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Libros sobre el tema "Information theory. Senses and sensation"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 6 de febrero de 2022

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1

Measurements with persons: Theory, methods, and implementation areas. Psychology Press, 2011.

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2

Medina, John. Brain rules: 12 principles for surviving and thriving at work, home, and school. Pear Press, 2008.

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3

Medina, John. Brain Rules. Pear Press, 2009.

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4

Baird, John C. Sensation and judgment: Complementarity theory of psychophysics. Lawrence Erlbaum Associates, 1997.

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5

Norwich, Kenneth H. Information, sensation, and perception. Academic Press, 1993.

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6

Psychophysics: Method, theory, and application. 2nd ed. L. Erlbaum Associates, 1985.

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7

1971-, Hagener Malte, ed. Film theory: An introduction through the senses. Routledge, 2010.

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8

The theory of intelligence: A sensory-rational view. Thomas, 1990.

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9

The evidence of the senses: A realist theory of perception. Louisiana State University Press, 1986.

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10

Romantic sobriety: Sensation, revolution, commodification, history. Johns Hopkins University Press, 2011.

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11

Benedetto, Steve Di. The provocation of the senses in contemporary theatre. Routledge, 2010.

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12

Hill, Christopher S. Sensations: A defense of type materialism. Cambridge University Press, 1991.

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13

Dusenbery, David B. Sensory ecology: How organisms acquire and respond to information. W.H. Freeman, 1992.

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14

Sensation, perception and action: An evolutionary perspective. Palgrave Macmillan, 2010.

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15

Kindai kanʾyō shisō to shinkyō jiyū no seiritsu: Rokku kanyōron to sono eikyō ni kansuru kenkyū. Seibundō, 1986.

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16

Benedetto, Steve Di. The provocation of the senses in contemporary theatre. Routledge, 2010.

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17

The provocation of the senses in contemporary theatre. Routledge, 2010.

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18

I nostri sensi illumina: Coscienza, affetti e intelligenza spirituale. Città nuova, 2009.

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19

Brotbeck, Stefan. Metamorphosen des Gesichts: Elemente einer Metaoptik. Ars Una, 2002.

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20

Saboshchuk, Anatoliĭ Panteleĭmonovich. Gnoseologicheskiĭ analiz psikhofiziologicheskikh mekhanizmov genezisa myshlenii͡a︡. "Shtiint͡s︡a", 1990.

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21

Gubanov, N. I. Chuvstvennoe otrazhenie: Analiz problem v svete sovremennoĭ nauki. "Myslʹ", 1986.

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22

Il doppio mondo dell'occhio e dell'orecchio: Senso e verità nella filosofia della percezione. Mimesis, 2010.

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23

György, Ádám. Visceral perception: Understanding internal cognition. Plenum Press, 1998.

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24

Vassilie-Lemeny, Sorin-Titus. Pour une philosophie du sens et de la valeur. Editions Bière, 1990.

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25

The reliability of sense perception. Cornell University Press, 1993.

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26

Emotions, myths, and theories. Progress Publishers, 1985.

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27

Quantitative psychology. Hogrefe & Huber, 1989.

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28

Hitchcock and the cinema of sensations: Embodied film theory and cinematic reception. I.B. Tauris, 2011.

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29

Heinz, Marion. Sensualistischer Idealismus: Untersuchungen zur Erkenntnistheorie des jungen Herder (1763-1778). F. Meiner, 1994.

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30

Millar, Alan. Reasons and experience. Clarendon Press, 1991.

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31

Hermeneutik der Sinne: Eine Untersuchung zu Helmuth Plessners Projekt einer "Ästhesiologie des Geistes" nebst einem Plessner-Ineditum. Verlag K. Alber, 1998.

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32

NATO Advanced Research Workshop on Information Processing of Chemical Sensory Stimuli in Biological and Artificial Systems (1989 Göttingen, Germany). Chemosensory information processing. Springer-Verlag, 1989.

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33

Sensation, contemporary poetry and Deleuze: Transformative intensities. Continuum, 2010.

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34

Sensazione, percezione, concetto. Il mulino, 2000.

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35

Steve, Parker. Learning a lesson: How you see, think, and remember. F. Watts, 1991.

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36

Vision, Gerald. Problems of vision: Rethinking the causal theory of perception. Oxford University Press, 1997.

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37

Carlo, Musio, Taddei-Ferretti C, and Istituto italiano per gli studi filosofici., eds. From structure to information in sensory systems: Proceedings of the International School of Biophysics, Casamicciola, Napoli, Italy, 14-19 October 1996. World Scientific, 1998.

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38

Sympathy, sensibility and the literature of feeling in the eighteenth century. Palgrave Macmillan, 2012.

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39

Csengei, Ildiko. Sympathy, sensibility and the literature of feeling in the eighteenth century. Palgrave Macmillan, 2012.

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40

Cameron, Oliver G. Visceral sensory neuroscience: Interoception. Oxford University Press, 2002.

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41

Cameron, Oliver G. Visceral sensory neuroscience: Interoception. Oxford University Press, 2002.

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42

Literature's sensuous geographies: Postcolonial matters of place. Palgrave Macmillan, 2015.

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43

Kappers, Astrid M. L. Haptics: Generating and Perceiving Tangible Sensations: International Conference, EuroHaptics 2010, Amsterdam, July 8-10, 2010. Proceedings. Springer-Verlag Bberlin Heidelberg, 2010.

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44

Gary, Van Den Heuvel, ed. Mind: An essay on human feeling. Johns Hopkins University Press, 1988.

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45

Walton, Saige. Cinema's Baroque Flesh. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089649515.

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In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including Caché, Strange Days, the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for struct
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46

Introduction To The Senses For Computer Game And Virtual Reality Designers. Cambridge University Press, 2007.

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47

Bossomaier, Terry. Introduction To The Senses For Computer Game And Virtual Reality Designers. Cambridge University Press, 2007.

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48

de Vignemont, Frédérique. The Body Map Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0006.

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How do bodily experiences get a rich spatial content on the basis of the limited information carried by bodily senses? This chapter argues that one needs a map of the body, which represents its enduring properties (i.e. configuration and dimensions). This representation can be decoupled from the biological body leading the subject to experience sensations not only in phantom limbs but also in tools that bear little visual resemblance with the body. Does it entail that there is almost no limit to the malleability of the body map? Or that bodily sensations can be felt even beyond the apparent bo
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49

Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School. Pear Press, 2008.

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50

Medina, John. Brain Rules: 12 Principles for Surviving and Thriving at Work, Home, and School. Pear Press, 2008.

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