and sustainable development of Shandong home stay industry.
45
Nguyen, Viet Thanh. "At Home with Race". PMLA/Publications of the Modern Language Association of America 123, n.º 5 (octubre de 2008): 1557–64. http://dx.doi.org/10.1632/pmla.2008.123.5.1557.
Texto completoResumen
The line between a contact zone and a comfort zone is a thin one. I can imagine that line drawn in many ways, but the color line of which W. E. B. DuBois spoke is the one that concerns Michael Omi and Howard Winant. In Racial Formation in the United States, when they declare that “race has no fixed meaning” (71), they mean that this color line is always being redrawn, by different hands and differing hearts. It is this possibility of racial transformation, not just racial formation, that makes Omi and Winant's theory powerful and compelling. With transformation in mind, we can conceive of racial formation as another version of Mary Louise Pratt's contact zone, where friction sparks unpredictable futures and where, by implication, our racial present may not look like our racial past. At the same time, racial formation is also reformation, affirming identities with which we feel at ease. In these comfort zones of inherited identities, we encourage others and are encouraged ourselves to toe the (color) line. These racial tendencies, toward change and constancy, innovation and cliché, are evident in both politics and culture. Although Omi and Winant's sociology of race is not concerned with literature, their insightful model of racial formation is manifest in literary culture, in aesthetic form and in literary institutions: the publishing industry, the literary marketplace, and the department of literature, where racial politics are always present.
46
Walker, Alyssa Chen. "Bringing the Laboratory Dog Home". Humanimalia 4, n.º 2 (4 de febrero de 2013): 101–29. http://dx.doi.org/10.52537/humanimalia.9995.
Texto completoResumen
This essay considers the role of popular fiction in the vivisection debates of the late-nineteenth and early-twentieth centuries. Specifically, it argues that the fictional narratives of American author Elizabeth Stuart Phelps (a vociferous proponent of humane reform in New England) infused the anti-vivisection movement with a sense of urgency. By exploiting the formal properties of the novel, Phelps encouraged readers to reimagine the anonymous laboratory dog both as a surrogate child and as private property. In doing so, her imaginative literature illustrated, in ways that other discursive forms did not, how vivisection corroded fin de siècle America’s most sacrosanct values.
47
Hidayatullah, Danial. "HOMER SIMPSON: PROTOTIPE SUPERHERO BARU AMERIKA". Adabiyyāt: Jurnal Bahasa dan Sastra 8, n.º 1 (31 de julio de 2009): 171. http://dx.doi.org/10.14421/ajbs.2009.08109.
Texto completoResumen
Hollywood films as one of America’s prominent industries that influence world’s popular culture can be seen as a cultural discourse. Movie as a popular literature conveys it message in its own unique ways. Myth is one of its messages. This study tries to reconstruct the myth of popular American superhero through an interesting new movie: The Simpsons. How the new type of hero is manifested is analyzed in this study to find out the continuities or changes in American’s collective dreams so that the new American perspective over heroic mythologies can be understood. Basically this study analyzes as well the possibilities of the meanings conveyed by the media. Textual analysis is conducted to understand not only the meanings of the myth of the superhero perceived by the audience but also the American characters inside the myth. The Simpsons seems to offer a new type of hero’s myth, which is very distinct from the previous type of popular superheroes as in Batman, Superman, or Spiderman.
48
Edmondson, Laura. "Tanzanian Theatre and the Mapping of Home". Theatre Research International 27, n.º 2 (18 de junio de 2002): 164–77. http://dx.doi.org/10.1017/s030788330200024x.
Texto completoResumen
Tanzanian popular theatre consists of a dizzying variety of ‘traditional’ dances, plays, acrobatics, and musical acts that freely borrow from traditions across the globe. In a stark contrast to the fluidity of these performances, however, the plays maintain a rigid division between representations of the urban city and rural home. This demarcation operates along the gendered lines described by Anne McClintock, in which the village is coded as the feminized model of tradition in contrast to the ‘male’, modern world of the city, leading to stereotypical roles of the innocent rural girl and the lustful urban woman. At the same time, the participatory, improvisational quality of popular performance clears a space for the ‘unnatural’ urban women in the audience to resist these stereotypes. Also, the theatre troupe Muungano creates plays which challenge essentialist constructions of the primordial ‘home’, allowing complex interactions of geography and gender to be revealed and explored.
49
Cruz, Angela Gracia B. y Margo Buchanan-Oliver. "Home culture consumption as ambivalent embodied experience". European Journal of Marketing 54, n.º 6 (18 de mayo de 2020): 1325–53. http://dx.doi.org/10.1108/ejm-02-2018-0081.
Texto completoResumen
Purpose The consumer acculturation literature argues that reconstituting familiar embodied practices from the culture of origin leads to a comforting sense of home for consumers who move from one cultural context to another. This paper aims to extend this thesis by examining further dimensions in migrant consumers’ experiences of home culture consumption. Design/methodology/approach This paper analyses data gathered through multi-modal depth interviews with Southeast Asian skilled migrants in New Zealand through the conceptual lens of embodiment. Findings Building on Dion et al.’s (2011) framework of ethnic embodiment, the analysis uncovers home culture consumption as multi-layered experiences of anchoring, de-stabilisation and estrangement, characterised by convergence and divergence between the embodied dimensions of being-in-the-world, being-in-the-world with others and remembering being-in-the-world. Research limitations/implications This paper underscores home culture consumption in migration as an ambivalent embodied experience. Further research should investigate how other types of acculturating consumers experience and negotiate the changing meanings of home. Practical implications Marketers in migrant-receiving and migrant-sending cultural contexts should be sensitised to disjunctures in migrants’ embodied experience of consuming home and their role in heightening or mitigating these disjunctures. Originality/value This paper helps contribute to consumer acculturation theory in two ways. First, the authors show how migrants experience not only comfort and connection but also displacement, in practices of home culture consumption. Second, the authors show how migrant communities do not only encourage cultural maintenance and gatekeeping but also contribute to cultural identity de-stabilisation.
50
Courneya, Kerry S. y Albert V. Carron. "The Home Advantage In Sport Competitions: A Literature Review". Journal of Sport and Exercise Psychology 14, n.º 1 (marzo de 1992): 13–27. http://dx.doi.org/10.1123/jsep.14.1.13.
Texto completoResumen
A home advantage in sport competitions has been well documented. The strength and consistency of the home advantage has made it a popular phenomenon in sport today. Very little systematic research has been carried out, however, and the home advantage remains one of the least understood phenomena in sport. It appears that much of the game location research has been arbitrary, and a clear sense of direction is lacking. The purpose of the present paper is to provide a conceptual framework to organize a comprehensive review of previous game location research and provide direction for future research. The review of literature indicated that the descriptive phase of inquiry has been completed, and it is time to address the underlying mechanisms responsible for the manifestation of the home advantage. Possible methodologies and areas of inquiry are highlighted and discussed.