Libros: "Interet compose"

1

Belaisch, Agnes. Do Brazilian banks compete? [Washington, D.C.]: International Monetary Fund, Western Hemisphere Department, 2003.

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2

Alan, Simpson. Official Netscape Composer book: The ultimate guide to designing professional Web pages. Research Triangle Park, NC: Ventana, 1997.

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3

American Bar Association. Forum of Communications Law, ed. Internet publishing perils and practices: A compass for content in the digital domain. Chicago, Illinois: American Bar Association, Forum of Communications Law, 2013.

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4

The complete guide to B2B marketing: New tactics, bools, and techniques to Compete in the digital economy. Upper Saddle River, New Jersey: Pearson Education, 2015.

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5

Ruling the waves: Cycles of discovery, chaos, and wealth from compass to the Internet. New York: Harcourt, 2001.

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6

Using the Web to compete in a global marketplace. New York: Wiley Computer Pub., 1998.

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7

Competition on the Internet: Hearing before the Task Force on Competition Policy and Antitrust Laws of the Committee on the Judiciary, House of Representatives, One Hundred Tenth Congress, second session, July 15, 2008. Washington: U.S. G.P.O., 2008.

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8

Snyder, Scott A. The new world of wireless: How to compete in the 4G revolution. Upper Saddle River, N.J: Wharton School Pub., 2010.

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9

Culwell, Lori. Million dollar website: Simple steps to help you compete with the big boys-even on a small business budget. New York: Prentice Hall Press, 2009.

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10

Brogi Bercoff, Giovanna y Maria Grazia Bartolini, eds. Kiev e Leopoli: Il 'testo' culturale. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-666-2.

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Kiev has always revealed a surprising capacity for assimilation, giving rise over time to multi-ethnic, multi-faith and multi-cultural contexts of various types. Thinking of the "Kiev text" leads inevitably to consideration of the other emblematic text of the Ukrainian identity, the no less composite reality of Lviv. This publication contains the contributions presented at a Conference (Milan, February 2007) addressed to the "cultural text" of Kiev and Lviv. The authors are specialists with different cultural profiles, and the book is of a deliberately inter-disciplinary character. In view of the richness and variety of the information it is offered, within the Italian and international context, as a useful source even for the non-specialist public, and is one of a very small number of books dedicated to Ukraine available in Italian. Clearly, the arguments addressed represent only a tiny part of the vast spectrum of issues and questions inherent to the specificity and plurality of Kiev and Lviv. The hope is that the seed sewn here will grow into further fruitful interest.

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11

Traduction, Laberge Jacques-Gilles, ed. Le culte de l'amateur: Comment Internet tue notre culture. Montréal: Editions de l'Homme, 2008.

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12

Jacques-Gilles, Laberge, ed. Le culte de l'amateur: Comment Internet tue notre culture. Paris: Scali, 2008.

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13

The Google-Yahoo! agreement and the future of internet advertising: Hearing before the Subcommittee on Antitrust, Competition Policy, and Consumer Rights of the Committee on the Judiciary, United States Senate, One Hundred Tenth Congress, second session, July 15, 2008. Washington: U.S. G.P.O., 2008.

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14

Kearns, Ellen C. Hot employment issues in the new economy: Non-payment of wages, stock options, non-competition agreements, email and the internet. Boston, MA (10 Winter Pl., Boston 02108-4751): Massachusetts Continuing Legal Education, 2001.

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15

Keen, Andrew. The cult of the amateur: How today's internet is killing our culture. London: Nicholas Brealey, 2007.

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16

The cult of the amateur: How today's internet is killing our culture. New York: Doubleday, 2007.

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17

Wierzbicki, James. Mavericks. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040078.003.0010.

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This chapter focuses on the concept of “maverick,” a term as American as the Stars and Stripes that the notion of the “maverick composer” is likewise unique to the United States. An important handful of American composers in the postwar years demonstrated a comparable lack of interest not in music but in the traditional business of music-making. As much as they could, they avoided the universities that supported so many of the modernists. They avoided, too, the opera companies and symphony orchestras that through commissions and performances supported so many of the mainstreamers. Occasionally, they banded together in collectives whose members pursued similar goals and thus were mutually influential. However, most of the time, the maverick composers of the Fifties marched to the beats of very different drummers.

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18

Poynter, Dan, Danny O. Snow y Poynter &. Snow. U-Publish.com: How Individual Writers Can Now Effectively Compete with the Giants of the Publishing Industry. Authorhouse, 2000.

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19

Ansari, Emily Abrams. The “Apolitical” Opportunist. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649692.003.0003.

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This chapter examines composer and music critic Virgil Thomson, a man who liked to present himself as apolitical but who had close ties to the federal government and the secretly CIA-funded Congress for Cultural Freedom. Thomson embraced the opportunities that the Cold War created. But unlike William Schuman and Howard Hanson, Thomson showed little interest in the politics motivating such programs. He willingly embraced and advanced the new interpretation of American exceptionalism, although he was not personally invested in it, because it created opportunities to gain greater status for American composers. Thomson’s various Cold War activities help us gain a fuller understanding of centrist American liberalism as it shaped musical life during the Cold War.

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20

Makus, Eric J. y Robert L. Usibelli. Town Compass Global Internet Directory: 300 Travel Websites for the Urban Astronaut. Town Compass, LLC, 1999.

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21

E, Walker Hermann, ed. Improving Internet access to help small business compete in a global economy. New York: Nova Science Publishers, 2009.

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22

Vanel, Hervé. Muzak-Plus and the Art of Participation. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037993.003.0004.

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This chapter discusses the composer John Cage's interest in Muzak and his concept of “Muzak-plus”. Cage's long-lasting interest in muzak was not because he liked Muzak, or that he was sympathetic to its alleged power. On the contrary, Cage often stated his distaste and, to a certain extent, his fear of Muzak. But he perceived his aversion for muzak as something to be somehow overcome. Cage first alluded to the concept of Muzak-plus in a piece he wrote in 1962 for the collective publication Module, Proportion, Symmetry, Rhythm. Muzak-plus is a situation where being creative never seemed so natural and unnoticeable an act (fulfilled simply while going through the room). In itself, the principle of listeners–performers–composers activating the space by simply traversing it recalls Cage's remark that actually “no one means to circulate his blood.” With Muzak-plus, one could barely dream of a more integrated form of art as life.

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23

Gopinath, Sumanth y Pwyll ap Siôn, eds. Rethinking Reich. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190605285.001.0001.

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Although the composer Steve Reich (b. 1936) has been described as “the most original musical thinker of our time,” who has received innumerable accolades in a career spanning more than fifty years, his music remains nevertheless underresearched. However, during the past ten years, renewed interest has been shown in the music of this seminal figure, partly generated through the acquisition of the Steve Reich Collection at the Paul Sacher Stiftung in Basel, Switzerland. Rethinking Reich is the first edited volume on a musical figure considered by many to be America’s greatest living composer. With contributions by academics known for their expert knowledge on various aspects of Reich’s work—ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections—the book provides a much-needed intellectual platform for new understandings relating to this important composer, including those enabled by access to the Paul Sacher archive. Given the hegemony of Reich’s own very articulate and convincing discourses on his music, as found in his Writings on Music, perhaps “rethinking Reich” is precisely the task that now needs to be undertaken. While recognizing the achievements of a composer who, in critic Andrew Clements’s words, belongs to “a handful of living composers who can legitimately claim to have altered the direction of musical history,” the present volume provides a series of timely, serious, thought-provoking, and critically minded contributions and reappraisals, where the notion of rethinking this important composer’s contribution to the music of the twentieth century remains an abiding concern throughout.

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24

Cohan, Peter S. Net Profit: How to Invest and Compete in the Real World of Internet Business. Jossey-Bass, 2001.

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25

Net Profit: How to Invest and Compete in the Real World of Internet Business. Jossey-Bass, 1999.

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26

Snyder, Jean E. Bringing Spirituals to the Concert Stage. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0016.

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This chapter focuses on the popularity of Harry T. Burleigh's spirituals in recitals and other concerts. Burleigh published his first solo arrangement of spirituals from 1911 to 1916, at a time when the tide of interest in African American folk music, especially spirituals, was gathering momentum. At least nineteen white American composers joined the stream. Black composers also produced compositions reflecting their folk heritage during these years. From the 1916–1917 concert season, when his solo arrangement of “Deep River” became the hit of the recital season, Burleigh's role as pioneer arranger and interpreter of spirituals began to eclipse his role as recital singer and art song composer. This chapter explores how the recurring controversy over the origins of African American music made Burleigh a spokesman for the uniquely expressive gifts of African Americans who, he argued, had created America's first genuine folk music. In particular, it considers Burleigh's view that the spirituals were the primary artistic contribution of African Americans. It also discusses the influence of Edward MacDowell on Burleigh's movement toward arranging spirituals as art songs.

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27

Engineering, National Academy of, National Academy of Sciences U.S., Institute of Medicine y Engineering, and Public Policy Committee on Science. Science and Technology in the National Interest: The Presidential Appointment Process (Compass Series). National Academies Press, 2001.

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28

Matters of vital interest: A forty-year friendship with Leonard Cohen. 2018.

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29

Austen, Jane. Sense and Sensibility. Editado por John Mullan. Oxford University Press, 2019. http://dx.doi.org/10.1093/owc/9780198793359.001.0001.

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‘Pray, pray be composed,’ cried Elinor, ‘and do not betray what you feel to every body present. Perhaps he has not observed you yet.’ For Elinor Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne’s unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines’ parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women’s lives were shaped by the claustrophobic society in which they had to survive.

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30

Levy, Benjamin R. Fluxus and the Absurd (1961–62). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.003.0005.

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After John Cage’s 1958 Darmstadt lectures, many European composers developed an interest in absurdity and artistic provocation. Although Ligeti’s fascination with Cage and his association with the Fluxus group was brief, the impact it had on his composition was palpable and lasting. A set of conceptual works, The Future of Music, Trois Bagatelles, and Poème symphonique for one hundred metronomes, fall clearly into the Fluxus model, even as the last has taken on a second life as a serious work. This spirit, however, can also be seen in the self-satire of Fragment and the drama and irony of Volumina, Aventures, and Nouvelles Aventures. The sketches for Aventures not only show the composer channeling this humor into a major work but also prove to be a fascinating repository of ideas that Ligeti would reuse in the years to come.

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31

Spar, Debora L. Ruling the Waves: Cycles of Discovery, Chaos, and Wealth, from the Compass to the Internet. Harcourt, 2001.

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32

Debaise, Didier. Nature and Societies. Traducido por Tomas Weber. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423045.003.0012.

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What is nature? So far, it has not been necessary to step outside of Process and Reality’s speculative project. Nature is fully deployed within the theory of existence and, in the theory of societies, it takes on the form of a singular type of empiricism. Doesn’t this new question of nature, of what composes it, of its relations to existences, require, for the first time, stepping outside of speculative philosophy? Doesn’t the question ‘what is nature?’ necessarily fall within a philosophy of nature of the kind that interests Whitehead in his earlier works and to which he returns in Modesof Thought? Several commentators on Process and Reality have embarked on this path by transporting, with differing degrees of obliqueness, the theory of actual entities on to a different plane from that of speculative philosophy. This approach, however, risks diminishing the final character of actual entities, reducing the importance and restricting the field of application of the ontological principle itself. Remember: there is nothing beyond actual entities; ‘the rest is silence’. Neither a superior form of existence nor a nature qua principle of movement, becoming or creation can ever explain actual entities. The terms usually employed to characterise nature, however, tend to presuppose an ontological precedence of nature over the existences that compose it.

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33

National Implementation of International Humanitarian Law. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748921103.

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This report aims to compile information about relevant measures employed in the implementation of IHL in Germany, without being exhaustive. It therefore addresses the status of IHL in the German legal system, the status and control of the German armed forces as well as measures concerning, inter alia, the protection of civilians and civilian property, and the dissemination and enforcement of IHL. The report will appeal to anyone with an interest in IHL, including government officials, parliamentarians, the staff of non-governmental organisations, academics, journalists and the general public both in and outside Germany.

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34

Global Networks and Local Values: A Comparative Look at Germany and the United States (Compass Series (Washington, D.C.).). National Academies Press, 2001.

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35

The New World Of Wireless How To Compete In The 4g Revolution. Pearson Prentice Hall, 2009.

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36

Compound interest and discount factor tables for appraisers: The six functions of one dollar = Tables d'intérêt composé et de facteurs d'actualisation à l'intention des évaluateurs : les six fonctions d'un dollar. Winnipeg, Man: Appraisal Institute of Canada, 1994.

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37

Deudney, Daniel H. All Together Now. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190905651.003.0011.

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Today, swollen numbers of humanity are now intensively interactive and interdependent through vast networks of complex machines and built infrastructures that span the planet, whose unintended consequences and spillovers have grown to species significance. The practical context for all human activities has become a densely occupied and tightly coupled neighborhood. While the content of cosmopolitanism, in its ancient, Enlightenment, and current phases, reflects shrinking geographical spaces, it presumes an Earth composed of different places, rather than a more accurate “terrapolitan” view of Earth as a single place. In the terrapolitan situation, the central problem is not that humans are insufficiently attentive to the needs of distant others. Rather, it is that they are insufficiently attentive to their collective self-interest in survival in the face of existential threats. In part, these limitations stem from the utter novelty of the threats to basic interests that have arisen with such historical rapidity.

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38

Morgan-Owen, David G. Preparing for War. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805199.003.0005.

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The period 1904–6 proved to be a fateful one for the CID. The government successfully divorced the Regular Army from its defensive duties and re-orientated it towards operations overseas—the necessary first step to producing a more coherent, complementary approach to imperial defence. Yet despite this change in military policy, the CID failed to become a forum in which the two services could debate and co-operate in the interests of producing a cohesive grand strategy. Political intervention thus merely changed the parameters within which quasi-independent naval and military strategies continued to compete, intersect, and diverge—to the detriment of overall British readiness for war.

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39

Vanel, Hervé. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037993.003.0001.

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This introductory chapter discusses composer John Cage's views about Muzak and his interest in the work of French composer Erik Satie. Muzak is a company that provides functional music as a tool of management in environmental situations. The term has nonetheless a double entendre: muzak (lower case) refers to the genre of background music in general, while Muzak (with a capital) refers specifically to the trademarked product. For Cage, Muzak's discourse clarified the stakes of a competition in which both the arts and the products of industry were engaged. His comparative evaluation of furniture music and muzak may have stressed the possibility of separating one from the other, but by the same token it also indicated that they share a parallel if irreconcilable ambition.

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40

Spar, Debora L. Ruling the Waves: From the Compass to the Internet, a History of Business and Politics along the Technological Frontier. Harvest Books, 2003.

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41

E-Book Publishing Success: How Anyone Can Write, Compile and Sell E-Books on the Internet (Chandos Information Professional). Chandos Publishing (Oxford) Ltd, 2005.

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42

Taylor, Benedict, ed. Rethinking Mendelssohn. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190611781.001.0001.

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Rethinking Mendelssohn offers a new perspective on Felix Mendelssohn’s music and aesthetics, arguing for a fresh understanding of the composer, his music, and its central relationship to nineteenth-century culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, the present book sets a new tone for research on Mendelssohn. It challenges the traditional modes of discourse about this composer in moving beyond rehabilitation and source studies to engage in rigorous criticism and analysis, seeking to rethink the issues that shaped Mendelssohn, his music, and its reception from his own day to the present. This volume includes contributions from younger, emerging scholars as well as from some of the most prominent figures outside specialist Mendelssohn circles in order to open up new ways of understanding the composer and set out future directions in Mendelssohn studies. Besides offering fresh accounts of some of his most familiar orchestral pieces, particular attention is given here to Mendelssohn’s contested views on the relationship between art and religion, the analysis of his instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song tradition.

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43

Decker, Gregory J. y Matthew R. Shaftel, eds. Singing in Signs. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190620622.001.0001.

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Singing in Signs is a collection of essays from prominent opera scholars that explores the rich interplay of symbols in the operatic genre, while simultaneously providing perspective on the state of opera study. Each author, whether explicitly or implicitly, uses the powerful tools of semiotics (the study of signs) to construct interpretations and discover relationships among music, lyrics, and drama. Authors in this collection use a combination of traditional and emerging methodologies to engage composer-constructed and work-specific music-semiotic systems, broader sociocultural music codes, and narrative strategies. Many of the essays have implications for performance and staging. Singing in Signs answers the call—through the lens of semiotics—to embrace opera on its own terms and to engage all of its constituent elements in interpretation. The purpose of the present volume is to “resurrect” serious musical study of opera—not because it has not been taking place—but in a larger sense as a multifaceted, interpretive discipline, by collecting some of these efforts in one volume. The essays here focus on the musical, dramatic, cultural, and performative in opera and demonstrate how these modes can create an intertext that informs interpretation. Operas explored in this volume span the late Baroque period through the present day, including composers from Handel to Wagner to Britten.

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44

Cusumano, Michael A. y Andreas Goeldi. New Businesses and New Business Models. Editado por William H. Dutton. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199589074.013.0012.

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This chapter shows one of the most significant issues facing old and new businesses in the digital age – the development of new business models – and determines a wide range of business models enabled by new platforms for computing and communications over the Internet. It reviews the general impact of the Internet on firm-level strategy (how to compete in particular markets) and business models (how to generate revenues and profits), and then describes how the Internet has caused entrepreneurship and innovation. Entrepreneurs around the world believed that the Internet would develop magical scale economies as millions of users flocked to their websites. Online advertising is a ‘winner-takes-most’ market. The Internet has brought an almost unlimited ability to search the globe for the best products and services at the lowest prices.

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45

Beal, Amy C. Horizons. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039157.003.0005.

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This chapter discusses Beyer's percussion ensemble compositions. Between 1933 and 1942, Beyer composed eight works for percussion ensemble—a total of nineteen movements and about seventy-five minutes' worth of music. She composed her first work for percussion ensemble—the three-movement, thirteen-minute-long Percussion Suite—in 1933. The Percussion Suite is scored for Chinese blocks, triangle, tambourine, cymbal, bass drum, xylophone, rattle, castanets, and tam-tam. The first movement is characterized by the austere, quiet plodding of the bass drum, which begins and ends the piece, and is constant throughout. The second movement of the suite features an oft-repeated solo xylophone melody, with ever expanding intervals and frequent rhythmic variation, as well as regular use of both slow and fast glissandi, revealing Beyer's growing interest in sliding tones. Beyer's next percussion ensemble piece was a five-movement, approximately twelve-minute nonet titled Percussion (1935).

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46

Chen, Ling. Manipulating Globalization. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503604797.001.0001.

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The era of globalization saw China emerge as the world’s manufacturing titan. However, the “made in China” model—with its reliance on cheap labor and thin profits—has begun to wane. Beginning in the 2000s, the Chinese state shifted from attracting foreign investment to promoting technological competitiveness of domestic firms. This shift, however, caused tensions between winners and losers, leading local bureaucrats to compete for resources in government budget, funding, and tax breaks. While bureaucrats successfully built coalitions to motivate businesses to upgrade in some cities, in others, vested interests within the government deprived businesses of developmental resources and left them in a desperate race to the bottom. In Manipulating Globalization, Ling Chen argues that the roots of coalitional variation lie in the type of foreign firms with which local governments forged alliances. Cities that initially attracted large global firms with a significant share of exports were more likely to experience manipulation from vested interests down the road compared to those that attracted smaller foreign firms. The book develops the argument with in-depth interviews and tests it with quantitative data across hundreds of Chinese cities and thousands of firms. Chen advances a new theory of economic policies in authoritarian regimes and informs debates about the nature of Chinese capitalism. Her findings also shed light on state-led development and coalition formation in other emerging economies that comprise the new “globalized” generation.

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47

Chiran, Gabriela Aurelia. Limba romana literara in traducerile succesive din Jules Verne. Editura Universitara, 2020. http://dx.doi.org/10.5682/9786062810474.

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Lucrarea de fata reprezintă o incercare de cercetare sistematică a fenomenelor și tehnicilor traductologice evidentiate în talmacirile romanesti ale romanului Le Château des Carpathes/ Castelul din Carpati, cu scopul de a releva marcile diacronice ale limbii romane literare, de-a lungul celor o suta douazeci si cinci de ani de confruntare cu scrierile lui Jules Verne. Textul Le Château de Carpathes/Castelul din Carpati, despre care discutam aici, s-a bucurat de un succes deosebit in epoca si in posteritate, ajungand la sensibilitatea cititorilor romani, dar si a traducatorilor, intrucat acesta valorifica o limba literara in care terminologia stiintifica de la nivelul de popularizare a stiintelor se îmbina cu elementele stilului beletristic: un vocabular complex, presarat cu expresii metaforice, cu forme arhaice, regionale, dar mai ales cu imprumuturi, cu neologisme obtinute pe aceasta cale a imprumutului sau prin creatii interne partiale ori totale – calcuri lingvistice, derivate, compuse, conversiuni, combinatii intre toate acestea. In plus, romanul in cauza a reprezentat un prilej de mandrie nationala, dat fiind faptul ca Transilvania, un colt de tara romaneasca, a provocat un interes deosebit pentru anticipatorul stiintific francez – un autor de talie mondiala.

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48

Antliff, Allan. Poetic Tension. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041051.003.0008.

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This essay examines the politics of New York's Living Theater, from its founding in late 1940s to the mid-1960s. He will outline Julian Beck and Judith Malina's anarchist-pacifism, their involvement in anti-nuclear bomb protests during the 1950s and early 1960s, and the increasingly confrontational tenor of their theater productions. Topics to be discussed include the abstract expressionist paintings of Beck, Malina's interest in the Gestalt theories of Paul Goodman, and the group's collaborations with composer John Cage, poet Jackson Mac Low, and the artists of the No! Art! movement. The chapter will close with group's departure for Europe in1964.

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49

Esler, Karen J., Anna L. Jacobsen y R. Brandon Pratt. Form and Function of Mediterranean Shrublands. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198739135.003.0006.

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The archetypal shrub type that dominates most of the regions that experience mediterranean-type climate (MTC) is an evergreen shrub with thick and leathery leaves (sclerophyllous). The occurrence of large stands of such shrubs in all MTC regions led early biogeographers to hypothesize that the MTC selects for this growth form and leaf type and that this had led to convergent evolution (see Chapters 1 and 2). This hypothesis has received considerable research interest and continues to be examined. In this chapter we consider the structure and physiology of these archetypal MTC region shrub species and examine evidence for convergent evolution in their structure and function. We also assess the key adaptive traits that enable the shrub species that compose mediterranean-type vegetation (MTV) communities to thrive in MTC regions.

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50

Menz, Georg. Comparative Political Economy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199579983.001.0001.

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This new and comprehensive volume invites the reader on a tour of the exciting subfield of comparative political economy. The book provides an in-depth account of the theoretical debates surrounding different models of capitalism. Tracing the origins of the field back to Adam Smith and the French Physiocrats, the development of the study of models of political-economic governance is laid out and reviewed. Comparative Political Economy (CPE) sets itself apart from International Political Economy (IPE), focusing on domestic economic and political institutions that compose in combination diverse models of political economy. Drawing on evidence from the US, the UK, France, Germany, Sweden, and Japan, the volume affords detailed coverage of the systems of industrial relations, finance, welfare states, and the economic role of the state. There is also a chapter that charts the politics of public and private debt. Much of the focus in CPE has rested on ideas, interests, and institutions, but the subfield ought to take the role of culture more seriously. This book offers suggestions for doing so. It is intended as an introduction to the field for postgraduate students, yet it also offers new insights and fresh inspiration for established scholars. The Varieties of Capitalism approach seems to have reached an impasse, but it could be rejuvenated by exploring the composite elements of different models and what makes them hang together. Rapidly changing technological parameters, new and more recent environmental challenges, demographic change, and immigration will all affect the governance of the various political economy models throughout the OECD. The final section of the book analyses how these impending challenges will reconfigure and threaten to destabilize established national systems of capitalism.

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