Literatura académica sobre el tema "Horses – Training – Fiction"

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Artículos de revistas sobre el tema "Horses – Training – Fiction"

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Morgan, Cheryl A. "Voices Carry." Romanic Review 112, no. 2 (2021): 235–60. http://dx.doi.org/10.1215/00358118-9091125.

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Abstract This article examines the urban fiction of Jeanne Marni’s 1898 Fiacres, a collection of twenty-five stories that first appeared in the daily newspaper Le Temps. The stories are presented in the form of dialogues transcribed by an invisible spectator from within the horse drawn carriages for hire, the fiacres, the fin de siècle taxi cabs. Training her eye on and lending her ear to Belle Époque Paris, Marni registers the conversations of Parisians as they move about the city. In these feminocentric, and by turns humorous or ironic texts, Marni hones an “urban comic” that merges two nine
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Altiok, Revna. "Unveiling Ken." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3067.

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Introduction "Barbie has a great day every day, but Ken only has a great day if Barbie looks at him", states the narrator in Barbie (2023). Directed by Greta Gerwig, the film not only claimed the title of the highest-grossing film of the year but also prompted its audience to reconsider a character they had previously mostly overlooked; another one of Barbie’s many accessories: Ken. Ken's identity as Barbie's companion is fundamentally dependent upon the presence and recognition of his more prominent female counterpart. This highlights Ken's secondary role, where he serves as a supporting figu
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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese
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Campanioni, Chris. "How Bizarre: The Glitch of the Nineties as a Fantasy of New Authorship." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1463.

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As the ball dropped on 1999, is it any wonder that No Doubt played, “It’s the End of the World as We Know It” by R.E.M. live on MTV? Any discussion of the Nineties—and its pinnacle moment, Y2K—requires a discussion of both the cover and the glitch, two performative and technological enactments that fomented the collapse between author-reader and user-machine that has, twenty years later, become normalised in today’s Post Internet culture. By staging failure and inviting the audience to participate, the glitch and the cover call into question the original and the origin story. This breakdown of
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Libros sobre el tema "Horses – Training – Fiction"

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Bryant, Bonnie. Ground training. Bantam Books, 2000.

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Funnell, Pippa. Team training. Orion Children's, 2014.

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Gottfriedson, Garry. Jimmy tames horses. Kegedonce Press, 2012.

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Gloss, Molly. The hearts of horses. Center Point Pub., 2008.

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Anderson, Mary Newhall. Calamity Jinx. HarperEntertainment, 2005.

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Anderson, Mary Newhall. Allie's legacy. HarperEntertainment, 2005.

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Paul, Hunt, ed. Rodeo Rocky. Galaxy, 2006.

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Oldfield, Jenny. Rodeo Rocky. Sourcebooks Jabberwocky, 2008.

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Archer, Colleen Rutherford. The horse dealer. Borealis, 2000.

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Copyright Paperback Collection (Library of Congress), ed. A Holiday Memory: Heartland Special #1. Scholastic Inc., 2004.

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Capítulos de libros sobre el tema "Horses – Training – Fiction"

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"Horse : Flesh." In An Other. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478027065-005.

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Since one of the most consistent discourses in animal studies is feminist inquiry, the book attempts to move through feminist contributions to the discourse on hum:animal, from Donna Haraway and Vicki Hearne to Jane Bennett, reimagining the place of work and/or training in the focus on becoming with in animal studies. The concentration on work, on dressage, takes readers into a genre of fiction called “the equestrian novel,” and in explications of Jaimy Gordon's Circumspections from an Equestrian Statue and Lord of Misrule and C. E. Morgan's The Sport of Kings, the chapter thinks through their
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