Bibliografías temáticas / Iris Feminist Collective

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Literatura académica sobre el tema "Iris Feminist Collective"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Iris Feminist Collective"

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González, María Martínez. "Feminist Praxis Challenges the Identity Question: Toward New Collective Identity Metaphors." Hypatia 23, no. 3 (2008): 22–38. http://dx.doi.org/10.1111/j.1527-2001.2008.tb01203.x.

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The analysis of difference and identity questions brought Iris Marion Young to develop a metaphor of collective identity, the city, which included the diversity that characterizes all human groups. This article honors Iris Marion Young by challenging the question of identity in contemporary feminism and social sciences. María Martínez González argues that we need new identity and collective identity metaphors in order to understand the complexity of contemporary feminist praxis.
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2

Landberg, S. Topiary. "In the Best Interests of the Children." Feminist Media Histories 11, no. 2 (2025): 144–65. https://doi.org/10.1525/fmh.2025.11.2.144.

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This essay concerns the documentary In the Best Interests of the Children (1977) by the feminist collective Iris Films about lesbian mothers fighting to retain custody of their children in the 1970s. Comparing the original concept of the film, as a tool for education and social change, to its recent reemergence as a “forgotten” chapter of LGBTQ+ history, the article demonstrates the fluidity of useful film across time. Working with the personal papers of Frances Reid/Iris Films, and interviews with Reid and her “stepdaughter” Julie Stevens, this article provides a personal, contemporary queer
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Gardiner, Rita A. "Hannah and her sisters: Theorizing gender and leadership through the lens of feminist phenomenology." Leadership 14, no. 3 (2017): 291–306. http://dx.doi.org/10.1177/1742715017729940.

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This article explores how feminist phenomenology can add conceptual richness to gender and leadership theorizing. Although some leadership scholars engage with phenomenological and existential inquiry, feminist phenomenology receives far less attention. By addressing this critical gap in the scholarship, this article illustrates how feminist phenomenology can enrich gender and leadership scholarship. Specifically, by engaging with the work of four women existential phenomenologists – Hannah Arendt, Simone de Beauvoir, Iris Marion Young, and Sara Ahmed – the rich diversity of phenomenological i
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4

Vögele, Hannah. "Responsibility for Vulnerability." Philosophy Today 64, no. 3 (2020): 577–97. http://dx.doi.org/10.5840/philtoday2020917349.

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Care (work) is in crisis. In fact, within our current system, social vulnerabilities of differential kinds are pushed to the fringes of society, while self-responsibility prevails. Yet recently, vulnerability has become a fashionable concept in (feminist) theory. It owes this popularity not least to Judith Butler’s work. This paper analyses the political potential of her conceptualization. More precisely, it argues for the need to assume political responsibility for vulnerability. This is not a connection that Butler makes explicitly. Instead, and contrary to her previous ambivalence to ethics
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Čičigoj, Katja. "Unthinkable concepts, invisible genealogies: rereading the new materialist rereading of The Second Sex." Feminist Theory 21, no. 4 (2020): 483–500. http://dx.doi.org/10.1177/1464700120967316.

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In the essay ‘Sexual Differing’ from their book New Materialism: Interviews and Cartographies, Rick Dolphijn and Iris van der Tuin develop their new materialist take on sexual difference through their rereading of Simone de Beauvoir’s The Second Sex. I propose to read this essay as deploying the ‘analytical tool’ of ‘jumping generations’ articulated in the homonymous paper by van der Tuin as signature of the ‘new materialist’ ‘third wave’ of feminist theory. By pointing to the immediate textual context of the passages from The Second Sex quoted in ‘Sexual Differing’, to the philosophical under
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6

Marano, Virginia. "Being (not) at home: Exiled women artists in postwar New York." Image & Text, no. 37 (November 3, 2023): 1–25. http://dx.doi.org/10.17159/2617-3255/2023/n37a14.

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In postwar art, the question of exile is the question of home. House defines a space as a locative concept. Home represents a place with a symbolic value of belonging and refers to objects, people, and ideas. Home does not designate a fixed state but rather a relational and transformative site in which individual and collective acts of remembering are embedded. In this article, the author explores the aesthetics of exile in the artistic production of exiled women artists in postwar New York, most notably Ruth Vollmer, Louise Nevelson, and Eva Hesse, who have often been excluded from the discou
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Gorman-Murray, Andrew, and Robyn Dowling. "Home." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2679.

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 Previously limited and somewhat neglected as a focus of academic scrutiny, interest in home and domesticity is now growing apace across the humanities and social sciences (Mallett; Blunt, “Cultural Geographies of Home”; Blunt and Dowling). This is evidenced in the recent publication of a range of books on home from various disciplines (Chapman and Hockey; Cieraad; Miller; Chapman; Pink; Blunt and Dowling), the advent in 2004 of a new journal, Home Cultures, focused specifically on the subject of home and domesticity, as well as similar recent special issues in several othe
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Rosner, Daniela. "Bias Cuts and Data Dumps." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.2938.

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Introduction “Patterns are everywhere”, design researcher Anuradha Reddy told her virtual audience at the 2023 speaker series hosted by Brilliant Labs, a Canadian non-profit focussed on experiential digital learning and coding (Brilliant Labs / Labos Créatifs). Like other technology fora, this public-facing series offered designers an opportunity to highlight the accessibility of code. But unlike many such fora, Reddy’s code was worn on the body. Sitting at the now-standard webinar lectern, Reddy shared a flurry of images and contexts as she introduced a garment she called b00b, a bra that she
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Caluya, Gilbert. "The Architectural Nervous System." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2689.

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 If the home is traditionally considered to be a space of safety associated with the warm and cosy feeling of the familial hearth, it is also continuously portrayed as a space under threat from the outside from which we must secure ourselves and our families. Securing the home entails a series of material, discursive and performative strategies, a host of precautionary measures aimed at regulating and ultimately producing security. When I was eleven my family returned home from the local fruit markets to find our house had been ransacked. Clothes were strewn across the floo
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Hookway, Nicholas, Catherine Palmer, Matthew Wade, and Kevin Filo. ""I Decked Myself Out in Pink"." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2940.

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Introduction From the annual ‘Pink Test’ cricket match in Australia to Mother’s Day fun runs, there has been a proliferation of ‘pink’ uniformed charity events. This article analyses the pink uniform of the 2020 Cancer Council Tasmania’s Women’s first virtual 5K walk/run (W5K). The Women’s 5K event took take place virtually in September 2020 due to COVID-19 restrictions. The annual event, which runs through the CBD of Launceston, a regional city in Tasmania, typically attracts around 2,000 participants and is Cancer Council Tasmania’s major annual fundraiser. Cancer Council received 798 regist
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Libros sobre el tema "Iris Feminist Collective"

1

1968-, Quinn Justin, ed. Irish poetry after feminism: A collection of critical essays. Colin Smythe, 2008.

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1968-, Quinn Justin, ed. Irish poetry after feminism: A collection of critical essays. Colin Smythe, 2008.

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3

Lynne, Pearce, ed. Devolving identities: Feminist readings in home and belonging. Ashgate, 2000.

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4

McLaren, Margaret A. Women's Activism, Feminism, and Social Justice. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190947705.001.0001.

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Informed by practices of women’s activism in India, this book proposes a feminist social justice framework to address the wide range of issues women face globally, including economic exploitation; sexist oppression; racial, ethnic, and caste oppression; and cultural imperialism. The feminist social justice framework provides an alternative to mainstream philosophical frameworks that analyze and promote gender justice globally: universal human rights, economic projects such as microfinance, and cosmopolitanism. These frameworks share a commitment to individualism and abstract universalism that
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5

Fitzsimons, Camilla. Rethinking Feminism in Ireland. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350501157.

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Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborati
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6

MS Muffet and Others: A Funny, Sassy, Heretical Collection of Feminist Fairytales (Fairytales for Feminists). Attic Press, 1986.

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7

Mad and bad fairies: A collection of feminist fairytales. Attic, 1987.

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8

Ms Muffet and others: A funny, sassy, heretical collection of feminist fairytales. Attic Press, 1986.

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9

Sihra, Melissa. Shadow and Substance. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.35.

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In spite of the very important role of women in the development of Irish theatre through the twentieth century, their contribution has continued to be marginalized, with ‘women’s drama’ set off against an implicit male norm. This was still obvious in the Abbey Theatre’s centenary programme, in which no play by a woman featured on the theatre’s main stage. The work of Charabanc Theatre Company, a women’s collective, and the highly successful plays of Marie Jones emerging from that company can be contrasted with the male-dominated Field Day in terms of a disparity of critical attention. Marina C
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Moane, Geraldine. Integrating Grassroots Perspectives and Women’s Human Rights. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190614614.003.0005.

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This chapter considers how social psychological perspectives from feminist and liberation psychologies can enhance understandings of human rights activism, using three examples from the Irish context: abortion, poverty, and sexual orientation. The gap between institutional/state structures and grassroots community groups is apparent from the case of abortion and the use of the human rights framework in an Irish context. Possibilities for bridging this gap and for expanded understandings of human rights are considered. Firstly, Links are made between women’s human rights and structures of oppre
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Capítulos de libros sobre el tema "Iris Feminist Collective"

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Connolly, Linda. "Second-Wave Feminism and Equal Rights: Collective Action through Established Means." In The Irish Women's Movement. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230509122_3.

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2

Missero, Dalila. "Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures." In Women, Feminism and Italian Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474463249.003.0014.

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Drawing from Iris Marion Young notion of “pragmatic theorising”, this conclusion addresses issues of archival accessibility and historiography, from the point of view of women’s fragmented sources. It argues that a materialist and sensory approach to the archive leads to a notion of collective subjectivity, which goes beyond the ideas of “absence” and invisibility that inform most of the historiography about women in the cinema.
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3

Spence, Shannon Hughes. "Irish Feminist Witches." In The Witch Studies Reader. Duke University Press, 2025. https://doi.org/10.1215/9781478060369-004.

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This chapter explores why a number of feminists in Ireland have reclaimed the witch as a symbol of empowerment in an attempt to resist the patriarchal society that they feel exists withinthe country. Many people have experienced or witnessed violence and harm caused by family members, the Irish State, and/or the Catholic Church. With this in mind, and inspired by the collective solidarity of grassroots activist movements, Irish feminist witches are using not only the image of the witch to rebel against a patriarchal society but also the practice of witchcraft to resist traditional societal nor
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4

Rossiter, Ann. "‘Not our cup of tea’: Irish and British feminist encounters in London during the Troubles." In The Northern Ireland Troubles in Britain. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9780719096310.003.0012.

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Little writing exists on the experiences of women central to the numerous organizations that sprang up throughout the thirty years of the Irish Troubles. This chapter concentrates on three feminist groups, all London-based: the Women on Ireland Collective (1973-4), the Women and Ireland Group (1976-80) and the London Armagh Group (1980-mid-1990s) representing a small, but vibrant section of anti-imperialist women active on Irish issues in Britain. The focus of the three groups was the plight of working-class women living primarily in Republican areas of Northern Ireland in their daily struggle
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Brady, Deirdre F. "Coterie Culture and Modernist Presses." In Literary Coteries and the Irish Women Writers' Club (1933-1958). Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622461.003.0006.

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This chapter presents a biography of the modernist press, the Gayfield Press (1937-1946), and provides a critical case study for the discussion of Irish modernism, feminism, and the influence of coterie culture. It offers an account of the press, its eight book publications, it’s series of broadsheets, published authors and aesthetic vision of its owner, the poet Blanaid Salkeld. This chapter examines the conditions around publishing in terms of business models, complexities of daily publishing activities, context of censorship and political leanings and affiliations. Furthermore, it criticall
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Actas de conferencias sobre el tema "Iris Feminist Collective"

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Pollard, Carole. "From Gray to Grafton. The metamorphosis of Irish women architects in the twentieth century." In ICAG 2023 - VI INTERNATIONAL CONFERENCE ON ARCHITECTURE AND GENDER. Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/icag2023.2023.16824.

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Eileen Gray, was born in Ireland in 1878. One hundred years later, Yvonne Farrell and Shelley McNamara, established Grafton Architects, now Ireland’s most celebrated practice. This paper pulls a thread from Grafton’s great mantle and unravels the seam of Irish women architects all the way back to Gray. Who were those women and where is their architecture? Mostly unknown and generally ignored, their work, often not attributed, has remained hidden or has simply vanished.The progression of Irish women architects during this period cannot be dismissed as just another consequence of international f
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