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Artículos de revistas sobre el tema "Illustrations naturalistes"

Autor: Grafiati

Publicado: 28 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Maddi, Franck A. "Redécouverte botanique et typifications des noms Aymenea De Faugère et Aymenea topiaria H. Aymen (Boraginaceae, Ehretioideae)." Le Journal de botanique 91, no. 1 (2020): 15–24. http://dx.doi.org/10.3406/jobot.2020.2290.

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Jean-Baptiste Aymen (1728-1784) était un éminent médecin français, réputé naturaliste et fervent linnéen. Il entretenait une correspondance suivie avec les savants naturalistes de son époque, dont Bernard de Jussieu et Carl von Linné. En 1754, sur la base d’un échantillon d’une plante procurée par Bernard de Jussieu, le genre Aymenea a été proposé à Linné pour publication. Ce taxon n’a pas été retenu et reste un témoignage posthume en l’honneur d’Aymen. Sur la base de la diagnose et de ses illustrations, en se fondant sur les descriptions de genres proches, nous proposons de rattacher le genre

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2

Christians, Elisabeth. "Introduction du numéro spécial d’Arts et Sciences sur la Station Marine de Villefranche." Arts et sciences 8, no. 3 (2024): 1–5. http://dx.doi.org/10.21494/iste.op.2024.1181.

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La station marine de Villefranche-sur-Mer a reçu de nombreux noms au cours de son histoire dont les deux derniers sont OOV pour Observatoire Océanologique de Villefranche (1989) et IMEV pour Institut de la Mer de Villefranche (depuis 2019). Ce numéro spécial montre combien cette station est riche d’histoire en architecture, en géopolitique, en sciences et en fortes personnalités. Fin 18ème des naturalistes ont découvert la riche biodiversité de la rade de Villefranche : des myriades de formes vivantes si artistiquement assemblées qui se laissent porter par la mer au gré des courants et des s

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3

TOGNONI, FEDERICO. "NATURE DESCRIBED: FABIO COLONNA AND NATURAL HISTORY ILLUSTRATION." Nuncius 20, no. 2 (2005): 347–70. http://dx.doi.org/10.1163/182539105x00024.

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Abstracttitle ABSTRACT /title The article analyses Fabio Colonna's interest in natural history illustration. The re-examination of several pieces of unjustly neglected documentary evidence has allowed us to focus on the essential role of naturalistic illustration in the work of this Neapolitan naturalist. Of great importance was the opportunity to study a herbal that was recently discovered at Blickling Hall, near Norwich in England. This herbal was created using the technique of nature-printing, and reflects Colonna's interest in naturalistic illustration as an essential means of presenting n

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4

Adisasmito, Nuning Damayanti. "The Reflection of Society Culture in Visual Art Illustration of Javanese Manuscript." Mudra Jurnal Seni Budaya 33, no. 3 (2018): 374. http://dx.doi.org/10.31091/mudra.v33i3.528.

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The tradition of writing and drawing in illustration was found in the old manuscript. Some parts of those old manuscripts show unique illustrations as well as the local identity of Nusantara’s society. The manuscript reflects the society culture of thinking and aesthetic achievement of visual art. The Illustrations of old Javanese manuscripts were well documented and has various representation in visualization art and style, drawing method, theme, and visual objects, even though the visualization of the visual concepts is practically similar to another. The illustration in the old Javanese man

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5

Sterckx, Roel. "The Limits of Illustration: Animalia and Pharmacopeia from Guo Pu to Bencao Gangmu." Asian Medicine 4, no. 2 (2008): 357–94. http://dx.doi.org/10.1163/157342009x12526658783619.

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AbstractThis paper examines the relationship between text and illustration in Chinese pharmacopeia in the bencao tradition by focusing on depictions of animals. It explores to what extent such illustrations served a practical—read medical or pharmaceutical—purpose. The first part of the paper discusses the contexts in which animal species have been depicted in traditional China leading up to the emergence of bencao literature. The second part analyses the use of illustrations in Bencao Gangmu. The author questions whether such illustrations were aimed to reflect zoological, botanical, or pharm

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6

Fioravante, Karina Eugenia, and Lohanne Fernanda Gonçalves Ferreira. "Geographies of Brazil in the 18th Century: The Philosophical Journey of Alexandre Rodrigues Ferreira." Terr Plural 14 (2020): 1–17. http://dx.doi.org/10.5212/terraplural.v.14.2014474.045.

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The graphic representations have privileged space in the journeys made by naturalists since the Eighteenth century and they are fundamental elements of the geographical analysis. The main goal of this paper is to reflect on the illustrations that composed geographies of Brazil brought by the Philosophical Journey of the naturalist Alexandre Rodrigues Ferreira in the Eighteenth Century. First, it is presented the relevancy of the expeditions taken by naturalists as well as the importance of the images produced by such expeditions in the consolidation of Geography as a discipline. Next, it is di

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7

BELKNAP, GEOFFREY. "Illustrating natural history: images, periodicals, and the making of nineteenth-century scientific communities." British Journal for the History of Science 51, no. 3 (2018): 395–422. http://dx.doi.org/10.1017/s0007087418000511.

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AbstractThis paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a specifically British natu

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8

Wilkinson, David, and Janet O'Regan. "Emily Margaret Wood: Botany, illustration, nature writing and teaching in Liverpool at the end of the long nineteenth century." British & Irish Botany 6, no. 2 (2024): 116–32. https://doi.org/10.33928/bib.2024.06.116.

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Emily Margaret Wood (1865-1907) is today best known to botanists for her extensive set of illustrations in the 1902 Flora of the Liverpool District. In addition, she is a minor name in the history of British ceramics as an artist working at the Della Robbia Pottery in Birkenhead. Here we outline her life and career, showing that she had a much wider influence on botany in Liverpool around 1900, especially via the Liverpool Naturalists’ Field Club. Her botanical illustration work was more extensive than just the Flora illustrations – and includes a set of surviving water colours of fungi of the

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9

Putri, Citra Kemala. "Scandinavian Style On Illustration of Flora Marimekko." ArtComm : Jurnal Komunikasi dan Desain 4, no. 01 (2021): 1–14. http://dx.doi.org/10.37278/artcomm.v4i01.396.

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The Scandinavian style is one of the styles that has big influence on the development of interior design, product and visual in the world. The Scandinavian style is influenced by several things including folk culture, as well as local and international historical events. Marimekko is a Finnish and Scandinavian-style pioneered company that was founded in 1951.By today, Marimekko has produced thousands of illustrations which are used as patterns on dresses, home furnishings, etc. The objects those Marimekko's illustrations usually used such as geometric, abstract and floral objects. This study i

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10

Dreifuss, Jean Jacques. "Paul-Emile Pilet, Naturalistes et biologistes à Lausanne. Recherches, ensei-gnement et sociétés savantes en pays vaudois de 1537 à nos jours. Lausanne, Payot, 1991, 205 pp., nombreuses illustrations. SFr. 59.—. ISBN 2-601-03095-X." Gesnerus 49, no. 3-4 (1992): 404–5. http://dx.doi.org/10.1163/22977953-0490304024.

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11

Werner, Preston J. "Why conceptual competence won’t help the non-naturalist epistemologist." Canadian Journal of Philosophy 48, no. 3-4 (2018): 616–37. http://dx.doi.org/10.1080/00455091.2017.1410417.

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AbstractNon-naturalist normative realists face an epistemological objection: They must explain how their preferred route of justification ensures a non-accidental connection between justified moral beliefs and the normative truths. One strategy for meeting this challenge begins by pointing out that we are semantically or conceptually competent in our use of the normative terms, and then argues that this competence guarantees the non-accidental truth of some of our first-order normative beliefs. In this paper, I argue against this strategy by illustrating that this competence based strategy und

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12

Yıldırım, Duygu. "Ottoman plants, nature studies, and the attentiveness of translational labor." History of Science 61, no. 4 (2023): 497–521. http://dx.doi.org/10.1177/00732753231191340.

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Translations, whether in the form of text, illustration, or interpretive analysis, served knowledge-making in multiple ways. It offered a refuge, severed contexts, and concealed the various workers that created it. Over the course of the seventeenth century, European naturalists in Istanbul, such as Luigi Ferdinando Marsigli (1658–1730), procured illustrations of Ottoman nature as fundamental resources to identify, collect, and compare indigenous plants and newly bred varieties. Despite maintaining an actual mediation for cross-cultural interactions, these sources of virtual communication rema

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13

Nalbone, Lisa. "La de Bringas: The naturalist context and Critical metaobservation." Signos Literarios 19, no. 39 (2024): 220–44. http://dx.doi.org/10.24275/slit.v20n39.08.

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"In this rereading of the novel, I propose that its reception in the periodical press at the time of its publication highlights the author’s naturalist tendencies. In the articles that appear in El Imparcial, La Illustration Ibérica, and La América, to name a few, literary critics often use the term naturalista to describe the content of the novel. This essay elucidates how these critics’ metaobservations of Galdós’s observation of the society that surrounds Rosalía, in turn, shed light on multiple doctrines, theories, and philosophies relating to the social, scientific, and literary discourse

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14

Peterson, Matthew. "The production of narrative through static imagery: examples from a peculiar medieval illustration." Visual Communication 18, no. 2 (2018): 279–93. http://dx.doi.org/10.1177/1470357217749998.

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Certain images perform upon and with their readers. Among the performative capabilities of imagery is narrative function, where the reader actively constructs a sense of time from an otherwise static surface. An extraordinary medieval illustration of Saint Margaret’s emergence from the belly of a dragon is used to demonstrate a range of narrative imagery. Consideration is given to the original conditions of this ‘Margaretene’, especially its medieval readership. This exemplar then contributes to a form of creative analysis, where other extant narrative strategies are utilized to visually ‘tell

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15

Cavalcanti Vitor, Fernanda, and André Ferrer P. Martins. "Ilustrações científicas da “Viagem Filosófica” ao Brasil: resgate histórico e implicações para o ensino de ciências." História da Ciência e Ensino: construindo interfaces 30 (December 22, 2024): 65–89. https://doi.org/10.23925/2178-2911.2024v30p65-89.

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Resumo Apresentamos um estudo historiográfico sobre certas representações visuais da natureza, as ilustrações científicas, confeccionadas e utilizadas ao longo da expedição comandada pelo naturalista Alexandre Rodrigues Ferreira (1756-1815), buscando explorar o seu papel durante a “Viagem Filosófica” e trazer subsídios para compreendermos a presença da ciência na relação Brasil-Portugal do período. Trata-se de um trabalho de natureza bibliográfica, interdisciplinar e alicerçado na literatura da História Cultural da Ciência, com foco nas práticas científicas e na cultura visual do século XVIII.

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16

Hilje, Luko. "Clodomiro Picado como zoólogo." Revista de Ciencias Ambientales 59, no. 2 (2025): 1–11. https://doi.org/10.15359/rca.59-2.9.

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This article explores a little-known facet of Clodomiro Picado Twight: his contribution as a zoologist. While his most recognized legacy in Costa Rica is related to his investigations into venomous snakes and the production of anti-venom serums, he was also a prominent naturalist and pioneer in the study of national fauna. Since his childhood, Picado developed a deep curiosity about nature, cultivated later during his training in France, from where he acquired an integral vision of biological sciences. Upon his return to the country, in addition to his medical and teaching work, he forayed int

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17

Bahali, D. "Iris tectorum Maxim. (Iridaceae) in India." Indian Journal of Forestry 25, no. 2 (2002): 191–93. https://doi.org/10.54207/bsmps1000-2002-6v8r9d.

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Iris tectorum Maxim. – a species native to China and Japan is reported as naturalised in Mussoorie hills of Western Himalaya, India. A detailed description along with illustrations are provided for easy identification.

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18

Reeves, Henry M., FrançOis-Marc Gagnon, and C. Stuart Houston. "“Codex canadiensis”, an early illustrated manuscript of Canadian natural history." Archives of Natural History 31, no. 1 (2004): 150–66. http://dx.doi.org/10.3366/anh.2004.31.1.150.

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ABSTRACT: “Codex canadiensis” consists of 79 leaves with 180 illustrations of plants, birds, mammals, fishes, and a few fabulous animals. This manuscript arguably is the most obscure and enigmatic surviving document pertaining to the early natural history of French Canada. It was lost until 1930, when Baron Marc de Villiers first published a facsimile. Two inferior editions later appeared in Canada. The codex was acquired about 1949 by Oklahoma oil baron Thomas Gilcrease and then deposited in the Gilcrease Museum, Tulsa, Oklahoma. Under the direction of one of us (Gagnon), French-Canadian scho

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19

Alzahrani, Sara. "Verses of Despair (Robert Bly’s Poetics between Idealism and Naturalism)." Academic Journal of Research and Scientific Publishing 6, no. 65 (2024): 05–20. http://dx.doi.org/10.52132/ajrsp.e.2024.65.1.

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The Vietnam War generated a major outpouring of American antiwar poetry that served as a powerful medium of expressing dissent and disillusionment with the war. One of many American poets who extensively contributed to the antiwar poetry movement during the war is Robert Bly. While Bly’s poetics are often appreciated for their revolutionary fervor, there exists a subtle and concealed naturalist streak in his poetry that deserves further exploration. The scholarly marginalization of such an aspect of his literary legacy undermines the richness and complexity of Bly’s poetic vision. This paper s

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20

Maroyi, Alfred. "Opuntia elata Link & Otto ex Salm-Dyck (Cactaceae): A new record for the flora of Zimbabwe." Plant Science Today 9, sp1 (2022): 53–55. http://dx.doi.org/10.14719/pst.1697.

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Opuntia elata Link & Otto ex Salm-Dyck is recorded as having become naturalised in Zimbabwe. Illustration, distribution map and description of the species are provided. A dichotomous key based on vegetative characters to distinguish among O. elata, O. microdasys (Lehm.) Pfeiff. and O. ficus-indica (L.) Mill., the 3 naturalised Opuntia species in Zimbabwe, is included to assist with the identification of the species.

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Bahali, D., and V. Mudgal. "Iris Japonica Thunb. (Iridaceae) - A Naturalised Species in India." Indian Journal of Forestry 22, no. 2 (1999): 183–84. https://doi.org/10.54207/bsmps1000-1999-hkb9qc.

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Iris japonica Thunb., a species from Japan and China has been found naturalised in India and constitutes an addition to the flora of Sikkim. Detailed description and illustration are provided for its easy identification.

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22

Logan, Peter B., and Martin A. Sidor. "John James Audubon's overlooked “Great Work”: his Ornithological biography." Archives of Natural History 48, no. 1 (2021): 157–74. http://dx.doi.org/10.3366/anh.2021.0694.

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John James Audubon's five-volume Ornithological biography (1831–1839), published as the textual companion to The birds of America (1827–1838), remains a rich source of information about North America's avifauna. Issued separately from the prints for both practical and economic reasons, this classic but often forgotten work contained individual biographical accounts of each species shown in the illustrations, based upon the naturalist's decades of field observations. The demands associated with the publication and marketing of the prints compelled Audubon to wait until the end of 1830 before he

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Stepanian, Elena V. "The Elusiveness of Symbols. On the Illustrations to Crime and Punishment." Dostoevsky and World Culture. Philological journal, no. 3 (2022): 87–100. http://dx.doi.org/10.22455/2619-0311-2022-3-87-100.

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The author analyses the question of illustrations of Russian literary classics, on the example of well-known graphic series to Fyodor Dostoevsky’s novel Crime and Punishment. Literary illustrations have gone a long way, and their history is rich in renowned names of masters who had created visual images of characters from Russian classics. However, illustrations remain a “borderline” genre as they visualize material intended for our inner vision. This is where challenges and incongruities often arise when the attentive reader is not satisfied by the artistic representation suggested by the ill

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Bhellum, B. L., and Sania Hamid. "Pilea microphylla (L.) Liebm. (Urticaceae): a naturalised taxon for the Flora of Jammu and Kashmir State, India." Current Life Sciences 2, no. 2 (2016): 55–57. https://doi.org/10.5281/zenodo.56050.

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The present paper gives taxonomic accounts of <em>Pilea microphylla</em> (L.) Liebm., (Urticaceae), a species naturalised for Jammu and Kashmir State. Taxonomic description along with illustrations of floral parts and fruits and photo of plant and scanned copy of Herbarium sheet are provided to facilitate its identity in field. 

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25

Sidor, Oleg. "Illustrations by Maria Kotlyarevska to the Poem by Heinrich Heine Germany. A Winter’s Tale." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(2) (November 28, 2024): 15–23. https://doi.org/10.31500/1992-5514.20(2).2024.318243.

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The main themes of this article are: the artist and the book, the artist and the era, the artist and totalitarianism, the artist and the measure of creative compromise on the example of one, separately taken creative personality. The excellent graphic creativity of Maria Kotlyarevska (one a few survivors of the “Executed Renaissance”) is the pride of Ukrainian fine art of the 20th century. The artist was a representative of the original stylistic direction—the so-called boychukism, which she interpreted in her own manner, using regional features (first of all, of the Kharkiv school). An exampl

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26

Nutton, Vivian. "Illustrations from the Wellcome Institute Library. Conrad Gesner and the English naturalists." Medical History 29, no. 1 (1985): 93–97. http://dx.doi.org/10.1017/s0025727300043763.

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Fredga, Karl, Torsten Stjernberg, and Ingvar Svanberg. "An early (1834) illustration of the wood lemming, Myopus schisticolor (Lilljeborg, 1844), from Finland." Archives of Natural History 38, no. 2 (2011): 214–19. http://dx.doi.org/10.3366/anh.2011.0029.

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The wood lemming, Myopus schisticolor, was described as a new species by the Swedish zoologist Wilhelm Lilljeborg in 1844 from a specimen captured in Norway the year before. With the original description was a fine hand-coloured lithograph by the artist Magnus Körner. A Latin translation of the description published later that year also used an illustration by Körner, but it was of lesser quality. However, the species had been observed, described and depicted earlier, but these renderings never reached the scientific community. In 2008 and 2009 respectively, one illustration of the wood lemmin

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Chafel, Judith A. "Social Comparisons by Young Children in Preschool: Naturalistic Illustrations and Teaching Implications." Journal of Research in Childhood Education 2, no. 2 (1987): 97–107. http://dx.doi.org/10.1080/02568548709594926.

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Upadhyay, Gautam, Anis Ansari, and A. K. Dalai. "Dorstenia bahiensis Klotzsch ex Fisch. & C.A. Mey. (Moraceae) – First naturalised record for India." Indian Journal of Forestry 31, no. 3 (2008): 479–82. http://dx.doi.org/10.54207/bsmps1000-2008-qmrc2n.

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Dorstenia bahiensis Klotzsch ex Fisch. & C.A. Mey. introduced in India is recorded in wild for the first time from Kerala. Detailed description along with distribution, ecological observation, illustration, photoplates, etc. are provided herewith to facilitate easy identification of the species in the field.

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ALVARADO-CÁRDENAS, LEONARDO O., MARÍA G. CHÁVEZ-HERNÁNDEZ, and JUAN F. PÍO LEÓN. "Gonolobus naturalistae (Apocynaceae; Asclepiadoideae; Gonolobeae; Gonolobinae), a New Species From México." Phytotaxa 472, no. 3 (2020): 249–58. http://dx.doi.org/10.11646/phytotaxa.472.3.3.

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A new species of Gonolobus from northwestern Mexico with green and barbate corollas is described here. Gonolobus naturalistae is morphologically similar to G. barbatus, G. pectinatus, and G. sororius but differs in corolla and corona morphology and distribution. Descriptions, illustrations, morphological comparisons, and geographic distribution maps of these species, as well as their conservation status, are provided. This discovery highlights Mexico as a center of diversity for the genus, with around 40 species recorded, and highlights its endemism, with 48.7% of the species occurring in the

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Winearls, Joan. "Allan Brooks, Naturalist and Artist (1869-1946)." Scientia Canadensis 31, no. 1-2 (2009): 131–54. http://dx.doi.org/10.7202/019758ar.

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Abstract British by birth Allan Cyril Brooks (1869-1946) emigrated to Canada in the 1880s, and became one of the most important North American bird illustrators during the first half of the twentieth century. Brooks was one of the leading ornithologists and wildlife collectors of the time; he corresponded extensively with other ornithologists and supplied specimens to many major North American museums. From the 1890s on he hoped to support himself by painting birds and mammals, but this was not possible in Canada at that time and he was forced to turn to American sources for illustration commi

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Charmantier, Isabelle. "Carl Linnaeus and the Visual Representation of Nature." Historical Studies in the Natural Sciences 41, no. 4 (2011): 365–404. http://dx.doi.org/10.1525/hsns.2011.41.4.365.

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Abstract The Swedish naturalist Carl Linnaeus (1707–1778) is reputed to have transformed botanical practice by shunning the process of illustrating plants and relying on the primacy of literary descriptions of plant specimens. Botanists and historians have long debated Linnaeus's capacities as a draftsman. While some of his detailed sketches of plants and insects reveal a sure hand, his more general drawings of landscapes and people seem ill-executed. The overwhelming consensus, based mostly on his Lapland diary (1732), is that Linnaeus could not draw. Little has been said, however, on the rol

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Kennison, Shelia M., and J. Michael Bowers. "Illustrating Brain Lateralisation in a Naturalistic Observation of Cell-Phone Use." Psychology Learning & Teaching 10, no. 1 (2011): 46–51. http://dx.doi.org/10.2304/plat.2011.10.1.46.

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Shipilov, I. A. "Sources on the History of Siberia in the First Half of 18th Century: Drawings of Artists of the Second Kamchatka Expedition." Bulletin of Irkutsk State University. Series History 34 (2020): 73–82. http://dx.doi.org/10.26516/2222-9124.2020.34.73.

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The article based on complex analysis of geographical, naturalistic (botanic, zoological, mineralogical), archaeological and ethnographic drawings performed by artists of the academic detachment of the Second Kamchatka expedition J. Ch. Berckhan, J. W. Lürsenius, J. C. Decker is shown importance of these works as subject-matter and disciplinary scientific illustrations representative of development the Russian science. It is revealed that the images of the named artists are realistic visual representations of the past of Siberia and should be used together with the scientific works of the part

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Fajri, Zainul, Rostanti Toba, Chusnul Muali, Maria Ulfah, and Fatimatus Zahro. "The Implications of Naturalist Illustration Image Media on Early Childhood Learning Concentration and Motivation." Jurnal Obsesi : Jurnal Pendidikan Anak Usia Dini 6, no. 4 (2022): 3278–90. http://dx.doi.org/10.31004/obsesi.v6i4.2092.

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Early childhood between the ages of 0 and 6 years experiences rapid growth and development. Children at this age have considerable potential that must be nurtured by providing essential knowledge, attitudes, and skills. Teachers are responsible for helping students reach their full potential through learning activities. One of them is creating exciting learning media that increases students' concentration and motivation. This study aims to adapt the use of naturalist illustration media to children's concentration and learning motivation. This research is a qualitative descriptive study using d

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Bhurtel, Khem Kumar, and Keshar Jung Magar. "Perspectives on Health and Health Education." Panauti Journal 2 (June 10, 2024): 101–10. http://dx.doi.org/10.3126/panauti.v2i1.66588.

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This study highlights different perspectives on health education. The naturalistic/bio-medical, functionalist, post-modernist, and Marxist perspectives on health and health education were all looked at in this study. The analysis is based on both published and unpublished materials, including online sources. Desk inquiry is the method used for analyzing the literature. Based on biological function and statistical normality, the naturalistic/bio-medical perspective regards health as belonging to a medical origin. By using an organismic illustration, the functionalist perspective emphasizes prot

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Cobb, Jeanne Beck. "Assessing Reading Metacognitive Strategy Awareness of Young Children: The Reading Metacognitive Strategy Picture Protocol." Language and Literacy 18, no. 1 (2016): 23. http://dx.doi.org/10.20360/g2pc74.

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The Reading Metacognitive Strategy Picture Protocol (RMSPP) is an informal, authentic, naturalistic diagnostic tool for classroom teachers and clinicians to use with children as young as kindergarten to assess students’ knowledge and awareness of metacognitive strategies. This article describes the RMSPP and how it was implemented in one informal project with 139 kindergarten – third graders, illustrating the usefulness of this picture protocol response technique with young children.

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OLMI, GIUSEPPE. "Museums on paper in Emilia-Romagna from the sixteenth to the nineteenth centuries: from Aldrovandi to Count Sanvitale." Archives of Natural History 28, no. 2 (2001): 157–78. http://dx.doi.org/10.3366/anh.2001.28.2.157.

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Ever since the Middle Ages, the art of Emilia Romagna (a region of Italy), and more generally of the Po Valley, has been characterised by great attention to aspects of daily life. This particular situation has undoubtedly encouraged the relations and links between the world of art and that of science. And, indeed, in Emilia Romagna throughout the modern age a large number of painters worked on commission for naturalists and an equally large number of scientists and ‘amateurs’ themselves undertook the illustration of nature, or were interested in the problems and techniques of the figurative ar

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Woodman, Neal, James G. Mead, and Michael R. McGowen. "“Mostri Marini”: Constantine S. Rafinesque's names for three of Antonino Mongitore's Sicilian whales." Archives of Natural History 47, no. 2 (2020): 344–55. http://dx.doi.org/10.3366/anh.2020.0659.

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In 1815, the naturalist Constantine Samuel Rafinesque (1783–1840) previewed three new species of cetaceans – Delphinus dalippus, Physeter urganantus and Oxypterus mongitori – that he intended to describe from Sicily based on illustrations in Antonino Mongitore's published work Della Sicilia ricercata nelle cose più memorabili (1742–1743). Although formal descriptions of the three species were never published, Rafinesque's reference to Mongitore's illustrations made the names available by “indication”. The names, nonetheless, fell into obscurity, most likely a result of contemporary taxonomists

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Lewis, Molly B. "Literacy and Preservation in “The Death and Burial of Cock Robin”." Victorians Institute Journal 49 (November 1, 2022): 3–27. http://dx.doi.org/10.5325/victinstj.49.2022.0003.

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Abstract This article considers an 1850 publication of the children’s nursery rhyme “The Death and Burial of Cock Robin” and accompanying illustrations by Harrison Weir. The publication serves as educational material, guiding Victorian children through the process of losing a loved one while providing a window into preservation culture in mid-nineteenth-century Britain. Weir’s illustrations, reflecting popular taxidermy tableaux, nuance this pedagogical project by drawing on the growing naturalist preoccupation of the nineteenth century and attendant preservation culture. The preservation and

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41

Balan, A. P., A. J. Rubi, and R. Prakashkumar. "Heterocentron subtriplinervium (Melastomataceae) – the first report of naturalisation of a potential invasive alien species in Asia from India." Acta Botanica Hungarica 62, no. 1-2 (2020): 1–6. http://dx.doi.org/10.1556/034.62.2020.1-2.1.

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Heterocentron subtriplinervium (Link et Otto) A. Braun et C. D. Bouche, a potential invasive alien species is reported here for the first time for Asia from the Western Ghats of India. The plant is probably introduced deliberately into gardens for ornamental purpose from where it escaped and become naturalised in the Western Ghats. This species is a potential weed, which quickly conquers areas wherever introduced displacing the indigenous flora. A detailed description, illustration, photograph and relevant notes are provided for easy identification in the field.

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Kabat, Alan R. "Richard Frederick Deckert (1878–1971), Florida naturalist and natural history artist." Archives of Natural History 39, no. 2 (2012): 321–37. http://dx.doi.org/10.3366/anh.2012.0098.

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Richard Deckert (born in Germany in 1878, immigrated to New York in 1887, died in Florida in 1971) was a polymath with great enthusiasm and wide ranging interests in natural history. His collections and publications did much to document the reptiles, amphibians, and land snails of Florida. His contributions to natural history illustration were equally important, as his carefully detailed line drawings and water colour paintings delineated the intricate details of snails, fishes, amphibians, and reptiles (particularly snakes and turtles), as well as fossil vertebrates, and were used in a wide r

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Reid, Geraldine, and John Edmondson. "Henry Gustave Hiller (1864–1946): British stained glass artist, naturalist and illustrator." Archives of Natural History 51, no. 1 (2024): 61–72. http://dx.doi.org/10.3366/anh.2024.0896.

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Henry Gustave Hiller was born in Chorlton-cum-Hardy, England, in 1864. He worked in Liverpool as a stained glass artist, but was also a keen microscopist and an amateur entomologist and arachnologist, with a particular interest in the life histories of spiders. He was an active member of Liverpool’s natural history societies in his leisure time where he combined his passion for natural history with his artistic talent. His arachnology and entomological illustrations of Argyroneta aquatica, Chironomidae and Culicidae are part of the zoology collections of National Museums Liverpool’s World Muse

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Haskell, Robert E. "Social Cognition, Language, and the Non-Conscious Expression of Racial Ideology." Imagination, Cognition and Personality 6, no. 1 (1986): 75–97. http://dx.doi.org/10.2190/mh0a-qgfr-4r1e-4v09.

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Derived from a set of qualitative methodological procedures of analysis and validation of verbal reports, findings from both small group laboratory sessions and naturalistic observation settings are presented illustrating non-conscious expressions of racial ideology. Literal verbal productions are shown to yield “metaphorical” or subliteral references to racial concerns and stereotypes. The findings are discussed in terms of psychological and sociocultural levels of conditioning, prejudicial intent, the perception of “difference,” and the cognitive structure of prejudice.

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Daszkiewicz, Piotr. "René Antoine Ferchault de Réaumur (1683–1757), a naturalist and pioneer of acarology and his contacts with Poland." Biological Letters 53, no. 1 (2016): 9–17. http://dx.doi.org/10.1515/biolet-2017-0002.

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Abstract René Antoine Ferchault de Réaumur was one of the most important scientists of the Age of Enlightenment. His relations with Polish scientists are analysed, with particular reference to Franciszek Bieliński (Grand Marshal of the Crown), Konstanty Franciszek Fremel (a Saxon specialist of glass technology in Poland), and Johann Ernst Stieff (a Silesian scientist). Réaumur’s work on mites is discussed in the context of his entomological publications. For the first time, illustrations of mites drawn by Claude Aubriet (from Réaumur’s collection) are reproduced here.

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Siviero, Monica, and Carlo Violani. "Drawings for an exacting author: illustrations from Giovanni Antonio Scopoli's Deliciae florae et faunae insubricae." Archives of Natural History 33, no. 2 (2006): 214–31. http://dx.doi.org/10.3366/anh.2006.33.2.214.

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Giovanni Antonio Scopoli (1723–1788) was one of the most versatile naturalists in eighteenth-century Italy. In 1785, Scopoli conceived the ambitious publication, Deliciae florae et faunae insubricae. Appearing in instalments, this included descriptions and illustrations of plants, animals and minerals found in northern Italy. Unfortunately, Scopoli's sudden death halted publication of the Deliciae after its third instalment. Recently, a corpus of 98 paintings, in the gouache style, were discovered in the Biblioteca Universitaria of Pavia. These gouaches appear to be the basis for plates planne

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Veselskyi, Mykola. "Drawing as a mean of displaying zoological information (about the author’s experience)." Novitates Theriologicae, no. 13 (March 1, 2022): 130–35. http://dx.doi.org/10.53452/nt1352.

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Drawings belong to the important concentrated expressions of information that attract attention and are a kind of ‘language’ of communication between the author and the viewer (reader). They allow clearly highlighting the main points, emphasize certain details, or reflect the nature of natural objects without too much detail. It is one of the ways to explore and study reality. In these materials, a small selection of drawings with the most concise text was prepared, some of which were exhibited in 1991 in the Department of Nature of the Zhytomyr Regional Museum of Local Lore at the exhibition

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Noblett, William. "Dru Drury, his Illustrations of natural history (1770-82) and the European market for printed books." Quaerendo 15, no. 2 (1985): 83–102. http://dx.doi.org/10.1163/157006985x00081.

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AbstractThis study attempts to show how the English entomologist, Dru Drury (1725-1804) exported his only published book, Illustrations of natural history, which appeared in three volumes between 1770 and 1782. Drury used three contacts on the European mainland: the Amsterdam bookseller, Jan Christian Sepp; the German botanist, Paul Dietrich Giseke and the Danish naturalist, Morten Thrane Brunnich. Drury's letters to these three men form the basis of the study. An examination of them reveal some of the problems encountered in the international book-trade in the eighteenth century (such as parc

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Eubanks-Carter, Catherine, Bernard S. Gorman, and J. Christopher Muran. "Quantitative naturalistic methods for detecting change points in psychotherapy research: An illustration with alliance ruptures." Psychotherapy Research 22, no. 6 (2012): 621–37. http://dx.doi.org/10.1080/10503307.2012.693772.

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Wessapak, Paweena, Chatchai Ngernsaengsaruay, and Suthee Duangjai. "A taxonomic revision of Cenchrus L. (Poaceae) in Thailand, with lectotypification of Pennisetum macrostachyum Benth." PhytoKeys 234 (September 28, 2023): 1–33. http://dx.doi.org/10.3897/phytokeys.234.106486.

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A revision of the genus Cenchrus (Poaceae) in Thailand is reported. Seven species, i.e. C. brownii, C. ciliaris, C. clandestinus, C. echinatus, C. pedicellatus, C. purpureus and C. setosus are described in this taxonomic treatment. This genus is an exotic species and distributed throughout the floristic regions. All the species have become naturalised to Thailand as a weed and found growing in wastelands, open areas by the roadside, disturbed sites, the edge of rice fields and the edge of deciduous and evergreen forests at elevations between 0 and 2,650 m alt. Pennisetum macrostachyum, a synon

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