Bibliografías temáticas / Interior decoration – England

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Literatura académica sobre el tema "Interior decoration – England"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Interior decoration – England"

1

Yezhova, Olga, Kalyna Pashkevych, Olena Kolosnichenko, Natalia Ostapenko, and Marina Kolosnichenko. "Texture decoration: from folk costume to fashion and interior design." Arta 33, no. 1(AV) (2024): 214–24. https://doi.org/10.52603/arta.2024.32-1.25.

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The article is devoted to the problem of decorating the texture of interior textiles with smocking. The article systematizes information on the history of smocking development, develops a classification of smocking designs, and substantiates recommendations on the geometric parameters of smocking on interior textiles. The paper uses descriptive and historical approaches to systematize and classify the types of smocking designs. As a result of the analysis of literary sources and museum exhibits, it was found that smocking as a figurative gathering of the fabric into several rows of assemblies
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2

Payne, Matthew. "THE ISLIP ROLL RE-EXAMINED." Antiquaries Journal 97 (September 2017): 231–60. http://dx.doi.org/10.1017/s0003581517000245.

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The mortuary roll of John Islip (1464–1532), Abbot of Westminster, is the finest example of its kind to survive in England. The drawings, possibly by Gerard Horenbout, afford the only views of the interior of Westminster Abbey before the Dissolution. The discovery of eighteenth-century copies of an unknown, coloured version of the roll provides important new evidence for both the circumstances of the production and the later history of both rolls. It also provides, for the first time, an authentic colour view of the interior of Westminster Abbey in the late medieval period, and new information
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3

Dietochka, Olha. "The Influence of the East India Company on the Relationship Between the Fine Ceramic Art of Spain and England." МISТ: Art, history, modernity, theory 19 (November 28, 2023): 45–50. https://doi.org/10.31500/2309-7752.19.2023.310662.

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The article highlights the circumstances of the establishment and development of the stylistics of fine ceramic art in Spain and England. It was found that the trade activities of the East India Company played the primary role in the mutual enrichment of the porcelain and faience culture of Spain and England. Starting from the 17th century, the company, under the jurisdiction of England, established a continuous supply of ceramics from East to West, and later mutual trade between England and Spain. Such manufacturers in Spain as the Alcora Manufactory, the Buen Retiro Porcelain Factory, and th
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4

Willemijn Fock, C. "werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst." Oud Holland - Quarterly for Dutch Art History 112, no. 4 (1998): 187–246. http://dx.doi.org/10.1163/187501798x00211.

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AbstractOur ideas of what 17th century Dutch interiors looked like have been conditioned by the hundreds of paintings of interiors by Dutch genre painters. Even restorations and reconstructions in our own time (fig. 1) are influenced significantly by them. It is therefore of vital importance to our knowledge of the history of Dutch interior decoration to realise what we can or cannot believe, and to compare these genre interiors with other sources such as probate inventories, building specifications, plans, conditions of sale, contemporary descriptions such as travellers' reports, etc. It is t
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5

Romanenkova, Yuliia. "Paragon Pearls in the Western European Jewellery Art of the 16th–19th Centuries." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 15–20. https://doi.org/10.31866/2410-1176.47.2022.269519.

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The purpose of the article is to study the main trends in the use of paragon pearls in the jewellery manufacture of Western European countries, starting from the 16th century. Methods. The main scientific research methods include historical, chronological, complex, and comparative methods of art studies analysis to fully and thoroughly cover the phenomenon of the use of paragons in the jewellery art of the post-Renaissance era in the leading countries of Western Europe. Results. Since the end of the 15th century, pearls were among the most popular materials used by jewellers in
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Shkolna, Olha. "Artistic Features of Domestic Architecture in England of the Renaissance Period." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 72–79. https://doi.org/10.31866/2410-1176.42.2020.207635.

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The purpose of the article is to examine the domestic architecture of England in the period of 1485–1625, which is usually associated with the Renaissance (the reign of the Tudors, Elizabeth I and James I Stuart), to identify its artistic features. The research methodology includes a set of methods. Thus, the hermeneutic analysis is to interpret the cultural and symbolic characteristics of significant sites; the ontological approach is to identify the area of their existence, the chronological method is to follow the changes within certain historical periods, the historical-cultural anal
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7

Forster-Garbutt, Eva. "Drawn from Nature: Wallpaper patterns in New Zealand's Schools of Art and Design." Architectural History Aotearoa 20 (December 4, 2023): 46–57. http://dx.doi.org/10.26686/aha.v20.8712.

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Schools of art and design were established in New Zealand from 1870 to foster the development of technical skills in the trades and the creative and decorative arts. These schools flourished throughout the latter two decades of the nineteenth century and the early decades of the twentieth century. Informed by the teachings of the South Kensington School in England, students in New Zealand were instructed in the design of patterns for interior finishes, such as wallpapers, tiles, linoleum and textiles. The blossoming Arts and Crafts movement not only guided the teaching models of these schools,
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Ameijeiras Barros, Marta. "Rediscovering the Jacobean cult in medieval England: the wall paintings of St James the Great in Stoke Orchard." Ad limina 6 (July 25, 2015): 221–49. http://dx.doi.org/10.61890/adlimina/6.2015/07.

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El trabajo de restauración llevado a cabo en la década de 1950 por el equipo de Clive Rouse en la iglesia Normanda de Santiago el Mayor de Stoke Orchard, Gloucestershire, dejó al descubierto uno de los ciclos pictóricos más tempranos y extensos conservados en Europa sobre la vida y muerte del apóstol Santiago, fechado entre el ca. 1190 y 1220. Aunque el método decorativo adoptado aquí, a modo de friso continuo recorriendo todo el interior de la nave de la iglesia, puede también verse en otras iglesias inglesas como St Botolph en West Sussex, ejemplos conservados parecen indicar que esta fórmul
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Martono, John, and Eka Arifianty Puspita. "INSPIRASI HYPERNATURE PADA BATIK TULIS CIWARINGIN CIREBON UNTUK DESAIN HOME DÉCOR." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 216. http://dx.doi.org/10.24114/gr.v12i1.44758.

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Batik culture has succeeded in becoming a driving force of the creative economy and providing employment opportunities in various areas of Indonesia. However, the rapid development of batik does not guarantee the success of the batik businesses to be sustainable. One example occurs in one of the national batik industry centers, namely Cirebon. The famous culture of batik in Cirebon is synonymous with the craft center located in Trusmi Village. However, Cirebon also has other areas that are actively producing batik, such as Ciwaringin Village. Contrast to the popular Trusmi Village, Ciwaringin
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Janjušević, Bogdan. "Architecture of Vojvodina at the turn of the 19th and 20th centuries and emergence of facade ceramics." Fragmenti : casopis za arhitekturu i urbanizam, no. 1 (2024): 10–25. https://doi.org/10.5937/frg2401010j.

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Ceramic tiles, derived from baked clay, serve as finishing materials for walls and floors, both within the interior and exterior of buildings. These tiles come in diverse colors, textures, and profiles. The earliest instances of ceramic tile production trace back to the Middle East, dating back several centuries BC. Following the Roman conquest of these regions, the production technology spread to Europe. Nevertheless, this artistic form disappeared from European soil in the early Middle Ages, only to resurface on a larger scale in the 17th century in the Netherlands. Meanwhile, the Middle Eas
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Tesis sobre el tema "Interior decoration – England"

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Neiswander, Judith Ann. "Liberalism, nationalism and the evolution of middle-class values : the literature on interior decoration in England, 1875-1914." Thesis, Queen Mary, University of London, 1988. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1633.

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In the 1870s and 80s, the interior decoration of the middle-class home was the focus of a great deal of attention, as reflected in a dramatic increase in the literature on this subject in the form of handbooks 'for those about to furnish', articles in women's magazines, trade Journals and publications for artists and architects. This literature expressed the most advanced ideas of the day and actively promoted such progressive concepts as individual freedom of expression, cosmopolitan internationalism, the need for improvement in the position of women, and the application of new scientific the
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2

Cole, Emily V. "The state apartment in the Jacobean country house, 1603-1625." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6337/.

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This thesis explores the state apartment in the Jacobean country house – its status, function, use, planning, decoration and furnishing. It does so against various different backgrounds. Firstly, that of the royal progress, during which Tudor and early Stuart monarchs – in particular, James I – would visit private residences around the country. The nature of such visits are explored, using a large amount of primary evidence and drawing upon a full itinerary of James I's reign, compiled for the first time as part of this thesis. A different context, that of royal palaces, is then considered, pa
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Libros sobre el tema "Interior decoration – England"

1

Ann, Gore, ed. English interiors: An illustrated history. Thames and Hudson, 1991.

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2

Smith, Charles Saumarez. Eighteenth-century decoration: Design and the domestic interior in England. H.N. Abrams, 1993.

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3

Bo, Niles, ed. Bringing it home, England: The ultimate guide to creating the feeling of England in your home. Clarkson Potter/Publishers, 1998.

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4

Elaine, Louie, ed. Living in New England. Simon & Schuster, 2000.

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5

Samuel, Chamberlain. New England rooms 1639-1863. Architectural Book Pub., 1993.

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William, Morgan. A simpler way of life: Old farmhouses of New York & New England. Norfleet Press Inc., 2013.

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7

Spencer-Churchill, Henrietta. Classic English interiors. Anaya Publihers, 1990.

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8

Philip, Reeser, ed. New England: Icons and influences. Rizzoli, 2004.

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9

Turner, Mark. Silver Studio of design: A design and source book for home decoration. Magna, 1995.

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10

Fleischmann, Melanie. In the neoclassic style: Empire, Biedermeier, and the contemporary home. Thames and Hudson, 1988.

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Capítulos de libros sobre el tema "Interior decoration – England"

1

Strunck, Christina. "Londoner Reaktionen auf die Querelle des Anciens et des Modernes. John Evelyns Übersetzung von Fréart de Chambrays Parallèle, Christopher Wren, Antonio Verrio und das Royal Hospital in Chelsea (1682‒1689)." In Übersetzungspolitiken in der Frühen Neuzeit / Translation Policy and the Politics of Translation in the Early Modern Period. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-67339-3_14.

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ZusammenfassungThis article cites the example of the Royal Hospital in Chelsea endowed by King Charles II of England in 1681 to discuss interlingual, inter- and intramedial translations processes that apply not only to that hospital (a home for war veterans), but to the entire replanning of London after the major conflagration of 1666. John Evelyn’s English translation of the Parallèle de l’architecture antique et de la moderne by Roland Fréart de Chambray, published in 1664, forms a frame of reference enabling a more precise understanding of the guidelines of urbanist design and the character
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2

Hennessey, Patrick, and Philippe Kuhn. "The Roles of Professionals." In Wilmot-Smith on Construction Contracts. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198832805.003.0005.

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This chapter discusses professions that are traditionally concerned with building and engineering works, such as architects, engineers, and quantity surveyors. It analyses how project managers are being added to the group of construction professionals engaged by employers. It also probes the work of construction professionals in England, Wales, and Scotland that is subject to the Housing Grants, Construction and Regeneration Act 1996 (HGCRA). This chapter cites a construction contract in the HGCRA as an agreement to do architectural, design, or surveying work or provide advice on building, eng
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O’connell, Michael. "Introduction." In The Idolatrous Eye. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195132052.003.0001.

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Abstract The personal origin of my interest in the issues explored in this book goes back about a decade and a half to a moment of wonder that the sculpture lining the walls of the fourteenth-century Lady Chapel of Ely Cathedral had been systematically defaced by iconoclastic hammers. While enough of the intricate foliage decoration and the undulating pattern of nodding ogee arches is left to suggest something of the magnificence the chapel once possessed, the heads and faces of the figures in sculpted scenes of the life and miracles of the Virgin are mutilated. The grace of what remains of th
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Ellenzweig, Allen. "Imperial Fantasies." In George Platt Lynes. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0002.

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George Lynes was a dreamy child with a willful temperament. He was born 1907 in East Orange, New Jersey, of a father who abandoned the law to minister in the Episcopal Church and a mother who descended from a Southern family and had graduated New York’s Hunter College. George occasionally lorded it over his younger brother Russell as they grew up in the idyllic New England town of Great Barrington in the Berkshires where their father, Joseph Russell Lynes, was rector of St. James Episcopal Church. George once regaled a local barber with the imperial fantasy that he was really an escaped “Russi
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