Tesis:

1

Wong, Choi-kuen y 黃彩娟. "Ching Chung Taoist temple of Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952409.

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2

Bilodeau, Andre Emile. "On structure and the Tao Teh Ching". Thesis, Boston University, 1999. https://hdl.handle.net/2144/27597.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02

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3

Ching-Ni, Liu Jessie. "From Chinese national identity to Taiwanese consciousness : an examination of the cultural elements in Taiwan's democratization during the Lee Teng-hui era and its legacy, 1988-2004 /". Full text PDF, 2004. http://epublications.bond.edu.au/theses/ching-ni/.

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4

Wong, Choi-kuen. "Ching Chung Taoist temple of Hong Kong Dao jiao Xianggang qing song guan /". Click to view the E-thesis via HKUTO, 1999. http://sunzi.lib.hku.hk/hkuto/record/B31952409.

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5

Chiang, Ching-Kuei. "Introducing action research as a vehicle to bring about change to a psychiatric nursing curriculum in Taiwan". Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41704/1/Ching-Kuei_Chiang_Thesis.pdf.

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The focus of this study is on curriculum change within a School of Nursing in Taiwan where there is a growing demand for educational reform in order to meet the new accreditation standards and demands of the Taiwan Nursing Accreditation Council (TNAC). The aim of this study was to transform the Psychiatric Nursing curriculum in ways that are empowering, generative and sustainable. This study introduced Action Research as a vehicle to bring about curriculum transformation. I conceptualised a framework to guide the transformation process based on the notions of learner-centredness, conceptual change, pedagogical knowledge, reflection, collaboration, reculturing and empowerment. The Action Plan was developed in accordance with the conceptual framework, and was developed in five steps through which team members explored and became aware of our conceptions of teaching and learning, and then planned and implemented actions to change our curriculum, and examined and reflected on the curriculum transformation. The study demonstrated the value of working collaboratively to solve educational problems. This study also suggested that experiential knowledge, when shared and integrated with theoretical knowledge, can constructively contribute to all aspects of curriculum transformation. This study further supported the value of including clinical facilitators in the development and transformation of curricula. It confirmed that academics and clinical facilitators can work together to create new learning for students. This study is significant for both practical and political reasons. Its practical significance lies in its direct utility to the learners and teachers who were involved in the study. The political significance lies in the potential of the study to lead to further changes or improvements in other, similar contexts. The study is limited in that any interpretations cannot be generalised to other contexts. However, what emerged adds to the body of knowledge in such a way that it would constitute the basis for better informed educational practice.

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6

Wu, Hao. "Tobacco smoking & Ming-Ching society". Click to view the E-thesis via HKUTO, 1985. http://sunzi.lib.hku.hk/hkuto/record/B31948674.

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7

Wu, Hao y 吳昊. "Tobacco smoking & Ming-Ching society". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31948674.

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8

Mao-zhen, Wang y 王茂臻. "A Study on the Transition of Chiang Ching-kuo’s Policy toward Mainland China". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/24861681464171738360.

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碩士
淡江大學
大陸研究所
91
Abstract: Chiang Ching-kuo, the 6th and 7th president of Republic of China, not only initiated a series of economic reforms that were crucial to rapid economic development in Taiwan, but also proposed several major political reforms in Taiwan, such as the lifting of material law, the reform of the Legislative Yuan, and the legalization of opposition political parties. As a matter of fact, he once said that the times had been changing, the environment had been changing, as well as the tide had been changing during a KMT regular meeting on October 15th in 1986. Therefore, the purpose of the research is trying to analyze what those changes Chiang Ching-kuo meant were and how they happened. Furthermore, I will confer the reforms that Chiang Ching-kuo implemented because of his being conscious of those changes. Last but not least, I will demonstrate how these reforms influenced developments inside Taiwan as well as the relationship between Taiwan and China. In the research, we can detect it was obvious that Chiang Ching-kuo had changed the policy and attitude toward China in the latter part of his life given that he turned the policy from “three-no-policy”, which means no contact, no negotiations, and no compromise, to the humanitarian policy of allowing people to visit relatives in Mainland China. The revised policy then resulted in the dispute about Chiang Ching-kuo’s intent. Some people believed that he was hoping Taiwan and China could unify; however, others thought he made efforts on Taiwan’s independence from China. From my point of view, I do not think the core theme of discussion while Chiang Ching-kuo pondered on the relationship between Taiwan and China was union or independence. On the other hand, he might focus on how the government could devote its energies from counterattacking mainland China to the innovation and construction in Taiwan. In fact, to work for renovation and development in Taiwan did not involve in the issue of union or independence. On the contrary, from the expression of Chiang Ching-kuo’s political views, we can discover that he considered that the implementation of democracy in Taiwan would effect whether China could become a democratization country or not. As a result, I think we should take Chiang Ching-kuo’s policy toward Mainland China surpassing the controversy over union and independence.

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9

Wang, Jing-wen y 王靖雯. "Ching Ming and Chung Yeung inTang poem". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/3wnr7q.

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HUANG, YAO TSUNG y 黃耀聰. "CHING-SHIH-CHENG-LEI-PEI-CHI-PENTS’AO". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/60937558774497385689.

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碩士
中國醫藥學院
中國藥學研究所
90
To sum up the results of the above examination and research, the conclusion was summarized as follows: 1. "Ching-Shih-Cheng-Lei-Pei-Chi-Pen-Ts''ao" (經史證類備急本草) gathered and included medical and herbal data from classics, history and various schools of thinkers to verify their categories, so the book was entitled "Ching-Shih-Cheng-Lei" (經史證類)and briefly referred to as "Cheng-Lei-Pen-Ts''ao" (證類本草). 2. Written by Tang, Shen-Wei, "Cheng-Lei-Pen-Ts''ao" (證類本草) was compiled in 1082 A.D. and finished with thirty-two (32) volumes in 1092 A.D. 3. After recompilation, " Ching-Shih-Cheng-Lei-Pei-Chi-Pen-Ts''ao " (經史證類急本草) consisted of 367 kinds of Pen-Ching-Cheng-Pin (本經正品), 369 kinds of Min-Yi-Fu-Pin (名醫副品), 114 kinds of Tang-Pen-Hsien-Fu (唐本先附), 114 kinds of Kai-Pao-Chin-Fu-Pin (開寶今附品), 83 kinds of Chia-Yu-Hsin-Pu (嘉祐新補), 17 kinds of Chia-Yu-Hsin-Ting (嘉祐新定), 16 kinds of marine drugs, 488 kinds of Chen-Chang-Chi-Yu (陳藏器餘), seven kinds of Tang-Pen-Yu (唐本餘), *1 91,Hsueh Shih Road, Taichung,Taiwan,Ripublic of China *2 Graduate Student of Institute of Chinese Pharmaceutical Sciences eight kinds of dietary cures, eight kinds added by Tang, Shen-Wei, 35 kinds of Chin-Hsin-Fen-Tiao (今新分條), and 98 kinds of Pen-Ching-Wai-Lei (本經外類),a total of 1744 kinds. The book was divided into 32 volumes. Vol. 1 stated the first part of the preface ; Vol. 2 stated the second part of the preface and example; Vol. 3 included 73 kinds of Shang-Pin (上品) in jade and stone section; Vol. 4 included 84 kinds of Chung-Pin (中品) in jade and stone section; Vol. 5 included 93 kinds of Hsia-Pin (下品) in jade and stone section; Vol. 6 consisted of 87 kinds of Shang-Pin-Shang (上品上) in the herbal section; Vol. 7 consisted of 53 kinds of Shang-Pin-Hsia (上品下) in the herbal section; Vol. 8 consisted of 62 kinds of Chung-Pin-Shang (中品上) in the herbal section; Vol. 9 consisted of 78 kinds of Chung-Pin-Hsia (中品下) in the herbal section; Vol. 10 consisted of 62 kinds of Hsia-Pin-Shang (下品上) in the herbal section; Vol. 11 consisted of 105 kinds of Hsia-Pin-Hsia (下品下) in the herbal section; Vol. 12 consisted of 72 kinds of Shang-Pin (上品) in the wood section; Vol. 13 consisted of 91 kinds of Chung-Pin (中品) in the wood section; Vol. 14 consisted of 99 kinds of Hsia-Pin (下品) in the wood section; Vol. 15 consisted of 26 kinds in the human section; Vol. 16 consisted of 20 kinds of Shang-Pin (上品) in the beast section; Vol. 17 consisted of 17 kinds of Chung-Pin (中品) in the beast section; Vol. 18 consisted of 21 kinds of Hsia-Pin (下品) in the beast section; Vol. 19 consisted of 56 kinds of San-Pin (三品) in the poultry section; Vol. 20 consisted of 50 kinds of Shang-Pin (上品) in the insect and fish section; Vol. 21 consisted of 56 kinds of Chung-Pin (中品) in the insect and fish section; Vol. 22 consisted of 81 kinds of Hsia-Pin (下品) in the insect and fish section; Vol. 23 consisted of 53 kinds of Shan-Pin (三品) in the fruit section; Vol. 24 consisted of seven kinds of Shang-Pin (上品) in the grain section; Vol. 25 consisted of 23 kinds of Chung-Pin (中品) in the grain section; Vol. 26 consisted of 18 kinds of Hsia-Pin (下品) in the grain section; Vol. 27 consisted of 30 kinds of Shang-Pin (上品) in the vegetable section; Vol. 28 consisted of 13 kinds of Chung-Pin (中品) in the vegetable section; Vol. 29 consisted of 22 kinds of Hsia-Pin (下品) in the vegetable section; Vol. 30 named 194 kinds of unused drugs; Vol. 31 consisted of 98 kinds of Pen-Chin-Wai-Lei (本經外類); and Vol. 32 was the table of content. The total reached 1744 kinds in 32 volumes. 4. The recompiled "Ching-Shih-Cheng-Lei-Pei-Chi-Pen-Ts''ao" (經史證類備急本草) collected more items than "Chia-Yu-Pen-Ts''ao" (嘉祐本草), as follows: eight kinds from the addition of Shen, Wei of Tang Dynasty; 488 kinds of Chen-Chang-Chi-Yu (陳藏器餘); seven kinds of Tang-Pen-Yu (唐本餘), 16 kinds of marine drugs, and eight kinds of dietary cures, a total of 527 kinds. The recompilation also included 35 kinds of Chiu-Yao-Hsin-Fen-Tiao (舊藥新分條) and 98 kinds of Pen-Chin-Wai-Lei (本經外類). To sum up, the book had collected 660 more kinds and the total reached 1744 kinds. 5. Chen, Cheng combined "Chia-Yu-Pen-Ts''ao" (嘉祐本草) and "Tu-Ching-Pen-Ts''ao" (圖經本草) into one book and named it "Chung-Kuang-Pu-Chu-Shen-Nun-Pen-Ts''ao-Ping-Tu-Ching" (重廣補助神農本草并圖經). Chen added his own experience and knowledge in the book and called it "Pieh-Sho-Yun". It was included in "Ta-Kuang-Pen-Ts''ao" (大觀本草) (spread into the book where appropriate), which differed the recompiled "Ching-Shih-Cheng-Lei-Pei-Chi-Pen-Ts''ao" (經史證類備急本草) from "Ta-Kuang-Pen-Ts''ao" (大觀本草). However, as many as 1744 kinds were listed in the content of " Ta-Kuang-Pen-Ts''ao " (大觀本草) because Volume 11 "Chin-Fu-Shou-Ti" (今附蒴藋) was listed as "Ming-Yi-Fu-Pin" (名醫副品) in the book; Volume 22 "Hsin-Pu-Hsia" (新補蝦) was listed as "Ming-Yi-Fu-Pin" (名醫副品) in the book; and Volume 24 "Hsin-Pu-Huei-Ti" (新補灰藋) was listed as "Ming-Yi-Fu-Pin" (名醫副品) in the book. Therefore, "Ming-Yi-Fu-Pin" (名醫副品) reached a total of 372 kinds (three kinds more), "Chin-Fu-Pin" (今附品) was 133 kinds (one kind fewer), and "Hsin-Pu-Pin" (新補品) was two kinds fewer to 81 kinds. 6. Throughout the "Recompiled Ching-Shih-Cheng-Lei-Pei-Chi-Pen-Ts''ao" (重輯經史證類備急本草), "Ming-Yi-Pei-Lu" (名醫別錄) was the most quoted document with 835 references. The second was "Tu-Chin-Pen-Ts''ao" (圖經本草) with 750 quotations, 550 quotations from "Tao-Chu" (陶注), 493 quotations from "Tang-Fu-Tang-Chu" (唐附唐注), 489 quotations from "Zih-Hua-Tzi" (日華子), 367 quotations from "Pen-Ts''ao-Ching" (本草經), 353 quotations from "Kai-Pao-Chin-An-Chin-Chu" (開寶今按今注), 246 quotations from "Yao-Hsin-Lun" (藥性論), 227 quotations from "Lei-Kung-Pao-Zhih-Lun" (雷公炮炙論), 220 quotations from "Chen-Chang-Chi-Pen-Ts''ao (陳藏器本草), 166 quotations from "Shih-Liao-Pen-Ts''ao" (食療本草), 162 quotations from "Shu-Pen-Tu-Ching" (蜀本圖經), 134 quotations from "Yao-Hsing-Lun-Chung-Yin" (藥性論重引), 124 quotations from "Meng-Shen-Pu-Yang-Fang" (孟詵補養方), 122 quotations from "Chia-Yu-Hsin-Pu-Hsin-Ting" (嘉祐新補新定), 105 quotations from "Er-Ya" (爾雅). Sixteen books were quoted as orthodox and lateral Pen-ts''ao as major reference books. There were other 56 Pen-ts''ao reference books; the most quoted document for "Fang-Chi" (方劑) was "Wai-Tai-Mi-Yao" (外臺秘要) with 218 references. The second was "Sheng-Huei-Fang" (聖惠方) with 183 quotations, 152 quotations of "Chou-Hou-Fang" (肘後方), 143 quotations of "Chien-Chin-Fang (千金方), 118 quotations of "Tzi-Mu-Mi-Lu" (子母秘錄), 105 quotations of "Shih-Yi-Hsin-Ching" (食醫心鏡), 101 quotations of "Hai-Yao-Fang" (海藥方), and 100 quotations of "Mei-Shih-Fang" (梅師方). The eight books were used as major reference. At least other 270 references were also quoted. 7. According to the findings in this book, 815 illustrations came before "Chia-Yu-Pen-Ts''ao" (嘉祐本草), one from "Tang-Pen-Yu" (唐本餘), one from " Chen-Chang-Chi-Yu" (陳藏器餘), one from "Hai-Yao-Yu" (海藥餘), one from "Tang-Shen-Wei-Hsu-Tien" (唐慎微續添), and 99 from "Tu-Ching-Pen-Ts''ao" (圖經本草), with a total of 918 illustrations.

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11

Cheng, Yueh Lee y 鄭月裡. "Muslim Conflicts of North-West in Ching China". Thesis, 1997. http://ndltd.ncl.edu.tw/handle/12454769410399316224.

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12

Ling, Tsai y 謝采伶. "A Study on Cheng Ching-wen''s Novel". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/5b5azy.

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碩士
國立中山大學
中國文學系研究所
97
Cheng Ching-wen has a wide variety of interests in writing, including novel, short story, fairy tale, literature, political review, miscellaneous writing and translation of Western literary works. Cheng has been engaged in writing for fifty years and accomplished a tremendous amount of quality work. This thesis would focus on three of Cheng’s novels. Structure of the thesis would be the first part which has been finalized after several modifications. Chapter One Explain the reason why to choose Cheng’s novels as the topic of this thesis. Chapter Two Study the writer’s life and creation background. Analyze how his special growing background, learning process, friends and reading preference impact on his writing. Also, discuss the relationship between his inspirations and his works from the three geographic environments where he grew up. Chapter Three Discuss the origin of Cheng’s creation ideas. Analyze Cheng’s creation style and the formation of his tragic philosophy of life from the perspectives of Western literary works and the philosophy of life. Chapter Four Explore how Cheng creates the image of a novel character through artistic portrayal of characters and analyze Cheng’s language style from three perspectives. Chapter Five Discuss Cheng’s novels from four major topics: suffering common people, the greatness of mother’s love, life of the peasantry in Taiwan and the forbidden political issues. Based on these topics, explore the ideas that Cheng embodies in these three novels. Chapter Six Conclusion: Summarize Cheng’s creations and writing style. Keywords: Cheng Ching-wen, Novel, Topic, Tragedy,A Study on Cheng Ching-wen’s Novel

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13

Chang, Yu-jen y 張育仁. "Chiang Ching-kuo in Southern Jiangxi(1938-1944)". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/46493814984253215462.

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碩士
國立中央大學
歷史研究所碩士在職專班
99
This paper discusses the reform done by Chiang Ching-kuo who served as the Chief Inspector of Jiangxi Province and Commissioner of the Fourth Administrative Office of the Commissioner and the security commander when he returned from Soviet Union from June 1939 to 1945. As the eldest son of Chiang Kai-shek, Chiang Ching-kuo went to Soviet Union for further study from fifteen. During that period, he even published the dissatisfaction to Chiang Kai-shek and the relation between them deteriorated. After Chiang Ching-kuo returned from Soviet Union, the relation between Chiang Kai-shek and Chiang Ching-kuo gradually improved. According to the advice from Chairman of Jiangxi Province Xiong-hui, Chiang Kai-shek decided to send Chiang Ching-kuo to hold the post in Jiangxi Province. Jiangxi Province has become the land of fortune for Chiang Ching-kuo. From then on, Chiang Ching-kuo started to develop his own direct cadres in Jiangxi Province, and then entered the central government. Chiang Ching-kuo’s reform in Southern Jiangxi Province gathered a lot of appreciative reputations from home and abroad and accumulated a lot of experience of governance. In summary, this paper starts from the process why Chiang Ching-kuo was sent to Southern Jiangxi Province not the other provinces. Furthermore, this paper would discuss how Chiang Ching-kuo trained the recruit when he served as Director of recruits in Jiangxi Province. Since 1939 to early 1945, Chiang Ching-kuo served as Administrative Officer of Southern Jiangxi Province. With his experience in the Soviet Union and his own special background, Chiang Ching-kuo devoted himself to eliminate the local counterforce and executed "Three-year Plan" The establishment of basic education is the first priority in Chiang Ching-kuo’s mind. Under Chiang Ching-kuo’s promotion, the quality and the quantity of qualified primary teachers and schools in Southern Jiangxi were elevated. Furthermore, Chiang Ching-kuo also devoted to lower the number of illiteracies and educated people in Southern Jiangxi to be part of the war of resistance. In order to increase revenue, Chiang Ching-kuo consolidate the local finance and cut the exorbitant taxes and levies to lower the pressure of living for most people in Southern Jiangxi. Besides, Chiang Ching-kuo got the revenue from dominating the affairs of salt and tungsten. Chiang Ching-kuo also got the great results in agriculture, industry and commerce in Southern Jiangxi. In other words, Chiang Ching-kuo shifted unenlightened Southern Jiangxi to make progress of society, culture, politics and economy.

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14

Liu, Wei-Yu y 劉維諭. "The Ching-Shiang Movement of Wang Ching Wei Regime". Thesis, 1996. http://ndltd.ncl.edu.tw/handle/34458796891079304098.

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15

Cho, wen chien y 卓文倩. "A Analyze about the time of Chiang Ching kuo". Thesis, 1993. http://ndltd.ncl.edu.tw/handle/09594083365885657113.

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碩士
文化大學
中山學術研究所
81
@　從希腊政治哲學家柏拉圖開始迄今，對政治體系加以分類，從而尋求出理想的政體，一直是許多政治學者研究的重點之一，然如何從事健全的分類，並非易事，Jean Blondel　從三個面向：１、政治參與面向２、政府統治方式面向３、政府的目標面向，提出一個較有彈性且具連續性的分類方式。本文之研究主題便是以 Jean Blondel 對政治體系分類的三個面向探究蔣經國時代政治體系。全文除緒論、結論外，共分四　章１６節，茲將各部分研究重點敘述如下。緒　論　旨在陳述研究動機與目的，研究架構、範圍與方法等。第一章　先從柏拉圖以降之諸位政治學者對政治體系的分類加以了解，　從而探究 Jean Blondel 對政治體系分類之方式及原因。第二章至第四章係以 Jean Blondel 對政治體系分類的三個面向為架構，分析蔣經國時代的政治體系。第二章　從政治參與面向－包括蔣經國時代政治參與的相關法規、政黨政治與選舉、民間團體、社會運動等，將此時期人民影響政策制定的方法及程度加以探析。第三章從政府的統治方式面向－包括蔣經國時代中央政府制定政策過程、反對黨對政策的影響、民意表達管道－即政治傳播媒體發展的情形理解此時期政府統治的趨向。第四章　從政府的目標－先分析我國決策目標的依據，並從我國經濟、　社會政策的措施及發展探析此時期之政策目標。結　論　從１、對蔣經國時代政治體系加以分析、定位，２、對 Jean Blondel 的分類方式提出檢討，作為本文的一個終結。

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16

粘美藝. "The Research of Su ching and Elieen Chang' essays". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/17890261217092311768.

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碩士
臺北市立教育大學
中國語文學系碩士班
101
The Research of Su Ching and Eileen Chang’ essays The Research analyze Su Ching and Eileen Chang’ essays，go on from“backgrounds of creation ”、 “theme implication” and “art expression”.Su Ching and Eileen Chang’ essays are the main parts of the research.From correlate to analyze their essays，to generalize their essays’contribution. Endowing Su Ching and Eileen Chang essayist’ status. Chapter I Introduction. Motivation of the research, subject texts’ analysis. Chapter II Backgrounds . The backgrounds of the time、the area and the life，and the relation of the three parts.To be the foundation of subject implicitness. Chapter III Subject Implicitness of Su Ching and Eileen Chang’ essays. From aoalyze subjects of their creation, to generalize their central idea. From correlate to analyze their essays，to sum up their essays’contribution and meanings. Chapter IV Art Expression of Su Ching and Eileen Chang’ essays Rethinking spirit let Su Ching and Eileen Chang’ essays have inspiration and tension. Su Ching’ essays have no distance with reader，and Eileen Chang’ essays have distant beauty sence. Ching’ essays have powerful fervor，and Eileen Chang’ essays have composite fervor.their essays both are beauty speech. Chapter V Conclusion On grounds of the aforementioned chapters, it concludes the significance and values of Su Ching and Eileen Chang’ essays to make sure of her positioning in essays’ world.

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17

Wu, Sheng-feng y 吳勝豐. "Chiang Ching-fu And His Study of Han Poetry". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/30262111534289538081.

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碩士
南華大學
文學系碩士班
96
In Taiwan, due to the advantages in time and space, the field in new literature that primarily includes vernacular and new-styled poetry is comparably easy to research the literature collection and preservation. As a result, this field of study has attracted numerous scholars, experts, and graduate students, which led to great contributions. On the other hand, "classical literature" in the new literature that has over 300 years of history since Ming Dynasty during Cheng period had numerous writers who created many pieces, which yet attracting less attention. More efforts are needed to bring ambitious and energetic new members into the study of Taiwanese classical literature so that it would receive the same attention as new literature. 　　　　After ten or twenty years, the study of classical literature may be even more difficult due to the barrier of time, withering elders, and deteriorating literature records. 　　　　Chiang Ching-fu was the son of early Qin literature scholar Chiang Tsao-ju. Being the founding member of "Yen Poetry Society" in Hsi Lo region, he insisted "pass on faithful and dutiful virtues in family generations" and was obsessed with Han Learning and Han poetry. He had a long history of writing poetry with his immeasurable creativity, which can be called "Glory of Taiwan" in the field of literature and poetry. In addition to his devoted work on writing poetry, he had great concern in preserving literature and attempted to compile his poetry work; although the effort was not successful, his lifetime work was not lost in the tide of time. His considerable "fist-level literature history record", hence, may be used for future studies. 　　　　Born in Hsi Lo, Chiang Ching-fu, a poet who devoted in Han Poetry, was the research subject of this paper. Based on the manuscript information newly excavated, the study also collect, organize, analyze, and research the other literature data so that the historical background, central principle, characteristics of work, and contribution to the classical literature heritage in Yun Lin region can be understood in its diverse entirety. It is anticipated that the research results may contribute to the classical literature field that has thirst for cultivation in Yun Lin.

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18

Lee, Liwen y 李莉雯. "The Adolescent Self-awareness In Cheng Ching-Wen’s Novels". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/77482841212667169884.

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碩士
靜宜大學
台灣文學系
100
Cheng Ching-Wen is one of important writers after the World War II in Taiwan. His novels are diverse and abundant, and he always stands on the objective and neutral position for committing to the pursuit of harmony in the fictional life. Now, most the academic researches for Cheng Ching-Wen’s novels in Taiwan are focused on “adults” and “children” in his novels. But in Cheng Ching-Wen’s novels, there are many descriptions which are about the adolescent’s growth experience and enlightenment. This paper attempts to explore the growth process of the adolescent in Cheng Ching-wen novels, and engage the most commonly encountered problems to the adolescent which are “family”, “the community” and "the sense to their life" – for being the three main themes. Also, this paper will analyze the texts, and try to show the major significance and value of the adolescent self-awareness in Cheng Ching-Wen novels.

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19

Yang, Su-yen y 楊淑晏. "The Tragedy Narration of Cheng Ching-Wen’s Short Stories". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/96462239774448057959.

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碩士
國立臺南大學
國語文學系碩士班
100
Cheng Ching-Wen, born in 1932, has kept on writing for more than fifty years. He was unknown to the public when young, but in the last ten years he has become so famous that comments and researches related to his works have sprung up like bamboo shoots. A so-called “Cheng Ching-Wen Craze” was thus formed. Nearly all of his works have been included in the coverage of these researches, and “Life is a tragedy.” has always been the main theme in Cheng Ching-Wen’s novels. Consequently, this research will focus on the tragedy narration of Cheng Ching-Wen’s short stories. Text analysis and documentation analysis are the two methods adopted to conduct this research. By reading, arranging, analyzing, and generalizing the texts of Cheng Ching-Wen’s short stories, I explore the themes and techniques of his writing. On the other hand, the precision and perfection of this research is enhanced by an extensive collection of such documentary materials as related books, periodicals, theses, and newspaper articles. The key points of this research are as follows. First, I probe into the background and the course of Cheng Ching-Wen’s life to investigate how these two factors affected his thought, character, and philosophy. In other words, I want to find out the indelible imprint of his growth through his works. Second, I make a thorough exploration of the background and motivation of Cheng Ching-Wen’s tragedy narration. Additionally, I explore the thematic implication of Cheng Ching-Wen’s tragedy narration through the analysis of his works. With the proof of his short stories, I analyze his techniques of tragedy narration and recognize his artistic perspective in creative writing. He stuck to Earnest Hemingway’s Iceberg Theory at all times. His writing style is, so to speak, a reflection of his character. Finally, I sum up the results of my study to make a detailed and objective analysis of Cheng Ching-Wen’s tragedy-themed short stories in the hope of developing a new research approach which is different from the previous ones.

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20

Lin, Yu-Fen y 林玉芬. "Research on Political Implications in Cheng Ching-Wen's Novels". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8s94j5.

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21

Chiang, Ya-Chen y 江雅貞. "A comparative study of the one - china policy during the eras of Chiang Khai-Shek and Chiang Ching-Kuo". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/12799402648583175120.

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碩士
國立中山大學
中山學術研究所
90
Abstract of Thesis The title of this thesis is A comparative study of the one – china policy during the eras of Chiang Khai-Shek and Chiang Ching-Kuo. According to the relationship of the China Government and Taiwan, the cooperation on economic issue but the conflict in political ones, and the most controversial issue now is “ One-China ” policy. Both sides of Taiwan Strait, the Authorities have the different explanations of it because the different of the histories and backgrounds between Taiwan and China since Ming and Ching dynasties. On this thesis, it discuss the policies of Chiang Khai-Shek and Chiang Ching-Kuo ‘s eras to handle this problem especially the international relationship of Taiwan and China during that times. After World War Ⅱ, America becomes a big country to be a turn point of the relationship between Taiwan and China, that ‘s what this thesis is written and discussion. According to the different background and histories, it do a comparative study of the policies between Chiang Khai-Shek and Chiang Ching-Kuo in final chapter.

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22

Hui-Yuan, Chan y 詹惠媛. "A Study of Category and Style on Ku-Chin-Tu-Shu-Chi-Cheng Ching-Chi-Tien". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/91228203976552494473.

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碩士
輔仁大學
圖書資訊學系
96
"Ku-Chin-Tu-Shu-Chi-Cheng" is compiled in the middle-later K’ang-hsi period, and finished in Yung-cheng period. It’s a cultural project of representativeness in history of the books of Ching dynasty, mainly reflects the great panorama of knowledge world of K’ang-hsi flourishing age. It is equal to the series of Chien-lung period "Szu-Ku-Chuan-Shu" with milestone meaning. On the structural characteristic, "Chi-Cheng" is the representative of the 'classified style' classified books. It sets up the division and subdivision entries, vertical and horizontal criss-cross, and its style is much completely, brings up the canonical position of the ancient classified books. Among all categories, "Ching-Chi-Tien" is a section of the classified books, and contains catalog property itself, so it can be regarded as a catalog that collected with categorical thinking of classified books. Its compiling method is unique, different with traditional catalogues. The purpose of the thesis, in order to probe into "Chi-Cheng" -- mainly on "Ching-Chi-Tien", focus on analysis of the bibliography topic, deepen and research the literature actually, with elucidating its precise and appropriate structural characteristics on "Chi-Cheng" and "Ching-Chi-Tien". The thesis mainly utilizes present research and refers to relevant historical sources in the beginning, and makes efforts in arranging the edition, compiles, frame of whole respects on "Chi-Cheng". Moreover, it probes into the style origin from all books on "Chi-Cheng" and "Ching-Chi-Tien", and then manifests category and style property of catalog on "Ching-Chi-Tien". It discusses style of records, regulation of quotations, and function of comments. Afterwards, it inspects the past history of classic category of the classified books, and investigates the difference between "Ching-Chi-Tien" and traditional catalogues. It mainly combines discussion of the style with 'classified books and catalogues', and turns into the main shaft of whole research inwardly.

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23

謝清風. "CHING-FENG HSIEH". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/53935990372006983900.

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Che, Hsing-Chien y 車行健. "Cheng Hsuan''s "Ching-Hsueh-Ssu-Hsiang" And His Hermermeutics". Thesis, 1996. http://ndltd.ncl.edu.tw/handle/26631745718915938155.

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25

Chang, Fang-ching y 張芳菁. "Light．Music．Sculpture: A Discourse of Shape Creation by Chang Fang-Ching". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/47uda5.

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碩士
南華大學
視覺與媒體藝術學系
101
The author believes that works have a variety of symbols presented with a message to convey. There is an idea creating the music and the visual arts. Writing a creative discourse is「Light．Music．Sculpture」as a subject. The author through the grounded theory method, content analysis research method, action research, creative research methods to conduct creation sesearch of 「Light．Music．Sculpture」 plastic arts. The creation of research is the creation of light, music and sculpture shape. Sculpture and construct of the new forms image the objects in the real world. To join the rhythm of the music, changes of the lighting,and the form of performance. The author hopes to create own research work can play the function of art.The purpose of the creation research: First, the author was presented by the shape of the work style, the rhythm of the music, the lighting and the change. Then explore creative discourse analysis the imagery works connotation paper course. Provide own creative research experience sharing. Second, in conceptual art, creative ideas and the form of the idea are a very important part of the work of art. Through the voice of an art form to express emotion. The music in nature author hopes to create own research work can play an artistic expression. Third,the author combined with sound light and shape creation, through the integration of music and visual art forms in the fields of arts and humanities use. By the form works induction sound rhythm changes. Music into the visual arts. Among interactive installation art, so that the viewer can personally participate. Interact with the works. To try to play music rhythm game can play the instrumental ensemble. The creation expect to be able to play a practical functions of art. Fourth, author uses figurative or non-figurative forms to convey the image of the shape works. Expectations work shape and shot in the viewer''s curiosity cause. Make the viewer stop his footsteps. In the process of aesthetic, Cause the viewer thinking: 「What''s that？」The creation of the study, we hope to create own research work can play the function of art appreciation. The purpose of the creation researches the works shape style, the rhythm of the music, lighting and change the form of performance and creation. As well as the integration of interactive installation art form. Expect to reach the play of artistic expression, artistic and practical, the function of art appreciation even be the art medical function.

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26

Su, po-chia y 蘇柏嘉. "Political leadership: Taking President Chiang Ching-kuo’s Employment for Example". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/77485683196065267430.

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碩士
國立臺灣師範大學
政治學研究所在職進修碩士班
100
The main reason for why this study, Political Leadership: Taking President Chiang Ching-kuo’s Employment for Example, is that with respect to political leadership, knowing, hiring and appreciating talented persons is the most effective during the Chiang Ching-kuo’s regime. There were plenty of talented persons, politics was uncorrupted, and the government was capable, such as lifting the martial law, allowing the people to found political parties, opening up a new page for benign competence of political parties under the rule of law, regularly reelecting national leaders, carrying out concrete policies and measures like sovereignty of the people. In regards of economy, Ten major construction projects were set into action with all the efforts, which created jobs, established the industrial foundation, improved national competence to become the top of the Four Asian Tigers (including Taiwan, Singapore, Hong Kong, and South Korea). National income grew rapidly, the economic growth was high, and national employment was high. However, prices of commodities could be effectively controlled. Therefore, prices of commodities were stable, so actually the people’s purchasing power went up, and the people met the grand occasion of “Taiwan is ankle-deep in money”. Moreover, President Chiang Ching-kuo was diligent and loved his people. He lived a simple life, and the government expressed an upright political atmosphere by example, which could be the most prosperous period for the people in the Chinese history. Wealth with the people, “President Chiang Ching-kuo’s upright regime with sovereignty of the people, and people's livelihood was prosperous” as the researcher describes respectfully, which may rival “Doors were left unbolted at night and roadside remained untouched during Golden Years of Zhenguan” under the regime of Emperor Taizong of Tang. And the key factor is that Chiang Ching-kuo had good political leadership, which is the discussion point of this study. First, this study discusses what techniques and methods good political leadership can have, that is, the 99 techniques in the appendix. In this essay, the techniques and methods Mr. Chiang Ching Kuo adopted are discussed, which obtained the best leadership and the people’s praise and recognition among political figures in the history. Meanwhile in the study, we discover that there are common good characteristics among the political regimes and leadership of Chinese emperors. For example, Qi Huan Gong put Guan Zhong in an important position. Liu Bang made good use of Zhang Liang, Xiao He and Han Xing. Liu Bei courteously hired Zhuge Liang, Guang Gong, Zhang Fei, and Zhao Zi-long. Emperor Taizong of Tang sincerely hired Wei Zeng. Zhu Yuan Zhang hired Liu Bo Wen with plans. The national father, Dr. Sun Yat-sen, authorized to put Chiang Kai-shek in an important position. The adoption of some techniques and methods of political leadership, along with personalities of leaders, such as broad tolerance, knowing talented persons’ subordinates well, leading by personal example, unselfish employment, integrity, responsibilities, forward-looking foresight, executive power, determination, boldness , building correct directions and visions, communicating ability, empathy, crisis management ability, and contingency leadership。 We yearn President Chiang Ching-kuo. He already passed away, however the people may initiatively discover key political leading methods of good political leaders like President Chiang Ching-kuo. The people will not try their luck to meet good political leaders. The core issue of this study is how to move the initiative selection right back to the people, and to implement sovereignty of the people under the design of the periodical and institutionalized election scheme to generate national leaders. Finally, the conclusion suggests and look ahead that what goals, measures, or construction the country and the people need currently, for example, industry upgrading, research and creation, land preservation, overall plans and maintenance for water resources and reservoirs, projects of the Sun Yat-sen and Second Northern Freeways, comprehensively finding nationwide roads where the traffic is jammed and proposing solutions, high-speed rail roads around the island, comprehensive MRT to gradually replace downtown buses, total affiliated kindergartens of elementary schools, access for students from the Mainland and the whole world to study in Taiwan, R & D for energies for sustainable development, plans of science parks and office buildings for various countries or various areas like science parks, office buildings, and the automobile industry. It is necessary to look the Republic of China on Taiwan from an international viewpoint to improve international competitiveness, create limitless added values, offer jobs for the people and create national income, thus to improve compatriots’ quality of life and make the people’s livelihood prosperous.

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27

Lee, Wei-Sung y 李偉松. "Research of Chang-Ching Kuo and ChinaYouth corps(1969-1988)". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/66520115921645657111.

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Lian, Pei-ying y 連珮瑩. "A Study on Metamorphosis in Cheng Ching-Wen’s Fairy Tales". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/60191503274202829790.

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碩士
國立中正大學
台灣文學所
98
The term “metamorphosis” in mythology indicates regeneration, immortality and resurrection. Themes of metamorphosis derive from everyday life, mainly used to explain everything on the earth, the origins of life, and revival cycle. In fairy tales, metamorphorsis is used in two ways: first, keeping the idea of metamorphosis and the way it transforms in mythology; second, developing new concepts of transformation out of the mythology context. As civlization develops, the time people believe in the myths of Flood pass by, and instead, they believe man will triumph over nature. Moreover, people are more interested in their relationships with other people and society rather than the idea of “Things and man united one.” Therefore, metamorphosis in fairy tales is no longer used in the way it used to be in mythology. It grows new concepts, such as emphasizing the significance of education and growth. Cheng Ching-Wen’s previous works, Swallow’s heart, Heavenly Lantern, Mother and Picking Peaches convey positive messages, which are essential elements in fairy tales. Some messages of the three works derived from myths, like “Things and man united one,” which is presented in Heavenly Lantern, Mother, when the main character, A-Wang, lives harmoniously with nature. Others are the oppositive, such as Snake ancestress’s anti-immortality in Picking Peaches. His latest work, Ciou-Yi Family, published in June, 2009, is different from the last three fairy tales. It’s cross-genre, and satirizes metamorphosis ideas used in mythology. What’s more, the last three fairy tales depict Taiwan endemic species, integrated with the author’s personal life experience; nevertheless, Ciou-Yi Family is set in strange deserts in Taiwan as an irony to the future desert of Taiwan’s culture. Obviously, in Cheng Ching-Wen’s works, he uses metamorphosis technique and rich imagination to create fairy tales and to expose the reality of Taiwan’s society.

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29

Liao, Zi-Yan y 廖梓妍. "The Use of Metaphor in Cheng Ching-Wen’s Short Stories". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/16860675058631600961.

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碩士
國立中興大學
台灣文學與跨國文化研究所
101
This research intends to apply the theory of conceptual metaphor to analyze the use of metaphoric technique in Cheng Ching-Wen’s short stories. The theory of conceptual metaphor states that metaphor is a systematic concept constituted by language, thoughts, behaviors and daily life styles in a shared culture or environment. With metaphor technique, Chen Ching-Wen wisely expresses the uniqueness of Taiwanese local culture, specific body characteristics and shared common senses, which illustrate the protagonists’ body features and the subtle changes of their inner worlds in the stories. This research focuses on three main themes of Cheng Ching-Wen’s works, history, politics and female issues, and examines six short stories: “Three-Legged Horse,” “The Clam Boat,” “Go to the 228 Memorial Park to Feed Fish,” “Under the Maple Tree,” “The Flowers, Leguminosae and Phalaenopsis” and “The Taiwan Acacia’s Flowers.” “The Three-Legged Horse” and “The Clam Boat” reveal the protagonist’s harsh life due to his unique body features in Taiwanese society under Japanese colonization. “Go to the 228 Memorial Park” and “Under the Maple Tree” focus on the trauma of family members of victims of the 228 Incident and the dramatic life change of the veterans retreated from mainland China. “The Flowers; Leguminosae; Phalaenopsis” and “The Taiwan Acacia’s Flowers” explore the issue of modern women regarding to their ethical dilemma between family and marriage. Cheng Ching-Wen’s observation and depiction of Taiwanese culture in these six short stories corresponds to the theory of the conceptual metaphor. His works have recorded the change of modern Taiwanese society and revealed the spirit of the humanitarian nature to his readers.

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Chen, Ching-Chang y 陳慶璋. "“Dreamland, Dreams, Journeys”–on Creation of Ching-Chang Chen's Happy Journey". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/5c76y9.

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碩士
國立臺中教育大學
美術學系碩士班
103
Art creation is a process of interaction between self-existence and the external world. Self-identification, life experience, the trajectory of thought and the context of memories are as if drizzle in the process of creation which creates ripples on the canvas resembling the surface of water. No matter what media, types or concepts are adopted for art creation, they contain emotions that artists desire to convey. The study researched into the subject matters of com-position, the application of colors, the presentation of models and symbols to explore my original intention for creation. In addition, the discussion and analysis of documents became unique inspiration for my creation, and by painting creation, I searched for the most genuine appearance of emotions hidden in my subconsciousness. Life is like a journey, and the creation began from “a happy journey” to discuss subtle relation between “dreams” and “journeys” in the surreal “dreamland.” Through art creation, family value was approved, the true meaning of happiness was extolled and the journey of life was positioned to excavate pursuit of love hidden in dreams and to awake aspiration for family love deeply buried in our hearts. By watercolor, the chief media of the creation, spiritual intention, growth memories and rich affections were transformed into the research into art creation of symbolic images with the concept of cubism, the composition of montage and the presentation of pictures of surrealism. In the age when the birth rate is low, more and more young people would rather not get married and choose not to give birth to children. I hope when viewers appreciate the series of my works, they can enjoy the sweet taste of “happiness” in the future, realize how beautiful it is to nourish life, experience the feeling of being touched in building “dreams” and explore with us in the “dreamland.” I expressed my endless love toward my wife and child with pictures and conveyed my creation concepts and beliefs to viewers: in the life journey, marriage is not the tomb of love, and raising children is not the burden of marriage, but they are starting points toward happiness.

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31

Chiu, Teng-Wei y 邱騰緯. "Chiang Ching-Kuo's Personality Characteristics and Taiwan Political Development (1972-1988)". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/74087676656732253207.

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博士
國立臺灣師範大學
政治學研究所
96
Although there are countless factors affecting political development, especially in developing country. When people’s wisdom in this country is not fully enlightened, and modern political system and order are not stabilized, personality characteristics, knowledge and leadership skill of the political leader normally made massive and far-reaching impact on country’s political development. Chiang Ching-kuo played the role of nation’s leader, his personality characteristics would definitely make impact on Taiwan political development. This article starts with exploration of Chiang Ching-kuo’s personality characteristics, and step by step, to penetrate into the core of Chiang Ching-kuo’s personality characteristics separately via the background formation, contents and appraisal of his personality characteristics. The second part tries to focus on the approach from Chiang Ching-kuo’s personality characteristics, and explore Taiwan political developments in the decades of 70’ and 80’s. The contents include： Four aspects of political localization, political liberalization, political participation and cross-Strait relation. Chiang Ching-kuo’s promotion of political localization policy was related to his practical personality characteristics. Since within his political acknowledgement, China “must be united under the guidance of the Three Principles of the People characterised by liberty and democracy”. The competition between Taiwan and mainland China is basically a competition of systems, and the key for system promotion rests on talent. Therefore he started to appoint massive provincial political elites to participate in the policy decision-making at central government level, which effectively alleviated the grievance and consolidated political elites from either local province or other provinces. This laid the solid foundation for political stability. Other than this, he also hoped Taiwanese elites possessing the thoughts and inclinations of Chinese people as a whole. The long range focus and target for political localization were to pursue the unification of China under the premise of guidance from the Three Principles of the People. Chiang Ching-kuo exerted his personality characteristics of “strong belief in his historical mission” in the process of promoting political liberalization. Although the government decided the direction of lifting the martial law, he recognized the need of protection for national security. Therefore he directed the prescription of 《National security act for mobilization to defeat national chaos》and planned to officially declare the lift of martial law after national security was firmly under legal protection. Even though the situation of both foreign and domestic before the lifting of martial law was dangerous, it would not prohibit Chiang Ching-kuo who exerted his personality characteristics of “determination” and “great bravery”, and he went ahead and decided to promote the political liberalization with no turning back. During his premiership, Chiang Ching-kuo aimed to look for the talent and exerted his “practical” personality characteristics . He persisted on the promotion of local governance in addition to hold elections of addition and filling-the-seats for limited representatives at central government level. During his presidency, he not only promote elections for both the central and local levels, but also proceeded to revamp K.M.T into a party of competitiveness. These would be viewed as preparations for lifting the martial law and forming new political parties. Chiang Ching-kuo planned to terminate the authoritative system and reach the goal of peaceful transformation into democracy gradually. Cross-Strait relations changed from armed confrontation since 1949 into lifting the ban of mainland China relative visitation in 1987. This has the natural evolution aspect from historical perspective. 1979, diplomatic relationship between R.O.C and USA was severed. Chiang Ching-kuo, under this swirling, unsteady and pivotal moment, he took the responsibility of national leadership. His personal political recognition and personality characteristics should be one of the vital factors that our nation could experience this turnaround from danger and peril into peace and safety. In 1987, government lifted the ban of mainland China relative visitation, although this could be resulted from both foreign and domestic objective environmental factors, Chiang Ching-kuo exerted his personality characteristics and would have key impact on lifting the ban of mainland China relative visitation. Chiang Ching-kuo’s ultimate goal of cross-Strait relations was to pursue the unification of China under the premise of guidance from the Three Principles of the People. In summarization, the findings of this thesis pointed out that, during the 1972~1988 premiership and presidency of Chiang Ching-kuo, our nation’s political development was at the crossroads of key moments in transforming from an authoritarian system into a democracy one. Chiang Ching-kuo’s promotion for political reforms included the developments of political localization, political liberalization, political participation and cross-Strait relation laid a foundation of Taiwan’s democracy.

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32

ling, chang mei y 張美玲. "Research Study for the Novel by Cheng Ching-Wen---Death Narration". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/13946479704846020734.

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碩士
國立臺北教育大學
語文與創作學系語文教學碩士班
97
Abstract This research is primarily oriented to explore the novel, Death Narration, written by Cheng Ching-Wen. And this research intended to proceed forward from the theories of existentialism and modernism, using death as the foundation supplemented by western tragedies with the intent to replicate its aesthetics characteristics portrayed in Cheng Ching-Wen’s novel of Death Narration. The first chapter’s “introduction” not only illustrated the motivation for exploring the Death Narration written by Cheng Ching-Wen, but also delved deeper to unearth the meanings for “Narration” and “Death” separately. In addition, the current status for researching about Cheng Ching-Wen was also analyzed, with further illustrating the research methods being deployed, adopting the textual analysis as well as documentation review. Additionally, this research targeted at the year of 1958 when Cheng Ching-Wen started to write, up until 2007 when Cheng Ching-Wen terminated his novel publication, then, proceeded to read further. Furthermore, writings touched on the topics of death were summarized for comparison, analysis and summation. And the relevant documentations regarding death were adopted as complements to dissect his writings for Death Narration in addition to explore the common patterns for death as well as the death meaning as opposed to interpersonal relationship in society. The second chapter “The background for Death Narration by Cheng Ching-Wen” originated as far back at the times and the society when the author personally experienced, and the scope was then narrowed to the author’s living circumstance as well as influenced by his literary ideas, with extrapolating the life and death value the author embraced when he wrote about death. Furthermore, this thesis tried to understand the inevitability and contingency exhibited by writing about the death arts in Cheng Ching-Wen’s novel. The third chapter “Analysis for Death Narration, a novel by Cheng Ching-Wen” summarized four types in death, which were “natural death” from life being collapsed, “unnatural death” from irresistibility, death from “subjective intention” and death from “objective intention”. Additionally, this thesis was used to comparatively illustrate the causes of death for these dead characters; and these were identified as traditional destiny, stupidity and ignorance, inspiration and awareness, facing the death, human nature’s depravity and degeneration, colonial melancholy and pity, the time’s coloration in nihility and decadence, and finally the political consciousness, etc, a total of seven types. From the writings that occasionally expressing the life’s evanescence and lack of alternative, it followed the guidelines of pursuing the meaning for existence, maintaining and fighting back the old systems, and up to salvation and hope, to locate the thematic thoughts for Death Narration by Cheng Ching-Wen. At the same token, it introspected the life itself and to reach the level of life’s self-awareness. Chapter four “The topic’s meaning in Death Narration” proceeded to stages like summarization, analysis and summation through the recurring death topics in Cheng Ching-Wen’s novels. In addition, from the three profiles like death’s tragedy, stopping the pursuit of death and exploring the meaning for existence, it clarified the mission to explore the root of tragedy for the writer. It crystallized the life from human’s sadness and destiny perspective to stop the pursuit for death by controlling the material desire and caring for life. With this, it could then to situate the life itself and explore the meaning for existence from the death’s perspective on life. Chapter five “Writing technique for Death Narration by Cheng Ching-Wen” individually appreciated and enjoyed the artistic forms exhibited in Death Narration by Cheng Ching-Wen through five profiles like narration, character sketch, scenario arrangement, situation description and language management. Chapter six “Conclusion” summarized the research results and findings. In retrospect, Cheng Ching-Wen’s iceberg theory was cross-referenced with Death Narration to gain further inspiration and insight as well. It also reflected the deeper meaning and journey within the existence value for humans at large.

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CHENG, CHING-HAO y 鄭景豪. "My Body is an Instrument - Metal Arts by Ching-Hao Cheng". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/682j4k.

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碩士
國立臺南藝術大學
應用藝術研究所
107
This essay entitled as My Body is an Instrument synthesizes the context of the creation of my artworks during my three years of graduate studies. The theme of this artwork is the function of a body, and this artwork connects the functions and connotations of various objects to express the author’s points of view. This essay consists of three chapters. The first chapter recounts the relationship between the motivation and techniques based on the author’s own experience and background, which also serves as the impetus for creation. The second chapter starts from sensory reception, adopts the mechanisms of physical sensation to explore from the surface to the core, and cites research on cognitive psychology to analyze the self-conflict and entanglement. The theme of the third chapter is connection, regarding the self as a mediator, which extends to and discusses the anxiety and unrest that are consequential to the Internet age and to the society in which the author belongs.

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34

Wei, Ling-Yu y 魏伶砡. "Island Shin Shu-Ching". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/53382139743572792065.

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XIE, YUN-ZHONG y 謝雲忠. "Studies on Shih-Ching Fang Pei-Chi-Chien-Chin-Yao-Fang". Thesis, 1992. http://ndltd.ncl.edu.tw/handle/48823409839084177091.

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36

Ching, Huang-Ching y 黃卿卿. "The Hidden Secrets Behind a Face—The Art Works of Huang-Ching Ching". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/ej3mjh.

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碩士
大葉大學
設計暨藝術學院碩士在職專班
100
The study started at the portrait sketch for the students during the break time. Because of communicated with and listened to the students during the processes, the researcher knew the various dimensions and extended problems of a family nowadays. 　　　　The researcher improved her own counseling knowledge and skills through reading the relevant books to help the students. It was hard to avoid for the researcher to remember the hidden memories in her childhood during the research period. Incidentally, the miserable memories locked on her mind deeply relived by counseling and helping the kids. Through the oil paintings creation, the researcher found another colorful life.In chapter 1：The Introduction. The researcher through out the creation motivations and traced the self-repression memories in her childhood to confirm the study purposes and methods and explain the meanings of the creation theme -- “the secrets behind a face”. In chapter 2：Explore the creation ideas. Exploring the creation ideas between memories trace and real world. “Leave the sadness” -- the sufferings of life were positive for the researcher and she got power to face the depressions from these experiences. In chapter 3：Portraits study. Introduced the synopsis and frames of eastern and western portraits focused on children, Diego Velaequez, Barfolome Esteban Murillo and Jean Baptiste Simeon Chardin. Appreciated and inspired by the famous painters from His Te-chi, Lucian Freud and Van Gogh. In chapter 4, the researcher discussed the creations. The “children paintings series” of interviewing the students were the researcher’s opinions of family bring up and school education problems nowadays. The “Leave the sadness series” represented the researcher’s self-awareness.

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37

Ching-Yi, Wu y 吳靜怡. "Transpiration ． Influence—Wu Ching-Yi’s Creation DescriptionTranspiration ． Influence—Wu Ching-Yi’s Creation Description". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/59141328107918039809.

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碩士
國立臺北教育大學
藝術與造形設計學系碩士班
97
This creation description is the ceramic creation made since I attended graduate school, with complete arrangements and analyses of the thinking behind the creation as well as the thought and progress during the process of creation. The conception of this creation is to explore “Transpiration” and “Influence”. Originally, the term “Transpiration Influence” means a phenomenon in plant physiology— a plant transpires water from the stomata on its blades of leaves, in order to maintain pressure balance. Creatures are dependent on each other and balance mutually, while the vegetation forms a mutually-influential system of “vegetation society”. Judged from previous observations on vegetation and through comprehensive surveys of creatures and the entire global environment, such a balance mechanism exists in all creature groups. Through ruminating and sorting by “Influence”, I make use of the plant to symbolize my internal mental state. In my creation, I view and face myself in another dimension. In the process of creation, I transform my internal thought into modeling, to form a domain of modeling exclusive for myself. During the process of argil-modeling, my hands endow the argil directly with vocabulary of descriptions such as soft and solid. Under unknown subconscious and my own feeling when facing environmental changes, I try to find the order and rhythm exclusive for myself. The structure in this description is largely as follows: In Introduction, my personal background and motive for creation is introduced firstly, with the combinations and arrangements for threads of thought in previous creations and the themes of my about-to-be creations at present. In the part of Creation Principle, I discuss the relations between modeling and subconscious first, and then I look for the works in art history related to my own creations in vegetation inclination, as well as the concepts and the artists among contemporary ceramic creators who have influence on me. In the part of Creation Conception, I have further discussion on the correlation and phenomenon resulted from Transpiration Influence on spirit and vegetation society. In the chapter “Creation Practice and Thought”, the focus falls on the connections between the contents of creation and the internal mentality. Finally, the relations between the range of exhibition place and the creation is explored.

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38

Lan, Chang Ching y 張晴嵐. "Between Reveal and Conceal- Ceramic Art Creation Discourse of Chang Ching Lan". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/eqdu8r.

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碩士
國立新竹教育大學
藝術教育與創作碩士班
105
Between Reveal and Conceal ABSTRACT When a secret is told, it is like being given a gift; the secret inside the wrapping paper cannot be seen through, but only through the external dimensions of the gift and through touching to guess the content. Secret is like a wrapped object, you need to find clues with careful observation, little by little, to get the final answer. Living in a busy and stressful society, people exchange secret gifts every day for relaxation and entertainment purposes. Through sharing with each other, the relationship is slowly formed with intimacy or alienation between each other. I use clay as medium to render different appearances of secrets. "Balloon" (the secrets not able to be hidden, leaking out quietly like the air in the balloon) and "Partial Body" (a state of falling into secrets) will convert the life experiences into the creation of art. This paper discuss the related documents focusing on different types of secrets. The ceramic artworks use exploration and seeking, leaking, and secrecy as the main shaft of production. “After the Grand Expansion” series of works is the performance of secret leakage and the possibility of deterioration; “Exposed & Hidden Game” and “Sooner or Later will Fall” series of works are the manifestation of the desire to explore the secret; “I Aimed at the Prize and Fired” and “Minesweeper” series of works are characteristic of the balloon games, symbolizing the protection and exploration of the secrets in between, using ceramic art to express the varieties of complex states of secrets. During the study experience, I added different proportions of pulp in the works to help increase the natural texture lines and reduce the weight of the works. I also studied the effects produced by slip in different ways of coloring with the glaze. In the future productions, I expect to master the material characteristics more clearly, use different fibrous material (such as nylon fabric, etc.), and put more emotions and experiences in the artworks to explore the variability of ceramic art. Keywords: secret , inner and outer space , balloon , ceramic creation

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39

Chao, Zui-Yin y 趙子瑩. "The Madrasa of Hui-Ming in China during Ming and Ching Dynasty". Thesis, 1997. http://ndltd.ncl.edu.tw/handle/63505326996759782540.

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40

Wen, Chang Ching y 張靜雯. "Daily Life / Alienation‧Desire in Space－A Discussion on Chang Ching Wen's Artworks". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/sy7pb3.

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41

Chiu, Ching-I. y 邱靖宜. "The research of “Meng-ying yuan” and “Ching-chung chuan tan tzu”". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/s8bfy7.

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博士
國立中山大學
中國文學系研究所
103
Most of the studies on “Tan tzu” written by women in the Qing Dynasty mainly selected individual writer as the object, and did not investigate the thematic ideas of works from the perspective of the same family. Therefore, this study intends to choose Zheng Danruo’s “Meng-ying yuan” and Zhou Yingfang’s “Ching-chung chuan tan tzu” as the themes. The Qing Dynasty was characterized by family-based, group-oriented and regional development of talented women, and this study intends to investigate the inheritance of thematic ideas and writing style of the works of the mother and daughter. For research method, this study used text reading analysis, and probed into the data of poetry anthology, history books, local history, secret military files of writers themselves or their family and friends, in order to clarify the members and history of family. This study also investigated and compared the family-state perspective, gender perspective, and religious perspective of the two Tan tzu, in order to reflect the differences and similarities in these two works and the cultural meanings and era significance reflected in them. In addition, because Zhou Yingfan’s “Ching-chung chuan tan tzu” stood against the karma theory of Cai Qian’s “Shuo Yue Quan Chuan”, this study also compared “Ching-chung chuan tan tzu”’s acceptance and responses to “ Shuo Yue Quan Chuan”, in order to make up the deficiency of the studies on Yue Fei. It is hoped that the comparison on the differences and similarities of the works not only reflect the importance attached to loyalty and filial piety in the themes of “Meng-ying yuan” and “Ching-chung chuan tan tzu”, but also emphasize how the mother and daughter endeavored to inherit the family spirit of Yimen Zheng Family.

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42

Hung, Wen-Cheng y 洪文正. "The Research On The Imagery And Management Strategy Of Cheng Ching Lake". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/23656044864351833592.

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碩士
正修科技大學
經營管理研究所
102
Abstract Chengching Lake is the biggest park with natural and artificial lakes in southern Taiwan, which owns many superior natural sceneries and characteristic scenic spots worthy of sightseeing. It has been called the awesome back yard of Kaohsiung. Due to the policy of two days off per week promoted by government and the tourism fashion 2000, Chengching Lake runs its business with multiple values combined sightseeing, leisure time, and local cultures. This study focuses on the image and the management strategy of Chengching Lake. After reviewing literature and questionnaire, all the related data were analyzed by using descriptive statistics, t-test, and One-way ANOVA for statistical analysis. The results show that Chengching Lake is a place with landscape and activity space. It is suitable for traveling, leisure, exercise, and club activities. Moreover, the functions and values of Chengching Lake can be revealed especially by having fun with family members. Chengching Lake ,which locates in metropolitan and drinking water source area, has rich ecosystems. Therefore, it would be positioned as a "metropolitan water ecological and recreation park", and its business strategies should be focused on "product development". Besides, by using “product strategy” (increasing sightseeing attractions of water and feature restaurants ,the promotion of scenic spot quality) and "marketing strategy” (the strengthened public report, low-cost strategy, and web promotion strategy) to promote the value of Chengching Lake in visitors’ minds, Chengching Lake can surely become a new tourist spot of Kaohsiung. Key words: tourism motivation, tourism image, position of Chengching Lake, management strategy

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43

WANG, Fu-Chin y 王富欽. "The study of Li-Ching CHANG and his poetry of drafted collections". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/87775721164411238061.

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碩士
國立雲林科技大學
漢學資料整理研究所碩士班
97
Cho CHANG (1898-1975) was also known Li-Ching CHANG, born in Tou-Liu, studied in Japan at 19, became the first Chinese medicine practitioners in Yunlin, and his peak period of his creativity was between 59 to 69 years old. This research are based on (1)qualitative methodology (2) document method (3) interview method (4)psychology method. The range of research is “The drafted collections of Li-Ching CHANG poetry”, the press of his contributed poetry near 900 from newspapers and magazines. There are 350 (40%) about the poems of eight lines with prescribed tonal pattern, 300 (34%) poems of four lines with prescribed tonal pattern, 200 (20%) poems written on two distinctive subjects with unlikely associations, 30 (3%) poems of eight lines with five words each, 20 (2%) poems with four lines to a stanza. The purposes of this reseach are: (1) How did he and his family influence YUNLIN poem altar? (2) What are his thoughts? (3) What about his poetic friends and the replied poems between them? (4) How did he perfect his writings? (5) What is his poetry style? The results of this reseach are: (1) The YUNLIN poem altar was influenced by his family since his father, Huai CHANG, founded the Tou-Shan poetry club in Tou-Liu in 1921. (2) He followed the teachings of Confucius and Mencius. His religion was all-embracing: included Christianity and Buddhism. He was indifferent to fame and wealth, but enthusiastic about public welfares. (3) He loved to invite his poetic friends, when he was free, to go climbing and hiking with tea, delicate music and they love talking about the classics. He actively participated in poetry club activities, his poetic friends were throughout Taiwan. From then on, many poems written back and forth between these poetic friends were left by submitted articles to publishers. (4) He was great on the poems written on two distinctive subjects and earnest on the poems written back and forth between poetic friends as well. To construct his value of his own life by the forest tour and his living experience. He always kept writing with no stop and actively submited the manuscripts through his whole life. (5) He liked the poems written by Chen TAO and Wei WANG. His poems were unadorned, unsophisticated, elegant, cultured, tranquil and enjoyable. He particularly specialized in describing his own natural contented pastoral life and simple mind. Keywords: Li-Ching CHANG, Chinese traditional poetry, Yunlin’s classical poet, Taiwanese literature

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44

Hau-chih, Hou y 侯皓之. "Tradition and Innovation: Western Craft Research in China in Flourishing Ching Dynasty". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/71102296490113808919.

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博士
中國文化大學
史學研究所
96
This study inquires causes, forms and styles of western craft countenance in flourishing Ching Dynasty by western craft and culture. It inquires the art history and proposes theoretical references to western craft with Chinese ideas, i.e. western craft in flourishing Ching Dynasty gave birth to innovative compositional ideas via references from western ideas integrating with Chinese artistic ideas; accordingly, the works integrating western and Chinese ideas had unique cultural features and local identity. Besides, this paper explores internal and external factors urging western craft to develop in China, and time characteristics, social fashion and impact on the livelihood craft. At the angle of art history, this study analyzes the artistic creation and aesthetic standards and discusses the external and trading relations in Ching Dynasty, which inquires the communications and political situation of western and oriental cultures and the alteration of foreign relation.

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45

Yeh, Chi-kai y 葉集凱. "The Background of Political Reforms in Chiang Ching-kuo’s afterlife(1975-1988)". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/39281955994230599439.

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碩士
國立中央大學
歷史研究所
95
After Chiang Kai-shek dead, Chiang Ching-kuo become the chairman of Kuomintang (KMT) and the premier in 1975. He possess the power of parties, the government, and military after National Assembly elected him as the president of the Republic of China(Taiwan) at the 20th of May, 1978.Due to domestic and foreign circumstances changing, Chiang Ching-kuo as the premier started to launch the political reforms called “innovation and protection of Taiwan.” In order to stimulate the democratization and liberalization in Taiwan, He declared the abolition of Martial Law and decontrolled the published newspaper and organized parties. This article examines the reasons of Chiang Ching-kuo’s political reform in his afterlife. First of all, I would discuss how influence of his educational experience and his father’s indoctrination for his political thought and policy. Then, I would analyze how impact of the change of social and economic structure in Taiwan, the decline of Taiwan international status, the chaos of KMT’s factions and the rising and flourishing of “Taiwan Tang-wai Movement”. Finally, I would dig out the motive of Chiang Ching-kuo’s political reform by discoursed about the American’s international strategics and Communist Party’s(CCP) United Front Policy.

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46

Lin, Jieyu y 林倢伃. "Distribution of Haloacetic Acids at Cheng-Ching Lake and Love River, Kaohsiung". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/13193119431645251774.

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碩士
國立高雄海洋科技大學
海洋環境工程研究所
100
This study we research into the current situation of haloacetic acids (HAAs) at Cheng-Ching Lake water treatment plant and Love River, in order to understand the content and distribution of HAAs compounds, and to explore the HAAs and water quality. Once a week in July 2011 to June 2012, we collected the chlorination disinfection of water at Cheng-Ching Lake water treatment plant, and in October 2011 and June 2012, we collected the water at Love River. The results show that the concentration of HAA9 is 3.22 ~ 11.72 μg/L and the concentration of HAA5 is 1.08 ~ 7.38 μg/L, less than enacted by the U.S. Environmental Protection Agency allow the concentration of 30 μg/L. The main components for HAAs are dibromoacetic acid (DBAA), bromochloroacetic acid (BCAA), dichloroacetic acid (DCAA), and trichloroacetic acid (TCAA). The correlation results show the influence the HAAs which are in clean water generated a major factor for the temperature and pH at Cheng-Ching Lake water treatment plant. Overall, HAAs content are higher in summer than in winter at Cheng-Ching Lake water treatment plant. The surface water samples collected from Love River are measured the concentrations of HAAs, expressed HAAs are widespread pollution substances in Love River. The concentration of HAA9 is 0.21~56.14 μg/L. The main components for HAAs in Love River are tribromoacetic acid (TBAA). The correlation results show, HAAs content in water mainly by water temperature and pH effects at Love River. Using the environmental assessment method Economic Cooperation and Development (OECD) established to assess TCAA, the results show that the concentration of TCAA has risk of harm for aquatic plants. In the further, need to consider the establishment of risk management measures to avoid the hazards of aquatic ecosystems. The results of this study provide basic information of the HAAs content of the Cheng-Ching Lake water treatment plant and the aquatic environment in Love River, and also contribute to future environmental assessment or spatial distribution of reference of the study.

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47

Ho, Yu-Ling y 何玉鈴. "Pharmacognostical and Pharmacological Studies on Ban-Lan-Gen, Da-Ching-Yeh and Ching-Dai". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/11095833743210073640.

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博士
中國醫藥學院
中國藥學研究所
89
Ban-Lan-Gen, Da-Ching-Yeh and Ching-Dai are the commonly used Chinese herbs. The root of Isatis indigotica FORTUNE (Cruciferae), popularly known as Ban-Lan-Gen is used in traditional Chinese medicine for seasonal febrile diseases, pestilence, mumps, eruptive diseases, inflammatory diseases with redness of skin, sorethroat, etc.. The leaf of Isatis indigotica FORTUNE (Cruciferae), popularly known as Da-Ching-Yeh is used in traditional Chinese medicine to clear away heat and toxic material, cool blood and eliminate eruption and for heat-syndrome with high fever, thirst, restlessness and skin eruptions, especially for pestilence. Now it is usually used for influenza, epidemic cerebrospinal meningitis, encephalitis B, viral pneumonia and mumps. It is also used for sorethroat, aphthae, inflammatory diseases with redness of skin, etc.. Ching-Dai is the dried powder prepared from the leaves and stems of Strobilanthes cusia (NEES) KUNTZE (Acanthaceae), Isatis indigotica FORTUNE (Cruciferae), Polygonum tinctorium AITON (Polygonaceaae) or Indigofera suffruticosa MILLER (Leguminosae). It is used to clear away heat and toxic material, cool the blood and disperse heat in the liver and used for febrile disease, hematemesis, hemoptysis, and mumps. Indigo and indirubin are the active ingredients of Ching-Dai. According to our previous investigation, we found that the origins and commercial species of Ban-Lan-Gen, Da-Ching-Yeh and Ching-Dai were complicated in Taiwan. Thus, we used comparative pharmacognosy methods to compare the origin, morphology, microscopic characteristics, chemical constituents and pharmacological effects of commercially available species. Twenty-five Ban-Lan-Gen specimens from crude drug stores in Taiwan were collected. After morphological identification, twenty-three were identified as the stems of Strobilanthes cusia, one as the root and rhizome of Strobilanthes cusia, and one as the stem of Indigofera suffruticosa. The root of Isatis indigotica, the species recorded in the pharmacopeia of PRC, was not seen in this study. Twenty-five Da-Ching-Yeh specimens from crude drug stores in Taiwan were also collected. After morphological identification, twenty-four were identified as the leaves of Strobilanthes cusia, one as the leaf of Clerodendrum cyrtophyllum. The leaves of both Isatis indigotica and Polygonum tinctorium were not seen in this study. Of the thirty samples collected from Taiwan area, most of Ching-Dai were found to be dyes without herbal smelly odor and no indigo and indirubin were found at all. The compound preparations, Dan-Kuei-Lung-Huei-Wan made by GMP pharmaceutical company in Taiwan were found to contain indigo and indirubin. The result of ICP-MS showed that the counterfeit Ching-Dai contained more Fe than the genuine Ching-Dai. In HPLC analysis, RP-18 column was used with methanol and water as mobile phase under linear gradient conditions and the UV detection wavelength was 292 nm. We got rapid, sensitive, accurate and reproducible results. The limits of detection of indigo and indirubin were 12ng/mL. This study also evaluated the antinociceptive and antiinflammatory effects of indigo and indirubin extracted from Ching-Dai. The results showed that indigo and indirubin inhibited the writhing response induced by acetic acid with a dose-response. In addition, indigo and indirubin repressed the licking time on the early phase in mice, but only indirubin at the dose of 50 mg/kg inhibited the licking time on the late phase in the formalin test. Indigo and indirubin inhibited the inflammatory edema induced by l-carrageenin in the initial phase. However, neither indigo nor indirubin showed cytotoxicity against the KB-16, P-388, A-549 and HT-29 cell lines. The above results indicated that indigo and indirubin had no influence on cancer cells, but had both antinociceptive and antiinflammatory effects. The antinociceptive effect of indirubin might due to the effects on both the peripheral and central nerve systems. In this study, we also evaluated the antinociceptive, anti-inflammatory, antipyretic effects and cytotoxicity activity of Ban-Lan-Gen specimens (the stem of Strobilanthes cusia (SC-S), root and rhizome of Strobilanthes cusia (SC-R) and root of Isatis indigotica (II-R))and Da-Ching-Yeh specimens (the leaf of Strobilanthes cusia (SC-L) and leaf of Isatis indigotica (II-L)). The results showed that all the methanolic extracts of Ban-Lan-Gen specimens and Da-Ching-Yeh specimens significantly inhibited the writhing responses of mice and decreased the licking time on both the early and late phases of formalin test in a dose dependent manner. The antinociceptive effects of SC-S, SC-R, II-R, SC-L and II-L extracts not only influenced the peripheral system but also the central system. They also reduced the paw edema induced by l-carrageenan in rats. In addition, they potently attenuated pyrexia induced by lipopolysaccharide and the change of colonic temperature dropped to bottom at 1.5 h with each dose. They also produced a dose-related fall in colonic temperature at room temperature in normal rats. However, all three materials did not show cytotoxicity against the KB-16, P-388, A-549 and HT-29 cell lines. In this study, SC-S, SC-R, II-R, SC-L and II-L extracts showed different therapeutic effects against liver damage induced by carbon tetrachloride, acetaminophen, a-naphthylisothiocyanate and D-galactosamine. All extracts inhibited the high values of sGOT and sGPT induced by different drugs and the photomicrographs of liver section taken from rats showed their improvement of liver damage. Because of the differences in their mechanisms of injury, it was indicated that they exerted their therapeutic effects through more than one mechanism. However, SC-S, SC-R, II-R, SC-L and II-L extracts did not have therapeutic effects on ANIT-induced acute liver damage in rats, but SC-S, SC-R, II-R and SC-L could promote biliary elimination. To sum up, the crude drugs of Ban-Lan-Gen and Da-Ching-Yeh used in Taiwan were native plants. Although the major Ban-Lan-Gen specimens in Taiwan were the stems of Strobilanthes cusia, it had the antinociceptive, anti-inflammatory, antipyretic effects and therapeutic activities against liver damage induced by different drugs. As to Da-Ching-Yeh species, the leaves of Strobilanthes cusia were commonly used in Taiwan. They also showed the antinociceptive, anti-inflammatory, antipyretic effects and therapeutic activities against liver damage induced by different drugs. Isatis indigotica was not produced in Taiwan. According to the above results, the activities of the stem, root, rhizome and leaves of Strobilanthes cusia were similar to the root and leaves of Isatis indigotica. Therefore, it was worthwhile to develop Strobilanthes cusia as a new medicine. Genuine Ching-Dai could be easily distinguished by its herbal smelly odor. The exact constituents of the two counterfeit Ching-Dai is worthwhile for further investigation.

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48

蔡惠伃. "Reinterpreting Tao Te Ching: OnThree English Tao Te Ching Translations with New-Age Style". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/jrdv2d.

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碩士
國立臺灣師範大學
翻譯研究所
102
This study focuses on three English Tao Te Ching translations, in which the Chinese classic is reinterpreted in a New-Age language. With continuous popularity since 1960’s, the New Age Movement emphasizes the healing of selves and the environment as a whole, pursuing self-authority in both physical and spiritual realms. This study proposes that the Movement can be concluded in three features: self-centeredness, positive thinking, and proactivenss; and the three translations, respectively made by Stephen Mitchell, Wayne. W. Dyer, and Diane Dreher, together represent a kind of adaptation-translation that contains these features, turning Tao Te Ching into an interpretation endorsing New-Age beliefs.

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49

WEN, SHI YU y 施又文. "SHEN NUNG Pen Tsao Ching". Thesis, 1998. http://ndltd.ncl.edu.tw/handle/00071769231804359227.

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50

Peng, Han-Mei y 彭涵梅. "The Time of I-ching". Thesis, 1997. http://ndltd.ncl.edu.tw/handle/62542149699986959076.

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碩士
國立臺灣大學
哲學系
85
This essay aims to discuss the "time" concept of Jou-I. Ancient Chinese faced the changing of Nature. They tried to give a reason and predict the forward changing. I-ching is the book how they explan it. There are two parts in Jou-I.They are practising divination and written language. From practising divination,it has a ceremony with strong time consciousness. It implies 4 seasons and intercalary month. From written language,there are 58 "time" words in the whole book. We can divid it to 3 meanings :season,par-ticular foutune and tian-shr(天時). Tian-shr is the center of three meanings . Seasons replacing regularly is the display of tian-shr. Particular fortune is the small part of tian-shr.This gives us an idea. That is there is a schedule from the beginning of universe to the end of the world. Although,we can't know the real content of schedule.

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