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Literatura académica sobre el tema "Indonesia, fiction"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de julio de 2024

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Artículos de revistas sobre el tema "Indonesia, fiction"

Wahyudi, Ibnu. "FLASH FICTION DI INDONESIA: 1858 HINGGA KINI". SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik 24, n.º 1 (7 de febrero de 2023): 86. http://dx.doi.org/10.19184/semiotika.v24i1.36543.

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Flash fiction or what is better known in Indonesia as "mini fiction" or also "mini prose" is not a form of work that arises as a result of dealing with limited space today but also has something to do with the level of literacy at a certain time. It is not surprising that the publication of early prose in Indonesia, which at that time was still under colonial rule, namely in the mid-19th century, was essentially similar to the “fiksi mini” that has been developing in Indonesia in recent years. Thus, this paper is an attempt to straighten out and trace the dynamics of the flash fictions which have been published in Indonesia since more than a century ago. Because of this tracking will, reading of the flash fictions that have been published is a must. From the data obtained, several “fiksi mini” were used which were clearly able to confirm the existence of flash fictions which could be said to have been ahead of its time. Facts like this are results that are worth caring about considering that the present atmosphere has existed in the past. This kind of literary reality reaffirms the understanding that literary works in particular, whatever their form, have the power to enter the future unconsciously or not on purpose. In form, what happens is the tacit proclamation of a genre, for example, while in content it is usually concerned with some sort of natural forecast or prediction.

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Adania, Luthfina y Muhammad Luthfi Zuhdi. "NARASI KONTRA TERORISME PADA LITERATUR INDONESIA DAN ANIMASI FIKSI POPULER". Academic Journal of Islamic Principles and Philosophy 4, n.º 2 (29 de diciembre de 2023): 181–202. http://dx.doi.org/10.22515/ajipp.v4i2.8144.

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The author explores the potential of fictional media in counter-terrorism efforts, especially as an antidote to the spread of pro-terrorism narratives. Fiction media has the potential to bridge differences by spreading universal values that can transcend language, geography, and cultural boundaries. Multicultural culture helps teach tolerance and respect for one another. The method used is a literature study of previous research results. The selected studies used fiction and memoirs from Indonesia, as well as popular fiction from abroad, namely Avatar: The Legend of Aang and Fullmetal Alchemist. The conclusion of this research is that providing a sense of group or brotherhood arising from the similarity of favorite fictional media can transfer values that counteract the spread of terrorism. Lastly, there are suggestions for parents, teachers, and other stakeholders on how to select entertainment media that has counter-terrorism values to become learning media for children and adolescents based on the interests of the target audience, reviews from other adults, and ratings determined by government regulations.

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Lesmana, Moh Eka, Alvanov Zpalanzani, Riama Maslan y Erline Anasthasia D. "Perancangan Komik Historical Fiction Berbasis Cerita Bajak Laut Nusantara". ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 9, n.º 03 (26 de septiembre de 2023): 376–95. http://dx.doi.org/10.33633/andharupa.v9i03.7653.

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AbstrakPenggunaan historical fiction pada media populer seperti komik, film, game, dan lain-lain dengan pendekatan hiburan banyak menarik minat masyarakat untuk melihat berbagai fenomena sejarah. Penyampaian dengan pendekatan hiburan ini tentunya menjadi kekuatan dari genre historical fiction untuk dapat digunakan dalam mengangkat berbagai tema-tema sejarah Indonesia. Salah satu fenomena penting dalam sejarah maritim Indonesia yang tidak umum diketahui adalah fenomena ‘bajak laut’. Fenomena bajak laut yang marak di Indonesia pada masa kolonial merupakan bagian dari sejarah Nusantara yang penting karena pada dasarnya fenomena bajak laut di Nusantara tidak sepenuhnya merupakan gejala kriminal, namun juga merupakan bentuk perjuangan masyarakat maritim terhadap para penjajah pada masa lampau. Mengangkat tema ‘bajak laut’ melalui genre historical fiction dapat menjadi upaya untuk menyampaikan peristiwa sejarah maritim melalui pendekatan hiburan dan juga dapat membuka sudut pandang baru bagi masyarakat dalam melihat fenomena ‘bajak laut’ itu sendiri. Komik sebagai media hasil perancangan dipilih dengan melihat potensi media komik dan antusiasme pembaca komik di Indonesia yang sangat tinggi. Perancangan menggunakan metode design thinking and making dari Matt Cooke mulai dari tahap definition, divergent dan transformation menjadi tahapan yang digunakan dalam proses perancangan untuk menghasilkan karya desain yang terstruktur dan bisa menjangkau audiens dengan mudah dan luas. Kata Kunci: bajak laut, historical fiction, komik, Nusantara AbstractThe use of historical fiction in popular media such as comics, films, games, and others with an entertainment approach has attracted a lot of public interest in various historical phenomena. The presentation with entertainment approach is one of the potential of historical fiction genre and can be used in conveying Indonesian history. One of the most important phenomena in Indonesia's maritime history that is not commonly known is the story of 'piracy'. Piracy that flourished in Indonesia during the colonial period was an important part of maritime history because it was not entirely a criminal phenomenon, but was also a form of the battle against the colonialists. Bringing up the theme of 'piracy' through the historical fiction genre can be an effort to convey maritime historical events through an entertainment approach and can also open new perspectives for the public in seeing the phenomenon of 'piracy' itself. Comics were chosen by considering the potential of comics media and the high enthusiasm of comic readers in Indonesia, by using the Matt Cooke’s design thinking and making method from the definition, divergent and transformation it is hoped that the comics can become a medium that can reach an audience easily and widely. Keyword: comics, historical fiction, pirates

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Yulianeta, Yulianeta. "REPRESENTASI RONGGENG DALAM TIGA NOVEL INDONESIA". Jurnal Pendidikan Bahasa dan Sastra 14, n.º 1 (1 de abril de 2014): 79. http://dx.doi.org/10.17509/bs_jpbsp.v14i1.712.

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This paper is based on the phenomenon of dancer or “tayub” which is celebrated as a very popular cultural artifact in public life, particularly in Java. This tradition is originally part of a sacred ritual, which ultimately became a performing art, but tends to be viewed negatively. In a historical context, the dancer was originally seen based on cultural concept and evolves into culturally sacred profane. Negative reception of ronggeng is not only uttered orally but also embodied in the written tradition. It is found in the genre of literary fiction such as in Trilogy Ronggeng Dukuh Paruk written Ahmad Tohari (2003), Ronggeng works Dewi Lingga Sari (2007), and Karti Kledek Ngrajek by S.W. Warsito (2009) . The results of this study illustrate that the figure of dancer who is represented in Indonesian fiction are various. Although there are similarities, but the authors tend to have different reception levels regarding “ronggeng”. “Ronggeng” as cultural artifacts is the manifestation of the ability of local communities to respond and adapt to the environment actively. Similarly, what is represented in fiction about “ronggeng” is a mirror of the society where the work was born.

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Syahreza, Andre. "The topicality of pre-colonial Indonesian heroes: Recent popular fiction from Indonesia". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, n.º 1 (2012): 118–29. http://dx.doi.org/10.1163/22134379-90003573.

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Review of: Agus Sunyoto, Dhaeng Sekara: Telik sandi tanah pelik Majapahit. Yogyakarta: DIVA Press, 2010, 488 pp. ISBN 9786029782820. Price: IDR 55.000. Bagus Dilla, Bumi Sriwijaya. Yogyakarta: DIVA Press, 2010, 483 pp. ISBN 9786029782738. Price: IDR 58.000. Daryanto, Raden Fatah: Bara di atas Demak Bintara. Jakarta: Tiga Kelana, 2009, vi + 472 pp. ISBN 9786028535304. Enang Rokajat Asura, Prabu Siliwangi: Bara di balik terkoyaknya Raja Digdaya. Depok: Edelweiss, 2009, ix + 457 pp. ISBN 9789791962438. Enang Rokajat Asura, Wangsit Siliwangi: Harimau di tengah bara. Depok: Edelweiss, 2009, 444 pp. ISBN 9786028672009. Gamal Komandoko, Panembahan Senopati: Geger ramalan Sunan Giri. Yogyakarta: DIVA Press, 2009, 400 pp. ISBN 9789799637086. Langit Kresna Hariadi, Gajah Mada. Solo: Tiga Serangkai, 2004, x + 582 pp. ISBN 9796685582. Langit Kresna Hariadi, Gajah Mada: Bergelut dalam kemelut takhta dan angkara. Solo: Tiga Serangkai, 2006, xii + 508 pp. ISBN 9793301902. Langit Kresna Hariadi, Gajah Mada: Hamukti palapa. Solo: Tiga Serangkai, 2006, x + 694 pp. ISBN 9793303166. Langit Kresna Hariadi, Gajah Mada: Perang Bubat. Solo: Tiga Serangkai, 2006, xii + 448 pp. ISBN 9793304499. Langit Kresna Hariadi, Gajah Mada: Madakaripura Hamukti moksa. Solo: Tiga Serangkai, 2007, x + 582 pp. ISBN 9793307129. Nassirun Purwokartun, Penangsang: Tembang rindu dendam. Jakarta: Tiga Kelana, 2010, xvi + 704 pp. ISBN 786028535847. SW. Warsito and Harmadi, Airlangga. Yogyakarta: Flash Books, 2010, 389 pp. ISBN 9786029556735.

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Frolova, M. V. "Pulp Fiction: Indonesian detective from 1950–1960s’". Orientalistica 5, n.º 5 (25 de diciembre de 2022): 1239–60. http://dx.doi.org/10.31696/2618-7043-2022-5-5-1239-1260.

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The article offers a detailed analysis and comparison of four works of popular Indonesian literature (two texts dd 1955 and two dd 1967) in order to trace the vectors of development of the detective genre in the Indonesian literature. The analysis precedes an excursion into the history of criminal genres in the literature of Indonesia. The study shows that, using the selected texts as an example, there is a certain difference between the detective-type literature before the political changes and the transition to the New Order (1965), and afterwards, also allows us to take another step towards the study of the detective genre in Indonesian literature.

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Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)". Humanus 11, n.º 1 (18 de diciembre de 2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.

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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domestic life associates with mother image, because the two are closely related with the life of Indonesian women. Key words: women’s world, women’s image, women’s literature

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Bimantara, Varidh, Rengga Asmara y Nur Rasyid Mubtadai. "OPTIMASI MESIN PENCARI BUKU FIKSI BERDASARKAN PADA SEMANTIK IMPRESI". METHODIKA: Jurnal Teknik Informatika dan Sistem Informasi 51, n.º 1 (10 de marzo de 2019): 30–33. http://dx.doi.org/10.46880/mtk.v5i1.415.

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Fiction books are one of the most popular books in Indonesia. There are five most popular genres in fiction books, namely fantasy, mystery, romance, sci-fi, and thriller. Each genre gives a different impression and its own fans for the reader. It is common practice when people choose fiction books based on the title, author, or publisher of the book. However, this does not provide precise search results. In this final project, an application system was developed to find out fiction books based on the semantic impressions contained on the cover of the fiction book. The impression on each book cover is obtained through a survey of fiction book lovers in Indonesia. To get the results of the proximity between the user search and the impression survey data obtained through text mining, as well as the cosine similarity algorithm to calculate the most precise proximity value to the impression expected by the user. The results of this system display fiction books that have the most precise proximity value to the impression expected by the user.

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Asmara, Rengga, Nur Rasyid Mubtadai y Varidh Bimantara. "OPTIMASI MESIN PENCARI BUKU FIKSI BERDASARKAN PADA SEMANTIK IMPRESI". METHOMIKA Jurnal Manajemen Informatika dan Komputerisasi Akuntansi 5, n.º 1 (30 de abril de 2021): 1–8. http://dx.doi.org/10.46880/jmika.vol5no1.pp1-8.

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Fiction books are one of the most popular types of books in Indonesia. There are five most popular genres in fiction books, namely fantasy, mystery, romance, sci-fi, and thriller. Each genre gives a different impression and special interest for readers. It has become a common habit when people choose a fiction book based on the title, author, or publisher of the book. However, it does not provide precise search results. In this final project, an application system was developed to find out fiction books based on semantic impressions on the cover of the fiction book. The impression on each book cover is obtained through a survey of fiction book lovers in Indonesia. To get the results of the closeness between the user search and the impression survey data obtained through text mining, as well as the cosine similarity algorithm to calculate the most precise proximity value to the impression the user expects. The results of this system display a fiction book that has a closeness value with an error rate of 3.93% based on the impression expected by the user.

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Soedjijono, Soedjijono. "Menuju Teori Sastra Indonesia: Membangun Teori Prosa Fiksi Berbasis Novel-Novel Kearifan Lokal". ATAVISME 12, n.º 1 (30 de junio de 2009): 47–63. http://dx.doi.org/10.24257/atavisme.v12i1.157.47-63.

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Tujuan utama kajian ini adalah memerikan karakteristik struktur novel-novel kearifan lokal. Hasil kajian ini diharapkan untuk mengembangkan teori kesastraan Indonesia, terutama teori prosa fiksi. Empat novel Pengakuan Pariyem karya Linus Suryadi, Pasar karya Kuntowijoyo, Para Priyayi karya Umar Kayam, dan Ibu Sinder karya Pandir Kelana adalah subjek kajian ini. Pendekatan struktural dinamik dipilih untuk menganalisis masalah-masalah yang dipertanyakan. Dengan begitu, analisis ini mampu menerangkan elemen intrinsik, ekstrinsik dan historis untuk interpretasi lebih lanjut. Kajian ini telah menemukan tiga hasil penting: (1) karakteristik khas novel-novel kearifan lokal; (2) karakteristik khusus elemen struktural dalam novel-novel kearifan lokal; dan, (3) teori prosa fiksi Indonesia yang dihasilkan dari karakteristik yang ditemukan sebelumnya. Abstract: This fundamental study aims at describing the characteristics of the structure of local wisdom novels. The results of this study are expected to contribute to putting up Indonesian literary theory, particulary the theory of fiction prose. Four novels Linus Suryadi’s Pengakuan Pariyem, Kuntowijoyo’s Pasar, Umar Kayam’s Para Priyayi, and Pandir Kelana’s Ibu Sinder are the subjects of this study; and dynamic-structural approach is chosen to analyse the issues on question. Hence, it will be able to shed a light on the intrinsic, extrinsic and historical elements for further interpretation. This study has found out three important results: (1) typical characteristics of local wisdom novels; (2) specific characteristics of structural elements of local wisdom novels; and, (3) theory of Indonesian prose fiction resulting from the characteristics previously found. Keywords: theory of fiction prose, local wisdom novels, dynamic-structural approach

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Más fuentes

Tesis sobre el tema "Indonesia, fiction"

Roth, J. Peter. "Thousands or Millions: Stories". PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1101.

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This collection explores various aspects of Indonesian culture. From remote government settlements off the coast of Sumatra to the urbanized and commercial beaches of Bali, these stories take a look at the complexities, differences and adjustments felt by people of both the East and West. An attempt has been made to detail confusion, frustration, disorientation, struggles, prejudices, misunderstandings as well as epiphanies without Orientializing (to borrow Edward Said's term) various ways of life within the archipelago. To most fairly convey the intricacies and differences between the broad generalities of the two cultures, multiple voices and points of view are incorporated. Americans, a Scottish citizen, and of course, Indonesians are all given significant space here--displaying both intolerant and tolerant notions--in order to maintain the humanity and dignity of all cultures and worldviews involved.

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Karsono, Sony. "Indonesia's New Order, 1966-1998: Its Social and Intellectual Origins". Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1367606667.

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Riwoe, Mirandi. "Fragrance of night and the hybridisation of Indonesian crime fiction". Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/60982/1/Miranoi_Riwoe_Thesis.pdf.

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The novel manuscript Fragrance of Night is a crime novel set in Indonesia. Raymond Chan, struggling to deal with the death of his Australian wife, returns to his country of birth, Indonesia. Ostensibly he returns to attend his cousin Lee’s wedding but he is also in search of some meaning in his life. He is drawn into a local murder mystery, and with the help of a young, Javanese policeman, he is soon investigating suspects and motives. Raymond finds himself becoming increasingly enamoured with the main suspect, Lani, but ultimately, once the murder mystery is solved, Raymond loses her. The exegesis examines crime fiction as a genre, in particular Indonesian crime fiction and notions of postcolonialism and hybridisation. Within this broader context, it analyses works by Indonesian crime fiction writer S Mara Gd, postcolonial crime fiction and novels written in English but set in ‘exotic’ locale. The formulation of my novel Fragrance of Night was informed by the examination of the machinations of hybridised crime fiction and the more general rules of the crime fiction genre.

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Heidbüchel, Esther. "The conflict in West Papua facts and fiction in Indonesian politics /". Giessen : IRU, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?idn=986597570.

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Budiman, Manneke. "Re-imagining the archipelago : the nation in post-Suharto Indonesian women's fiction". Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33945.

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This study sets out to investigate the ways in which some fiction by Indonesian women authors produced since the downfall of President Suharto in 1998 explores the notion of ‘nation’ that was established by the New Order during its thirty-two-year rule, and offers alternative perspectives. The New Order’s ideology of the unitary state of Indonesia required, as its foremost prerequisite, the construction of a sense of Indonesianness that was neither fragmented nor centrifugal. The result, however, was not only a Java-centric perspective of a vast archipelago that consists of more than 13,000 islands, but even more narrowly, a Jakarta-centric envisioning of the entire nation. In 1998 the Reformasi started and these women authors, who are situated at the intersection of authoritarianism and democracy, attempted to redefine the nation from diverse perspectives as women, while at the same time struggling against the pull to reinscribe the New Order’s discourse of a monolithic national identity. Different authors offer a range of viewpoints: from spatial angles that encompass urban, archipelagic, and cosmopolitan outlooks, to cultural dimensions that include Islam, adat, and ethnicity. These strategies of representation are analyzed using various feminist theories and approaches, especially those which are concerned with the notion of “symbolic space” as a “para-site” located in the margin of the dominant power, as proposed by scholars such as Ien Ang (2001), Rey Chow (1993), and bell hooks (1990). This study not only opens up a new approach to reading post-1998 Indonesian women’s fiction in the context of constructions of Indonesianness, but also furthers understanding of how cultural production in present-day Indonesia struggles to distance itself from the cultural and political legacy of the New Order, and at the same time is influenced by the long-lasting effects of that legacy.

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Downes, Meghan. "(Un)toward Progress: Stories of Modernity and Development in Indonesian Film and Fiction". Phd thesis, Canberra, ACT : The Australian National University, 2016. http://hdl.handle.net/1885/117704.

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In this thesis, I trace a powerful narrative theme of ‘progress’ across several different genres of storytelling: fictional stories in cinema and literature, audience accounts of everyday consumption practices, and the various stories circulating in media, public debate, and academic scholarship. Stories of progress are pervasive and compelling in contemporary Indonesia, whether in ‘inspirational’ films and novels featuring upwardly mobile young protagonists, or in audience discussions and media debates about the potential of such fictional stories to ‘advance’ and ‘develop’ the nation in both material and moral terms. Central to many of these stories are the keywords ‘modernity’ and ‘development.’ I seek to highlight the flexible and unstable iridescence of these keywords as preferred metaphors for interpreting complex social changes, and also the intimate links these terms share with disempowering colonialist and developmentalist discourses around civilisation and linear trajectories of progress. A key premise of this thesis is that words, language, and stories have concrete impacts on our ways of understanding and interpreting the world, and I suggest that uncritical use of opaque terms like ‘modernity’ and ‘development’ can mask deep complexities, reinforce structural inequalities, and erase alternative stories, particularly in postcolonial contexts like Indonesia. My study is informed by critical postcolonial and post-development theory, but I take a cultural studies perspective, focusing on how everyday stories of progress can serve to either challenge or reinforce dominant versions of ‘modernity’ and ‘development.’ Indonesia has a long and fraught history with these terms, and certain versions have attained dominance, coming to structure the narratives of progress circulating within and about Indonesia in the post-reform context. I examine how and why particular versions of progress narratives have become so powerful, where these stories are being most strongly articulated and contested, how these stories have shifted since the demise of the long-powerful New Order regime, and the divergent ways in which central keywords like ‘development,’ and ‘modernity’ operate across different types of stories, including scholarly accounts, public debates, audience discussions, and textual representations. In order to gain a nuanced understanding of what is going on in these stories, I combine close readings of selected popular films and novels, with audience ethnography, and media discourse analysis. I argue that a deeper understanding of both the pervasiveness and internal contradictions of progress narratives as they are articulated in each of these area can help us, as scholars, to engage more effectively with contemporary identity politics and debates around religion, region, gender, and history in Indonesia, and also to address representational inequalities in the production of knowledge more broadly. As my study demonstrates, the realm of popular culture offers unique insight into these issues, and therefore my thesis contributes not just to Indonesian studies and critical development studies, but also joins important scholarly debates and conversations around the challenges and opportunities of practicing cultural studies in Asian contexts.

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Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions". Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.

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Eagling, CM. "Socio-political issues in women's fiction of the Reformasi". Thesis, 2011. https://eprints.utas.edu.au/12434/1/Caroline_Melita_Eagling_ID_923828_Master_of_Arts_Thesis_pdf.pdf.

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Long struggling for a platform for woman's voice, Indonesian women authors have been publishing novels and anthologies of stories, poetry and articles in unprecedented numbers since the beginning of Reformasi. Not unnoticed has been their common use of sex and sexuality as a prominent component of their writings. Many of the authors have been labelled with the term sastrawangi; a friendly but patronizing and slightly derogatory label. The following critique illuminates the more important but previously un-investigated facets of literature from this generation of authors and brings to light the works of some authors that, due to the authors avoidance of sex and sexuality, have been overlooked as subjects of criticism. Through close readings of writers including Ayu Utami, Helvy Tiana Rosa, Linda Christanty and Laksmi Pamuntjak, this critique exposes socio-political aspects and motivations in modern Indonesian literature written by women authors. The readings were undertaken using a cultural materialist framework, drawing out the socio-political issues identified within the stories. The stories of chapter two contain clear references to actual events in recent Indonesian history. They reveal authorial commitment to the exposition of social and political issues such as war, conflict and religious or ethnic tension. Chapter three analyses the socio-political effects of globalisation, westernisation and the inherent difficulties of early democracy in the anthology of short stories by Laksmi Pamuntjak The Diary of R.S.: Musings on Art. The analysis indicates that women writers of the Reformasi era are showing a commitment to articulating the socio-political tensions of their era and exhibiting a certain social struggle with the newfound „freedoms‟ of post-Suharto Indonesia.

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Manurung, Jadi Haposan. "Investor Protection in the Indonesian Securities Market: Fact or Fiction?" Thesis, 2016. https://vuir.vu.edu.au/42316/.

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The improvement of investor protection systems is increasingly becoming a major concern of the financial sector in almost all jurisdictions because investors play a significant role in sustaining the activities of the securities market. With the enactment of its Capital Market Law, Indonesia has developed a rule and principles-based system to protect investors. However, the purpose of an investor protection system is not merely to provide regulations, ensure market supervision, and law enforcement, but also to provide investors with mechanisms for effective and efficient financial dispute resolution. Moreover, most research on investor protection systems has focused on the issue of compliance with disclosure requirements by public listed companies and issuers. In addition, previous studies of investor protection systems have been concerned with the governance of market institutions and licensed entities when implementing rules and regulations in the securities market. Neither scholars nor practitioners have paid much attention to seeking the means by which disputes between retail investors and license entities can be responded to and resolved quickly and effectively. This study aims to investigate whether the existing Indonesian domestic laws and regulations effectively meet the requirements of securities investments in Indonesia. Another objective of this research is to scrutinise the regulatory framework of the Indonesian financial sectors. The study assessed the feasibility of introducing law reforms in the Indonesian securities market and establishing financial dispute resolution mechanisms in the financial sectors, including the securities market, according to the Financial Services Law. For the purposes of this study, we conducted an extensive review of the literature, the publicly available reports, and the documents pertaining to the investor protection system. We also examined the domestic and international norms, regulations and legislations related to investor protection mechanisms in the financial services sectors. This study has drawn on the empirical experiences and best practices of other jurisdictions in implementing protective measures for retail investors. This research involves several forms of investigations and methods, namely regulatory reviews, informal group discussions, and lessons-learned. The thesis found that the implementation of a financial dispute resolution mechanism in the Indonesia financial services sectors, including the securities market is essential given the failure of the judiciary system in Indonesia in providing legal certainty and better enforcements, especially for retail investors. Further, the regulator needs to establish a close relationship with other enforcement institutions in order to make better decisions in legal proceedings to benefit investors. To address the current shortfall in regulations relevant to the securities market and investor protection system, the study finds that Indonesia needs supports from international paradigms and best practices in order to develop an effective investor protection system.

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Lawrence, Anne E. "The colour of dissonance : ethics, aesthetics, alterity and form in the cross-cultural novel". Thesis, 2014. http://handle.uws.edu.au:8081/1959.7/uws:32300.

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This thesis, which consists of a creative component (a novel) and a dissertation, engages with creative arts practice understood as hermeneutical process, that is, as ‘fluid, repetitive and continuous … a kaleidoscope of everchanging reflections, revisions, false starts and backtracking’ (Snodgrass and Coyne 2006: 46). It brings into intimate proximity Australia and Australians, Indonesia and Indonesians, and considers the transformative process of writing the cross-cultural novel as an act of interpretation, where the embodied writer engages in a process of understanding with the self, and with the text as it is being written. The context for ‘The Colour of Dissonance’ – both the novel and the dissertation – is the web of affiliations that informs the relationship between Australia and Indonesia. In the novel the central character, Iwan, is an Indonesian young man who travels from Central Java to Sydney in 1997 to study art. After graduating from art school he marries an Australian and begins a career as a visual artist. Themes explored in the novel include migration and cross-cultural encounter, creative arts practice as a way of life, the giving and receiving of hospitality, situated knowledges, and the impacts of social, cultural and political change (local and geopolitical). The dissertation draws on Adrian Snodgrass and David Coyne’s (2006) application of Hans- Georg Gadamer’s hermeneutical theory to the architectural design studio to argue that to write across cultures is to engage in a process of understanding with difference and an unfamiliar other. By adding shame, terror and fear of failure to this process of interpretation I illuminate their potential for sustaining cross-cultural writing that remains ethically and responsibly engaged even as it crosses borders – where the horizon of the writer ‘fuses with the horizon of the text’ and the text ‘“unhinges” our prejudices and suggests its own’ (Snodgrass and Coyne 2006: 43). It is in this spirit, I argue, that the novelist is able to understand her or his character ‘from within, as it were, but must also perceive it as other, as apart from its creator in its distinct alterity’ (Ashcroft et al. 2007: 9). As a way of situating the author, each chapter in the dissertation is framed by paintings from an exhibition by Ida Lawrence, (n)desa/bloody woop woop, stories from Kliwonan, Barmedman and between (kisah dari Kliwonan, Barmedman dan kisah di antaranya) (2012). Following the above epigram, both the dissertation and novel are an experimental first step in developing ‘an inventory’ of the ‘infinity of traces’ deposited in ‘I/we/Australia’ in relation to Indonesia in the Australian imaginary. For Edward W Said (1978/2003, 1998) the compilation of such an inventory – including the deposits of family, collective and national histories that make up the self – is essential to the task of interpretation and ‘critical consciousness’ (26). Not only does it enable one ‘to understand one’s own history in terms of other peoples’ history, the relationship between ourselves and another, it also allows one ‘to transform from a unitary identity to an identity that includes the other without suppressing difference’ (Said 1998). The dissertation reviews a well-documented lack of alterity in Australian literary representations of Indonesia and Indonesians (Vickers 1998, Reeve 1998, Tickell 1998, and Rankin 1999) and, in order to highlight this lack, considers several non-fiction texts that explore little known historical and contemporary interactions between Indonesians and Australians (Hardjono 1993, Lingard 2009, Balint 2005, Crosby et al. 2008). It also draws on Terry Smith’s (2011) Contemporary Art: World Currents which identifies an emerging current in contemporary art today – one shaped by a changing ‘mix of cultural, technological, social and geopolitical forces’ – to imagine an evolving context for the work of three contemporary Australian writers in different genres – novel, novella and long poem (De Kretser 2012, Chi Vu 2012, Mackenzie 2009).

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Libros sobre el tema "Indonesia, fiction"

Ratnatunga, Manel. Saga Indonesia. Victoria, Australia: Quill Press, 1994.

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Moeis, Abdoel. Salah asuhan. 3^a ed. Jakarta: Balai Pustaka, 2009.

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PN, Balai Pustaka, ed. Kisah-kisah kepahlawanan perang kemerdekaan 1945-1949 dan perang merebut kembali Irian Barat: Kumpulan cerpen. Jakarta: Balai Pustaka, 1993.

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Sumarjo, Yakob. Pengantar novel Indonesia. Bandung: Citra Aditya Bakti, 1991.

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Angie, Kilbane, ed. The rainbow troops. New York: Sarah Crichton Books/Farrar, Straus and Giroux, 2013.

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Mona, Matu. Pacar Merah Indonesia. 2^a ed. Yogyakarta: Jendela, 2001.

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Sumarjo, Yakob. Konteks sosial novel Indonesia, 1920-1977. Bandung: Alumni, 1999.

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Toer, Pramoedya Ananta. Tales from Djakarta: Caricatures of circumstances and their human beings. Ithaca, N.Y: Southeast Asia Program Publications, Cornell University, 1999.

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Mahayana, Maman S. Ringkasan dan ulasan novel Indonesia modern. Jakarta: Gramedia Widiasarana Indonesia, 2007.

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T, Faruk H. Novel Indonesia, kolonialisme, dan ideologi emansipatoris. Yogyakarta: Ombak, 2012.

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Capítulos de libros sobre el tema "Indonesia, fiction"

Piocos III, Carlos M. "Sexuality, Shame and Subversions in Indonesian Migrant Women’s Fiction". En Gender, Islam and Sexuality in Contemporary Indonesia, 145–68. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_8.

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AbstractThis contribution examines malu (shame) as an effect of Indonesian women’s migration, illustrating how gendered moral discourses shape the problematic politics of labour migration in the country. It argues that shame not only reinforces several problematic gender and moral discourses imposed on Indonesian migrant women but also heightens their precarious role and place in their home and host countries.This essay probes into the possibilities opened by Indonesian migrant domestic workers themselves as they write, publish and circulate their own stories in Hong Kong, Singapore and Taiwan as part of the emerging cultural production of Sastra Buruh Migran Indonesia, Indonesian Migrant Workers’ Literature. It makes an innovative contribution to this collection by analysing how, in five short fiction anthologies of Indonesian migrant domestic workersin Hong Kong, Singapore and Taiwan, instances of shame and shaming matter in the representation of their daily lives and how they narrate their encounters and practices of queer sexual identities and interracial intimacies in transnational spaces. Through migrant women’s understanding of what counts as malu, I argue that their stories present a more complex negotiation of their precariousness, as they exhibit instances of agencyand mobility that go beyond traditional gender discourses upheld back home.

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Djenar, Dwi Noverini. "Just Like Conversation?: Speech and Thought Presentation in Indonesian Adolescent Fiction". En Language Practices Among Children and Youth in Indonesia, 125–45. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-4775-1_8.

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AbstractThis chapter examines a remark by an observer of Indonesian adolescent literature that the language in Indonesian Teenlit novels resembles “spoken language,” implying that it is conversational in style. Drawing on approaches to speech and thought presentation initially applied to the study of English language texts, the chapter shows that direct speech and free direct speech are the main techniques employed by Indonesian authors to represent the speech and thought of adolescent characters. It is argued that the observer’s remark is not an indication that the language in Teenlit is indeed like conversational language. Rather, it represents an intuitive judgment that attests to the authors’ effective use of the techniques.

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Wieringa, Edwin. "Can Kartini Be Lesbian? Identity, Gender, and Sexual Orientation in a Post-Suharto Pop Novel". En Gender, Islam and Sexuality in Contemporary Indonesia, 169–87. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_9.

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AbstractThe British author Martin Amis once remarked that “the way a writer names his characters provides a good index to the way he sees the world—to his reality-level, his responsiveness to the accidental humour and freakish poetry of life” (Amis Amis, The moronic inferno and other visits to America, Penguin, London, 1987, p. 13). If this is so, what, then, does the choice of the name Kartini for the protagonist in the 2007 pop novel Kembang Kertas (Paper Flowers) by the Indonesian woman writer Eni Martini with the provocative subtitle Ijinkan aku menjadi lesbian (Allow me to be lesbian) tell us about the way she appropriates the iconic feministfigure of Kartini who lived from 1879 to 1904? This essay explores how the Kartini image as a model of the ideal Indonesian woman is creatively refigured in this 21st-century expression of Indonesian popular culture and how the new post-colonial avatar is deployed to address problematics of gender, shame, and sexual orientation. The question arises as to the analogy between the emblematic Kartini, revered in Indonesia as the epitome of perfect heterosexual femininity, and the new-fangled Kartini figure in fictional form.

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Halimah, H., S. Sumiyadi, Y. Yulianeta y Sri Ulina Br Sembiring. "The Influence of CERDIK and Short Story Videos on Students’ Learning Motivation in Indonesian Prose Fiction Appreciation". En Proceedings of the Sixth International Conference on Language, Literature, Culture, and Education (ICOLLITE 2022), 206–11. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-91-6_31.

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Downes, Meghan. "Women Writing Wayang in Post-reform Indonesia: A Comparative Study of Fictional Interventions in Mythology and National History". En The Southeast Asian Woman Writes Back, 107–27. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-7065-5_7.

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Wijaya, Elizabeth. "Memories of the Future: Speculative Cold War Histories in Yosep Anggi Noen’s The Science of Fictions and Daniel Hui’s Snakeskin". En Remapping the Cold War in Asian Cinemas. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463727273_ch15.

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In 1965 Indonesia, the CIA helped Suharto spread false reports on a coup plot by the PKI (Partai Komunis Indonesia), contributing to an anticommunist purge; that same year, a farmer chances upon a film shoot by a foreign crew of a fake moon landing and has his tongue cut off. The latter is a speculative invention of Yosep Anggi Noen’s fiction film, The Science of Fictions (2019). In Daniel Hui’s hybrid speculative fiction / documentary Snakeskin (2014), set in the year 2066 in Singapore, references to the 1950s Chinese leftist movements form part of the film’s excavation of national myths and half-forgotten memories. Noen’s imagined past and Hui’s speculative future meet in Cold War secrecies that periodically haunt the cinema of the region.

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"MALAY TRANSLATIONS OF CHINESE FICTION IN INDONESIA". En Literary Migrations, 248–76. ISEAS Publishing, 2013. http://dx.doi.org/10.1355/9789814414333-016.

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Hongxuan, Lin. "A Critical Ummah, a Conscious Proletariat". En Ummah Yet Proletariat, 237—C4N288. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197657386.003.0005.

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Abstract During the parliamentary democracy period (1950–59), Indonesians were deeply invested in the idea of cultivating an Indonesian national community that would organically develop its own way forward in an uncertain postwar world. Their desires for a “critical” ummah or a “conscious” proletariat militated against blindly accepting whatever the local Imam said in the mosque on Friday, or uncritically believing whatever Pravda printed. Instead, the discursive climate of parliamentary democracy encouraged intellectual independence and inquiry, allowing pious Muslims to explore and selectively incorporate Marxist ideas, while also allowing avowed Marxists to formulate distinctly Indonesian approaches to socialism. This chapter examines confluences of Islam and Marxism both within and without parliament, among the republican elite and the nascent middle class, and in fiction as well as reality. Sources used include books published by Masjumi parliamentarians, transcripts of debates held in the Constitutional Assembly, memoirs of pious Communists, newspapers affiliated with minor Marxist parties and civil society organizations, as well as 1950s Islamic poetry and leftist arts magazines.

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Bahrawi, Nazry. "Speculative Verses of Islam in Singapore Malay Literature". En The Politics of Muslim Identities in Asia, 17–32. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474466837.003.0002.

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The discourse of Islamic thought should not be confined to the normative fields of fiqh, usuluddin, shari’ah laws and tafsir. It can also be seen in literature, even though this discipline has been marginal to Islamic studies. This chapter aims to address this gap. It begins from the acknowledgment that literary fiction channels and shapes Islamic thought if we consider the well-known cases of Salman Rushdie’s The Satanic Verses and Naguib Mahfouz’s Awlad Haritna. Like their peers in Muslim cultures elsewhere, Malay/Muslim writers in Singapore, too, have engaged deeply with Islamic thought in their works. What are their sensibilities? This article will explore their works as aspiration and critique of the state of Islamic practices in the Republic. It considers Malay literature produced in both Bahasa and English. First, it will situate Singapore Malay literature within the region of Muslim Southeast Asia by tracing its responses to ideas such as Sastera Islam in Malaysia and Sastera Profetik in Indonesia. Then, it will consider selected contemporary works from Malay writers in Singapore in order to arrive at a sense of the evolution and trajectory of Islamic thought in contemporary literature.

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Postel-Coster, Els. "The Image of Women in Minangkabau Fiction". En Indonesian Women in Focus, 225–39. BRILL, 1992. http://dx.doi.org/10.1163/9789004488816_016.

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Actas de conferencias sobre el tema "Indonesia, fiction"

NST, M. Ismail, Bakhtaruddin NST y Zulfadhli ZULFADHLI. "The Structure of Indonesian Fiction before and after Period of Reform in Indonesia". En Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.40.

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Saftiah, Tridanova, Efendi Napitupulu y Hamonangan Tambunan. "The Learning Outcomes in Appreciating Indonesian Fiction and Non-fiction Books Through E-learning Modules". En Proceedings of the 8th Annual International Seminar on Transformative Education and Educational Leadership, AISTEEL 2023, 19 September 2023, Medan, North Sumatera Province, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.19-9-2023.2340395.

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Pratiwi, Fatma, Lukman Nusa, Rika Virga y Niken Puspitasari. "IDENTITY CONSTRUCTIONS OF INDONESIAN MOSLEM YOUTH THROUGH FAN FICTION". En Proceedings of the 1st Padjadjaran Communication Conference Series, PCCS 2019, 9 October 2019, Bandung, West Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.9-10-2019.2291104.

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Kusumaningtyas, Rindia. "Adaptation Works as Original Creations from an Intellectual Property Perspective (Study of Fans Fiction Works)". En Proceedings of the 4th International Conference on Indonesian Legal Studies, ICILS 2021, June 8-9 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.8-6-2021.2314373.

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Yuliana, Refi y Suratni Suratni. "Acquisition and Designing Youth Non-Fiction Books through School Literacy Programs". En Proceedings of the First Jakarta International Conference on Multidisciplinary Studies Towards Creative Industries, JICOMS 2022, 16 November 2022, Jakarta, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.16-11-2022.2326108.

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Habsari, Sri, Diah Kristina, Fitria Primasita, Yusuf Kurniawan, M. Al Makmun y Karunia Kusciati. "Ludic Activity of Writing Using Wattpad as Digital Fiction Engagement and Meaning Experiences". En Proceedings of the 4th BASA: International Seminar on Recent Language, Literature and Local Culture Studies, BASA, November 4th 2020, Solok, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.4-11-2020.2314222.

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Rohmah, Nurul y Uman Rejo. "Representation Of Traditional Buton Events In Fiction Works By Wa Ode Wulan Ratna: a Study Of New Historicism". En Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306717.

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Sitohang, Pernando, Mara Ritonga y Malan Lubis. "Development of Student Worksheets (LKPD) Fiction Text Based On Higher Order Thinking Skill (HOTS) In Class VII Students Of Santa Lusia Private Junior High School Sei Rotan". En Proceedings of the 7th Annual International Seminar on Transformative Education and Educational Leadership, AISTEEL 2022, 20 September 2022, Medan, North Sumatera Province, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.20-9-2022.2324817.

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Rahmayati, R., R. Rengganis y T. Tjahjono. "Portrayal of Ecological Crisis In Indonesian Prose: Fiction and Reality". En 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282792.

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Nabilah, N., S. Ulwiyah, F. Rifqiyah y W. Pusporini. "Trend Research Sustainable Developments Goals in Indonesia within ASEAN Nations from 2015 to 2023: A Bibliography Analysis". En Challenges of Science. Institute of Metallurgy and Ore Beneficiation, 2023. http://dx.doi.org/10.31643/2023.33.

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This study aims to identify and analyze the development of research related to sustainable development goals (SDGs) in Indonesia from 2015 to 2023 using bibliometric analysis methods. The SDGs represent a global commitment in addressing various social, economic, and environmental challenges faced by the world today. This study focuses on the main trends developing in SDGs research in Indonesia, including research productivity, collaboration between researchers, and dominant research themes. Bibliometric methods were used to collect and analyze data from various sources, such as scientific journals and reviews available in the Scopus database. The data analysis process involved the use of keyword visualization tools such as VoS Viewer, as well as R-studio Biblioshiny bibliometric analysis software. The results of the analysis show that sustainable development is a trending topic and peaks in 2020-2023. In addition, the evolution of research over a certain half-life (2017-2023) revealed that water sanitation, biodiversity, and food security became the main focus in SDGs-related publications. For almost the past decade, Indonesia has been the country that produced the highest number of SDGs-related articles in the Scopus database. This bibliometric study provides a comprehensive understanding of the development of SDGs research in Indonesia and can be a reference for other researchers to understand the growing trends and fictions in efforts to achieve development goals in Indonesia.

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