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Artículos de revistas sobre el tema "Humanität (Motiv)"

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Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Suryantama, Muhammad Dary. "Turkey’s Open-Door Policy for Syrian Regugees: Humanity Motive and Political Motive." Jurnal Ilmu Sosial Indonesia (JISI) 2, no. 2 (2022): 62–70. http://dx.doi.org/10.15408/jisi.v2i2.24927.

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Abstract. This article aims to analyse The Turkey Open-Door Policy for Syrian Refugees on two motives namely humanity and political. This policy has been done since the conflict in Syria escalated and that ‘forces’ Turkey to do the Open-Doors Policy. Many stated that the motive of this policy is driven by religion motive, which is Islam, and geographical factor between both countries. But in practice it seems not enough to explain a whole Turkey’s action on implementing the Open-Door Policy. Probably there are other motives that have driven Turkey to receive the Syrian Refugees but we can say
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2

Kovaleva, Valentina, and Oleg Pokhalenkov. "The Motif of Memory in the Stories of B.L. Vasiliev «Exhibit no. ...» and E.M. Remarque «Annette’s Love Story»." Izvestia of Smolensk State University, no. 3(67) (May 5, 2025): 19–28. https://doi.org/10.35785/2072-9464-2024-67-3-19-28.

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The article considers the realization of the memory motif in the stories of two famous masters of war prose – B.L. Vasiliev and E.M. Remarque. The relevance of their works is connected with the formulation of problems of universal human value, for example, the memory of the war and the attitude of post-war generations towards it. The most significant point of contact is the drawing of a line of succession in such important topics for Russian and German literature as «man and war», «war: past – present», since it is precisely such a category as national memory that, in its own way, «cements» bo
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3

Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (2018): 888. http://dx.doi.org/10.22409/gragoata.2018n47a1211.

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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and
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4

Herbrechter, Stefan. "Kritischer Posthumanismus." Zeitschrift für Medien- und Kulturforschung 7, no. 1 (2016): 61–68. http://dx.doi.org/10.28937/1000106455.

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Posthumanismus hat sich als neues Theorie-Paradigma etabliert. Wie alle gesellschaftlichen Diskurse, ist auch dieser eine Summe aus Machtkämpfen, Subjektpositionen, Identitäten und deshalb voller Konflikte. In diesem Diskurs, der vor allem zeitgenössische und somit technokulturelle Motive beinhaltet, aber natürlich auch eine lange Vorgeschichte hat, gibt es keine Einigung darüber, was das Posthumane eigentlich ist, d. h. ob es sich bei ihm um das Beste oder das Schlechteste handelt, das dem Menschen, seiner Humanität, der Menschheit und der humanistischen Tradition widerfahren könnte; noch bes
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5

Harrasser, Karin. "Ex-Post." Zeitschrift für Medien- und Kulturforschung 7, no. 1 (2016): 69–74. http://dx.doi.org/10.28937/1000106456.

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Posthumanismus hat sich als neues Theorie-Paradigma etabliert. Wie alle gesellschaftlichen Diskurse, ist auch dieser eine Summe aus Machtkämpfen, Subjektpositionen, Identitäten und deshalb voller Konflikte. In diesem Diskurs, der vor allem zeitgenössische und somit technokulturelle Motive beinhaltet, aber natürlich auch eine lange Vorgeschichte hat, gibt es keine Einigung darüber, was das Posthumane eigentlich ist, d. h. ob es sich bei ihm um das Beste oder das Schlechteste handelt, das dem Menschen, seiner Humanität, der Menschheit und der humanistischen Tradition widerfahren könnte; noch bes
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6

BASDEN, ANDREW. "ENGAGING WITH AND ENRICHING HUMANIST THOUGHT: THE CASE OF INFORMATION SYSTEMS." Philosophia Reformata 73, no. 2 (2008): 132–53. http://dx.doi.org/10.1163/22116117-90000446.

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Those who believe that explicitly Christian thinking is possible in the scientific disciplines tend to assume that it must be antithetical to the world’s thinking. Based on some of the author’s experience, this article examines a different approach, in which Christian thinking is used to account for and enrich the world’s thinking by transplanting it from its current ground-motive (usually that of nature-freedom) into the arguably more fertile soil of the creation-fall-redemption ground-motive. The article shows how Dooyeweerd’s version of Christian thinking has been employed in two areas of t
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7

Asadi, Muhammed. "Manipulation and the Social Destruction of Humanity: Vocabularies of Motive and Social Control." International Critical Thought 4, no. 3 (2014): 331–42. http://dx.doi.org/10.1080/21598282.2014.931000.

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8

Posset, Franz. "Martin Luther on Deësis: His Rejection of the Artistic Representation of "Jesus, John, and Mary"." Renaissance and Reformation 32, no. 3 (2009): 57–76. http://dx.doi.org/10.33137/rr.v32i3.11576.

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At times, Reformation scholars and art historians are confused about Luther's attitude toward the visual arts which depict saints as intermediaries between God and humanity. Rarely do they thematize the issue in relation to the deësis, i.e. Christ enthroned, with Mary and John the Baptist as intercessors. After a review of the wide-spread motif of the deësis, light is being shed on Luther's statements of the 1530s which reflect his rejection of the motif.
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9

Ärlemalm-Hagsér, Eva, Ingrid Engdahl, and Ingrid Pramling Samuelsson. "Förskollärares mångfasetterade motiv för undervisning om hållbarhet." Nordisk barnehageforskning 19, no. 3 (2023): 104–24. http://dx.doi.org/10.23865/nbf.v19.345.

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Vi lever i en kritisk tid där en mångfald av globala svårigheter och problem av ekologisk, social och ekonomisk karaktär genererar nya frågor om mänsklighetens framtid. I den svenska läroplanen för förskolan anges hållbar utveckling som en viktig del av förskolans värdegrund och uppdrag vilket följs upp med strävansmål. Därför finns ett behov av att tydliggöra och förankra utbildning för hållbar utveckling i förskolan. I denna artikel presenteras en studie där 153 svenska förskollärare beskriver vad de ser som de viktigaste motiven för att undervisa om hållbar utveckling i förskolans utbildnin
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10

Weedman, Mark. "Finding the Form of God in Philippians 2: Gregory of Nyssa and the Development of Pro-Nicene Exegesis." Journal of Theological Interpretation 2, no. 1 (2008): 23–41. http://dx.doi.org/10.2307/26421445.

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Abstract I argue that Gregory of Nyssa reshaped the Logos-Sarx theological motif through his use of a new theological exegesis of the Christ Hymn in Phil 2. In his argument against Apollinarius, Gregory draws on an earlier Pro-Nicene exegetical tradition, one that was originally formulated in the 350s against the anti-Nicene Homoians by theologians such as Hilary of Poitiers. This exegetical tradition centered on Phil 2:6-7, and it was intended to demonstrate the unity of the Son's divinity and humanity against Homoian attempts to use the distinction between divinity and humanity in the Son to
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11

Weedman, Mark. "Finding the Form of God in Philippians 2: Gregory of Nyssa and the Development of Pro-Nicene Exegesis." Journal of Theological Interpretation 2, no. 1 (2008): 23–41. http://dx.doi.org/10.2307/jtheointe.2.1.0023.

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Abstract I argue that Gregory of Nyssa reshaped the Logos-Sarx theological motif through his use of a new theological exegesis of the Christ Hymn in Phil 2. In his argument against Apollinarius, Gregory draws on an earlier Pro-Nicene exegetical tradition, one that was originally formulated in the 350s against the anti-Nicene Homoians by theologians such as Hilary of Poitiers. This exegetical tradition centered on Phil 2:6-7, and it was intended to demonstrate the unity of the Son's divinity and humanity against Homoian attempts to use the distinction between divinity and humanity in the Son to
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12

Steyn, G. J. "Reconciliation in the General Epistles?" Verbum et Ecclesia 26, no. 1 (2005): 205–21. http://dx.doi.org/10.4102/ve.v26i1.220.

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Although the customary technical terms for reconciliation are not to be found frequently and explicitly in the General Epistles, the concept or motif is certainly not absent at all. The following contribution investigates the theological dimensions of this motif by using the striking image of a spiritual house, or temple, of which the believers are seen as bricks being built into the walls (1 Pet 2:4-10). Reconcilation takes shape on Christ as the cornerstone (1 Peter) with vertical pillars representing a restored relationship between God and humanity (Hebrews). This enables the horizontal dim
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13

Kristie, Sella, Tessa Eka Darmayanti, and Sriwinarsih Maria Kirana. "MAKNA MOTIF BATIK PARANG SEBAGAI IDE DALAM PERANCANGAN INTERIOR." AKSEN 3, no. 2 (2019): 57–69. http://dx.doi.org/10.37715/aksen.v3i2.805.

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Batik merupakan salah satu mahakarya Indonesia dan keberadaan batik telah diakui oleh seluruh dunia. UNESCO telah menetapkan batik sebagai warisan budaya Indonesia, yaitu sebagai Masterpiece of Oral and Intangible Heritage of Humanity pada tanggal 2 oktober 2009. Batik memiliki banyak jenis corak dan makna di dalamnya dan motif Parang akan menjadi fokus pada artikel ini. Makna yang terkandung di dalam motif dapat menjadi inspirasi dan diterapkan didalam sebuah perancangan interior. Artikel kualitatif ini menggunakan pendekatan kajian budaya yang didukung dengan eksplorasi literatur. Penelitian
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14

Pitson, Tony. "Hume and Humanity as ‘the foundation of morals’." Journal of Scottish Philosophy 17, no. 1 (2019): 39–59. http://dx.doi.org/10.3366/jsp.2019.0223.

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There is an ongoing debate as to whether there is a major difference between Hume's accounts of morality in the Treatise and the second Enquiry. This has tended to focus on the role of sympathy in each case, but more recently the greater emphasis on humanity in the Enquiry as compared with the Treatise has been used to support a non-reconciliation view of the relation between these accounts. So far as humanity's role in relation to the moral sentiments is concerned, I question whether it can provide the moral point of view associated with moral approval and disapproval. Considered as a motive
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15

Perloff, Marjorie. "Beckett in the Country of the Houyhnhms: The Transformation of Swiftian Satire." Samuel Beckett Today / Aujourd'hui 22, no. 1 (2010): 17–38. http://dx.doi.org/10.1163/18757405-022001002.

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Beckett's fictions and plays contain specific echoes of and parodic analogues to the famous incident in when the protagonist resists the sexual advances of the loathsome female Yahoo. But in such fictions as and , the narrator does not resist; indeed, he accepts his Yahoo status, as Gulliver never could, trying, nevertheless, to find a humanity that can come to terms with man's Yahoo nature. The Yahoo motif thus measures the difference between Swiftian satire, bent as it is on the excoriation of mankind that should know better, and Beckett's post-World War II ironic mode that refuses such firm
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16

Petit, J. L. "Communication with aliens, as an opening of the horizon of a scientific Humanity. A philosopher's reflections." International Journal of Astrobiology 12, no. 3 (2013): 263–70. http://dx.doi.org/10.1017/s1473550413000049.

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AbstractIn this article, we reflect on the motives underlying the search for extraterrestrial intelligent life (SETI) with a view to show that far from turning away from humanity it is profoundly rooted in human aspirations. We suggest that those motives derive their driving force from the fact that they combine two powerful aspirations of humanity. On the one hand, there is the transcendental motive that drives history of science, the human enterprise that claims to escape any communitarian closure of horizon and brings our humanity to transcend itself toward the other, which was formerly ref
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17

Olusanya, Olaoluwa Abiola. "Do crimes against humanity deserve a higher sentence than war crimes?" International Criminal Law Review 4, no. 4 (2004): 431–73. http://dx.doi.org/10.1163/1571812043020060.

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AbstractThis article examines the issue of penalties for crimes against humanity and war crimes as imposed by the judges of the International Criminal Tribunal for the former Yugoslavia (ICTY). At the moment, if for example A murders B, C, and D in the course of an armed conflict, it appears to makes no difference in terms of penalties if he is ultimately convicted under crimes against humanity or war crimes, what appears to matter is the fact that he committed murder. This approach has the effect of obscuring the criminal intention and motives for war crimes and crimes against humanity. The m
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18

Robinson, Darryl. "Defining “Crimes Against Humanity” at the Rome Conference." American Journal of International Law 93, no. 1 (1999): 43–57. http://dx.doi.org/10.2307/2997955.

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On July 17, 1998, the UN Diplomatic Conference of Plenipotentiaries on the Establishment of an International Criminal Court (Rome Conference) adopted the Rome Statute of the International Criminal Court (ICC). One of the many significant provisions of the ICC statute is Article 7, which defines “crimes against humanity” for the purpose of the ICC. A significant difference between the definition in the ICC statute and the major precedents on crimes against humanity is that the former definition was not imposed by victors (as were those in the Nuremberg and Tokyo Charters) or by the Security Cou
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19

Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (2018): 888–909. http://dx.doi.org/10.22409/gragoata.v23i47.33608.

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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and
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20

Cheung, Wai Lok. "A theology of humanity through identity politics: reading the Book of Esther." BIBLICAL STUDIES JOURNAL 06, no. 04 (2024): 25–38. https://doi.org/10.54513/bsj.2024.6402.

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Humanity obligates respect. To respect someone is to intend what the person intended that one intends. A daughter respected her father if if he intended that she rests regularly, then she does so with the correct motive. Jesus' Greatest Commandment, through the Worship of Yahweh identified via the First Commandment, interacts love with respect. If to love is to value the loved one's welfare, valuing it for its own sake differentiates a malignant form of love from one out of respect. From gender, through ethnicity and humanity, I bring out the theological insight from us being created in the im
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21

Moscetti, Virginia. "Hegel's Wasteland: Situating T.S. Eliot's Representations of History in Conversation with Hegel." Journal of NeuroPhilosophy 3, no. 1 (2024): 1–13. https://doi.org/10.5281/zenodo.10874331.

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In this paper, I argue that T.S. Eliot’s whirlpool motif and characterization of the prophet Tiresias in his poem “The Waste Land” engage with and problematize Hegel’s teleological conception of human history. As I suggest, Tiresias, through his sexual plasticity and historical moveability, undermines both prongs of Hegel’s dialectic, Spirit and Nature, while the whirlpool motif subverts the idea that history’s temporal progression can be subordinated to a dialectical logic. Since Hegel’s teleological doctrine situates Europe at the apex of humanity&rs
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22

Minyailo, Natalia. "Verbalization of the Concept of Dignity in Alexander Solzhenitsyn’s Novel “The First Circle”." Path of Science 7, no. 1 (2021): 3001–8. http://dx.doi.org/10.22178/pos.66-2.

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The article analyzes the verbal realization of the concept of dignity in O. Solzhenitsyn’s novel «The First Circle». Verbalization of the concept of dignity characterizes the positive characters of the novel and is a part of the ways of reproducing general humanistic issues, revealing the author’s intentions for both positive and negative characters, which creates contrast in describing the then civilizational ambiguous era. The humanistic orientation of the positive characters in the novel, who are marked by dignity, self-sacrifice (Nerzhin, Sologdin, Volodin), courage (Khorobrov, Rubin), hon
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23

Wahyusari, Retno. "PEMANFAATAN MATHEMATICAL MORPHOLOGY UNTUK DETEKSI TEPI BATIK." Simetris: Jurnal Teknik Mesin, Elektro dan Ilmu Komputer 8, no. 1 (2017): 389–92. http://dx.doi.org/10.24176/simet.v8i1.1027.

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UNESCO memberikan empat terhadap beberapa warisan budaya Indonesia, dalam hal ini Wayang Indonesia, Keris Indonesia dan Batik Indonesia. Ketiganya masuk di dalam ”The Representative List of the Intangible Culture Heritage of Humanity”. Dengan adanya pengakuan UNESCO maka warisan budaya yang telah diakui tidak boleh diakui oleh negara lain. Batik Indonesia merupakan salah satunya maka perlu adanya pendokumentasian motif batik, agar tidak hilang ciri khasnya. Motif batik dapat didokumentasikan berupa gambar atau citra. Motif batik dapat dijaga keaslian motifnya dengan sebuah dokumentasi. Untuk m
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24

Fedoseeva, T. V., та N. K. Timofeev. "THE CONTENT OF THE PLOT AND EVENT STRUCTURES JА. POLONSKY'S NARRATIVE LYRICS OF THE LATE PERIOD OF CREATIVITY". Memoirs of NovSU, № 1 (2024): 83–91. http://dx.doi.org/10.34680/2411-7951.2024.1(52).83-91.

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The article analyzes the narrative lyrics of Ya. Polonsky 1880–1898. The types of plot-event structures of lyrical works in the function of expressing the creative consciousness of the author are indicated. In the course of structural-semiotic analysis, the inclusion of Polonsky’s work in a broad literary and cultural context was revealed. Observations are made of the reception of folk-mythological and religious-philosophical motifs that form universal ontological meanings and spiritual and moral values in the poet’s world. From the motive-thematic analysis, plots about the spiritual imperfect
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25

Hadi, Nor, and Jadzil Baihaqi. "Motive of CSR Practices in Indonesia: Maqasid al-Sharia Review." QIJIS (Qudus International Journal of Islamic Studies) 8, no. 2 (2020): 327. http://dx.doi.org/10.21043/qijis.v8i2.8856.

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<p>This research examines the underlying motive of CSR implementation and design, according to maqasid al-sharia. A qualitative descriptive approach was used to obtain primary data through interviews with 5 CSR informants. Secondary data was collected from the public company’s annual report on the IDX in 2019. Data was sampled and examined using purposive and content analysis technique. The results showed that there are 2 motives in CSR, specifically social and economic. Furthermore, the economic motive is more dominant and expects provision of monetary feedback. Consequently, CSR become
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26

Hadi, Nor, and Jadzil Baihaqi. "Motive of CSR Practices in Indonesia: Maqasid al-Sharia Review." QIJIS (Qudus International Journal of Islamic Studies) 8, no. 2 (2020): 327. http://dx.doi.org/10.21043/qijis.v8i2.8856.

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<p>This research examines the underlying motive of CSR implementation and design, according to maqasid al-sharia. A qualitative descriptive approach was used to obtain primary data through interviews with 5 CSR informants. Secondary data was collected from the public company’s annual report on the IDX in 2019. Data was sampled and examined using purposive and content analysis technique. The results showed that there are 2 motives in CSR, specifically social and economic. Furthermore, the economic motive is more dominant and expects provision of monetary feedback. Consequently, CSR become
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27

Febriansari, Devie, and Idam Ragil Widianto Atmojo. "NgaBatik: Aplikasi Pengenalan Motif Batik Ngawi Berbasis Android." Syntax Literate ; Jurnal Ilmiah Indonesia 6, no. 2 (2021): 620. http://dx.doi.org/10.36418/syntax-literate.v6i2.2160.

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Batik merupakan salah satu warisan budaya yang telah ditetapkan oleh UNESCO sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Non-Bendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) sejak Oktober 2009. Kesenian batik adalah kesenian diatas kain untuk dijadikan pakaian yang awal mulanya hanya dipakai oleh keluarga kerajaan saja. Kemajuan ilmu pengetahuan di bidang teknologi informasi dan komunikasi terutama penggunaan perangkat genggam smartphone android telah mengubah cara pandang dan gaya hidup dalam menjalankan kegiatan sehari-hari. Hal ini berdampak pula pada kegiatan ke
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28

Borek, Bartłomiej. "Facing the essence of humanity. The Prometheus motif in selected works of the 19th and 20th centuries." Język. Religia. Tożsamość. 2, no. 30 (2024): 283–300. https://doi.org/10.5604/01.3001.0054.8711.

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This article is dedicated to the motivations of the Titan Prometheus in helping people and his attitude towards the earthlings. Attempts were also made to capture the essence of humanity presented by Aeschylos, Adolf Dygasiński, Jerzy Andrzejewski, Władysław Kozicki, Zbigniew Herbert and Andrzej Niemojewski, the writings of authors who divide thousands of years. Presenting the conclusions, theoretical assumptions of comparative mythography, comparative studies or research on the sacred (ecumenical method) were used.
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Majetic, Senka. "Animal Farm by George Orwell "Speech Act" Detection and Alienation Motif Symbol Operator Corpus Analysis Discussion." Eximia 12 (September 12, 2023): 109–23. http://dx.doi.org/10.47577/eximia.v12i1.341.

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The article Animal Farm by George Orwell "Speech Act" Detection and Alienation Motif Symbol Operator Corpus Analysis Discussion is a practical presentation of the parallel interaction between Language and Society! Speech/Social Acts (according to Searle) Classification Operator and Alienation Motif Symbol Corpus Analysis Operator have been exploited. The test sample, chapter 1 of the novel Animal Farm (pages 4-10) by George Orwell 1944, is being analysed! Null hypothesis: Declarations dominate in the novel Animal Farm by George Orwell 1944 and Null hypothesis Alienation is the background of th
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Lukic, Aleksandar. "Consequences of humanitarian interventionism." Theoria, Beograd 62, no. 3 (2019): 145–54. http://dx.doi.org/10.2298/theo1903145l.

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In this paper, the author explores the problem of humanitarian interventions and critically examines theories of intervention. According to those theories, the duty to react is one of the key arguments for intervening. However, it turns out that such a duty is, as a rule, linked to some political interest which in fact constitutes a primary motive for intervention. Humanity, therefore, fails in such actions that are, as a rule, military and have a coercive and destructive character.
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31

Maier, Alexander. "Vollendung durch Abstinenz – Motive und Praktiken sittlich-religiöser Perfektionierung in der katholischen Jugendbewegung Quickborn." Paragrana 30, no. 1 (2021): 209–22. http://dx.doi.org/10.1515/para-2021-0014.

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Abstract Religion und Vervollkommnung – des Einzelnen wie der Kirche bzw. der Christenheit – sind eng miteinander verwoben und gründen auf der Überzeugung, den Einzelnen für das Reich Gottes vorbereiten zu müssen bzw. dieses als Kirche in der Welt zu repräsentieren. Nicht zuletzt ist die asketische Tradition des Christentums im Dienst dieses Zieles zu sehen, die durch eine methodische Lebensführung den Wandel der Seele zum Guten erreichen wollte. Gnadentheologisch war dies umstritten, weil die Möglichkeit des Menschen dazu beizutragen – je nach theologischer Position – unterschiedlich gewertet
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32

Fernández-Santiago, Miriam. "Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination." Anglia 140, no. 3-4 (2022): 591–606. http://dx.doi.org/10.1515/ang-2022-0049.

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Abstract At the wake of the twenty-first century, Richard Powers updates Shelley’s motif for the posthumanist context. His novel Orfeo pictures Peter Els; an aged, American version of Viktor Frankenstein, as he runs away from Homeland Security after 9/11. His crime is having composed the musical masterpiece of his life by altering the DNA of a bacteria, which is mistaken for an act of bioterrorism. Powers’ novel looks back at Shelley’s existentialist concerns about the ethical dimension of a creative freedom that questions the very limits of humanity. The parallelisms between both novels go be
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33

Staikou, Elina. "Decomposing Geschlecht: Thinking Mother/Land … with Soils." Paragraph 45, no. 3 (2022): 366–83. http://dx.doi.org/10.3366/para.2022.0410.

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The article traces the motif of decomposition in Derrida’s Geschlecht III. It distinguishes Derrida’s understanding of the way decomposition affects sex, language, humanity and place through a logic of dissemination and divisibility from Heidegger’s reversal of decomposition in the polysemic gathering of the land. It shows how the working of the spectral figure of mother in its link to land through natality in Geschlecht III can be extended in its biodeconstructive formulation to a question of soil as multispecies ecology.
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34

Ramadhan, Wisnu, Danur Lambang Pristiandaru, Yanif Dwi Kuntjoro, and Dwi Oktofianto. "The Symbolic Meaning of Redesign Batik Motives Kawung Solo based on Applied Mathematics Geometry Transformation and Village Promotion Efforts Kampung Matematika Karanglo, Karanganyar." Proceeding of Community Development 2 (February 21, 2019): 854. http://dx.doi.org/10.30874/comdev.2018.304.

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Indonesian Batik by UNESCO was designated as the Masterpieces of the Oral and Intangible Heritage of Humanity since October 2009. The famous Indonesian batik motif from Solo is the Kawung batik motif. One type of batik is stamped batik. In making batik, there is always a clear repetition, so that the image appears repetitive in the same shape. The problem with making stamp batik is the price of expensive batik stamp. Generally, one stamp of batik can only produce one motif. Therefore, the main problem that was solved in this study was how to develop a Solo-Kawung batik motif design that has a
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35

Grishchenko, Anastasiya Petrovna. "Ethnographic motif in the decorative and applied art of Krasnoyarsk. History and modernity." Философия и культура, no. 4 (April 2022): 126–33. http://dx.doi.org/10.7256/2454-0757.2022.4.37756.

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The article deals with the professional decorative and applied art of Krasnoyarsk from the 50s of the twentieth century to the present. The aspect of consideration is the use of the ethnographic motif of the Krasnoyarsk Territory and the features of its embodiment in the products of Krasnoyarsk artists of decorative and applied art. Using the example of the creativity of N.V. Kasatkina, A.G. Tkachev, A.S. Moskvitin, A.S. Migas, S.E. Anufriev and E.A. Krasnova, the aspects of the use of the ethnographic motif and their transformation over time, which led to the formation of archeoart in modern
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36

Špoljarić, Bernard. "The Goat-God Motif in Heavy Metal Music." Studia Polensia 10, no. 1 (2022): 87–114. http://dx.doi.org/10.32728/studpol/2021.10.01.06.

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Since its emergence as a recognizable artistic endeavor, heavy metal has brought and enabled an authentic aesthetics in the wider culture: not only has it shaped its own unmistakable sonic “landscape”, but it has also shaped forms of visual presentation. Taken together, heavy metal has an adequate language for the communication of the ideas and motifs that are in its foundations. As art is one of the ways in which human beings gain an understanding of the self and the world (the other ways are philosophy, science, mythology, etc.) it is no surprise the art engages with various ways of perceivi
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37

Seiler, Nina. "Bugging: The Kaleidoscopic Literary Politics of Insects." Word and Text - A Journal of Literary Studies and Linguistics 11 (2021) (December 2021): 117–34. http://dx.doi.org/10.51865/jlsl.2021.08.

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This article analyses the appearance of insects in Polish literature of the mid-socialist period. It will elaborate a post-humanist perspective on the peaking presence of flies, wasps, bugs or worms in literary texts both as a motif and as an aesthetic strategy. The article investigates the way the deployment of insects in and through the text modulates the view of and the perspective on their human fellows, and how these modulations can be traced to the social reality of the socialist 1960s and 1970s.
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38

Pazina, Liudmila. "Cultural conditionality of understanding in social hermeneutics." SHS Web of Conferences 72 (2019): 03048. http://dx.doi.org/10.1051/shsconf/20197203048.

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Social hermeneutics is a young, emerging branch of philosophy associated with problems of understanding social actions. Since any social action is aimed at transforming the human world, our present, future and past, understanding its motives and goals is of practical importance for each person and humanity as a whole. A social action always has a cultural-historical context. Understanding the motive and the meaning of the social action is impossible outside the language system that determines it and the culture of a particular nation.
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39

Wortham, Simon. "Caught on the Hop: Politico-philosophical Writing of the ‘Leap’." Paragraph 45, no. 3 (2022): 316–35. http://dx.doi.org/10.3366/para.2022.0407.

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This essay reads Derrida’s Geschlecht III: Sex, Race, Nation, Humanity in the context of the philosophical and political legacies associated with the motif of leaping. Surveying the philosophical and textual ‘politics’ of this figure of the leap in the work of Kierkegaard, Hegel, Marx, Freud, Heidegger and others, the essay tracks its connection to the question of philosophical nationalism (and associated images of place, ground and gathering) explored by Derrida in Geschlecht III, speculating on the ambivalent resonances that ‘leap’ across the political spectrum.
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40

Marfo, Elisha Kwabena. "The Messiah/Speaker and His Mission: A Linguistic Analysis of Isaiah 61:1-11." Jurnal Koinonia 14, no. 1 (2022): 20–35. http://dx.doi.org/10.35974/koinonia.v14i1.2825.

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While the mission motif of Isa 61:1-11 seems to be passed over in silence, this study investigates the passage using linguistic analysis and discovers the theological significance of the motif of mission. The study indicated how YHWH relates to His mission, through the Speaker—identified as the Messiah, and His redemptive purpose for all humanity. Mission is centered on YHWH’s empowerment of the Speaker to deliver comforting messages and give hope to the discouraged, accelerate the freedom of prisoners, and console the grieving since their anguish and sadness is about to be converted into chee
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41

Cho, Hongyoun. "An Implication of Cannibalism Motif in “the Myth of Seolmundae-halmang” of Korea." Milli Folklor 18, no. 139 (2023): 168–80. http://dx.doi.org/10.58242/millifolklor.1001032.

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"Cannibalism" is widely regarded as an absolute taboo for cultivated humanity. Not only does the bare citation of the word" cannibalism" and encountering images about this subject make utmost people extremely uncomfortable. Nonetheless, the “ cannibal motif ” exists in humanities folk literature, and why is it being repeated in modern literature, media, and culture? If humanity can achieve a sense of spiritual satisfaction or there's a universal idea that desperately wishes to partake through such a horrifying motif, what kind of content can it be? When trying to address this curiosity, there'
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42

Derii, Maryna. "THE MOTIVE OF FREEDOM IN JACK LONDON’S NOVEL «MARTIN EDEN»." Scientific Journal of Polonia University 53, no. 4 (2022): 21–25. http://dx.doi.org/10.23856/5302.

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Jack London used a variety of motives in his works: mythological motives, the motive of adventure, the motives of friendship and love, the motive of lust for profit and true humanity, and also, the motive of freedom takes honorable place in this list. Freedom is a magnificent word, and it is also main purpose for humans, even if it might not be the only one. The freedom is not philosophical speculation, but the possibilities for human action under the restraints of existential conditions in real life. Free people are not abstract concepts, but real individuals in real life, because this is pre
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43

Lim, Joshua H. "Thomas Aquinas on Adam's Faith in the Incarnation." Thomist: A Speculative Quarterly Review 89, no. 1 (2025): 1–34. https://doi.org/10.1353/tho.2025.a947190.

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Abstract: In the Summa theologiae II-II, q. 2, a. 7, Aquinas argues that faith in the mystery of Christ is necessary "at all times and for all persons," even for those existing prior to the Fall into sin. This teaching appears to stand in tension with Aquinas's well-known position on the motive of the Incarnation. If, according to Aquinas, redemption from sin is the primary motive of the Incarnation, such that if humanity had not sinned God would not have become incarnate, how to make sense of his teaching on the necessity of Adam's explicit faith in Christ prior to the Fall? In this paper, I
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44

Shestakova, Elena. "THE THEME OF THE BROTHERHOOD OF MAN IN THE WORKS BY I. A. BUNIN." Проблемы исторической поэтики 22, no. 2 (2024): 153–71. http://dx.doi.org/10.15393/j9.art.2024.13582.

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The article is devoted to the researching of the theme of the brotherhood of people man and its evolution in the works by I. A. Bunin. In the artistic world of the writer, the idea of new — evangelical, fraternal relations between people, based on Christian love, is affirmed. The key images and motives for understanding the evolution of the theme of brotherhood of people appear in the early poems, such as “In Kostyol,” “The Gravestone Scripture:” the image of Christ, the motive of faithfulness to the “covenant of love” and to a new, evangelical relationship between people. In the works of 1914
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45

Aburqayeq, Ghassan. "Nature as a Motif in Arabic Andalusian Poetry and English Romanticism." Journal of Critical Studies in Language and Literature 1, no. 2 (2020): 52–61. http://dx.doi.org/10.46809/jcsll.v1i2.12.

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This paper examines some tenets in the Andalusian and Romantic poetry and shows how poets such as Ibrahim Ibn Khafāja (1058-1138) and William Wordsworth (1770 –1850) used nature as a motif in their poetry. Relying on a historical approach, this paper links smaller features such as themes and literary devices in the Andalusian and Romantic poetry with larger features, including genre, traditions, and cultural system. I argue that the emphasis on both the larger and smaller features of poetry creates what Franco Moretti calls “distant reading.” Comparing and contrasting Ibn Khafāja’s “the Mounta
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46

Kamrowska, Agnieszka. "Elektroniczny łowca: postać cyborga w kinie science fiction głównego nurtu." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (2021): 21–34. http://dx.doi.org/10.14746/i.2020.37.02.

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 The aim of this text is to analyze the cyborg motif in mainstream American science fiction films, as represented by the Terminator and RoboCop film series. The cyborg characters presented in these films are focused mainly on violence and destruction, which emphasizes the technophobic attitude of the culture within which these films were made. The only redemption of their otherness is showing their humanity. For a cyborg, its technological provenance is a burden and results in its sense of guilt. In this manner, American science fiction films support anthropocentrism and th
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47

ЧЕРНОЛУЦКАЯ, Елена Николаевна. "Взаимодействия СССР/РФ и Японии по принятию соглашений о безвизовых поездках между Южными Курильскими островами и Японией (1964–1999 гг.)". Известия Восточного института, № 3 (30 вересня 2024): 107–22. http://dx.doi.org/10.24866/2542-1611/2024-3/107-122.

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The article examines the process of drafting agreements between the USSR/the Russian Federation and Japan on visa-free trips of Japanese to the Southern Kuril Islands, and residents of the latter to Japan. It is shown that two forms of visa-free contacts were put into effect: one – for the purpose of visiting the graves of relatives, the second – for establishing humanitarian ties. The parties declared that such contacts carry the mission of humanity and mutual understanding between neighboring peoples. However, Tokyo's main motive was to defend its claims to the possession of the Southern Kur
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48

Schlesinger, Eugene R. "A Trinitarian Basis for a “Theological Ecology” in Light of Laudato Si’." Theological Studies 79, no. 2 (2018): 339–55. http://dx.doi.org/10.1177/0040563918766699.

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This article responds to Pope Francis’s call in Laudato Si’ for an ecological expansion of mission and seeks to provide it with theological support. This support comes by way of a trinitarian rendition of the missiological concept missio Dei. Drawing from Thomas Aquinas and Bernard Lonergan’s accounts of the trinitarian missions, it articulates a theological ecology (as opposed to an ecological theology), in which the traditional doctrine of God is the controlling motif. Through the missions of the Son and Holy Spirit, God transforms the moral-intellectual-volitional comportment of humanity an
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49

Залесный, Иеромонах Серапион. "The theological Content of the Corpus of Holy Saturday Canons." Вопросы богословия, no. 2(10) (September 20, 2023): 25–40. http://dx.doi.org/10.31802/pwg.2023.10.2.002.

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В статье предпринят богословский анализ корпуса канонов Великой Субботы, который включает в себя 6 текстов. Из числа всех тем, отраженных в этих текстах, в статьерассматриваются 4: сошествие Христа во ад, мотив Христа-победителя, божество и человечество Христа во время страдания, покой Бога в седьмой день. В богослужении Великой Субботы мотив сошествия во ад является одним из центральных литургических воспоминаний этого дня. Наиболее восторженно тему разрушения ада воспевает преп. Косма Маюмский. При описании разрушения ада Христом мы встречаем яркий образ Христа-Победителя, одолевшего диавола
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50

Purnamasari, Elisa. "The Introduction of Classic Batik Motif to the Community Through Game." SISFORMA 4, no. 1 (2017): 31. http://dx.doi.org/10.24167/sisforma.v4i1.1039.

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Batik is a wealth of Indonesian nation that became a cultural heritage and has been registered in the Representative of the Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2009 [1]. The appearance of a variety of batik would be a pleasure for batik lovers so often used as clothing, furniture, or other equipment in everyday life.But the lack of knowledge of meaning and philosophy in batik itself so that batik is often being used indiscriminately without knowing the intentions contained in the batik itself and being a mistake in its use [2], especially classic batik is a
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