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Mussou, Claude y Mette Charis Buchman. "Editorial". VIEW Journal of European Television History and Culture 4, n.º 8 (30 de diciembre de 2015): 1. http://dx.doi.org/10.18146/2213-0969.2015.jethc087.
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Archives have traditionally been the result of individual or collective decisions taken on political, institutional or business grounds in order to preserve documents and make these accessible for use. In the current digital ‘era of plenty,’ which enables an unprecedented creation of, and access to archival content, it seems that the very definition of an archive and its usage is being challenged. As a journal that aims to bring together archival expertise and academic knowledge on television history and culture and the role of archives in mediating the past, VIEW is proud to present an entire issue dedicated to ‘Archive Based Productions.’ Unlike other issues, this issue features the most contributions written by archive professionals, which can be found in the Discovery section of our journal. These archival discoveries complement the more scholarly explorations, which offer a broader perspective on archives as ‘launch pads’ for new productions.
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Armida, Armida, Dessi Susanti y Rini Sarianti. "Pelatihan Manajemen Arsip Dinamis di Kecamatan 2 X 11 Enam Lingkung Kabupaten Padang Pariaman Sumatera Barat". Jurnal Pemberdayaan Masyarakat Madani (JPMM) 1, n.º 2 (12 de diciembre de 2017): 230–48. http://dx.doi.org/10.21009/jpmm.001.2.06.
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The purpose of this community activity is 1) increasing knowledge of administrative officers in District 2 x 11 Enam Lingkung concerning the creation and reception of the archives, distribution, use, as well as depreciation of the archive, 2) realizing the sub-district office employee are capable of doing the handling or management of archieves. Implementation of training using a variety of methods and approaches, namely as follows: 1) methods of lectures and discussion; a to deliver the theoretical material about the program handling of archives, namely creation and acceptance Archive, distribution, use, as well as depreciation of the archive, 2) method of training and individual guidance related to the management and activities of archives rearrangement, 3) method resitasi or administering the tasks performed to find out so far where the ability of participants in the care of the archives. The result of the activities of this devotion is 1) 90% of the participants understand the concept of archives, 2) 90% of the participants was able to do the handling or management of archives.
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Peterson, Trudy Huskamp. "The “I” in government archives: the individual as stakeholder". Asian Education and Development Studies 8, n.º 2 (8 de abril de 2019): 98–108. http://dx.doi.org/10.1108/aeds-01-2017-0005.
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Purpose The purpose of this paper is to discuss the critical reasons why citizens need government archives, with an elaboration on why managing electronic records is crucial. Design/methodology/approach The paper offers a philosophical framework that argues that not managing records harms individuals. Examples from several countries are reviewed to find the relevance of the records relationships between people and governments, and the nexus between human rights and archives through an examination of the first three articles of the Universal Declaration of Human Rights is analyzed. Findings The paper identifies a strong relationship between human rights and archives and the way lives are reflected in the records in government archives. This reinforces the argument that governments need clearly established and legally empowered archival institutions. Originality/value Critical examination of the “I” in government archives is relatively rare in the literature, particularly when linked to the human rights implications of government records. The study is a constructive beginning for further academic discussions to explore this dimension, which in turn is related to both the efficiency of governance and the public trust in government.
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Condron, Melody. "Identifying Individual and Institutional Motivations in Personal Digital Archiving". Preservation, Digital Technology & Culture 48, n.º 1 (26 de marzo de 2019): 28–37. http://dx.doi.org/10.1515/pdtc-2018-0032.
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AbstractPersonal digital archiving (PDA) is a relatively new field. As it has developed, two distinct personas have emerged: the individual person, seeking to capture and archive their own or someone else’s personal digital materials; and the institution—including museums, libraries, and archives—attempting to acquire and manage personal digital materials. In doing so, institutions also advocate for the preservation and management of personal digital archives and digital file management practices held in private hands. However, individuals and institutions make different choices in terms of curation and management, based on skills, knowledge, purpose, function and economics. Understanding these differences can aid institutional support for personal archives, as well as help to build collaborative frameworks to help personal and institutional differences be better understood. This paper identifies the similarities and differences in motivation and approach between individual and institutional practices and perspectives in PDA.
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Presutti, Robert. "Toward a Greater Discourse: Issues in Religious Archives". Theological Librarianship 3, n.º 1 (1 de junio de 2010): 15–22. http://dx.doi.org/10.31046/tl.v3i1.135.
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The topic of religious archives, a catalyst of much discussion in archival literature, has traditionally been overlooked within the discourse of the American Theological Library Association (ATLA). This essay provides a survey analysis of three pertinent issues in religious archives with the intention of generating a wider discussion on religious archives within ATLA. These issues include the role of graduate archival education, the effects of religious faith on both the archival record and the individual archivist, and the idea of a theology of archives. An extended review of the contributions of James O’Toole to the discussion of religious archives is utilized.
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Wright, Kirsten y Nicola Laurent. "Safety, Collaboration, and Empowerment". Archivaria, n.º 91 (29 de junio de 2021): 38–73. http://dx.doi.org/10.7202/1078465ar.
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In order to undertake liberatory memory work, engage effectively with communities and individuals, and centre people rather than records in their work, archival organizations must be aware of trauma and its effects. This article introduces the concept of trauma-informed practice to archives and other memory organizations. Trauma-informed practice is a strengths-based approach for organizations that acknowledges the pervasiveness of trauma and the risk and potential for people to be retraumatized through engagement with organizations such as archives and seeks to minimize triggers and negative interactions. It provides a framework of safety and offers a model of collaboration and empowerment that recognizes and centres the expertise of the individuals and communities documented within the records held in archives. Traumainformed practice also provides a way for archivists to practically implement many of the ideas discussed in the literature, including liberatory memory work, radical empathy, and participatory co-design. This article proposes several areas where a trauma-informed approach may be useful in archives and may lead to trauma-informed archival practice that provides better outcomes for all: users, staff, and memory organizations in general. Applying trauma-informed archival practice is multidimensional. It requires the comprehensive review of archival practice, theory, and processes and the consideration of the specific needs of individual memory organizations and the people who interact with them. Each organization should implement trauma-informed practice in the way that will achieve outcomes appropriate for its own context. These out comes can include recognizing and acknowledging past wrongs, ensuring safety for archives users and staff, empowering communities documented in archives, and using archives for justice and healing.
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Rajh, Zdenka Semlič. "Problems with Describing E-born and Digitized Archival Records". Atlanti 27, n.º 1 (16 de octubre de 2017): 193–204. http://dx.doi.org/10.33700/2670-451x.27.1.193-204(2017).
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National Program for Culture defines that the digitization and preservation of digital content in the field of culture, which include archives and libraries are among the basic tasks of public institutions dealing with cultural heritage. However, it would be reasonable to think how the digitization of library and archival material and free access to the online content are reflected in the description of digital content. Libraries and archives implemented in the last ten years various digitization projects. However, they did not pay attention to the description of digitized material, which raises the question of the importance of context. This raises also the question of the evidential value of the digitized archives as well as authenticity, integrity and accountability of the digitized material in a broader context, which archives provide on the basis of the principles of provenance and original order. The digitization of archives is not specific only from the standpoint of the digitization process itself but also from the standpoint of the description of digitized archives. Adequate description enables namely the wide use of digitized archival material. A short presentation of literature and up to now accomplished research is followed by an analysis of online accessible descriptions of digitized archival material. The analysis was conducted in 48 foreign archival information systems and their databases. These are large systems, some of which operate as a common database of several smaller archives, but some systems are individual systems of the large national archives. The analyses was conducted in publicly accessible user interfaces, and was based on a direct applicability of the descriptions of digitized archival material within individual database. This is the query that can be performed by average user of archival material with access to the search engine knowing at least the basics of the web browser and of searching and sorting of the results.
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Ryantová, Marie. "Using Archives in the Czech Republic as an Important Formative Factor of Historical Awareness and a Means of Providing Publicity For Archives: Archival Exhibitions". Atlanti 26, n.º 2 (25 de octubre de 2016): 171–80. http://dx.doi.org/10.33700/2670-451x.26.2.171-180(2016).
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Besides using archives for the scientific, economic or economic-operational, legal and administrative purposes, also cultural and educational, or political purposes play an important part. The special archival exhibitions belong (beside the lectures) to the most interesting and attractive forms of the using archives already since the 50‘s of the 20th century - both, the greatest and as well as quite small in the individual archives, use the richness of the row of archives. The new archives buildings in the Czech Republic with the exhibition rooms or at least the showcases give a suitable opportunity for it also. The archival exhibitions have even specific financial and personal requirements, but serve also to propagate the archives and have an invaluable significance for the formation of historical awareness in both nationwide and regional scale.
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Konopa, Bartłomiej. "Archiwizacja Webu w Europie – narodowe archiwa Sieci". Archeion, n.º 121 (2020): 445–65. http://dx.doi.org/10.4467/26581264arc.20.016.12973.
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WEB archiving in Europe – National WEB Archives Web archiving, that is activities aimed at collecting and preserving Web resources, has been carried out for almost 25 years. During this time, many projects have been created to fulfill that task, as well as several organizations, such as the International Internet Preservation Consortium, that support it implementation. The article presents the development of activities in this area, and then presents the conclusions of the analysis of the functioning of selected European national Web archives, based on publicly available materials concerning them. This analysis was intended to examine how the Web is currently archived in this part of the world. Three main issues were considered: gathering, describing and access to the resources of the former WWW. The first of them covers the scope of archiving, namely determining what materials are subject to it, as well as the gathering strategies used for this purpose, which shape the archival collections. The second concerns the metadata and other elements used to convey information about what was collected during that process. The last element of the analysis includes the scope of access to archival WWW resources, existing restrictions and their causes, as well as the tools used for this. During the research, the author also became interested in the software used in individual projects. The obtained results show that the model of Web archive has been developed and the activities of the analyzed initiatives in Europe are very similar.
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Konopa, Bartłomiej. "Archiwizacja Webu w Europie – narodowe archiwa Sieci". Archeion, n.º 121 (2020): 445–65. http://dx.doi.org/10.4467/26581264arc.20.016.12973.
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WEB archiving in Europe – National WEB Archives Web archiving, that is activities aimed at collecting and preserving Web resources, has been carried out for almost 25 years. During this time, many projects have been created to fulfill that task, as well as several organizations, such as the International Internet Preservation Consortium, that support it implementation. The article presents the development of activities in this area, and then presents the conclusions of the analysis of the functioning of selected European national Web archives, based on publicly available materials concerning them. This analysis was intended to examine how the Web is currently archived in this part of the world. Three main issues were considered: gathering, describing and access to the resources of the former WWW. The first of them covers the scope of archiving, namely determining what materials are subject to it, as well as the gathering strategies used for this purpose, which shape the archival collections. The second concerns the metadata and other elements used to convey information about what was collected during that process. The last element of the analysis includes the scope of access to archival WWW resources, existing restrictions and their causes, as well as the tools used for this. During the research, the author also became interested in the software used in individual projects. The obtained results show that the model of Web archive has been developed and the activities of the analyzed initiatives in Europe are very similar.
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Hinai, Abdulmohsin Said Al. "Training of Archivist in the 21st Century". Atlanti 27, n.º 2 (17 de octubre de 2017): 139–48. http://dx.doi.org/10.33700/2670-451x.27.2.139-148(2017).
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Archives are a memory of the people, therefore the training of archivists and other staff is extremely important. Archival material comes into the archive in all its forms and in large quantities, and the work in the archives requires different specific experiences. Thousands of documents are exchanged between archives and various offices every day. Before opening this material for the public, these documents need special treatment: they need to be organized in accordance with office management rules, it is necessary to establish the original order, to regulate issues related to access restriction, to prepare retention periods, to provide the retrieval and a whole series of other records management procedures. All these procedures cannot be carried out without the practical and theoretical education of archivists. Training and developing other skills and knowledge that relate to specific competencies must be planned and its purpose is to acquire knowledge that leads to the improvement of an individual’s or organization’s performance. Training is an ongoing process in the life of the individual according to his needs, which leads to a change of behavior based on sophisticated methods of training. The training of archivists should not take place only in the form of knowledge transfer with lectures, since such training requires more intensive approach.Records managers are not focused solely on records themselves, but on the entire recordkeeping system. Such a system includes people who create and use organization records and policies regarding individual record procedures in order to ensure access to and the use of records. The training of archivists brings significant benefits to both archives and staff. All records and information generated by archives or collected from other sources are classified or organized in such a way that they can be found and successfully used in decision-making and long-term planning, which can be achieved only through continuous training. In the article, the author will discuss the importance of training in general and for the archival organization. There are many different types of training that are used to train archivists and other archival staff. The article presents the educational activity of the IIAS in providing archival knowledge and skills and the publication of Atlanti. The content of the publication contributes to the exchange of experience between archivists of members and non-members of the Institute, and also serves as an educational tool. The article also presents the training provided for archivists by the National Records and Archives Authority in Oman.
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Novokreshchennykh, Victor V. y Irina A. Novokreshchennykh. "Archival Pedagogy as regards Forming Value Orientations of the Younger Generation: Schools and Universities". Herald of an archivist, n.º 1 (2018): 285–93. http://dx.doi.org/10.28995/2073-0101-2018-1-285-293.
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The article studies cooperation between archives and educational institutions in forming value orientation of the growing generation. The archival pedagogy is a young branch of pedagogy formed at the intersection of history, pedagogy, and allied disciplines, such as museology, archival hermeneutics, and local history. Currently, it actively penetrates archives’ activities. The article is to study and to identify means of such cooperation in a case-study of the work of the Municipal Archive of Perm with schools and universities. The novelty of study springs from materials on archival pedagogy. The authors look beyond local history and patriotism, and explore issues of Perm culture connected with preservation of the cultural heritage of the region. Perm art and science, as presented in the fonds of Municipal Archive of Perm, is examined according to local, national, and global discourse. Local history is projected on world history by contributions of individuals to art and science. Interaction of local and national aspects of culture within the framework of archival pedagogy events is studied on the material of Perm art book and from personal provenance fonds of artists S. R. Kovalev, E. V. Kamshilova, photographer M. I. Kusnetsov, and others. Professors of philology B. M. Proskurnin and N. S. Bochkareva display cooperation of regional and global components in their professional activity. Their personal provenance archival fonds may provide significant material for studying archival pedagogy. Components of regional culture became a basis of an intellectual quest game ‘Treasures and puzzles of Rasgulay,’ dedicated to the city founder, V. N. Tatischev. The article studies in great depth the 2017 event, dedicated to creative work of S. R. Kovalev, local graphic artist. There was an introductory lecture on problems of intermedia, an overview of personal provenance fonds of the archive, a presentation of the personal provenance fond of S. R. Kovalev, and then there was time for students' individual work with the files of the fond and for self-reflection, as students analyzed graphical reproductions and literary works of the artist.
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Mitchell, Caroline. "Re-Sounding Feminist Radio". Feminist Media Histories 1, n.º 4 (2015): 126–43. http://dx.doi.org/10.1525/fmh.2015.1.4.126.
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Digital archives of women's radio programming document histories of feminist activism across different eras in multiple global contexts. Mitchell surveys the ongoing development of these archives, examining their role in “re-sounding” women into history. Women's radio can be a place for individual empowerment, expression and creativity, as well as a space for collective and transnational feminist campaigning and activism. A case study of Fem FM women's community radio archive in the UK demonstrates how archives of feminist radio activism become both a repository and a maker of cultural memory.
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Kožar, Azem. "New Educational Paradigm of Archival Employees in Countries in Transition Countries". Atlanti 27, n.º 1 (16 de octubre de 2017): 217–30. http://dx.doi.org/10.33700/2670-451x.27.1.217-230(2017).
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Transition is a complex and time-consuming process through which developing countries, including successor states of the former Yugoslavia, are going. It covers all spheres of human activity, and thus, without exception, also archival activity. It is taking place quite slowly, but with many similarities and differences in individual successor states, including Croatia, Bosnia and Herzegovina and Montenegro. Basically, the archive network is incomplete, archival legislation is insufficient and non-synchronized, material and personnel basis is inadequate and information-technological transformation is insufficient. In the context of the ongoing globalization processes, the new nformation technologies condition, inter alia, a new paradigm of archival activity as a whole, as well as in the field of the education of archival workers at the creators and in the archives. Instead of the classical function, the informational function of archival activities is gaining the significance, the protagonists and carriers of which must be information specialists, which in turn requires the change of the existing educational paradigm. Among other things, there must be changes in the field, which concern the educational involvement of archival workers who work with the records of special and private archives, which is increasing, but has not been the case so far, since all attention has been given to the public archival records. The purpose of the paper is to show some of the above-mentioned shortcomings in the past and the current education in the field of Archives and records management in countries in transition with the aim of improving the state of the spirit of current globalization, integration and science-information beliefs and movements, which requires the creation of a new educational paradigms.
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Walker, Annalise K. "Canadian Architectural Archives at the University of Calgary Libraries". Research Notes 12, n.º 3 (21 de octubre de 2013): 63–70. http://dx.doi.org/10.7202/1018943ar.
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The Canadian Architectural Archives at the University of Calgary Libraries were established in 1974; first major collections were donated in 1975 and, by 1983, the Archives has grown significantly. Collections consist mostly of drawings, file material and photographs, with some models. The purpose of the Archives is support of study and research and preservation of documents. Major collections include those of John B. Parkin Associates, Arthur Erickson, and Ron Thorn, as well as other large collections from the Toronto, Calgary and Vancouver area. Organization of collections is based on archival principles of original order and provenance, and access to individual building projects is facilitated through various indices and inventories. An Oral History programme provides some additional biographical background. With a few exceptions, all materials are accessible for research in the Archives reader area; limited research assistance can be given to persons from out of town or out of province. Copies of individual items can be provided for research, exhibition or publication under strict copyright regulations.
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Kruse, Christian. "All with one Aim in Mind: Cooperation at Federal Level in the Field of Digital Archiving". Atlanti 27, n.º 1 (16 de octubre de 2017): 125–31. http://dx.doi.org/10.33700/2670-451x.27.1.125-131(2017).
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Archives throughout the world are faced with the enormous task of ensuring that digital documents are permanently legible in order to be able to archive them. The possibilities of an individual archive administration in terms of human resources and finances are quickly exceeded on the way to a solution. The contribution presents cooperation at federal level, the joint efforts undertaken and the result.
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Hendery, Rachel y Andrew Burrell. "Playful interfaces to the archive and the embodied experience of data". Journal of Documentation 76, n.º 2 (23 de diciembre de 2019): 484–501. http://dx.doi.org/10.1108/jd-05-2019-0078.
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Purpose The purpose of this paper is to demonstrate the possibility for the galleries, libraries, archives and museums sector to employ playful, immersive discovery interfaces for their collections and raise awareness of some of the considerations that go into the decision to use such technology and the creation of the interfaces. Design/methodology/approach This is a case study approach using the methodology of research through design. The paper introduces two examples of immersive interfaces to archival data created by the authors, using these as a springboard for discussing the different kinds of embodied experiences that users have with different kinds of immersion, for example, the exploration of the archive on a flat screen, a data “cave” or arena, or virtual reality. Findings The role of such interfaces in communicating with the audience of an archive is considered, for example, in allowing users to detect structure in data, particularly in understanding the role of geographic or other spatial elements in a collection, and in shifting the locus of knowledge production from individual to community. It is argued that these different experiences draw on different metaphors in terms of users’ prior experience with more well-known technologies, for example, “a performance” vs “a tool” vs “a background to a conversation”. Originality/value The two example interfaces discussed here are original creations by the authors of this paper. They are the first uses of mixed reality for interfacing with the archives in question. One is the first mixed reality interface to an audio archive. The discussion has implications for the future of interfaces to galleries, archives, libraries and museums more generally.
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HEAD, RANDOLPH C. "DOCUMENTS, ARCHIVES, AND PROOF AROUND 1700". Historical Journal 56, n.º 4 (30 de octubre de 2013): 909–30. http://dx.doi.org/10.1017/s0018246x12000477.
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ABSTRACTJean Mabillon'sDe re diplomatica, whose importance for diplomatics and the philosophy of history is well recognized, also contributed to the seventeenth-century European debate over the relationship among documents, archives, and historical or juridical proof. This article juxtaposes early works on diplomatics by Mabillon, Daniel Papebroche, and Barthélémy Germon against Germanius archivitheorists including Rutger Ruland and Ahasver Fritsch to reveal two incommensurate approaches that emerged around 1700 for assessing the authority of written records. Diplomatics concentrated on comparing the material and textual features of individual documents to authentic specimens in order to separate the genuine from the spurious, whereas theius archiviemphasized thepublica fides(public faith) that documents derived from their placement in an authentic sovereign's archive. Diplomatics' emergence as a separate auxiliary science of history encouraged the erasure of archivality from the primary conditions of documentary assessment for historians, however, while theius archivi's privileging of institutional over material criteria for authority foreshadowed European state practice and the evolution of archivistics into the twentieth century. This article investigates these competing discourses of evidence and their implications from the perspective of early modern archival practices.
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Milligan, Ian. "Lost in the Infinite Archive: The Promise and Pitfalls of Web Archives". International Journal of Humanities and Arts Computing 10, n.º 1 (marzo de 2016): 78–94. http://dx.doi.org/10.3366/ijhac.2016.0161.
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Contemporary and future historians need to grapple with and confront the challenges posed by web archives. These large collections of material, accessed either through the Internet Archive's Wayback Machine or through other computational methods, represent both a challenge and an opportunity to historians. Through these collections, we have the potential to access the voices of millions of non-elite individuals (recognizing of course the cleavages in both Web access as well as method of access). To put this in perspective, the Old Bailey Online currently describes its monumental holdings of 197,745 trials between 1674 and 1913 as the “largest body of texts detailing the lives of non-elite people ever published.” GeoCities.com, a platform for everyday web publishing in the mid-to-late 1990s and early 2000s, amounted to over thirty-eight million individual webpages. Historians will have access, in some form, to millions of pages: written by everyday people of various classes, genders, ethnicities, and ages. While the Web was not a perfect democracy by any means – it was and is unevenly accessed across each of those categories – this still represents a massive collection of non-elite speech. Yet a figure like thirty-eight million webpages is both a blessing and a curse. We cannot read every website, and must instead rely upon discovery tools to find the information that we need. Yet these tools largely do not exist for web archives, or are in a very early state of development: what will they look like? What information do historians want to access? We cannot simply map over web tools optimized for discovering current information through online searches or metadata analysis. We need to find information that mattered at the time, to diverse and very large communities. Furthermore, web pages cannot be viewed in isolation, outside of the networks that they inhabited. In theory, amongst corpuses of millions of pages, researchers can find whatever they want to confirm. The trick is situating it into a larger social and cultural context: is it representative? Unique? In this paper, “Lost in the Infinite Archive,” I explore what the future of digital methods for historians will be when they need to explore web archives. Historical research of periods beginning in the mid-1990s will need to use web archives, and right now we are not ready. This article draws on first-hand research with the Internet Archive and Archive-It web archiving teams. It draws upon three exhaustive datasets: the large Web ARChive (WARC) files that make up Wide Web Scrapes of the Web; the metadata-intensive WAT files that provide networked contextual information; and the lifted-straight-from-the-web guerilla archives generated by groups like Archive Team. Through these case studies, we can see – hands-on – what richness and potentials lie in these new cultural records, and what approaches we may need to adopt. It helps underscore the need to have humanists involved at this early, crucial stage.
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Maier, Carla J. y Holger Schulze. "The Tacit Grooves of Sound Art. Aesthetic Artefacts as Analogue Archives". SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 7, n.º 3 (9 de abril de 2018): 20–35. http://dx.doi.org/10.7146/se.v7i3.105227.
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From the perspective of sound studies and media history this article explores approaches to analogue archives coming from the fi elds of sound art and media art. The authors analyse works of art by two contemporary artists from Berlin and Aarhus focussing on archival practices of storing and retrieving: Marianthi Papalexandri-Alexandri and Morten Riis. What is actually (not merely metaphorically) ‘stored’, ‘inscribed’ or ‘archived’ in and subsequently ‘retrieved’, ‘read’ or even ‘decoded’ from a certain sound artwork? From this starting point the individual artistic practices, the research strategies and the new and surprising ways of archiving and retrieving as invented and refi ned by Papalexandri-Alexandri and Riis are described and analysed. The observed artistic practices, the authors argue, converge in the direction of sonic affordances inherent in the material instruments or storage media: These affordances are stored and retrieved, as they represent the tacit grooves of sound art.
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Khasanah, Uswatun y Sutriono . "PENGARUH PENGELOLAAN ARSIP TERHADAP EFISIENSI KERJA DI SUB BAGIAN KEPEGAWAIANRSUD Dr. SOEDIRMAN KEBUMEN". Jurnal E-Bis (Ekonomi-Bisnis) 2, n.º 1 (28 de julio de 2018): 1–6. http://dx.doi.org/10.37339/e-bis.v2i1.79.
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Archives are documents (original text) that are made and received by States Institution and Government/Private/Individual Departrment in various forms, both single and collective for government activity and nation life. The purpose of the researh is to know how the effect of management of the archives of work efficiency in Sub-section of staffing RSUD Dr. Soedirman Kebumen. The problems which are studied including: (1) how the management of archives in Sub-section of staffing RSUD Dr. Soedirman Kebumen, (2) the effect of management archives of work efficiency in Sub-section of staffing RSUDDr. Soedirman Kebumen. This research was conducted at the RSUD Dr. Soedirman Kebumen located in the Lingkar Selatan Muktisari street Kebumen by taking the subject of research, officials or employees in the sub-section of staffing. This type of research is descriptive method and regression and correlation method. While data collection method used is monitoring (observation), interviews, and questionnaires. From the results of this research, it is known that there is strong positive relationship between the management of the archive of work efficiency in sub-section of staffing RSUD Dr. Soedirman Kebumen . It is evident from the pearson correlation test results earned value 0,910 and calculation of questionnaires that States 82,8% work efficiency in sub-section of staffing RSUD Dr. Soedirman Kebumen influence by management of archive while 17,2 % influence by another factor. The problem of management of the archive is limitedness of officer to handle the archive. Thus, the need for special officer in managing the archive.
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Raskin, David I. "V. V. Bedin in Charge of the Central State Historical Archive of the USSR in Leningrad: 1945–52, 1954–64". Herald of an archivist, n.º 3 (2021): 916–26. http://dx.doi.org/10.28995/2073-0101-2021-3-916-926.
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The article is to highlight the little-known pages in the history of the Russian State Historical Archive, one of the largest archives in Russia. Its story is an integral part of the history of archiving in Russia. The article is to show the role of an individual in the history of Russian archiving in a case-study of the activities of one of its most effective managers. His life is largely characteristic of the generation of archival leaders of the 1940s–60s, while his personal characteristics are unique. The article is based on genuine archival materials preserved in the so-called “Archive of the archive” and also on the memoirs of his contemporaries. It is devoted to the biography of Vasily Vasilyevich Bedin, the longtime head of the Central State Historical Archive in Leningrad (now the Russian State Historical Archive). V. V. Bedin was appointed head of the archive at a difficult time. During the war and in the siege of Leningrad, the archive was headed by temporary leaders who replaced one another and did not always cope well with the responsibilities assigned to them. V. V. Bedin became the fifth head of the archive since 1941. Descent from the Novgorod gubernia peasants, a Red Army soldier during the Civil War, a political instructor, he became a party functionary, studied at the Institute of Red Professors. In 1937, he was appointed head of the Propaganda and Agitation Department of the Central Committee of the Communist Party (Bolsheviks) of Belarus, and in 1939 became director of the Leningrad branch of the Museum of V. I. Lenin. On December 22, 1945, he was appointed head of the Central State Historical Archive in Leningrad. In this position, he did a lot to eliminate the consequences of the war and to put the archive in order; he strove to improve the situation of the archive’s staff. In a difficult political environment of the late 1940s - early 1950s he showed high integrity and much decency. This was the reason for his dismissal in 1952. But with the beginning of the “thaw,” V. V. Bedin was re-appointed head of the archive on July 3, 1954. Under his leadership, the archive became a truly scientific institution. V. V. Bedin created a businesslike atmosphere in the archive, allowing its staff of to show initiative and boldly discuss the fundamental issues of the archival administration development. He did a lot to improve the storage of archival documents. V. V. Bedin initiated the archive’s transition to a more functional structure. He remained in the memory of the Leningrad archivists as an effective and principled, demanding and caring leader.
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Eiteljorg, Harrison. "Electronic archives". Antiquity 71, n.º 274 (diciembre de 1997): 1054–57. http://dx.doi.org/10.1017/s0003598x00086002.
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An archive is a collection of materials intended to be kept safe for the long term. Those materials are gathered by some responsible agency, but they were created originally by others. They were made in the forms and with the methods chosen by their creators. That is, an archive contains materials that have been created by others, that have been formed and informed by the judgements of others and that are intensely idiosyncratic. An archive is not simply a collection of facts or ideas or objects; it is a collection of other peoples’ individual or collected facts and ideas and objects. As a result, the contents of an archive are disparate in the extreme, from books to diaries to maps to photographs. A digital archive is at least as chaotic as any other, probably more so. Its contents may include text files, data-base files, images, CAD files, GIs files and more.
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DeVito, Jennifer A. "Women’s Studies Archive: Voice and Vision". Charleston Advisor 22, n.º 1 (1 de julio de 2020): 60–63. http://dx.doi.org/10.5260/chara.22.1.60.
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Women’s Studies Archive: Voice and Vision is a collection of primary source material related to women’s history in the nineteenth and twentieth centuries gathered from the archival collections of libraries and archives. The database emphasizes material authored by women and perspectives from diverse ethnic and religious groups. It covers a variety of topics such as slavery, political activism, socialism, education, marriage, and social justice. The content includes manuscripts, monographs, photographs, personal papers, and periodicals.The database is intuitive and user-friendly and incorporates accessibility tools such as OCR and image magnification. Users can search an individual collection or search across multiple collections. Textual analysis tools allow users alternate ways to discover additional content and the ability to explore historical term use.
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Kudra Beroš, Viktorija. "Archive as a Depository of Shared Memories, History and Identity". Migracijske i etničke teme / Migration and Ethnic Themes 36, n.º 2-3 (2020): 173–96. http://dx.doi.org/10.11567/met.36.2.3.
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Given their role in the preservation and protection of an authentic and credible trace of the past (documents) and, consequently, national identity, archives are considered places of choice for interpreting and representing shared memory and the past. Emphasising authenticity and credibility frames archives as seemingly neutral institutions in terms of politics and ideology. However, the trace that provides an insight into the “truth and knowledge” of our (individual and collective) past “that makes us what we are” needs to be questioned. Since the archiving procedure is based on the processes of inclusion and exclusion in all segments of everyday interpretation of material, the archive is a political and ideological institution that takes its place in the order of political power. This paper discusses the role of the archive as a place of preservation of “shared past and history” as an important part of national identity through the prism of institutional apparatuses or forms of knowledge/power (example of architecture) and technologies or manners of articulating and practising knowledge/power (example of everyday practice). The paper points to the role of archives in the (re)interpretation and (re)vision of shared memories, collective history and national identity on the examples of the Croatian State Archives and Archives of Yugoslavia, in the context of changes in the symbolic and political order (SFRY/Croatia). By constructing national memory and narratives of nationality through narratives of history and memory, and by constructing “truth” (knowledge) through exclusion and inclusion, archives (just like museums and libraries) have a role to play in “imagining” the community–nation. Or, according to the theory of performative identity (Foritier 2000), everyday practice that takes place in archives is an institutional identity practice that contributes to the unification and homogenisation of the community through a policy of interpretation by performing and producing (performative) memory (collective identity formation).
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Vakhrushev, Maxim. "The higher education institution’s Scientific Library to play the role of an open archive". Scientific and Technical Libraries, n.º 4 (1 de abril de 2018): 14–22. http://dx.doi.org/10.33186/1027-3689-2018-4-14-22.
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The role of the higher education institutions’ libraries in building and maintaining the institution’s open archives is highlighted. The author emphasize that open archives are demanded highly by the scientific community as the data is free. The open archive structured by disciplinary or interdisciplinary principle can become the base for informal associations (collaborations, consortia, etc.) around science schools or research centers (faculties, institutions, universities, research organizations). Expanded functionalities and instruments to get scientometric indicators are analyzed in detail. These functions make the alternative source for measuring scientific performance of organizations and individual researchers systematically and adequately. The librarians responsibilities related to collecting and preparing scientometric indicators are highlighted. The open archives, institutional repositories, e-libraries can provide both traditional scientometric indicators (impact factors, Hirsch index, etc.), and alternative metrics (publication web indicators). Scientometric data collection, accumulation, interpretation and preparation are continuously expanding processes and they enhance the librarians’ roles.
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Maciejko, Karol. "From State Real Estate to State Farms (1946–1982) – The Characteristics of Sources for the History of Agriculture Nationalised in the State Archives in Olsztyn". Masuro-Warmian Bulletin 297, n.º 3 (4 de octubre de 2017): 457–97. http://dx.doi.org/10.51974/kmw-134944.
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The article presents sources for the history of state agriculture in 1946–1982 housed in the State Archives in Olsztyn. Firstly, it provides an outline of the organisational changes of state farms (PGRs) over time, taking into account the competences of individual organizational units. This is followed by the characteristics of the contents of the archives according to the structure presented in the first part. As the detailed analysis was conducted on the organization and legacy of state–level agricultural holdings, the whole was supplemented by a short descrip�tion of other sources and their creators, which contain information on the functioning of agriculture in the years 1946–1982 and stored in the State Archive in Olsztyn.
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Hernimawati, Hernimawati, Surya Dailiati y Sudaryanto Sudaryanto. "AGENDA KEBIJAKAN PUBLIK PADA BADAN PERPUSTAKAAN DAN ARSIP (BPA) KOTA PEKANBARU". Jurnal Niara 10, n.º 1 (3 de julio de 2017): 6–15. http://dx.doi.org/10.31849/nia.v10i1.1883.
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In Pekanbaru City Administration there are 43 Regional Devices Work Unit (SKPD), one of the Library and Archive Board (BPA) Pekanbaru City. BPA Has a big agenda in accordance with the vision of "Realization of Information Center and Documentation and Reading Center in Pekanbaru City". Based on pre-survey conducted there are problems that lack of public participation in utilizing the existence of BPA Pekanbaru City and the limited books / references required visitors. This public policy agenda can not be implemented entirely, whereas library and archival development is implemented with the aim of raising awareness, willingness of reading interest for every individual, public, institution and school. In order to realize the highest degree of community education systematically and sustainably as a mandate of the opening of the 1945 Constitution is to educate the life of the nation.The research was conducted at the Library and Archive Board (BPA) Pekanbaru City. Population and sample in this research is State Civil Apparatus that served in Library and Archives of Pekanbaru. The sampling technique used is simple random sampling (simple random). The number of civil servants 36 and daily personnel are 41 persons.From research activities conducted known that the Library and Archives (BPA) Pekanbaru comes as one of the seriousness of the Government of Pekanbaru City in the intellectual life of the nation. BPA Pekanbaru has the task to provide the best service in the field of library and filing. Website managed to be one source and delivery of information BPA Pekanbaru City. Then the BPA is good enough to implement the policies that have been made. From the questionnaires given to the employees, freelance and community personnel (pengaunjung) is known that as many as 17 respondents stated it was good public policy on the Library and Archives (BPA) Pekanbaru. Then as many as 3 respondents stated good enough and 0 for the less good
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Reber, Vera Blinn. "Archival Sources for Latin American Business History". Business History Review 59, n.º 4 (1985): 670–79. http://dx.doi.org/10.2307/3114600.
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Since the Business History Review's special issue on Latin America twenty years ago, many articles and monographs have been published utilizing archival sources. An examination of many of these studies and experience in archives suggest that the historian of Latin American business must use a variety of sources to study individual firms and the relationships between business and the national societies in which they operate. In this essay Professor Reber discusses eight types of archives found in the United States, Latin America, Great Britain, France, and Spain which hold manuscripts of interest to those studying both the economic and business history of Latin America. She also offers advice about bibliographic aids, guides, and, briefly, printed primary source materials useful in supplementing the often hard-to-find archival data.
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Thurmann-Jajes, Anne. "Collecting collections: The Research Centre for Artists’ Publications". Art Libraries Journal 38, n.º 3 (2013): 30–35. http://dx.doi.org/10.1017/s0307472200018654.
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Established in 1999 within the Weserburg Museum of Modern Art, in Bremen, the Studienzentrum für Künstlerpublikationen (Research Centre for Artists’ Publications) is today one of the most significant institutions worldwide in the field of artists’ publications, with holdings of more than 200,000 items, and important programmes of exhibitions and publications. The Research Centre traces its roots to the Archive for Small Press & Communication (ASPC), founded in 1974 by Anne Marsily and Guy Schraenen, and incorporates more than 40 individual archives and special collections, including the PLG Friesländer’s Mail Art Archive, the Klaus Groh Collection and the Kunstradio Archive.
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Vorontsov, Roman S. y Vladimir V. Korovin. "Archival Documents on the Impact of the Great Patriotic War on the State of the Sugar Industry Factories: Materials of the Kursk Region". Herald of an archivist, n.º 2 (2020): 578–89. http://dx.doi.org/10.28995/2073-0101-2020-2-578-589.
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The article draws on archival sources on the activities of regional authorities in regulation of economic relations under wartime conditions to discuss problems in organizing production activities of sugar enterprises of the Kursk region. Although there are some works on the history of the industrial production development during the Great Patriotic War on the all-Union, republican, and regional levels, which take into account all modern achievements of historical science and development of the source base, the impact of the war on the state of individual branches of food industry supplying the front and rear remains unexplored. The choice of the territorial frameworks of the study springs from several circumstances. Firstly, the Kursk region for a long time occupied a leading position in the RSFSR in the volume of products manufactured by sugar factories. Secondly, during the war, the territory of the region had the status of a front-line, occupied, front-line, and rear-line area, which had a significant impact on the specifics of all tasks related to production organization. The main source is archival documents on various aspects of management and production activities. The authors have identified documentary materials in the fonds of the Russian State Archives of Economics, the State Archives of the Kursk Region, and the State Archive of the Socio-Political History of the Kursk Region, that cover events and processes associated with the dynamics in the sugar industry of the Kursk region, one of the key sectors of regional wartime economy. They have analyzed the content of these documents and offered a general assessment of problems in functioning of the industry under extreme conditions. Of greatest information value on the said topic are materials from regional archives. Archival documents objectively reflect the situation in the food industry during the war. Their introduction into scientific use will contribute to a reliable reflection of the role of economic potential of the USSR in the defeat of Nazism.
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Key, Ellen M. "How Are We Doing? Data Access and Replication in Political Science". PS: Political Science & Politics 49, n.º 02 (abril de 2016): 268–72. http://dx.doi.org/10.1017/s1049096516000184.
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ABSTRACTData access and research transparency (DA-RT) is a growing concern for the discipline. Technological advances have greatly reduced the cost of sharing data, enabling full replication archives consisting of data and code to be shared on individual websites, as well as journal archives and institutional data repositories. But how do we ensure that scholars take advantage of these resources to share their replication archives? Moreover, are the costs of research transparency borne by individuals or by journals? This article assesses the impact of journal replication policies on data availability and finds that articles published in journals with mandatory provision policies are 24 times more likely to have replication materials available than articles those with no requirements.
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Edmond, Jennifer. "CENDARI's Grand Challenges: Building, Contextualising and Sustaining a New Knowledge Infrastructure". International Journal of Humanities and Arts Computing 7, n.º 1-2 (octubre de 2013): 58–69. http://dx.doi.org/10.3366/ijhac.2013.0081.
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In its widest sense, infrastructure allows us as finite individuals to achieve beyond our individual capacity to know, to do, to see. But even within the narrower context of research infrastructures, broad and diverse definitions exist of how such an infrastructure should deliver these enhancements in knowledge and perspective. The Collaborative EuropeaN Digital Archival Research Infrastructure (CENDARI) project was launched in 2012 to address some of the gaps in provision for digital historical research, building on a long tradition of work in libraries, archives, digital humanities research centres and other research infrastructures. What distinguishes CENDARI, however, is its focus on what the project team has identified as the ‘grand challenges’ for each of its contributing stakeholder groups: collections experts based in libraries and archives, historians of the medieval and modern periods, and e-Scientists. This ethos, combined with its close relationship at European level to DARIAH, the Digital Research Infrastructure for the Arts and Humanities, has instigated a unique and fruitful approach to supporting historical research with digital resources, tools and spaces.
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Hiršenfelder, Ida. "Body archive/the body as the archive". Maska 35, n.º 200 (1 de septiembre de 2020): 74–83. http://dx.doi.org/10.1386/maska_00031_1.
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The archive is a time machine that actively creates ways of accessing individual or collective experiences. Digital archives, in particular, such as the Web Museum anticipate an open and free access to memories even though they are not merely a representation of events but a field in which we can surpass the informativity of events in order to strengthen our experience of the (unlived) past and also the future. We are not building it to remember or understand the past but to think the future. The archive should be guided by the logic of distribution not the logic of accumulation.
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Culot, Maurice. "Les archives d’architecture privees du XXe siecle: sauvegarde et mise en valeur". Art Libraries Journal 15, n.º 1 (1990): 26–32. http://dx.doi.org/10.1017/s0307472200006623.
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The architectural heritage of the 20th century is peculiarly vulnerable; partly because modern architecture broke with tradition, it is less easily recognised as being historic and worthy of preservation. Furthermore, efforts to secure public appreciation of contemporary architecture have concentrated too narrowly on the ‘International Modern’ style at the expense of the actual diversity of this century, on certain architects at the expense of others, and on the individual building, seen by itself, at the expense of the larger environment of which it is part. To see twentieth century architecture whole, it is necessary to depend on not only buildings themselves (insofar as they survive in something like their original condition), and not only on publications (which have tended to reflect the promotion of Modernism), but also on archival sources and above all, on the private archives of architects. The value of such archives derives not only from handsome architectural drawings, which institutions are always eager to acquire, but also from account books, publicity material, models, photographs, and notebooks, and from the integrity and coherence of all this material which belongs together; it is probably the challenge represented by such a range of material which accounts for the paucity of architectural archives in the public sphere. Fortunately, a new climate of interest in architecture, which has seen the establishment of several museums of architecture and the emergence of ‘l’archivisme’ – a re-interpreting of architectural styles of the past, drawing on archival sources and influencing contemporary architectural practice via exhibition design in particular – augurs well for the future of architectural archives. In France, the Institut Français d’Architecture has been responsible for archives of 20th century architecture since 1980, and since 1988 has operated an information centre for private architectural archives in Paris and the surrounding area. Other regional architectural archives are being set up; it is to be hoped that the resulting network will help to foment a spirit which will lead to the establishment of a museum of architecture in Paris, while at the same time providing a safety-net to ensure the well-being of private architectural archives.
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Peake, Bryce. "Methodological Perspectives on British Commercial Telegraphy and the Colonial Struggle over Democratic Connections in Gibraltar, 1914–1941". Media and Communication 6, n.º 1 (9 de febrero de 2018): 21–33. http://dx.doi.org/10.17645/mac.v6i1.1197.
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This article examines the privatization of telegraphy in the British Empire from the perspective of Gibraltar, an overseas territory in the Mediterranean. While the history of international telegraphy is typically written from a world-systems perspective, this article presents a key methodological critique of the use of collections spread across many institutions and colonies: archival satellites are not simply reducible to parts of a scattered whole, as archival collections are themselves curations of socially-positioned understandings of Empire. This is especially true of the “girdle round the world” that was British telegraphy. At a meta-historical level, individual archival collections of the global British telegraphy system can be read as histories of colonial administrators’ geographically- and socially- situated perspectives on Empire—namely through what archives have, and have not, preserved. I demonstrate how the documents about telegraphy collected and maintained in the Gibraltar National Archives reflect pre- and post-World War I English, anti-Liberal colonial administrators’ and military officials’ fear that privatization was an opening salvo against the democratic web that held the last vestiges of Empire together.
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Fleckner, John A. "The Archives Center at the National Museum of American History: Connecting Archival Materials and Artifacts". Collections: A Journal for Museum and Archives Professionals 3, n.º 2 (junio de 2007): 163–68. http://dx.doi.org/10.1177/155019060700300206.
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The Archives Center at the National Museum of American History holds more some 12,500 cubic feet of personal papers, business records, photographs, recordings and other archival materials. Some of these collections are related only indirectly to the Museum's research and exhibition agendas and its artifact collections; others have much more direct connections. The photographs, documents, and records acquired along with individual artifacts together constitute a richer, more evocative, and more meaningful body of historical documentation.
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Criser, Regine y Ervin Malakaj. "DDGC and Digital Misfit Archives". Seminar: A Journal of Germanic Studies 57, n.º 3 (1 de agosto de 2021): 295–302. http://dx.doi.org/10.3138/seminar.57.3.forum002.
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In this forum contribution, the authors reflect on the founding of the Diversity, Decolonization, and the German Curriculum (DDGC) scholarly collective by considering the important role of digital venues in this endeavour. Drawing on the work of Sara Ahmed, the authors consider the individual constitutive spaces in which knowledge is created and circulated by the members of the collective as digital misfit archives. Such archives contain information unwelcome in official academic sites such as conferences and journals and are designed to centre the perspective of scholars structurally marginalized by the academy.
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Ulmschneider, Katharina y Sally Crawford. "Post-War Identity and Scholarship: The Correspondence of Paul Jacobsthal and Gero von Merhart at the Institute of Archaeology, Oxford". European Journal of Archaeology 14, n.º 1-2 (2011): 231–50. http://dx.doi.org/10.1179/146195711798369319.
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Archives form a valuable but under-researched resource for mapping the development of prehistoric archaeology as a discipline in post-war Europe. New work on the previously un-catalogued archives of Professor Paul Jacobsthal at the Institute of Archaeology, Oxford, exemplify the opportunities offered by archival research. Here, we focus on the correspondence between Professor Jacobsthal of Marburg University, who sought refuge in Oxford before the war, and his colleague, Professor Merhart, who remained in Germany. The surviving personal correspondence between Germany and Oxford from 1936 to 1957 illustrates the complexities, uncertainties, and challenges to personal and academic identities in the aftermath of the war, and show how the individual responses of archaeologists to their personal experiences impacted on the directions taken by archaeological scholarship in Europe and beyond after the war.
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Rinehart, Richard. "Access to art collections using Encoded Archival Description and beyond: the future of large-scale consortium projects". Art Libraries Journal 26, n.º 3 (2001): 33–39. http://dx.doi.org/10.1017/s0307472200012311.
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In a Herculean effort to distribute information about art collections on a previously unknown scale, museums, arts organizations, libraries, and archives have been hard at work developing standards and implementing testbed projects, large-scale union databases which integrate and disseminate information. Two such projects are ‘Conceptual and Intermedia Online’ (CIAO) and ‘Museums and the Online Archive of California’ (MOAC), both using the Encoded Archival Description to describe and provide access to art and other cultural collections. But what is the future of such collaborations and the content portals they spawn? Will they be able to scale up to include hundreds or thousands of institutions, using current models? What are the limitations for such consortia? What are the limitations for participating institutions? Several options appear on the horizon, and one simple need suggests looking to decentralization, and back to the individual institution, for the solution to sharing art and cultural content on a truly vast scale.
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Baumgartner, Chelsea Fay. "Bodies of Knowledge: Politics of Archive, Disability, and Fandom". Canadian Journal of Disability Studies 8, n.º 2 (28 de abril de 2019): 221–46. http://dx.doi.org/10.15353/cjds.v8i2.499.
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The work of critical theory cannot stop when it leaves the classroom, but must encompass the lived experience of the everyday. This essay combines personal narrative, disability theory, and a discussion of archiving strategies to question the boundaries of disability, injury and impairment.
Although fandom has an interesting and constructive relationship with disability, injury, and impairment, this paper does not focus on individual fan-works that feature these topics. This essay is instead an examination of the macro-structure of two different archives: TV Tropes and Archive of Our Own.
TV Tropes is an informal encyclopedia of narrative devices that uses community engagement to read narratives in a critical yet accessible way. Employing the macro-structure organization of the database, users frame the linkage of pity and disability in an atypical manner that subverts mainstream ableist assertions. This shows us that the structure of the archive allows for opportunities to resist oppressive ideologies. Rather than subverting official archival methods, Archive of Our Own instead provides space for users to create intersectional spaces through personally generated tags. While these websites are examples of how diverse archival strategies can positively engage with disability narratives, the decision to separate the labels of disability and injury is indicative of tensions around the categorization of the body. Examining how the division can be broken in both theory and fandom creates new, productive models of activism.
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Pierce, Rachel. "Pioneers and Feminisms". Digital Culture & Society 6, n.º 2 (1 de diciembre de 2020): 87–114. http://dx.doi.org/10.14361/dcs-2020-0206.
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Abstract Feminist historiography is rife with debates about the nature and boundaries of women’s movements. Arguments over who to call an activist or a feminist sit at the heart of these definitional debates, which provide the groundwork for how scholars understand contemporary feminisms. Given the heated nature of ongoing disputes over the complicated identity politics of feminism and its archives, it is surprising that scholars have afforded so little attention to the technical infrastructure that defines and provides access to digitized primary source material, which is increasingly the foundation for contemporary historical research. Metadata plays an outsized role in these definitions, especially for photographic material that cannot be made word-searchable but is favored by digitizers because of its popularity. This article uses qualitative content analysis to examine how two digital archives define the Swedish suffrage movement - a historically contested concept, here understood through the theory of Susan Leigh Star as a “boundary object” subject to “interpretive flexibility”. The study uses keywords attached to photographic material from the the National Resource Library for Gender Studies (KvinnSam) and metadata within the related Swedish Women’s Biographical Lexicon platform for women’s biographies. The findings indicate that the hierarchies of archival organization do not disappear with individual document digitization and description. Instead, the silences built into physical archives are redefined in digital collections, obscuring the tensions between individual and movement feminisms, as well as the contested nature of movement boundaries.
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Ridgeway, Benjamin y Olivia Guntarik. "This Sense of Place/ this Living Archive: Cocreative Digitization and First Nations Peoples Remembering". Collections: A Journal for Museum and Archives Professionals 13, n.º 2 (junio de 2017): 185–98. http://dx.doi.org/10.1177/155019061701300212.
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In 2016, we organized digital storytelling workshops with First Nations1 participants in Melbourne (Australia) to cocreatively “map” sites of historical significance through locative technologies. These digital memory maps allowed participants to share their oral stories about their relationships to different places with broader audiences through a cultural walking trail mobile app from both their individual and their collective perspectives. Functioning much like a museum tour guide in an outdoor setting, we named this app “Memory-scapes,” as it would feature First Nations people's memories of different places, allowing interested members of the public (tourists, students, and educators) to listen to and watch the digital stories as they physically walked the trail. We found that a cocreative archival framework for digitizing these oral histories supported our work with community. Through this project, we illustrate how First Nations people's knowledges are populating the archive in forms that place the control of content back in their hands. These community-driven archives reveal how new archival practices are shifting the media landscape of representational possibilities. While calling attention to the politics of representing place, we also question the emancipatory potential of digital technologies for First Nations people.
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Sembiring, Santana, Khairunnisa Khairunnisa y Leila Kurnia. "Personal Archive Management with Digital Curation Concept on Students’ Smartphones". Record and Library Journal 5, n.º 2 (22 de diciembre de 2019): 194. http://dx.doi.org/10.20473/rlj.v5-i2.2019.194-206.
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Bckground of the study: Digital curation activities are necessary for organizing digital archives to be accessible to the present and future. The problem in this research is that information and library management (MIP) students who have previously received records management (MRA) courses through digital curation have not fully implemented digital curation in managing digital archives.Purpose: This study aims to find out how MIP students curate digital archives of their photos and documents on the smartphone.Method: The method used in this research is a qualitative descriptive approach and technique. Data used in interviews with five MIP students as informants.Findings: The results show that information in conducting digital curation activities such as digital object evaluation and discussion, life cycle and digital object management on an ongoing basis, and keeping them accessible, each individual has a unique and different way.Conclusion: Factor needs, memories, and usefulness of digital archive become a more determining factor in students in digital curation.
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Noprianto, Eko y I. Ketut Gunadi Adiguna. "PRESERVASI ARSIP FOTO DIGITAL INDIVIDUAL: KAJIAN PADA MAHASISWA MIP UGM ANGKATAN 2018-2019". Jurnal Pustaka Budaya 8, n.º 1 (2 de enero de 2021): 87–102. http://dx.doi.org/10.31849/pb.v8i1.5832.
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This study aims to determine the preservation activities of individual digital photo archives by students of MIP UGM force 2018-2019. This research use descriptive statistic method. The population of this research is MIP UGM student force of 2018-2019 which amounted to 36 people. Data collection techniques used questionnaires, which refers to the preservation framework of individual digital photo archives developed by the Library of Congress, includes: identify, decide, organize, and make copies. The results showed: 1) identify the storage of photos. At this stage, it is known that all or equal 100% of the number of respondents store a collection of digital photos on a computer / laptop. 2) decide to determine the most important photo to be saved. At this stage, almost entirely or equal 90% of the total respondents have applied it well. 3) organize the activities of grouping photos. This stage has not been considered well by the respondents in preservation of digital photo archives. The Most or equal 60% of respondents have grouped photos using a folder system based on year, location, person, and activity at the time the photo taken. However, only a small part that gives the name or description on each photo file, so this will be difficult in the image retrieval process. 4) Making copies of photos. At this stage, most or equal 60% of respondents have made copies of photos and stored them on different media, both online and offline.
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Bezdrabko, Valentyna V. "Document, Archive, Memory in the Context of George Orwell’s Literary Heritage". SUMY HISTORICAL AND ARCHIVAL JOURNAL, n.º 33 (2019): 5–13. http://dx.doi.org/10.21272/shaj.2019.i33.p.5.
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The article is devoted to the current topic of modern archival science – preserving the documentary heritage of mankind through information “cumulative” systems, in particular documents and archives. Particular attention is given to the role of the state, the individual, and the society in constituting memory. There are two types of memory: individual and collective, that is, culture. Memory, document, archive – concepts, and categories are polysemantic. Integral, broad-based importance belongs to culture (collective memory), which is seen as the interaction of the contemporary with the past in multifaceted socio-cultural manifestations. Collective memory, like individual memory, has its own traits of identification, serving as traces of the past. Memory is maintained through various forms of social existence (book, document, museum exhibit, antique item, etc.) and institutional cultural systems (museum, archive, library, etc.). The metadiscourse of the study was George Orwell’s “1984” novel Utopia, which uncovers the path of a free-spirited person with a distorted worldview to attempt to protect the memory space in the name of memory of the past and preserve it. The most important condition for an adequate examination of the social significance of documents in order to keep them permanently is to determine the degree of documentation of the reality of social relations, as well as the degree of representation and possible reconstruction, in addition to public memory focused on the life of an individual, and the memory of emotional. The author’s narrative in the form of diaries, memoirs, and letters allows revealing individual impressions of time, each specific epoch in the history of mankind. Everyday life forms an attitude towards documentary heritage at the domestic level, and the sphere of professional activity is an awareness of responsibility for the creation of history in the future on the basis of preserved data on a national, global scale. The influence of the form of government, the level of development of civil society, the degree of freedom, and the will of every citizen on the formation of world memory are also pointed out. Keywords: document, archive, memory, collective memory, individual memory, state, society, George Orwell, “1984”.
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Cocciolo, Anthony. "Situating Student Learning in Rich Contexts: A Constructionist Approach to Digital Archives Education". Evidence Based Library and Information Practice 6, n.º 3 (14 de septiembre de 2011): 4. http://dx.doi.org/10.18438/b8dp6n.
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Objective - This paper sought to determine whether a constructionist pedagogical approach to digital archives education could positively influence student perceptions of their learning. Constructionism is a learning theory that places students in the role of designers and emphasizes creating tangible artifacts in a social environment. This theory was used in the instructional design of the Digital Archive Creation Project (DACP), a major component of a digital archives course offered to students enrolled in a Master’s program in library science at Pratt Institute School of Library and Information Science.
Methods - Participants were the 31 students enrolled in the DACP during the fall and spring semesters of 2010. They were surveyed as to their perceived learning outcomes as a result of their engagement with the DACP.
Results - Results indicated that students perceived strong increases in their learning following their engagement in the DACP, particularly in terms of their skills, confidence, understanding of topics covered in other courses, and overall understanding. Factors that influenced these increases include the collaborative teamwork, the role of the facilitator or instructor, and individual effort.
Conclusion - The project demonstrated that a constructionist pedagogical approach to digital archives education positively impacted students’ perceptions of their learning.
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Botticelli, Peter. "Curating Digital Surrogates in a Museum Archives: The Historic Boards Collection at the Peabody Museum of Archaeology and Ethnology at Harvard University". American Archivist 83, n.º 1 (marzo de 2020): 128–43. http://dx.doi.org/10.17723/0360-9081-83.1.128.
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This work uses a case study to examine the practice of digital curation in a museum archives, with a focus on convergence between museum and archival methods for providing online access to individual items as well as to collections. The case study focuses on the recently digitized Historic Boards (or “H boards”) collection at the Peabody Museum of Archaeology and Ethnology at Harvard University. This collection includes approximately 25,000 photographs depicting Harvard-led research expeditions beginning in the mid-1800s. By the early 1900s, museum staff had organized the photographs into groups and pasted them onto mat boards, with each board showing multiple views of a particular geographic location. As the H boards were created as a resource for educators and students, they provide a valuable source of documentation for both the museum's curatorial history and the pioneering work of Harvard ethnographers. With digital surrogates now accessible through the museum's Collections Online portal, the H boards project offers detailed examples of how the evidence contained in archival photographs and accompanying text-based records can be more sharply focused or, alternately, obscured, by the decisions made in constructing and displaying digital surrogates online. More generally, the H board project offers insights on how archives and museums may benefit from treating digital curation as an iterative practice shaped by an ever-shifting technology landscape, by the resource constraints faced by many repositories, and, ultimately, by the historic opportunities afforded by making archives visible in digital form.
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Cordell, Ryan. "Speculative Bibliography". Anglia 138, n.º 3 (15 de septiembre de 2020): 519–31. http://dx.doi.org/10.1515/ang-2020-0041.
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AbstractThis article proposes speculative bibliography as an experimental approach to the digitised archive, in which textual associations are constituted propositionally, iteratively, and (sometimes) temporarily, as the result of probabilistic computational models. Speculative bibliography is offered as a complement to digital scholarly editing, and as a direct response to the challenges of scale and labour that will make comprehensive editing of digital archives impossible. Rather than acting on specific, individual texts, a speculative bibliography enacts a scholarly theory of the text through a computational model, reorganising the archive to evidence a particular idea of textual relation or interaction. Such models, in which textual relationships are determined by formal, internal textual structures, constitute bibliographic arguments that can be verified, amended, extended, or contested on either humanistic or computational grounds.
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Shylo, A. "Performing activities of Larisa Rudenko (based on archival materials)". Musical art in the educological discourse, n.º 3 (2018): 93–96. http://dx.doi.org/10.28925/2518-766x.2018.3.9396.
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The article covers the performance of the famous Ukrainian opera singer Larysa Arkhipivna Rudenko based on archival materials of her Personal Fund [F. 120], which are stored in the Central State Archive-Museum of Literature and Art of Ukraine. The archival material is represented by periodicals of the late 30s and early 80s of the 20th century, in particular, articles about the artist’s creative activity and reviews of musical critics at her concerts. The above archival materials are first introduced into scientific circulation. The article reveals the peculiarities of L. Rudenko’s performance and her role in the development of Ukrainian vocal art in the second half of the 20th century. Unknown pages of the biography and performances of the outstanding opera singer L. A. Rudenko, student of the founder of the Ukrainian vocal school Olena Oleksandrivna Muravieva are considered. The main methods of the work of the outstanding vocal teacher O. Muravieva are described in the words of her famous pupils L. Rudenko and L. Yefremova. The first creative searches by L. Rudenko began during her studies at the Kyiv Tchaikovsky Conservatory. The figure of L. Rudenko is associated with the state archives of Ukraine, in particular: at the National Music Academy of Ukraine named after P. I. Tchaikovsky and presented by documents testifying to the high professionalism of L. Rudenko as a vocal teacher and personal fund of Larisa Rudenko of the Central State Archives-Museum of Literature and Art of Ukraine. The author analyses individual achievements of the performer on the example of her work on operatic parties. The attention is paid to the peculiarities of L. Rudenko’s work on women’s images: the full sound of the singer’s voice is harmoniously combined with a detailed elaborated scene drawing of a role. The performance of L. Rudenko is presented in the coverage of professional music criticism and periodicals. The significant influence of L. Rudenko’s performance on the development of Ukrainian operatic art of the second half of the 20th century has been proven.