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Libros sobre el tema "Iris Feminist Collective"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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1

1968-, Quinn Justin, ed. Irish poetry after feminism: A collection of critical essays. Colin Smythe, 2008.

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2

1968-, Quinn Justin, ed. Irish poetry after feminism: A collection of critical essays. Colin Smythe, 2008.

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3

Lynne, Pearce, ed. Devolving identities: Feminist readings in home and belonging. Ashgate, 2000.

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4

McLaren, Margaret A. Women's Activism, Feminism, and Social Justice. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190947705.001.0001.

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Informed by practices of women’s activism in India, this book proposes a feminist social justice framework to address the wide range of issues women face globally, including economic exploitation; sexist oppression; racial, ethnic, and caste oppression; and cultural imperialism. The feminist social justice framework provides an alternative to mainstream philosophical frameworks that analyze and promote gender justice globally: universal human rights, economic projects such as microfinance, and cosmopolitanism. These frameworks share a commitment to individualism and abstract universalism that
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5

Fitzsimons, Camilla. Rethinking Feminism in Ireland. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350501157.

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Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborati
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6

MS Muffet and Others: A Funny, Sassy, Heretical Collection of Feminist Fairytales (Fairytales for Feminists). Attic Press, 1986.

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7

Mad and bad fairies: A collection of feminist fairytales. Attic, 1987.

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8

Ms Muffet and others: A funny, sassy, heretical collection of feminist fairytales. Attic Press, 1986.

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9

Sihra, Melissa. Shadow and Substance. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.35.

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In spite of the very important role of women in the development of Irish theatre through the twentieth century, their contribution has continued to be marginalized, with ‘women’s drama’ set off against an implicit male norm. This was still obvious in the Abbey Theatre’s centenary programme, in which no play by a woman featured on the theatre’s main stage. The work of Charabanc Theatre Company, a women’s collective, and the highly successful plays of Marie Jones emerging from that company can be contrasted with the male-dominated Field Day in terms of a disparity of critical attention. Marina C
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10

Moane, Geraldine. Integrating Grassroots Perspectives and Women’s Human Rights. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190614614.003.0005.

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This chapter considers how social psychological perspectives from feminist and liberation psychologies can enhance understandings of human rights activism, using three examples from the Irish context: abortion, poverty, and sexual orientation. The gap between institutional/state structures and grassroots community groups is apparent from the case of abortion and the use of the human rights framework in an Irish context. Possibilities for bridging this gap and for expanded understandings of human rights are considered. Firstly, Links are made between women’s human rights and structures of oppre
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11

Mixed feelings: Feminism, mass culture, and Victorian sensationalism. Rutgers University Press, 1992.

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12

Devolving Identities: Feminist Readings in Home and Belonging. Taylor & Francis Group, 2017.

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13

Fletcher, LuAnn McCracken, ed. Literary Tourism and the British Isles. The Rowman & Littlefield Publishing Group, Inc., 2018. https://doi.org/10.5040/9781666998030.

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Literary Tourism and the British Isles: History, Imagination, and the Politics of Place explores literary tourism’s role in shaping how locations in the British-Irish Isles have been seen, historicized, and valued. Within its chapters, contributors approach these topics from vantage points such as feminism, cultural studies, geographic and mobilities paradigms, rural studies, ecosystems, philosophy of history, dark tourism, and marketing analyses. They examine guidebooks and travelogues; oral history, pseudo-history, and absent history; and literature that spans Renaissance drama to contempora
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14

Gracey, James. The Company of Wolves. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325314.001.0001.

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Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling)
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15

Bertei, Adele. Sinead O’Connor's Universal Mother. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765106945.

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WithUniversal Mother, Sinead O’Connor explores childhood trauma and her experiences as a woman, mother, target of scorn, and ultimate phoenix. Released in the winter of 1994,UniversalMotherwas the first recorded work from O’Connor since her duo of protests in 1992 (Saturday Night Live, Madison Square Garden). The sadistic blowback she faced for publicly outing the child abuse of the Catholic Church and its cover-up would have destroyed most. Where Sinead might go next, or if she’d ever record again, was the question. It’s a testament to her integrity and extraordinary courage that she was able
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16

Shakespeare, William. The William Shakespeare Collection. Jarrold Publishing, 2003.

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