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Libros sobre el tema "Individual archives"

Autor: Grafiati
Publicado: 2 de julio de 2021
Última modificación: 5 de febrero de 2022

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1

Archivists, Society of American. 1988 directory of individual members. Chicago, IL: Society of American Archivists, 1988.

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2

Cory Library for Historical Research. St Aidan's College archives ; W.H.D. Deacon papers ; Small collections and individual documents. Grahamstown [South Africa]: Rhodes University, 1992.

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3

Archivists, Society of American. SAA yellow pages: 1991 directory of individual members. Chicago, IL: Society of American Archivists, 1991.

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4

Archivists, Society of American. Yellow pages: 1996/97 directory of individual and institutional members. Chicago, IL: Society of American Archivists, 1996.

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5

Archivists, Society of American. SAA yellow pages: 1994 directory of individual and institutional members. Chicago, IL: Society of American Archivists, 1993.

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6

Mellor, David. The Barry Joule archive: Works on paper attributed to Francis Bacon. Dublin: Irish Museum of Modern Art, 2000.

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7

Stipe, Margo. Frank Lloyd Wright: The interactive portfolio : rare removable treasures, hand-drawn sketches, original letters, and more from the official archives. Philadelphia, Pa: Running Press, 2004.

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8

1867-1959, Wright Frank Lloyd, ed. Frank Lloyd Wright: The interactive portfolio : rare removable treasures, hand-drawn sketches, original letters, and more from the official archives. Philadelphia, Pa: Running Press, 2004.

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9

Lunt, Boo. Oral histories at the Schlesinger Library: Tapes and transcripts of group projects and individual interviews. Cambridge, MA: Radcliffe College, 1992.

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10

Siewert, Senta. Performing Moving Images. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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11

McCarthy, Gavan. Guide to the archives of science in Australia: Records of individuals. Port Melbourne, Vic: Thorpe in association with Australian Science Archives Project & National Centre for Australian Studies, 1991.

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12

Kabakov, Ilʹi︠a︡ Iosifovich. Ilya Kabakov: Das angeflogene archiv = the arriving archive. Ostfildern-Ruit: Hatje Cantz Verlag, 2000.

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13

Arthur, Drexler, Schulze Franz 1927- y Mies van der Rohe Archive., eds. The Mies van der Rohe Archive. New York: Garland Pub., 1986.

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14

Craig, Barbara Lazenby. Medical archives: What they are and how to keep them : an introduction and some basic advice for individuals and institutions. Toronto: York University, 1989.

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15

Congressional papers management: Collecting, appraising, arranging, and describing documentation of United States senators, representatives, related individuals and organizations. Jefferson, N.C: McFarland, 1996.

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16

Kindikova, Nina. Altai literature. Portraits of writers and literarys. ru: INFRA-M Academic Publishing LLC., 2017. http://dx.doi.org/10.12737/monography_59f06500853df7.57225829.

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The fate and creative activities of the Altai writers and literary are presented on the basis of archival material and a new reading of artistic works. The Altai literature has been uncovered in a historical perspective, analysed the publications of past years and examined the monographs of contemporary researchers in the Altai literature. The role of creative individuals and their contribution to the Altai literature was emphasized. The fate and literary heritage of repressed writers have been reinterpreted. This work is intended for philologists, masters, postgraduate, turcologists.The work presents the fate and creativity of the Altai writers and literary critics on the basis of archival materials and reading of works of art. The work is intended for scholars, undergraduates, graduate students.The work presents the fate and creativity of the Altai writers and literary critics on the basis of archival materials and reading of works of art. The work is intended for scholars, undergraduates, graduate students.
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17

Corò, Paola. Seleucid Tablets from Uruk in the British Museum. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-246-8.

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Between the second half of the 19th century and the first half of the 20th century the British Museum acquired as part of its cuneiform collections 120 economic tablets from Uruk dating to the Seleucid period; they belong to what has been described as “the most spectacular Hellenistic archives available today”. This book offers an analysis of the collection, accompanied by text editions. The approach adopted is to explore the documents in three main thematic sections: arable land, urban properties, and temple prebends. The administrative texts have been treated as a group. Particular attention is paid to the role played by specific families, individuals or groups in each area of interest, as well as to shedding new light on the ownership patterns and business strategies that characterised the activities of the parties to the documents.
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18

Biagini, Carlo, ed. L'Ospedale degli Infermi di Faenza. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-591-7.

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In view of its inevitable implications at an individual and collective level, in all historic periods hospital building has represented the most advanced level of elaboration of architectural models aimed at the optimal synthesis of form, function and technique. Consequently, the typological and morphological reading of the Ospedale degli Infermi of Faenza, in the wake of a campaign of architectural surveys and archive research, represents an opportunity for verifying the relationship between technical culture and design and building practice through which it is possible to identify the typological and semantic values of the architecture. Designed and constructed by the master builders Raffaele and Giovanbattista Campidori in the middle of the eighteenth century, the various phases in the transformation of the Hospital are analysed down to our own times, positing tools and methods of investigation designed to optimise operations for the rehabilitation and conservation of the most ancient part of the building.
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19

Hohti Erichsen, Paula. Artisans, Objects and Everyday Life in Renaissance Italy. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722629.

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Did ordinary Italians have a ‘Renaissance’? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth-century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
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20

Dreyblatt, Arnold y Thomas Fechner-Smarsly. Aus Den Archiven/from the Archives. Kehrer Verlag, 2003.

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21

Association, American Medical. CPT Assistant Archives 2001 Update (CD-ROM, Individual Version). American Medical Association Press, 2002.

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22

Bevan, Tony. Tony Bevan: Trees and archives. 2014.

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23

Francis Bacon the Barry Joule Archives. Galgiani, Phillip, 2000.

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24

Stacey, Robert y Hunter Bishop. J.E.H. Macdonald, Designer: An Anthology of Graphic Design, Illustration and Lettering (Archives of Canadian Art). Carleton Univ Pr, 1996.

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25

Yellow Pages 1994 Directory of Individual and Institutional Members (Society of American Archivists//Saa Yellow Pages). Society of Amer Archivists, 1993.

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26

undifferentiated, Schultz. MIES-PERLS KREFELD 1/5&6 (SET) (Garland Architectural Archives). Garland Science, 1990.

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27

Hupaniittu, Outi y Ulla-Maija Peltonen, eds. Arkistot ja kulttuuriperintö. SKS Finnish Literature Society, 2021. http://dx.doi.org/10.21435/tl.268.

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Archives and the Cultural Heritage The edited volume Archives and the Cultural Heritage focuses on archives as institutions and to their tense relationship with archives as material. These dynamics are discussed in respect of the past, the present, and the future. The focus lies in the mechanisms the Finnish archive institutions have utilised when taking part in forming the cultural heritage and in debating the importance of the private archives in society. Within social sciences and history from the early 1990s onwards, the effects of globalisation have been seen as a new focal point for research. Momentarily, the archives saw the same paradigm shift as the focus of the archival studies proceeded from state to society. This brought forth the notion that the values of society are reflected in the acquisition of archival material. This archival turn draws attention to the archives as entities formed by cultural practices. The volume discusses cultural heritage within Finnish archives with diverse perspectives and from various time periods. The key concepts are cultural heritage and archives – both as institution and as material. Articles review the formation of archival collections spanning from the 19th to the 21st century and highlight that the archives have never been neutral or objective actors; rather, they have always been an active process of remembering and forgetting, a matter of inclusion and exclusion. The focus is on private archives and on the choices that guided the creation of the archives and the cultural perceptions and power structures associated with them. Although private archives have considerable social and research value, and although their material complements the picture of society provided by documentary data produced by public administrations, they have only risen to the theoretical discussions in the 21st century. The authors consider what has happened before the material ends up in the archive, what happens in the archive and what can be deduced from this. It shows how archival solutions manifest themselves, how they have influenced research and how they still affect it. One of the key questions is whose past has been preserved and whose is deemed worthy of preservation. Under what conditions have the permanently preserved documents been selected and how can they be accessed? In addition, the volume pays attention to whose documents have been ignored or forgotten, as well as to the networks and power of the individuals within the archival institution and to the politics of memory. The Archives and the Cultural Heritage is an opening to a discussion on the mechanisms, practices and goals of Finnish archival activities. It challenges archival organisations to reflect on their own operating models and to make visible their own conscious or unconscious choices. It raises awareness of the formation of the Finnish documentary cultural heritage, produces new information about private archives and participates in the scientific debate on the changing significance of archives in society. The volume is related to the Academy of Finland research project “Making and Interpreting National Pasts – Role of Finnish Archives as Networks of Power and Sites of Memory” (no 25257, 2011–2014/2019), University of Turku. Project partners Finnish Literature Society (SKS) and Society of Swedish Literature in Finland (SLS).
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28

Stipe, Margo y Frank Lloyd Wright. Frank Lloyd Wright: The Interactive Portfolio. Running Press Book Publishers, 2004.

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29

Peterson, Trudy Huskamp. Archives for Justice, Archives of Justice. Editado por Paula Hamilton y James B. Gardner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199766024.013.8.

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Over the past decade, professionals working to reform justice systems and reestablish the rule of law in countries that previously had repressive regimes developed a framework for thinking about the demands that arise for dealing with the brutal heritage of government repression. The framework has four parts: holding perpetrators accountable, ensuring that there is no recurrence by reforming institutions and vetting personnel, seeking the truth of what happened to individuals and to the society as a whole, and obtaining reparation for the harm done, personally or collectively. Each of these demands can be met through various mechanisms, but all of them depend on archives. Rebuilding the justice sector and the nation through access to archives is a vital element in coming to terms with the past. The role of archivists as duty bearers for human rights is increasingly important.
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30

Ilya Kabakov: The Arriving Archive. Hatje Cantz Publishers, 2000.

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31

Eva, Meyer-Hermann, Perchuk Andrew, Rosenthal Stephanie, Kaprow Allan y Getty Research Institute, eds. Allan Kaprow--art as life. Los Angeles: Getty Research Institute, 2008.

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32

(Editor), Andrew Perchuk, Stephanie Rosenthal (Editor) y Eva Meyer-Hermann (Editor), eds. Allan Kaprow--Art as Life (Getty). Oxford University Press, USA, 2008.

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33

Williams, Gavin, ed. Hearing the Crimean War. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190916749.001.0001.

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This book addresses the sounds of the Crimean War, along with the many ways nineteenth-century wartime is aurally constructed. It examines wide-ranging experiences of listeners in Britain, France, Turkey, Russia, Italy, Poland, Latvia, Daghestan, Chechnya, and Crimea, illustrating the close interplay between nineteenth-century geographies of empire and the modes by which wartime sound was archived and heard. This book covers topics including music in and around war zones, the mediation of wartime sound, the relationship between sound and violence, and the historiography of listening. Individual chapters concern sound in Leo Tolstoy’s wartime writings, and his place within cosmopolitan sensibilities; the role of the telegraph in constructing sonic imaginations in London and the Black Sea region; the absence of archives for the sounds of particular ethnic groups, and how songs preserve memories for both Crimean Tatars and Polish nationalists; the ways in which perceptions of voice rearranged the mental geographies of Baltic Russia, and undermined aspirations to national unity in Italy; Italian opera as a means of conditioning elite perceptions of Crimean battlefields; and historical frames through which to understand the diffusion of violent sounds amid everyday life. The volume engages the academic fields of musicology, ethnomusicology, history, literary studies, sound studies, and the history of the senses.
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34

Camargo, José Jailton. Perfis políticos e resistência: O Paraná e a ditadura (1964-1985). Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5016-389-1.

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This research presents resistance actions effected by people who were residing in Paraná state during the civil-military dictatorship of 1964. This research focuses on personal action, although almost all the people who were mentioned were connected to any political or social movement. The objective is to understand actions taken by individuals, without privileging the groups they belonged, and actions that were registered by the agents of repression in their records and individual folders. The primary sources used in the research are available at Paraná’s Public Archives Department, in the collection of the former Bureau of the state Political and Social Order. Other sources are also used to support elucidating these actions, allowing assess the repressor’s speech about the blacklisted with other discourses. Due to that political moment, we understand that these acts of resistance implied on political courage and on resistance ethic, which marked the decision to act rather than merely behave. The work of Hannah Arendt and its reflections on politics is used as the main theoretical framework.
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35

Fair, Alistair. ‘Housing the Arts’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0003.

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This chapter discusses how major new theatres were funded in Britain between the 1950s and the 1980s. It considers the role of local government in promoting and subsidizing the construction of theatres, as well as the contributions made by individual benefactors, grant-giving trusts, and local fundraising efforts. Its focus, however, is the Arts Council’s ‘Housing the Arts’ programme, which was introduced in 1965 and survived into the 1980s. ‘Housing the Arts’ only ever part funded theatre-building projects, but its views carried particular weight. Based on the extensive archives relating to the programme, the chapter charts the origins and operation of the programme, and the difficulties that it increasingly faced.
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36

Johnes, Martin y Bob Nicholson. Sport History and Digital Archives in Practice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0003.

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This chapter identifies the limitations of the digitization of newspapers—one of the most popular resources for sport historians. First, copyright restricts the scope of digitization of some twentieth-century newspapers and periodicals. Second, digitization is compromised when the quality of newspaper print affects the ability to scan accurately and when scanning software confuses letters in texts using old fonts. Finally, searching by scanning software relies on an exact match between the keyword selected by the researcher and the description used by the journalist. Nevertheless, digital archives enable sport historians to access and examine large databases in relation to individuals, sports, teams, events, and sporting metaphors as these topics arise in newspapers and in other sources such as Google Books and court records.
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37

(Editor), Eric Eliason, Hoyt N. Duggan (Editor) y Thorlac Turville-Petre (Editor), eds. The Piers Plowman Electronic Archive: 5. London, British Library, MS Additional 35287 (M) (individual use) (SEENET). D.S.Brewer, 2005.

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38

Callie, Angell y Andy Warhol Museum, eds. The Andy Warhol Museum. Pittsburgh: The Museum, 1994.

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39

Berman, Avis y Arthur C. Danto. The Andy Warhol Museum/Book and Compact Disc. Power House Books, 1994.

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40

Valentina, Cadelo y Peterson Trudy Huskamp. Part II The Right to Know, C Preservation of and Access to Archives Bearing Witness to Violations, Principle 15 Measures for Facilitating Access to Archives. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198743606.003.0019.

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Principle 15 requires States to adopt measures that facilitate access to archives for victims, persons implicated in human rights violations, and individuals undertaking historical research. Access to records/archives means making them available for consultation as a result both of legal authorization and the existence of finding aids. Authorizing access to archives, particularly those of governments, is a political act. After providing a contextual and historical background on Principle 15, this chapter discusses its theoretical framework as well as its implementation, focusing on how international and national courts have taken a variety of positions on access. While the theoretical and best practice framework for access to archives exists, the chapter argues that implementation of Principle 15 is far from satisfactory. It also highlights important challenges that persist due to the reluctance of states to provide access to information, often linked to national security concerns.
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41

Kimberley, Reynolds, Tucker Nicholas, Roehampton Institute London y Arts Council of England, eds. Oral archives: A collection of informal conversations with individuals involved in creating or producing children's literature since 1945. London: Roehampton Institute London, 1998.

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42

Jeff, Rosenheim, Eklund Douglas, Schwarzenbach Alexis 1971- y Metropolitan Museum of Art (New York, N.Y.). Walker Evans Archive, eds. Unclassified: A Walker Evans anthology : selections from the Walker Evans Archive, Department of Photographs, The Metropolitan Museum of Art. Zurich: Scalo, 2000.

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43

Heinrichs, Katherine. The Piers Plowman Electronic Archive: 3. Oxford, Oriel College, MS 79 (O) on CD-Rom (individual use) (SEENET). D.S.Brewer, 2005.

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44

Valentina, Cadelo y Peterson Trudy Huskamp. Part II The Right to Know, C Preservation of and Access to Archives Bearing Witness to Violations, Principle 17 Specific Measures Relating to Archives Containing Names. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198743606.003.0021.

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Principle 17 requires that States provide specific safeguards to individuals who exercise their right of access to archives, in particular to know whether their personal information is included therein. This principle reflects contemporary standards related to access to archives, freedom of information, data protection and any other situation related to privacy rights. Every person is entitled to know whether his/her name appears in State archives and, if so, by virtue of their right to access, shall be given the opportunity to challenge the validity of the information concerning them. After providing a contextual and historical background on Principle 17, this chapter discusses its theoretical framework as well as the ways in which European institutions have addressed the issue of holding of names and personal information by state agents. It also highlights some of the problems and potential implications raised by Principle 17.
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45

Shaikan, Valentyna y Andrii Shaikan. Complicity and collabortionism in Ukraine of 1939-1945: reasons, typical and special demonstrations. OKTAN PRINT, 2021. http://dx.doi.org/10.46489/ccu19391945-01.

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The authors examined in complex the reasons, the typical and special demonstrations of such difficult appearances-phenomena as complicity and collaborationism on the territory of the Reich Commissariat "Ukraina" and the zone of the military Hitler administration in the years of the Second World War in their work; the problem is investigated on the basis of the significant amount of the poorly-known or the unknown for the researchers archival documents of the Ukrainian archives' storehouses, at the historical-philosophical and social-psychological level; grasping the idea of the complex social processes, the authors tried to define the water-parting between the demonstrations of the spontaneous or the organized population's self-activity of the occupied territories, the conscious, the voluntary and the forced collaboration with the occupants, showed the motivation of the behavior's different models at the individual and group (collective) levels. New is the positing and interpreting of the problem as the strategy of people survival on the extreme conditions of war. The authors made the typology of different demonstrations of collaboration and complicity in dependence on the specific conditions, the character of the occupation regime, the mental and the moral-psychological factors, ect. The reply to such sharp and touchy questions as, in the first turn, the survival strategy of the Ukrainian population during the Hitler occupation, the activity of the military-political structures, the characteristic features and peculiarities of the social-economic, cultural and religious life, the character of the international relations, the activity of the Ukrainian social-political institutions at the beginning of war and others, in the authors' opinion, will help in creation of the objective and complete picture of the Second World War.
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46

Finseth, Ian. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190848347.003.0001.

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Contra conventional wisdom, this introductory chapter proposes that the Civil War dead were understood in relation to four epistemic predicaments that shaped not only an American but a broadly Western modernity in the late nineteenth century: (1) a growing sense of the eᶊentially mediated character of all experience and a loᶊ of faith in the coherence of the individual subject; (2) the increasing dominance of the image in political and social relations and in shaping how Americans knew the world; (3) an erosion of traditional and nationalist views regarding the meaning of historical change and of the present’s relationship to the past; and (4) a newly secular emphasis on complexity, contingency, and chance in the workings of the world. These social and intellectual dilemmas provide an organizational scheme for the book, which is structured around four cultural archives: eyewitneᶊ accounts, visual art, histories of the war, and narrative fiction.
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47

Jolly, Margaretta. Sisterhood and After. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190658847.001.0001.

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This ground-breaking history of the UK Women’s Liberation Movement explores the individual and collective memories of women at its heart. Spanning at least two generations and four nations, and moving through the tumultuous decades from the 1970s to the present, the narrative is powered by feminist oral history, notably the British Library’s Sisterhood and After: The Women’s Liberation Oral History Project. The book mines these precious archives to bring fresh insight into the lives of activists and the campaigns and ideas they mobilised. It navigates still-contested questions of class, race, violence, and upbringing—as well as the intimacies, sexualities and passions that helped fire women’s liberation—and shows why many feminists still regard notions of ‘equality’ or even ‘equal rights’ as insufficient. It casts new light on iconic campaigns and actions in what is sometimes simplified as feminism’s ‘second wave’, and enlivens a narrative too easily framed by ideological abstraction with candid, insightful, sometimes painful personal accounts of national and less well-known women activists. They describe lives shaped not only by structures of race, class, gender, sexuality and physical ability, but by education, age, love and cultural taste. At the same time, they offer extraordinary insights into feminist lifestyles and domestic pleasures, and the crossovers and conflicts between feminists. The work draws on oral history’s strength as creative method, as seen with its conclusion, where readers are urged to enter the archives of feminist memory and use what they find there to shape their own political futures.
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48

Thomson, C. Claire. Mapping Messiness: The Informational Film Archive and Actor-Network Theory. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0004.

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This chapter offers Actor-Network Theory (ANT) as a toolkit for analysing the often messy and complex networks and relationships involved in the production and distribution of useful cinema. Stressing that ANT is employed in the book as a way of thinking rather than as an explicit framework, the chapter briefly outlines the key principles of ANT and relates them to documentary and informational filmmaking. In particular, the chapter discusses the potential of ANT for rendering visible or audible the many non-human actors in any instance of filmmaking, and for revealing how facts are constructed in documentary and related genres. The institutions, individuals, networks, technologies and other actors involved in mid-twentieth-century Danish informational filmmaking are then mapped. The chapter concludes with a discussion of the role of the archive and the researcher in the network of any given film, explaining how contemporary archival practices, especially digital technologies, are creating new dispositifs for historical informational film.
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49

Song, Weijie. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0001.

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This chapter contextualizes and theoreticizes the literary topography of space and emotion, the (de)formation of modern subjectivity, individual desire and collective consciousness, political conflicts and historical violence, as well as nationalist sentiments and cultural memories centering around Beijing, the ancient capital and modern city, which has framed the material infrastructures, human conditions, mental images, political regimes, cultural identities, and literary imaginations from the late Imperial and Republican periods to the Cold War era and after. I consider five modes of creating a city-text that fashion Beijing: (1) a warped hometown, (2) a city of snapshots and manners, (3) an aesthetic city, (4) an imperial capital in comparative and cross-cultural perspective, and (5) a displaced and relocated city on the Sinophone and diasporic postmemory. Each method of imagining Beijing provides a unique entry point into the nexus of urban settings, archives of emotions, and strategies of literary mappings in Beijing’s journey from imperial capital to socialist city.
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50

Brockmeier, Jens. From Memory as Archive to Remembering as Conversation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190230814.003.0003.

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This chapter is concerned with changes in the understanding of remembering and forgetting. It pays particular attention to the emergence of alternative visions that challenge the traditional archival model of memory and offers new ways to conceive of mnemonic practices as cultural practices. Starting with a discussion of archival models in contemporary scientific memory research, it then examines new models of memory that aim to capture what archival models tend to ignore: the social, societal, and cultural dynamic of human remembering. In this way, the focus shifts to postarchival memory models that have emerged in clinical disciplines, the social sciences, and the humanities. The chapter concludes by discussing one approach to remembering and forgetting that conceives of them as inherently social practices—as practices that, it is suggested, should be understood after the model of conversation rather than the archival model of individual retrieval.
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