Bibliografías temáticas / Informal image making

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Literatura académica sobre el tema "Informal image making"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Informal image making"

Krishnamurthy, Sukanya. "Rituals and the participation of urban form: Informal and formal image making processes." City, Culture and Society 7, no. 3 (2016): 129–38. http://dx.doi.org/10.1016/j.ccs.2016.05.005.

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Hasanah, Uswatun, and Ribut Wahyudi. "MEANING-MAKING OF HEDGES IN THE GOSSIP COLUMN OF THE JAKARTA POST." Jurnal Humaniora 27, no. 2 (2016): 207. http://dx.doi.org/10.22146/jh.v27i2.8717.

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The present study investigates the use of hedges (vague language) as the meaning-making practice in the gossip column of the Jakarta Post. The daily newspaper is chosen due to pragmatic purposes, accessibility, and its national coverage. Adapting the framework of Lakoff (1973), Holmes (1990) and Hyland (1996a-b), this study focuses on the hedges’ functions and meanings in a gossip column (informal context), apart from an academic discourse (formal context) in which hedges are frequently discussed. This possibly leads to the diverse functions and meanings of the hedges’ occurrences within the d

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Kudlu, Chithprabha, and Mark Nichter. "Indian Imaginaries of Chinese Success in the Global Herbal Medicine Market." Asian Medicine 14, no. 1 (2019): 104–44. http://dx.doi.org/10.1163/15734218-12341437.

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Abstract India’s share in the global herbal market is dwarfed by that of China. Public and policy discourse in India exhorts Ayurvedic stakeholders to emulate Chinese medicine’s “science-based approach” to expand their global market share. But contrary to popular perception in India, China has been largely unsuccessful in making inroads into the coveted Euro-American herbal medicine market. Chinese medicine’s global footprint is largely the result of historical-cultural links, diasporic influences, and acupuncture practitioners. With national traditional medicine policies increasingly shaped b

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Buchakjian, Gregory. "Beirut by Night." Middle East Journal of Culture and Communication 8, no. 2-3 (2015): 256–81. http://dx.doi.org/10.1163/18739865-00802006.

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Over the past century, Beirut has acquired a reputation as the nightlife destination of choice in the region. Photography was and remains a privileged witness of the proverbial ‘Beirut nights’. In this essay I trace the history of the genre of nightlife photography in Beirut over the past century, from the grand ball era of the Mandate period to informal underground nightlife during the civil war and its aftermath; to the rise of the nightlife image-making industry in the 1990s and 2000s. I pay particular attention to the ways in which technological developments interplayed with historical and

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Ryu, Dongwan, and Jiwon Jeong. "Two Faces of Today's Learners: Multiple Identity Formation." Journal of Educational Computing Research 57, no. 6 (2018): 1351–75. http://dx.doi.org/10.1177/0735633118791830.

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With the help of digital media and networking technologies, today's learners are increasingly participating in the consuming, producing, and disseminating of new meanings in various modes such as text, image, sound, video, or all together—particularly in online communities—forming new identities as knowledge producers. By using online ethnography coupled with qualitative data collection instruments including participant observation and e-mail interview, the study explored (a) how game players participated in learning how to make mods a fan-programmed game feature and (b) why they created and s

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Mamou, Regina. "Mapping Collected Memory: An Exploration of Memory-Based Navigation in Amman, Jordan." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 138–59. http://dx.doi.org/10.5195/contemp.2014.77.

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The purpose of this research is to explore navigational and image-making methods in a context where maps and formal address systems have been minimally consulted in recent years. This investigation is approached by way of a research-based art project on subjective cartography, which was carried out from 2009 to 2010 during a Fulbright fellowship to Amman, Jordan. The project examines the mutability of a specific location as well as its relationship between obsolescence in cartographic resources and the photographic medium. By reaching out to Ammani residents for informal tours of the city, sel

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Schinkel, Maarten Pieter, Lukáš Tóth, and Jan Tuinstra. "Discretionary Authority and Prioritizing in Government Agencies." Journal of Public Administration Research and Theory 30, no. 2 (2019): 240–56. http://dx.doi.org/10.1093/jopart/muz018.

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Abstract Government agencies have a certain freedom to choose among different possible courses of action. This article studies agency decision making on priorities in a principal–agent framework with multiple tasks. Agency leadership has discretion over part of the agency’s budget to incentivize staff in the pickup of cases. The head is concerned not only with society’s benefits from the agency’s overall performance, but also with the organization’s public image. Based on their talent and the contracts offered by the head, staff officials choose which type of task to pursue: complex major case

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Stubbings, Philip, Joe Peskett, Francisco Rowe, and Dani Arribas-Bel. "A Hierarchical Urban Forest Index Using Street-Level Imagery and Deep Learning." Remote Sensing 11, no. 12 (2019): 1395. http://dx.doi.org/10.3390/rs11121395.

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We develop a method based on computer vision and a hierarchical multilevel model to derive an Urban Street Tree Vegetation Index which aims to quantify the amount of vegetation visible from the point of view of a pedestrian. Our approach unfolds in two steps. First, areas of vegetation are detected within street-level imagery using a state-of-the-art deep neural network model. Second, information is combined from several images to derive an aggregated indicator at the area level using a hierarchical multilevel model. The comparative performance of our proposed approach is demonstrated against

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Ivanova, Regina. "Socio-psychological impact of fake publications discrediting the internal affairs bodies of the Russian Federation during the rallies on the 23-d of January in 2021 on the formation of the image of the Ministry of Internal Affairs of Russia." Applied psychology and pedagogy 6, no. 2 (2021): 233–42. http://dx.doi.org/10.12737/2500-0543-2021-6-2-233-242.

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The article, using an informal document analysis method, analyzes the review of the Committee of the State Duma of the Russian Federation on information policy, information technology and communications "Express analysis of fakes on the topic of rallies on January 23" [1]  Internal Affairs of the Russian Federation, among the TOP 10 fake news on the TikTok video hosting platform during the rallies on January 23, 2021, and their impact on the image of the Ministry of Internal Affairs of Russia in society. As an object of research, we identified the review "Express analysis of fakes

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Rinata, Asfira Rachmad. "Branding Brawijaya Edupark Sebagai Wisata Edukasi di Malang." JISIP : Jurnal Ilmu Sosial dan Ilmu Politik 10, no. 1 (2021): 40–47. http://dx.doi.org/10.33366/jisip.v10i1.2253.

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Abstract: Brawijaya Edupark is one of the tourist destinations in Malang, East Java, which was previously known as Taman Wisata Senaputra. The change of the name Senaputra Tourism Park to Brawijaya Edupark is a new thing for the people of Malang City. The purpose of this research is to describe the image of Brawijaya Edupark educational tourism after the name change from Taman Wisata Senaputra. This study uses a qualitative method. The data collection process was carried out by means of interview, documentation, and observation. The result showed that the branding carried out by Brawijaya Edup

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Más fuentes

Tesis sobre el tema "Informal image making"

Andersson, Cecilia. "Rådjur och raketer : Gatukonst som estetisk produktion och kreativ praktik i det offentliga rummet." Doctoral thesis, Stockholms universitet, Institutionen för undervisningsprocesser, kommunikation och lärande (UKL), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1314.

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The purpose of this thesis is to describe and analyse the visual expressions of Street Art that occurs in the public space, and by doing so, to study this specifi c practice, and also elucidate the relation between public space as a democratic idea, a place for freedom of speech and as a planned, aesthetically shaped place. The intention is to throw light upon a central part of many young peoples lives in a didactic aspect. In this thesis I discuss Street Art as an informal image making in public space that young people use as tools to make meaning, but also as a form of resistance. The method

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Higgins, Paul Anthony. "Reducing uncertainty in new product development." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20273/.

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Research and Development engineering is at the corner stone of humanity’s evolution. It is perceived to be a systematic creative process which ultimately improves the living standard of a society through the creation of new applications and products. The commercial paradigm that governs project selection, resource allocation and market penetration prevails when the focus shifts from pure research to applied research. Furthermore, the road to success through commercialisation is difficult for most inventors, especially in a vast and isolated country such as Australia which is located a long way

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Ruhberg, Jody. "Menopause and beyond : making informed choices to treat menopausal symptoms and to maintain vitality in the second spring." 2009. http://www.ocomlibrary.org/images/PDF/studentpapers/JodyRuhberg.pdf.

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Libros sobre el tema "Informal image making"

Lecourt, Sebastian. Coda. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812494.003.0007.

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This brief coda considers the advantages of making the aesthetic a key term in our thinking about secularism. Accounts of Victorian secularization often treat the aesthetic as a kind of fetishized shell for the vanished contents of belief. What Arnold, Eliot, and Pater show us is how aesthetic thought offered Victorian writers something more nuanced: a rubric for mapping out the different spaces and distributions of religion in the modern world. Approaching the problem in this way, we not only gain new interest in Arnold and Pater as secularist thinkers but also discover how their work informe

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Werner, Ann. Digitally Mediated Identity in the Cases of Two Sámi Artists. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.21.

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This chapter explores identity issues in commercial streaming services, which have grown steadily in the 2010s to become the dominant form of music consumption in the Nordic countries, with about 60% of all Internet users in 2015. The chapter offers an alternative to the dominant trend in music industry studies by focusing not on the industry’s interests but instead on broader cultural issues. The chapter presents case studies of two female Sámi artists and their representations on Spotify, YouTube, MySpace, and artists’ websites, taking various aspects of the services into account, including

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Rüpke, Jörg. On Roman Religion. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501704703.001.0001.

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Was religious practice in ancient Rome cultic and hostile to individual expression? Or was there, rather, considerable latitude for individual initiative and creativity? This book demonstrates that it was a lived religion with individual appropriations evident at the heart of such rituals as praying, dedicating, making vows, and reading. The book dismantles previous approaches that depicted religious practice as uniform and static. Juxtaposing very different, strategic, and even subversive forms of individuality with traditions, their normative claims, and their institutional protections, this

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Karapapa, Stavroula. Defences to Copyright Infringement. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198795636.001.0001.

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Defences to copyright infringement have gained increased significance over the past twenty years. The fourth industrial revolution emerged with the development of innovative copy-reliant services and business models, transforming the way in which copyright works can be used, from digital learning methods to mass digitization initiatives, media monitoring services, image transformation tools, and content mining technologies. The lawfulness of such innovative services and business methods, which arguably have the potential to enhance public welfare, is dubious and challenges copyright law. EU co

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Brown, Abbe, Smita Kheria, Jane Cornwell, and Marta Iljadica. Contemporary Intellectual Property. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198799801.001.0001.

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Contemporary Intellectual Property: Law and Policy, fifth edition, offers a unique perspective on intellectual property (IP) law, unrivalled amongst IP textbooks. An accessible introduction to IP law, it provides not only a comprehensive account of the substantive law, but also discusses the overarching policies directing the legal decision-making, as well as areas for further debate. Intellectual property law is an increasingly global subject, and the book introduces the relevant European and international dimensions to present a realistic view of the law as it actually operates. It explores

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Capítulos de libros sobre el tema "Informal image making"

Hill, Juniper. "Developing Psychological Enablers and Inhibitors of Creativity." In Becoming Creative. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199365173.003.0003.

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In this chapter classical, jazz, and traditional musicians from Cape Town to Helsinki to Los Angeles express how psychological factors can lead to major hurdles in being creative. Two main psychological inhibitors are anxiety and self-perception of lacking potential, which impact motivation at four levels. Multiple sociocultural factors can influence an individual’s anxiety level, self-image, and motivation. The chapter analyzes how these psychological enablers and inhibitors of creativity are shaped by (1) different cultures’ beliefs about talent and potential; (2) identification and relationships with role models, mentors, and peers; (3) formal assessment by authority figures, informal feedback from peers, and self-judgment; and (4) values and attitudes related to perfectionism, making mistakes, and originality.

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Padoongpatt, Mark. "“One Night in Bangkok”." In Flavors of Empire. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293731.003.0002.

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This chapter explores the blossoming of America's fascination with Thai cuisine during the Cold War. The informal postwar U.S. empire in Thailand vacillated between "hard" and "soft" power, consisting of state-sponsored dictatorships, militarization, modernization projects, and cultural diplomacy. The chapter traces how this neocolonial relationship established circuits of exchange between the two countries, making it possible for thousands of ordinary Americans (non-state actors) to go to Thailand and participate in U.S. global expansion through culinary tourism. Many, especially white women, treated Thai foodways as a window into Thai history and culture and into the psyche of the Thai people. The chapter argues that these culinary tourists constructed an idealized image of Thailand and a neocolonial Thai subject by writing "Siamese" cookbooks and teaching cooking classes to suburban homemakers back in Los Angeles, whetting Americans' appetite for an exotic Other’s cuisine.

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Cooper, Sarah. "Seeing Pictures." In Film and the Imagined Image. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474452786.003.0001.

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This opening chapter serves to introduce the principal focus of the book, which explores the felt experience of mental image-making while watching film. The introductory discussion positions the book first of all in relation to cognitivist work on imagination within film studies and points to the gap in scholarship on spectatorship regarding the experience of the image-making capacity of the imagination, situating it within a broader debate on mental imagery. The chapter engages with film theory and philosophy that anticipates the kind of image-making that will be focused on throughout the book and introduces what it means to imagine in images. It also justifies the book’s concentration on sound rather than silent cinema, since the verbal dimension and soundtracks are crucial to the kind of direction that produces the most vivid mental images, and the verbal dimension in particular permits introduction of the work of Elaine Scarry on guided imagining. It is the vivacity of such mental images that this first chapter outlines. In conceptual terms, this chapter and the following chapter serve to set up the key notion of ‘dual vision’ – of seeing what is on screen and ‘seeing’ what is in the mind – that informs the entire study.

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Cooper, Sarah. "Feeling Pictures." In Film and the Imagined Image. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474452786.003.0002.

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This chapter opens with an example from Marguerite Duras’s film The Atlantic Man (1981), in order to introduce some of the ways in which the felt experience of image-making spoken about in relation to dual vision and mental pictures in the first chapter can be further fleshed out. It is the substantiality of the vivid mental image that is explored in this chapter, which furthers what it means to imagine in images while watching film. Duras’s work is a point of reference throughout the book but serves here to lead into discussion of perception and imagination as theorised by twentieth-century phenomenologists. The felt experience of image-making begins to take shape in palpable form, and the relationship between perception and imagination that informs subsequent chapters is articulated first of all through a dialogue with Maurice Merleau-Ponty’s work in particular, and then with that of other philosophers and film theorists.

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Van Vleet, Krista E. "Making Images, (Re)Visioning Mothers (a Photography Workshop)." In Hierarchies of Care. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042782.003.0005.

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This chapter draws on phenomenological approaches to “dwelling in” and envisioning the world to ask how young women’s participation in photography workshops might offer a window onto the dynamic production of subjectivities (as mothers, or not). In a photography workshop, young women produce retablos, or portraits of themselves as Madonna and child. The chapter juxtaposes the structured activities of a workshop (organized by an international NGO) with more informal use of point-and-shoot digital cameras (which was integrated into this research project). Reflecting on the activity of taking photos, as well as the representational aspects of images themselves, demonstrates girls’ creative expression and experimentation as well as the moral dialogues in which visions of self are embedded.

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Rocamora, Isabel. "Performance, Moving Image, Installation: The Making of Body of War and Faith." In Cinematic Intermediality. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0013.

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In this chapter, moving image artist Isabel Rocamora reflects on the thematic, aesthetic and philosophical concerns that drive her intermedial art practice. The essay traces the ways in which core elements of her performance work – gesture, place, temporality and presence – in turn inform and are transformed by her film and video installations. A discussion of the ethical dilemmas that motivate Body of War (2010) and Faith (2015) – namely, military violence and ethnic segregation – opens up problems of identity and alterity as well as questions of form, structure and register. To address these, Rocamora places the illuminating philosophies of Martin Heidegger and Emmanuel Levinas into dialogue with her own directorial approach to casting, location, performance, cinematography, sound design and exhibition architecture. The aim of her moving images, she explains, is to draw out the personal from the collective in mise en scènes that dislodge performative action to expose ontological presence. The creative means, the essay concludes, emerge from the productive strife between the media.

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Cooper, Sarah. "Conclusion: Broadening Out." In Film and the Imagined Image. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474452786.003.0010.

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The conclusion journeys back across the different processes explored in the preceding chapters in order to stress continuities in the procedures that prompt mental image composition in spite of the very different films from different geo-political contexts and eras that have informed this study. It also asks how the fruits of this research might relate to an even broader range of filmic examples. The argument throughout the book emphasises that no one process is attached solely to the examples discussed in any given chapter and indicates how a number of processes sometimes coalesce when viewing an individual work. To take this argument further, the conclusion suggests that these processes, especially the opening account of layering, are portable and relevant to moments of mainstream narrative cinema as well as further examples from art house cinema and documentary. When characters tell stories in the diegetic space without their words giving way to images that illustrate what they are narrating, when a voice-over is evocative and diverges from what is seen on screen, or when a soundtrack speaks louder than words, there is an opening for the image-making capacity of the imagination that has been the book’s focus throughout.

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Ulfsdotter, Boel, and Anna Backman Rogers. "Introduction." In Female Authorship and the Documentary Image. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419444.003.0001.

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The topic of this book, as well as its companion volume, Female Agency and Documentary Strategies: Subjectivities, Identity and Activism, is an internationally focused study of female authorship in relation to the documentary image. Addressed by a group of scholars and practitioners at the forefront of contemporary views on this issue, these two volumes are defined by a collaborative effort to map and report on authorship from a global perspective. Given the widespread interest, and indeed nearly obsessional need, to document ourselves and the world around us in the contemporary moment, this two-volume monograph addresses issues as varied as: How do theory and praxis coalesce (if at all) for female practitioners within documentary image making practices? How do technology and contemporary media shape the strategies that inform female authorship and subjectivity? Has the digital turn brought about any major shifts in terms of female subject formation and activism? Which is the central mode of address currently in the field? Which are the key issues being dealt with? How is female authorship made manifest within a global context? Why is the notion of authorship of sustained relevance and importance to female documentary practitioners? Is female authorship always implicitly or explicitly imbricate with feminist theory?...

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Linklater, Andrew. "Civilizing Processes at the Level of Humanity as a Whole." In The Idea of Civilization and the Making of the Global Order. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781529213874.003.0008.

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This chapter discusses Elias’s investigation of civilizing processes that have affected humanity as a whole and analyses his criteria for assessing the relative power of civilizing and decivilizing trends. Four criteria are considered – whether controls on violence are increasing or in decline; whether there are significant changes in the rely power of internal and external constraints on conduct; whether emotional identification between peoples is widening or contracting; and whether support for international planning to protect the vulnerable from the problems stemming from global interconnections is on the rise or is weakening. Those yardsticks inform the discussion of Huntington’s idea of a clash of civilizations and English School descriptions of the civilizing potential of international society. The chapter ends with reflections on the importance of shared symbols for a global civilizing process. It considers the complex relations between national-populist movements, images of future global ecological civilizing processes and the political challenges of the Covid-19 health and economic crisis.

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Lake, Jessica. "Hollywood Heroes and Shameful Hookers." In The Face That Launched a Thousand Lawsuits. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300214222.003.0007.

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This chapter examines the cases in which individuals used a right to privacy to claim ownership over their life stories, when appropriated by film studios for fiction films. It tracks the move of industrial image making from the East Coast to the West coast of the United States in the 1910s and compares the different contexts of New York’s privacy laws with California’s, informed as they were by a utopian “pursuit of happiness” guaranteed by the Californian Constitution. This chapter also examines the right of privacy in relation to the censorship demands of the Hays Code and considers the onscreen celebration of men’s heroic “public” lives compared to the shaming of women’s “private” lives. It discusses the motion pictures CDQ or Saved by Wireless (1911), The Red Kimono (1925), Yankee Doodle Dandy (1944) and The Sands of Iwo Jima (1949). Whereas female plaintiffs took issue with being condemned or marginalized by films because of their sexuality (their status as hookers or divorcees), men protested the implications of being publicly celebrated for their professional deeds or achievements.

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Actas de conferencias sobre el tema "Informal image making"

Katrakazas, Panagiotis, Ourania Manta, and Dimitrios Koutsouris. "A Big-Data Informed Model Approach to Hearing Health Policy Decision Making." In 2018 14th International Conference on Signal-Image Technology & Internet-Based Systems (SITIS). IEEE, 2018. http://dx.doi.org/10.1109/sitis.2018.00116.

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McCannon, Jessica B., Walter J. O'Donnell, B. T. Thompson, et al. "Using Video Images To Better Inform Decision-Making Regarding CPR In The Intensive Care Unit: A Temporal Intervention Study." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a5204.

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Haapala, Karl R., Fu Zhao, Jaime Camelio, et al. "A Review of Engineering Research in Sustainable Manufacturing." In ASME 2011 International Manufacturing Science and Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/msec2011-50300.

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Sustainable manufacturing has been defined by the U.S. Department of Commerce as the creation of manufactured products using processes that minimize negative environmental impacts, conserve energy and natural resources, are safe for employees, communities, and consumers, and are economically sound. Thus, it requires simultaneous consideration of economic, environmental, and social implications associated with production and delivery of goods. Research in sustainable manufacturing is an important activity that informs product development from a life cycle perspective. At the process level, sust

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Yang, Zixuan, Huaiyuan Teng, Jeremy Goldhawk, et al. "A Vision-Based Framework for Enhanced Quality Control in a Smart Manufacturing System." In ASME 2019 14th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/msec2019-2966.

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Abstract Dimensional metrology is an integral part of quality control in manufacturing systems. Most existing manufacturing systems utilize contact-based metrology, which is time consuming and not flexible to design changes. There have been recent applications of computer vision for performing dimensional metrology in manufacturing systems. Existing computer vision metrology techniques need repeated calibration of the system and are not utilized with data analysis methods to improve decision making. In this work, we propose a robust non-contact computer vision metrology pipeline integrated wit

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Informes sobre el tema "Informal image making"

Temple, Dorota S., Jason S. Polly, Meghan Hegarty-Craver, et al. The View From Above: Satellites Inform Decision-Making for Food Security. RTI Press, 2019. http://dx.doi.org/10.3768/rtipress.2019.rb.0021.1908.

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Despite notable progress in reducing global poverty and hunger in recent decades, about one out of nine people in the world suffers from hunger and malnutrition. Stakeholders charged with making decisions pertaining to agricultural production, development priorities, and policies at a region-to-country scale require quantitative and up-to-date information on the types of crops being cultivated, the acreage under cultivation, and crop yields. However, many low- and middle-income countries lack the infrastructure and resources for frequent and extensive agricultural field surveys to obtain this

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